Black Gate – Page 843 – Adventures in Fantasy Literature

Fantastic Universe, September 1959: A Retro-Review

Tuesday, February 17, 2015 Rich Horton Comments 0 Comment

Here is probably one of the less-remembered digest SF magazines of the 1950s. Fantastic Universe was founded in 1953 and lasted until 1960, publishing 71 issues overall… it was a bimonthly briefly then a monthly until its demise (with a missed issue or two along the way). Thus it survived the collapse of the pulps in about 1955, and the American News Company disaster in 1957 or so, and even Sputnik. That’s not a bad run, all things considered.

But what does historian of the field Mike Ashley say of it (in Tymn/Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines):

Fantastic Universe was born at the height of the SF magazine boom in 1953, and perhaps the most surprising fact about it was that it survived the boom and appeared regularly throughout the rest of the 1950s. Because if FU had any distinguishing feature it was its remarkable lack of memorable or meritorious fiction.

Ouch!

Alas, a skim through the TOCs of its run supports that notion: the most memorable stories were perhaps “Short in the Chest,” by “Idris Seabright” (Margaret St. Clair); “The Large Ant,” by Howard Fast; “Be My Guest,” by Damon Knight; and Robert Silverberg’s “Road to Nightfall.”

Add a couple of stories more famous for either their novel expansion, or the movie version: Algis Budrys’ “Who?” and Philip K. Dick’s “Minority Report,” and a couple decent but minor stories each by Poul Anderson and Jack Vance, oh, and say Walter Miller’s “The Hoofer” and Avram Davidson’s “The Bounty Hunter.” There was a short Borges story in translation as well (before Borges was all that well known in the US). Not all that much to show for 71 issues: even these stories I mention are solid works but not their authors at their very best.

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January Short Story Roundup

Tuesday, February 17, 2015 Fletcher Vredenburgh Comments 5 comments

Here we are again with a new batch of short stories for your reading pleasure. Some were good, some were alright, you know, the usual. Remember, though, whatever I write about these stories, take the time to go check them out yourself and let the writers and magazines know what you think.

Swords and Sorcery Magazine Issue 36 marks three years of continuous publication and is one of its best in a while. The first tale, “The Fourth River” by Brandon Ketchum, is a good old bit of monster-fighting set in the forests of a magical land called Ohio, in a seventeenth century filled with fantastical beasts. The story tells of the violent encounter between a party of colonial traders and a bunch of Shawnee with a Kinepikwa — a giant serpent with antlers and the power to paralyze any unlucky enough to view the evil gem embedded on its brow.

“The Fourth River” is good example of the continuing movement by some writers away from the too, too common medieval trappings of much fantasy. There’s not much to the characters — they’re too busy struggling to save the Ohio Territories from destruction — but Ketchum does a good job limning out his alternate reality in six thousand words.

Issue #36’s second story is “Warden’s Legacy” by Daniel Moley. It’s only his second published story, but it feel like it’s part of a much longer tale. Dane is a talented soldier hoping to join up with an elite unit, the Phantoms. They are the frontline in a war against a force of wizards bent on resurrecting the Forshai, a race of reptilian beings who once ruled mankind. Not a bad story at all, with enough tantalizing refrences to a larger world to make me want to read more.

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Destination Barsoom, Nehwon, Narnia: A Few Thoughts in Defense of Escapism

Tuesday, February 17, 2015 Nick Ozment Comments 0 Comment

The wardrobe that inspired C.S. Lewis. Collection of Marion E. Wade Center, Wheaton College.

I memorized all of John Carter and Tarzan, and sat on my grandparents’ front lawn repeating the stories to anyone who would sit and listen. I would go out to that lawn on summer nights and reach up to the red light of Mars and say, “Take me home!” I yearned to fly away and land there in the strange dusts that blew over dead-sea bottoms toward the ancient cities. — Ray Bradbury (“Take Me Home,” The New Yorker June 4, 2012)

A couple weeks ago, friend and fellow Black Gate blogger Gabe Dybing texted me with a proposition. “Read chapter one of Maker of Universes,” he typed, “and if you’re interested let’s talk about doing a survey of the series together.”

World of Tiers is probably Philip José Farmer’s most renowned series next to Riverworld, which I read a few years back. Currently I’m reading the Dungeon books, a shared-author series of six novels set in another world created by Farmer. Did I want to add this to my plate? Gabe piqued my interest by noting that the protagonist is an older English professor, somewhat disillusioned, who wants to escape — a character with whom we would feel some personal sympathies.

And so I read the first chapter, and the survey is on. In coming weeks we will be reviewing the books together — interspersed, I’m sure, with Gabe’s own Wednesday survey of the fantasy works of Poul Anderson and my own eclectic ranging far and wide across the spec-fic landscape.

