Future Treasures: The Alchemy of Chaos by Marshall Ryan Maresca

Future Treasures: The Alchemy of Chaos by Marshall Ryan Maresca

The Alchemy of Chaos-smallMarshall Ryan Maresca’s debut novel, The Thorn of Dentonhill, followed the adventures of Veranix Calbert, diligent college student by day and crime-fighting vigilante by night, in the crime-ridden districts of the port city of Maradaine. Library Journal said, “Veranix is Batman, if Batman were a teenager and magically talented,” and that’s not far off. Now comes word that the seqel, The Alchemy of Chaos, arrives from DAW in February, and I’m very much looking forward to it.

Veranix Calbert is The Thorn — the street vigilante who became a legend to the people of Maradaine, especially the gangs that run the neighborhood of Aventil. The Thorn continues to harass Willem Fenmere, the drug kingpin of the Dentonhill neighborhood. Veranix is still determined to stop Fenmere and the effitte drug trade, especially when he discovers that Fenmere is planning on using the Red Rabbits gang to bring the drug into Aventil.

But it’s also Exam Week at the University of Maradaine, where Veranix is a magic student. With his academic career — and future as a mage — riding on his performance, Veranix needs to devote himself entirely to studying and participating in a fellow student’s thesis experiments. There’s no time to go after Fenmere or the Red Rabbits.

Then a series of strange pranks begin to plague the campus, using a form of magic that Veranix doesn’t recognize. As the pranks grow increasingly deadly, it becomes clear that there’s someone with a vendetta against the university, and The Thorn may be the only one capable of stopping them. Between the prankster, the war brewing between the Aventil gangs, and the flamboyant assassins Fenmere has hired to kill him, Veranix may end up dead before the week is out. Which just might be preferable to taking his exams….

Maresca’s second novel, A Murder of Mages, began a second series set in Maradaine. The sequel, An Import if Intrigue, the second novel of The Maradaine Constabulary, is coming Fall 2016.

The Alchemy of Chaos, the second volume of The Maradaine Series, will be published by DAW on February 2, 2016. It is 400 pages, priced at $7.99 for both the print and digital versions. The cover is by Paul Young.

The Halt And The Lame

The Halt And The Lame

Heinlein WaldoOne of the details that made Richard Lester’s The Three Musketeers so unusual at the time of its filming (1973) was a level of realism previously unseen in the historical adventure movie, (think Errol Flynn’s The Adventures of Robin Hood). Lester showed us illness, filth, and poverty in  ways we hadn’t really seen in a movie that wasn’t about illness, filth, or poverty.

Aside: Oddly enough, there’s more realism of this kind in comedy than in any other genre, as though it’s okay to present disease and disfigurement in a way that make us laugh. (Disclaimer: the psychological basis of laughter is not the focus of this post)

Blade Runner did a similar kind of thing for SF movies. Maybe it wasn’t the first time we’d been shown a dark future, but it certainly was the first time we’d been shown one that wasn’t clean.  We may argue that George Lucas did it first, in the original Star Wars movie, where Luke was driving what was obviously a used flying car. (And that’s my Star Wars reference for today.)

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The Robot’s Voice Goes Silent

The Robot’s Voice Goes Silent

The Robots VoiceIt hasn’t been a good month to be a genre media site.

Less than a month after io9 announced it would be absorbed by Gizmodo, pop-media site The Robot’s Voice (formerly Topless Robot) abruptly announced late yesterday that was shuttering its doors. In his goodbye message, “So Long, and Thanks For All the WHOSE RESPONSIBLE THIS,” editor Luke Y. Thompson wrote:

I’ve given this site formerly known as Topless Robot three years of my life and hard work, and I wouldn’t trade them. I hoped that covering the subjects and culture that I love would sustain the site. For three years, it has — the three years it took to make The Force Awakens, no less. But all things must end. Today is the The Robot’s Voice’s final day of publication. After years of trying, we couldn’t make this work financially…

To my competition in the nerd-blogging world: I was mostly a one-man show, and I managed to go toe-to-toe with all of you for three years. That’s not too bad, right?

I don’t know where I’ll land next. I own a couple of URLs that I might use to start a project of my own, and no doubt somebody can put me to work writing about movies somewhere.

Topless Robot was founded in 2008 by Rob Bricken and Bill Jensen, and was renamed The Robot’s Voice in September 2015 in an attempt to become more mainstream. It is owned by Village Voice Media, the holding company that once owned The Village Voice. Read Thompson’s goodbye message here.

