January/February Analog Magazine Now Available

January/February Analog Magazine Now Available

Analog January February 2016-smallWe don’t regularly cover Analog here at at Black Gate, on account of the fact that it’s a hard science fiction magazine, and we generally focus on fantasy. But December brought us the big January/February double issue, with a robot western from Wil McCarthy (the novella “Wyatt Earp 2.0”) and stories from James Gunn, George Zebrowski, and Caroline M. Yoachim and Tina Connolly, plus a guest editorial by Howard Hendrix, and I just couldn’t resist. You’re welcome.

Here’s editor Trevor Quachri’s description from the website.

The new year is traditionally a time to look ahead and let go of the past, but sometimes, the past can provide a solution to a problem in the here and now.

In this issue’s lead story, the “here and now” is Mars in the future, and the key piece of the past is… well, the title of the story should give it away. Join us for “Wyatt Earp 2.0,” from Wil McCarthy.

Edward M. Lerner returns to his science-behind-the-stories series of articles with a subject so big, a single installment couldn’t contain it: human augmentation. Part I of “Human 2.0: Being All We Can Be” hits this month.

Of course we also have a slew of pieces varied and wonderful, as befits our first double-issue of the year, including “We Will Wake Among The Gods, Among the Stars,” by Caroline M. Yoachim and Tina Connolly, “Farmer” by J.M. McDermott, “Rocket Surgery” by Effie Sieberg, “Saving the World: A Semi-Factual Tale” by James Gunn, “Time Out” by Norman Spinrad, “The Persistence of Memory” by Rachel L. Bowden, “Theories of Mind” by Conor Powers-Smith, “Nature’s Eldest Law,” by Alvaro Zinos-Amaro, “The Heat of Passion” by Grey Rollins, “Woundings” by George Zebrowski, “The Shores of Being” by Dave Creek, and “An Industrial Growth” by David L. Clements, not to mention columns galore.

And here’s the complete Table of Contents.

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See the Table of Contents for The Best Science Fiction of the Year: Volume One, edited by Neil Clarke

See the Table of Contents for The Best Science Fiction of the Year: Volume One, edited by Neil Clarke

The Best Science Fiction of the Year Neil Clarke-smallI’m always pleased to see a new Best of the Year volume join the ranks — especially when it comes from Neil Clarke, one of the most gifted editors in the field. As regular readers of Black Gate are aware, Neil is the Editor-in-Chief and publisher of Clarkesworld and Forever magazines, and he’s been awarded three Hugo Awards, a World Fantasy Award, and a British Fantasy Award. He has a keen and very discerning eye for the best in modern short fiction.

The Best Science Fiction of the Year: Volume One kicks off a handsome new annual series from Night Shade. It’s a thick (512 page) volume, to be released in trade paperback and digital editions this June. It contains 31 short stories, novelettes, and novellas from Aliette de Bodard, Ann Leckie, Carrie Vaughn, David Brin, Geoff Ryman, Ian McDonald, Ken Liu, Nancy Kress, Paul McAuley, Robert Reed, Seanan McGuire, and many others. Here’s the book description.

To keep up-to-date with the most buzzworthy and cutting-edge science fiction requires sifting through countless magazines, e-zines, websites, blogs, original anthologies, single-author collections, and more — a task accomplishable by only the most determined and voracious readers. For everyone else, Night Shade Books is proud to introduce the inaugural volume of The Best Science Fiction of the Year, a new yearly anthology compiled by Hugo and World Fantasy award–winning editor Neil Clarke, collecting the finest that the genre has to offer, from the biggest names in the field to the most exciting new writers.

The best science fiction scrutinizes our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Clarke, publisher and editor in chief of the acclaimed and award-winning magazine Clarkesworld, has selected the short science fiction (and only science fiction) best representing the previous year’s writing, showcasing the talent, variety, and awesome “sensawunda” that the genre has to offer.

And here’s the complete Table of Contents.

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Future Treasures: The Pagan Night by Tim Akers

Future Treasures: The Pagan Night by Tim Akers

The Pagan Night-small

Tim Akers has written some acclaimed fantasy — including The Horns of Ruin and The Burn Cycle (Heart of Veridon, Dead of Veridon, and the collection Bones of Veridon) — but epic fantasy is something new. He’s jumped in in a major way, with the impending release of The Pagan Night, the 605-page opening volume of The Hallowed War, which Booklist sums up as “high adventure, great characters, suspense, and dramatic plot shifts… an engaging, fast-paced entry in a popular subgenre.” You can read the brief book summary by clicking on the image above… by why do that when you can get the full, five-paragraph version at Tim’s website?

The second volume in the series, The Iron Hound, is scheduled to be released in January of next year, and The Winter Vow in January 2018. In the meantime, you can find the opening volume at your favorite bookstores on January 19, courtesy of Titan Books. It is 605 pages, priced at $14.95 in trade paperback and $9.99 for the digital version. The cover is by Alejandro Colucci, and the interior maps (yay, maps!) are by David Pope.

Part Gothic, Part Sword and Sorcery, and Part Horror: Andrew P. Weston’s Hell Bound

Part Gothic, Part Sword and Sorcery, and Part Horror: Andrew P. Weston’s Hell Bound

Hell Bound-smallHell Bound
By Andrew P. Weston
Perseid Press (464 pages, $23.85 paperback/$8.90 digital, November 5, 2015)
Cover art and design by Roy Mauritsen

Hell Bound is the latest novel by Andrew Paul Weston, best-selling author of The Guardian series, The Cambion Journals, and The IX, (which I reviewed for Black Gate here.) Hell Bound is also the latest novel in the Heroes in Hell shared-world universe, created by author/publisher Janet Morris.