But before we begin that undertaking, here is a prologue of sorts, a few thoughts I jotted down after reading the first chapter of Maker of Universes (1965). My thoughts, you will see, apply broadly to all “escapist” fiction…

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New Treasures: The Cobbler of Ridingham by Jeffrey E. Barlough

Monday, February 16, 2015 Jackson Kuhl Comments 1 comment

The Cobbler of Ridingham Winter is the best time to appreciate Jeffrey E. Barlough, perhaps none more so than the current brutality we’ve been experiencing in New England. Day after day of snow blowing past the windows makes it easy to imagine oneself in Barlough’s alternate history of an ice age that never fully receded; and a fire in the grate and a cup of hot coffee at hand while the wind howls beyond the lattices blurs the distinction between this reality and living in a separate megafauna-filled America settled by Victorian doomsday survivors swaddled in coats and mufflers.

In Barlough’s latest novel, The Cobbler of Ridingham, Richard Hathaway comes to Haigh Hall to examine some letters penned by Pharnaby Crust, an overlooked composer whom Hathaway intends to rescue from obscurity with a thorough biography. While studying in the Hall’s library, Hathaway observes a lurking shadow without source and is soon immersed in the curse of Crispin Nightshade, the infamous cobbler of nearby Ridingham. Nightshade used something known as haunted leather to fashion shoes which, when placed on the feet of corpses, could make the dead walk again. There are bumps in the night, unexplained footprints, a boot found in a snow bank, and more, all involving Barlough’s typical cast of well-sketched characters from upstairs and down.

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Book Tour Tips for (Self-Published) Authors

Monday, February 16, 2015 Patty Templeton Comments 1 comment

My adventure begins sixteen tons of sundowns ago… maybe say, November-ish, when the Clarendon Hills Public Library in Illinois asked me to be a featured reader at their No-Shush Salon. They wanted an author for early 2015. My first response (which I thankfully didn’t send) was no. Grateful that they thought of me, but no way. Who can afford to travel 5 hours one-way for one reading?

And then, THEN! In a cosmic crapshoot of hell yeah, another Chicago reading series, Tuesday Funk, contacted me. They wanted me for a reading several days after No-Shush.

When the universe shimmies at you, you wink back. I said yes to both.

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New Treasures: Dead Spots by Rhiannon Frater

Monday, February 16, 2015 John ONeill Comments 0 Comment

Rhiannon Frater’s zombie trilogy As the World Dies won her many readers, and in her Black Gate review Beth Dawkins called the opening volume, The First Days, “Very compelling… could be a zombie front runner.” Now Frater returns with an original horror novel featuring dead spots in the world where dreams become reality, terror knows your name, and nightmares can kill you.

After a tragic stillbirth and a devastating divorce, Mackenzie has no choice but to start her life over. What should be a routine drive across Texas to her mother’s home becomes much more when a near-accident causes Mackenzie to stumble into a dead spot. Dead spots link the world of the living to the one of nightmares and dreams, where people are besieged by monsters and by situations born of highly personal fears.

Grant, her newfound companion, keeps her from spiraling into madness — he has survived decades in the dead spots’ dreadful landscape and vows that together they will find a way to escape. With Grant’s guidance, Mac uses her will and life spark to restore abandoned buildings to their former glory, creating sanctuary for a night, or a day, or a few hours. But there is little respite in the dead spots. Horrible, unnatural birds snatch at Mackenzie’s few, precious reminders of her dead son. Graves open beneath her feet, attempting to swallow her whole. A killer clown lurks in the forest, eager for new prey.

Worse, death is not final in the dead spots. Even if a monster tears her apart, Mackenzie is doomed to return.

Friction between Mackenzie and Grant blooms when he cautions her against befriending others trapped in this nightmarish realm, yet she cannot ignore those who desperately need her help. As she learns more about the world, Mac starts to question who she can trust — and worse, to wonder who is real. To escape the dead spots, Mackenzie will have to take a stand against her worst fears and fight to liberate herself and the survivors she’s come to care about.

Dead Spots was published by Tor Books on February 10, 2015. It is 412 pages, priced at $16.99 in trade paperback and $9.99 for the digital version. The cover design is by FORT.

Future Treasures: Last First Snow by Max Gladstone

Monday, February 16, 2015 John ONeill Comments 0 Comment

Well, Max Gladstone’s Craft Sequence has officially moved past three novels now, meaning it’s no longer a trilogy and it’s now a “Sequence.” That means I’m even further behind, because I haven’t even read the second one yet.

The best description of this series I’ve found so far is from Elizabeth Bear, who says at her blog:

The Craft Sequence books are all about ancient necromancers in charge of corporations; liches running litigation; court battles fought by means of sorcerous contests; deities dueling by means of legal proxies and stock trading souls.

Last First Snow, the fourth novel in the sequence following Three Parts Dead, Two Serpents Rise, and Full Fathom Five, is due to arrive in July. Here’s the description:

Forty years after the God Wars, Dresediel Lex bears the scars of liberation —especially in the Skittersill, a poor district still bound by the fallen gods’ decaying edicts. As long as the gods’ wards last, they strangle development; when they fail, demons will be loosed upon the city. The King in Red hires Elayne Kevarian of the Craft firm Kelethres, Albrecht, and Ao to fix the wards, but the Skittersill’s people have their own ideas. A protest rises against Elayne’s work, led by Temoc, a warrior-priest turned community organizer who wants to build a peaceful future for his city, his wife, and his young son.