Goth Chick News: Universal Studios Goes Back to Its Roots and I Should Be Excited, But…

Goth Chick News: Universal Studios Goes Back to Its Roots and I Should Be Excited, But…

Sofia Boutella as the Mummy of Cleopatra
Sofia Boutella as the Mummy of Cleopatra, perhaps?

This is the sort of news that should actually make me smile… a bit.

Instead, I’m pouring myself an adult beverage and doodling the word “why” all over the back of my 2015 Edward Gory calendar.

Before I explain cause of all the sadness, let’s peer into the black depths of Hollywood history…

As a fledgling movie studio in the early 1920’s Universal began to gain real public attention with its first two horror films The Hunchback of Notre Dame (1923) and Phantom of the Opera (1925).

But it wasn’t until 1928, when studio founder Carl Laemmle made his son, Carl Jr. head of Universal Pictures as a 21st birthday present, that the studio found what became its most popular genre. Carl Jr. took his childhood taste for the “penny dreadfuls,” mixed it with Daddy’s money and created a niche for the studio, beginning a series of horror films which extended into the 1950s, affectionately dubbed Universal Horror.

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Vintage Treasures: The Good Stuff by Gardner Dozois

Vintage Treasures: The Good Stuff by Gardner Dozois

The Good Old Stuff-small The Good New Stuff-small

Gardner Dozois is one of the most accomplished and prolific editors in our field. He’s produced scores of anthologies, including 31 volumes of The Year’s Best Science Fiction, and won the Hugo Award for Best Professional Editor 15 times in 17 years from 1988 to 2004, as editor of Asimov’s Science Fiction.

In addition to championing countless new writers (as well as older and more neglected writers), he’s shown a lot of love for adventure SF and space opera over the years, which he calls “center-core SF.” In 1998 and 1999 he released two anthologies with the subtitle Adventure SF in the Grand Tradition, both with St. Martin’s/Griffin. They are probably my favorite of his numerous books:

The Good Old Stuff (434 pages, $17.95 in trade paperback, December 1998; cover by Ed Emshwiller)
The Good New Stuff (450 pages, $16.95 in trade paperback, February 1999; cover by Bob Eggleton)

The first volume collects fiction from 1948-1971, and the second from 1977-1998. Together they constitute the finest survey of adventure SF our field has seen.

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December GigaNotoSaurus Features “Quarter Days” by Iona Sharma

December GigaNotoSaurus Features “Quarter Days” by Iona Sharma

giganotosaurus logo-smallOne of my frequent complaints about the current crop of genre magazines is that they don’t publish enough novella-length fiction. As page counts shrink and more magazines announce they’ll only consider fiction below 8,000 words, the market for novellas — generally any fiction between 17,500 words and novel length — has dramatically shrunk.

But what if there was a market that published only SF and fantasy novelettes and novellas? That would be totally fabulous, right?

Well, there is such a market, and as a matter of fact, it is fabulous. GigaNotoSaurus, edited by Rashida J. Smith and published since November 2010, is a free online magazine that offers readers one story, between 5,000 and 25,000 words, every month. It has published multiple Nebula-nominated works, including Ken Liu’s “All the Flavors” and Ferrett Steinmetz’s “Sauerkraut Station,” as well as Judith Tarr’s “Dragon Winter,” S. Hutson Blount’s “The Taking of Book 257,” and C.S.E. Cooney’s marvelous “How the Milkmaid Struck a Bargain With the Crooked One.”

This month’s story is Iona Sharma’s “Quarter Days,” which Stompydragons called “utterly delightful. I loved the world she’s built, her characters felt fresh, and the plot used all of that to great effect.” Read it free here.

Cover Reveal: Clockwork Canada: Steampunk Fiction edited by Dominik Parisien

Cover Reveal: Clockwork Canada: Steampunk Fiction edited by Dominik Parisien

Clockwork Canada

You know how upcoming movies are nothing but boring press releases and studio gossip until the trailer arrives, and suddenly they’re HOLY COW THIS LOOKS FANTASTIC I WANT TO SEE THIS RIGHT NOW??

I’m the same with with book covers. Upcoming books aren’t real until I see the cover. And then I want them IMMEDIATELY.

That’s especially true of the upcoming Clockwork Canada, edited by Dominik Parisien and scheduled to be released by Exile Editions in May 2016. This collection of steampunk stories set in Canada features stories by some of the brightest stars of Canadian genre fiction. Check out Steve Menard’s dynamite cover above, and see the complete description and Table of Contents below.

