See the Teaser Trailer for the Fantastic Four Reboot

See the Teaser Trailer for the Fantastic Four Reboot

I’m a big fan of what Marvel has accomplished with their movie properties, but I didn’t enjoy the two Fantastic Four films. And I really wanted to — Stan Lee and Jack Kirby’s FF was my favorite comic growing up, and I thrilled to the cosmic adventures of Reed Richards, Sue Storm, Johnny Storm and Ben Grimm as they explored the Negative Zone and uncovered countless ancient mysteries (not to mention giant robots, weird alien races, and noble heralds on surf boards.)

But love of the source material only goes so far, and I don’t think the two films were well cast, or captured the true spirit of the comic. As Matthew David Surridge wisely pointed out in his lengthy look at Stan and Jack’s amazing 104-issue run, “The FF are explorers, not crime-fighters or warriors.” So I was pleased to see that — from what little I can puzzle out from the Teaser trailer released yesterday for the new reboot — the new version seems to focus on the explorer aspect of the team. This is from Marvel’s description:

Fantastic Four, a contemporary re-imagining of Marvel’s original and longest-running superhero team, centers on four young outsiders who teleport to an alternate and dangerous universe, which alters their physical form in shocking ways. Their lives irrevocably upended, the team must learn to harness their daunting new abilities and work together to save Earth from a former friend turned enemy.

And here’s peek at the trailer itself. See what you think. Worth looking forward to?

New Treasures: The Dark Defiles by Richard K. Morgan

New Treasures: The Dark Defiles by Richard K. Morgan

The Dark Defiles-smallI can’t read all the fantasy books out there. I can’t even read all the really great stuff. Fortunately, I’m surrounded by a superb team of reviewers who keep me on top of things.

When Richard K. Morgan published his highly acclaimed first fantasy novel back in 2009, I totally missed it. But John C. Hocking didn’t, and in his review in Black Gate 13 he called it:

One of the most unusual, powerful, and daring sword & sorcery novels to see print for decades… The Steel Remains follows a trio of characters, each of whom played a dramatic part in humanity’s grim battle with the Scaled Folk — reptilian invaders from the sea, defeated several years past… As the three heroes are slowly drawn back together, a threat older and even more alien than the Scaled Folk moves into the world. Ringil and his friends will meet it with steel.

A sequel, The Cold Commands, followed in 2011, introducing the dark prophecy of the Illwrack Changeling, a boy raised to manhood in a ghostly between-world realm, whose return would be catastrophic for the fragile land. And late last year the final novel in what’s now being called a trilogy finally arrived. As the world teeters towards another war with the dragon folk, Ringil and his companions find the prophecy of a dark lord may be coming true very close to home.

Here’s the publisher’s description for The Dark Defiles, the closing volume of Land Fit for Heroes.

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Ancient Worlds: Gods Make Terrible Parents

Ancient Worlds: Gods Make Terrible Parents

Sebastiano_Ricci_-_Fall_of_Phaeton_-_WGA19423If there’s anything you learn quickly from Ovid, it’s that the gods are real jerks. They aren’t people you want anything to do with.

This is a consistent theme in the ancient world. The entire goal of existence with relation to the gods was to do what you had to do to stay in their good graces and to avoid them ever noticing you. Make your sacrifices, avoid outright blasphemy and sins that really anger them, and otherwise? Don’t ever be too.

Too rich. Too powerful. Too beautiful. Too lucky. Too happy. All of these things are potentially fatal, and that’s just if you’re a mere mortal. If you have the ill luck to be related to one of the gods, you’re all but guaranteed trouble.

So Phaeton is pretty well doomed. When he is taunted by a friend for being a bastard, he asks mother for proof of his parentage. She tells him where to find the palace of the sun, and off he goes. When he arrives, the Sun confirms that he is indeed Phaeton’s father and offers him one favor of his choosing to prove it.

Next rule: never accept a favor from a god. Or a nymph. Or a spirit of any kind. If you ever find yourself in a myth, turn down all favors. It will not end well.

Phaeton, being a young man, asks to borrow his dad’s car. The super cool one that burns with the heat of the sun. Pheobus immediately realizes that he has made a terrible mistake, but his son won’t be persuaded. Off Phaeton goes, with his father’s reins in hand.

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Muider Castle in The Netherlands

Muider Castle in The Netherlands

Muiderslot on a typically cloudy Dutch day.
Muiderslot on a typically cloudy Dutch day. The castle measures only 105 by 115 feet (32 by 35 meters) yet is perfectly placed to control shipping on the river and along the coast.

While many people go to Amsterdam to get baked and stare at Van Gogh paintings, the area around the city has a lot to offer, including one of the most visited castles in The Netherlands.

A twenty-minute bus ride from Amstel station takes you to the little port of Muiden, and from there it’s a pleasant walk through a park and along the coast to Muiderslot, a picturesque little castle by the sea.