As Elayne drags Temoc and the King in Red to the bargaining table, old wounds reopen, old gods stir in their graves, civil blood breaks to new mutiny, and profiteers circle in the desert sky. Elayne and Temoc must fight conspiracy, dark magic, and their own demons to save the peace — or failing that, to save as many people as they can.

Last First Snow will be published on July 14, 2015 by Tor Books. It is 384 pages, priced at $25.99 in hardcover and $12.99 for the digital edition.

The Public Life of Sherlock Holmes: The Case of George Edalji

Monday, February 16, 2015 Bob Byrne Comments 8 comments

In the Old Testament, Nehemiah is the cupbearer to the king of Persia. His people, the Israelites, had been conquered by the Babylonians and sent into captivity years before. Groups of exiles had been allowed to return to Jerusalem, but the walls, which signified security and nation in those days, hadn’t been rebuilt.

When Nehemiah learned of the plight of his brethren, he wept, mourned, fasted and prayed. Such was the depth of his feeling for them.

In December of 1906, Sir Arthur Conan Doyle came across the case of George Edalji. Though he had no ties whatsoever to the disbarred solicitor from the village of Great Wyerly, Doyle was so outraged at the obvious injustice he perceived, that for over half of a year, he dedicated himself to exonerating the recently freed man.

There had been a series of cattle, horse and sheep maimings in the Wyerly area in 1903. Based on specious circumstantial evidence, the twenty-seven year old Edalji (son of the local reverend), poor of vision and with a spotless record, was convicted and sentenced to seven years in prison. Edalji’s father was from Bombay and there is no doubt that prejudice played a huge part in the story. The Dreyfus Affair comes to mind. Edalji was released after three years with no pardon, no explanation and no recompense.

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I, The Sun by Janet Morris

Sunday, February 15, 2015 Joe Bonadonna Comments 2 comments

I, The Sun
By Janet Morris
Perseid Press (534 pages, October 27, 2014, $26.95 in trade paperback)
Cover art: The Seal of Suppiluliumas

This masterpiece of historical fiction was based on the actual writings and historical records of Suppiluliumas I, the great Hittite king who dominated the Middle East around the 14^th century, BC. He rebuilt the old capital of Hattusas, and from there exercised his Imperial Power over the Hittite heartland, controlling the lands between the Mediterranean and Euphrates. But he was not a king to sit back on his throne and pull the strings of his minions, advisors and subjects. No, he was hands-on, and long before he became king he made his way in the world, fighting and whoring and playing politics. His military career included dealing with the eastern kingdom of Mitanni, and regaining a solid grip on Syria.

I, The Sun was first published in 1983 by Dell Books, and with this classic story of Suppliluliumas I, author Janet Morris laid the groundwork for her most famous fictional character — Tempus the Black, whom she first introduced in the original Thieves’ World series, and in her own, later novels such as Beyond Sanctuary, Beyond the Veil, Beyond Wizardwall, and The Sacred Band, written in collaboration with her husband, Chris Morris.

In I, The Sun, Janet Morris weaves a brilliant, sprawling tapestry of events in the life of this great king of the ancient world, whom we first meet when he is known by his birth-name, Tasmisarri. This historical novel, cleverly written in first-person to stand as the official autobiography of Tasmisarri/Suppiluliumas, begins with the death of his father, the Great King Arnuwandas. Since Tasmi cannot sit the throne until his majority, his uncle Tuthaliyas inherits the crown. But so much can happen until Tasmi comes of age, and so, to keep his own brothers from killing each other — and him, and thus seizing the throne, Tuthaliyas adopts Tasmi and makes him his heir.

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Second-hand Magic, Part I

Sunday, February 15, 2015 Matthew David Surridge Comments 3 comments

At a science fiction book sale not too long ago, I picked up an anthology from 1983 called Magic For Sale. There was something irresistibly appropriate in buying the book second-hand: edited by Avram Davidson, it’s a collection of stories for the most part precisely about the magic that lies within the second-hand. About purchasable goods with something in them beyond cost and explanation. About shoppers who find more than they expected. About supernatural bargains, each with its own twist.

Mostly. It’s actually difficult to find a plot description that fits all the stories in the book. Many involve strange old shops (that may or may not be present when a shopper returns), but many don’t. Most involve somebody buying something, but several are about decisions not to buy, or even simply about a customer escaping a shop more-or-less intact. Virtually all involve magic, except one or two that are, at least superficially, science fiction. So in some ways it’s quite a mixed bag.

And then again, in other ways it isn’t. Tonally, the stories feel quite similar, which might be a function of Davidson’s tastes as editor. But it’s interesting to wonder how much the similarity has to do with the nature of the book’s theme: the moment of transaction, the buying (or not) of the odd and dangerous. The way that the unnatural enters everyday life. Often, in horror and dark fantasy, critics like to talk about the “irruption” of the supernatural into the real; but the relevant definitions of irrupt have to do with something breaking in by force, and that’s exactly what doesn’t happen here, in most cases. Mostly, these stories are about making deals, and whether a character chooses to accept the deal they’re given, and what happens as a result. Mostly. One way or another, certain themes tend to emerge.

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