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Exploring Morocco’s Only Stone Circle

Exploring Morocco’s Only Stone Circle

The Pointer at Mzoura. Photo courtesy Almudena Alonso-Herrero.

The Pointer at Mzoura. Photo courtesy Almudena Alonso-Herrero

Morocco is best known for its medieval medinas and Roman cities, but the region has some interesting prehistoric remains as well. Petroglyphs dating back tens of thousands of years can be found all over the country, and archaeologists are excavating early hunting sites and Neolithic villages to piece together Morocco’s prehistory.

One curious site stands out above all others — Mzoura, Morocco’s only stone circle. It looks strikingly like those of Western Europe, as if it had been transposed from Wiltshire or Brittany.

We visited on the same day we went to visit Asilah. The site makes a good side trip from that old pirate port. A private car is needed because the stone circle stands next to the little village of Sidi-el-Yamani, which is reached only infrequently by public transport over narrow and rough roads.

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New Treasures: The Night Clock by Paul Meloy

New Treasures: The Night Clock by Paul Meloy

The Night Clock-smallPaul Meloy is the author of Dogs With Their Eyes Shut, a horror novella from PS Publishing, and the short story collection Islington Crocodiles. His short fiction has appeared in places like Black Static, Interzone, and several anthologies.

His brand new debut novel The Night Clock, set in the same world as Dogs with Their Eyes Shut, is an intriguing blend of dark fantasy, science fiction and horror. The collaborative writing team S.L. Grey says it “isn’t just a good horror novel, it’s a great one. Superbly written, full of bite, originality, and, most importantly, heart and soul.”

And still the Night Clock ticks…

Phil Trevena’s boss is an idiot, his daughter is running wild, and his patients are killing themselves. There is something terrible growing in Phil that even his years as a mental health worker can’t explain — until he meets the enigmatic Daniel, and learns of the war for the minds of humanity that rages in Dark Time, the space between reality and nightmares measured by the Night Clock.

Drawn into the conflict, Phil and Daniel encounter the Firmament Surgeons, a brave and strange band that are all that prevents the nightmarish ranks of the Autoscopes overrunning us. The enemy is fueled by a limitless hatred that could rip our reality apart. To end the war the darkness that dwells in the shadow of the Night Clock must be defeated…

The Night Clock was published by Solaris on November 10, 2015. It is 384 pages, priced at $9.99 in paperback and just $0.99 for the digital version.

Prehistoric Fantasy from the Days Before the Earth had a Moon: Jane Gaskell’s Atlan Saga, Part I

Prehistoric Fantasy from the Days Before the Earth had a Moon: Jane Gaskell’s Atlan Saga, Part I

 The Quest for the Complete Series

SerpentPocket_Small
Pocket Books – art by Boris Vallejo
Serpent_Orbit_Small
Orbit / Futura – Artist Unknown

In my quest to revive interest in forgotten or overlooked fantasies, it would be remiss not to discuss Jane Gaskell, specifically her Atlan Saga. The fact that my past few posts about H Warner Munn also happen to reference Atlantis is purely coincidental, and I am by no means an expert on all things Atlantean.

I came upon Jane Gaskell’s Atlan Saga in the late 1980s. As a high school lad in South Africa with limited funds, the public and school libraries — as well as friends — were my main sources of fantasy material. While many folks I know seem to have been reading Heinlein and Tolkein by the time they were 10, I only started reading for pleasure as a pre-teen. Until then I actively despised it. That is not to say I didn’t enjoy a good story, just I was too lazy to read it myself.  My mother desperately tried to encourage me, but I recall thinking Enid Blyton (Secret Seven etc.) was really nyaff, and the Hardy Boys were too mainstream.

Fortunately I discovered Biggles by Captain WE Johns and my mind, at last, opened to the joys of reading. After moving through CS Forester’s Hornblower books and Alexander Kent’s Richard Bolitho series (both period sea adventure), I found myself looking for something different. I found it through friends who introduced me to Anne McCaffery’s Dragonflight and David Eddings’ Belgeriad books.

One of the factors hindering me at the time was that good material was relatively thin on the ground. I also had a juvenile dislike of second hand books, preferring to buy them new. Sure, the shops had a reasonable amount on their shelves, and there were a (very) few specialist shops with a plethora of gear to choose from, but most of it was out of my price range, or my sphere of travel. Fortunately the major chain store of the day, CNA (like a Borders I imagine) used to have an annual book sale just after Christmas where they moved loads of old warehouse stock. During one of these sales I encountered two slim volumes which, due to their awesome cover art, just had to be fantasy par excellence: The Dragon and The City, both by Jane Gaskell.

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