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Vintage Treasures: The Ship That Sailed the Time Stream by G.C. Edmondson

Vintage Treasures: The Ship That Sailed the Time Stream by G.C. Edmondson

The Ship That Sailed the Time Stream 1965-small The Ship That Sailed the Time Stream 1970-small The Ship That Sailed the Time Stream-small

G.C. Edmondson was not a prolific fantasy author. He wrote barely half a dozen novels between 1965 and 1981. But at least one, The Ship That Sailed the Time Stream, became an acknowledged classic, kept in print by Ace Books for nearly two decades after it first appeared in 1965.

Edmondson wrote Westerns under at least three pseudonyms. The Ship That Sailed the Time Stream was his first fantasy novel; it first appeared as part of an Ace Double (cover by Jack Gaughan, above left), paired with Stranger Than You Think, a collection of Edmondson’s short stories.

The book, the tale of a military research ship cast back in time to the Bronze Age while testing experimental submarine detection gear, was an immediate critical success. It was nominated for the Nebula Award (it lost to Frank Herbert’s Dune), and Jerry Pournelle, co-author of The Mote in God’s Eye and Lucifer’s Hammer, called it “One of the best time travel novels I have ever read.”

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Forbes on the Books that Inspired the New Dungeons & Dragons

Forbes on the Books that Inspired the New Dungeons & Dragons

The Name of the Wind-smallGary Gygax, creator of Advanced Dungeons and Dragons, famously listed the fantasy writers and books that inspired him in Appendix N. We’ve had lengthy discussions on Appendix N, and its suitability as a jumping-off point for a fantasy collection, here on Black Gate.

Now that there’s a new version of D&D on the market, it’s not too surprising that its creators have included their own version of Appendix N. And while I consider Gygax’s Appendix N to be a terrific resource for classic fantasy fans, I was pleased (and not at all surprised) to find that the new inspiration comes chiefly from a new generation of fantasy writers.

Forbes magazine writer David M. Ewalt, who’s written about Dungeons and Dragons before, interviewed Mike Mearls, head of R&D for Dungeons & Dragons and co-lead designer on the fifth edition rules, and designer Rodney Thompson. Here’s some excerpts:

Patrick Rothfuss ”showed that bards didn’t have to suck,” according to Mearls. Fifth edition designers knew that players would use the bard class to create characters inspired by Kvothe, the hero of Rothfuss’ novel The Name of the Wind. “We actually talked about using words of power as big element of the bard, but toned it down as too on the nose.”

Saladin Ahmed ”did a great job of capturing the concept of an adventuring party in Throne of the Crescent Moon,” says Mearls. “A lot of the stuff behind bonds, flaws, all the stuff that binds characters to the campaign, was inspired by reading Throne…”

Mearls, Thompson and the rest of D&D team are also inspired by the storytellers who wrote for previous versions of the Dungeons & Dragons game. Last week, Wizards of the Coast announced “Elemental Evil,” a new storyline in the Dungeons & Dragons product universe tied into several new products: The storyline is based, in part, on the 1985 game module The Temple of Elemental Evil, which was written by Gary Gygax and Frank Mentzer for the first edition Advanced Dungeons & Dragons rules.

David M. Ewalt is also the author of Of Dice and Men: The Story of Dungeons & Dragons and the People Who Play It. See his complete article here.

It’s Good to be Minding the Stars with The Early Jack Vance, Volume Four, edited by Terry Dowling and Jonathan Strahan

It’s Good to be Minding the Stars with The Early Jack Vance, Volume Four, edited by Terry Dowling and Jonathan Strahan

Minding the Stars The Early Jack Vance Volume 4-smallI’ve been heartily enjoying The Early Jack Vance volumes from Subterranean Press, which collect the hard-to-find early pulp SF and fantasy from one of the greatest writers of the genre, Jack Vance.

The first two, Hard Luck Diggings (2010) and Dream Castles (2012), are now sold out and out of print — and rapidly raising in price. They collected fiction from the very start of Vance’s career, the late 40s through the late 60s.

Two more volumes are now in print, with one more due in March. Minding the Stars, the fourth volume, spans the years from 1952 to 1967, collecting four long novellas and four short stories, originally published in Astounding Science Fiction, Future Science Fiction, Fantastic Universe, Amazing Stories, and other fine publications. Here’s the complete table of contents:

Introduction by Terry Dowling and Jonathan Strahan
“Nopalgarth” (Originally published as The Brains of Earth, Ace Double, 1966)
“Telek” (Astounding Science Fiction, January 1952)
“Four Hundred Blackbirds” (Future Science Fiction, July 1953)
“Alfred’s Ark” (New Worlds SF, May 1965)
“Meet Miss Universe” (Fantastic Universe, March 1955)
“The World Between” (Future Science Fiction, May 1953)
“Milton Hack from Zodiac” (Amazing Stories, August 1967)
“Parapsyche” (Amazing Science Fiction Stories, August 1958)

The opening story, “Nopalgarth,” was originally published as half of an Ace Double in 1966, under the title The Brains of Earth. Vance collectors may recognize it as one of three novellas published in a slender collection from DAW in September 1980, under the title Nopalgarth (see below).

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Swords & Sorcery edited by L. Sprague De Camp

Swords & Sorcery edited by L. Sprague De Camp

oie_2763211ShPWYPH2The swords & sorcery that works best for me, the tales that get my heart pounding, come in short story form. It was Robert E. Howard’s “Beyond the Black River”, Fritz Leiber’s “Ill Met in Lankhmar”, and Karl Edward Wagner’s “Reflections for the Winter of My Soul” that made me love this genre. In those stories, the authors distilled everything down to forty or fifty pages of concentrated action, mayhem, and bloodshed. There are no wasted words, no longuers. While all three authors wrote decent enough S&S novels, it’s their short stories that roar down the tracks like a train, pulling me along. S&S is a fiction of action and plot. I want speed; economy of story-telling.

Even in 2015, thirty years after the end of swords & sorcery’s glory days, there are new short stories being written all the time. Each year, several anthologies’-worth of short fiction, once the lifeblood of S&S, still appear in various print and electronic magazines (read my most recent review here).

But you rarely see actual S&S anthologies published anymore. The only recent collections of original stories that spring to mind are the excellent Swords and Dark Magic, edited by Jonathan Strahan and Lou Anders, and Jason M. Waltz’s equally cool Return of the Sword. David Hartwell and Jacob Weisman’s The Sword and Sorcery Anthology is a decent enough collection, though of mostly reprints reaching all the way back to S&S’s earliest days.

But once upon a time anthologies seemed to be coming out of the woodwork. Probably the most well known are Lin Carter’s Flashing Swords! series and Andrew J. Offut’s Swords Against Darkness series. Amanda Salmonson edited two collections about women warriors, called succinctly, Amazons and Amazons II. Robot-like, Marion Zimmer Bradley’s Swords and Sorceress series continued for four years after she died in 1999.

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My Love/Hate Romance With Peter Jackson’s The Hobbit

My Love/Hate Romance With Peter Jackson’s The Hobbit

GandalfLet me state for the record that I am a fan of the film adaptation of The Lord Of the Rings. Jack Nicholson can complain all he likes about “too many endings,” but that celluloid trilogy managed the impossible: it successfully imbued a made-up world not only with turmoil and action but with genuine emotional gravitas. The Lord Of the Rings (2001 – 2003), against all odds, mattered.

Having just seen the third of The Hobbit installments (2012 – 2014), I fear I cannot say the same for these sequel-prequels. I want to. At certain moments, I’m convinced. At others?

Yes, the task of adapting a book to the screen is arduous, full of perils, and the fact that Jackson’s scriptwriting team of Fran Walsh, Philippa Boyens and (for these films) Guillermo del Toro have had any success at all is remarkable. Tolkien, let’s face it, was not an efficient story-teller. Given characters like Tom Bombadil, it would not be unfair to crown him as King Of All Digressions.

So let’s take it as a given that adaptation involves violence toward the source material. Additions will be made, and subtractions, too. So be it. The goal, typically, is to preserve the spirit of the original.

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My Overly Conscious Love for Pathfinder

My Overly Conscious Love for Pathfinder

Pathfinder Tales Stalking the BeastLately I’ve been reading a fair amount of Pathfinder novels. Partly this is because I want to play Pathfinder and have no one with whom to play it, because all of my adult friends who are so inclined live too far away, and my children and I just aren’t in the same frame of mind. (Roleplaying with a fourteen-year-old and a twelve-year-old is challenging, simply because logic, for all involved, works a little differently. For this audience, a straightforward dungeon crawl, like Fantasy Flight’s Descent, is a more viable option, but, with that, you don’t get enough freedom for story creation and character generation.)

Another reason I have been reading Pathfinder novels is because my oldest son has started reading them. If I read them as well, we can inhabit a shared text (and perhaps, in time, a satisfying Pathfinder gaming session).

And yet another reason why I have been reading Pathfinder novels is because they’re good.

This was announced not too long ago, at least in reference to Howard Andrew Jones’s Stalking the Beast, when Nick Ozment realized that that novel was “better than it needed to be.” I’ve read some Pathfinder novels by other writers as well, and I will say that most of them are quite good.

Nick made clear why he found Jones’s second novel for the franchise so good, but what do I mean when I say that, in general, I like the series? I will say that they are highly satisfying Sword and Sorcery novels. They are entertaining. They are escapist. They have cool things in them. And, above all, they are quite familiar. They are based on the 3.5 (or 3.75) edition of Dungeons & Dragons, after all.

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