The main character in Hell Bound is Daemon Grim, Satan’s bounty hunter, also known as the Reaper. Not only does he hunt down any damned soul in Hell who gets on the wrong side of His Satanic Majesty, he has the power to visit our world and harvest those who belong in Hell, souls Satan wants in Hell now. Grim can travel between Earth and Hell using a special sickle or scythe that can open portals between the two realms. This scythe also possesses a powerful weapon called God Grace’s, which gives Grim the ability to utterly destroy souls. Since there’s no death in Hell as we know it, (the Damned are already dead) there is instead Reassignment, a twisted version of resurrection handled by an unsavory character known only as the Undertaker. However, there is Oblivion — total obliteration into non-existence. Grim’s weapon gives him the power to send souls howling into eternal nothingness.

The plot concerns Grim’s mission to track down Doctor Thomas Neill Cream, the English physician who in real life was the brilliant and infamous Lambeth Poisoner. Cream has been stealing long-hidden relics and angelic weapons from the Time of the Sundering, when Satan and his followers were cast out of Heaven. All history and knowledge of the Sundering is banned in Hell, but Cream may have illegal access to Satan’s bureaucratic network.

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Vintage Treasures: Wasp by Eric Frank Russell

Vintage Treasures: Wasp by Eric Frank Russell

Wasp 1959-small Wasp 1959 back-small

Eric Frank Russell is one of my favorite early SF writers. His prose sparkles, and his stories have genuine warmth and humor. His first novels, including Sinister Barrier (1939), Dreadful Sanctuary (1948), and Sentinels from Space (1953), made him instantly popular in the United States and his home country, the UK.

His fifth novel, Wasp (1957), is the story of a human saboteur, sent to the home planet of a hostile race during an interstellar war. All alone, he wages a campaign of terrorism to bring down a vast alien empire.

Like virtually all of Russell’s work, it remained in print for decades. Its first paperback appearance in the US was in February 1959, from Perma Books (above; click for bigger images). It was 170 pages, priced at 35 cents. The cover was by Art Sussman.

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Haunted Bushes, Serial Killers, and Mysterious Strangers: Algernon Blackwood’s The Listener and Other Stories

Haunted Bushes, Serial Killers, and Mysterious Strangers: Algernon Blackwood’s The Listener and Other Stories

The Listener and Other Stories-smallThe Listener and Other Stories
By Algernon Blackwood
1907/1917

The Listener and Other Stories was Blackwood’s second fiction collection. It was published a year after the first one, The Empty House and Other Ghost Stories. It contains “The Willows,” a novella that’s arguably one of his best known works and one whose reputation is well deserved. The rest of the collection doesn’t come off quite as well as the previous one but it has some good moments.

“The Listener”

An understated story, as with so much of Blackwood’s fiction. As the story progresses the narrator, who lives in a boarding house that isn’t exactly the Ritz, has various odd experiences and seems to be coming apart at the seams. Well done, but for some reason it didn’t really work for me.

“Max Hensig — Bacteriologist and Murderer”

No supernatural or weird content in this one but it’s not a bad effort. Max Hensig is a sort of prototype of the Hannibal Lecter type of serial killer, who happens to like poisoning people. Plays out as a cat and mouse game between the killer and a reporter.

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The Series Series: The Girl with Ghost Eyes by M.H. Boroson

The Series Series: The Girl with Ghost Eyes by M.H. Boroson

The Girl with Ghost Eyes-smallHere’s a great problem to have:

Your first novel just appeared in bookstores a couple weeks ago, and you’re getting ready to host an author event. It’ll be a night of martial arts movies that inspired your story of a Daoist exorcist priestess battling malevolent ghosts in 1890’s San Francisco Chinatown. You’ll have a full house. You’re all set to give opening remarks, to field questions, and to sign autographs. Lots and lots of autographs. There’s just one problem.

The book has sold out.

Not just at all your local bookstores. Not just at the local warehouses of the big distributors. At the offices of the press that published you, and at all of Amazon, too.

Your word of mouth is so strong, an entire print run’s worth of readers couldn’t wait for author events or the holidays. They had to have your book right now. Your publisher is scrambling to print a second run to satisfy all that glorious demand, but it won’t come in time for this night’s autographing.

Man, I would love to have a problem like that. But if it couldn’t happen to me, I’m delighted that it did happen to my longtime friend M.H. Boroson.

I want to tell everybody at Black Gate how awesome The Girl with Ghost Eyes is, but I can’t pretend to objectivity about this book or its author. How can I be objective about a friend who’s been important to me since we met at 14 in a writing summer camp? I’ll have to let Publishers Weekly, and all those other review outlets that are notoriously stingy with starred reviews, do that whole objectivity thing in my stead. Brilliant, dazzling, wonderful, thrilling, say various objective reviewers who haven’t known Matthew for two-thirds of their lives. Glad they got that all those adjectives checked off for me, because really, those words do belong in any review of The Girl with Ghost Eyes.

What I can do is tell the readers who gather here why this book they might not immediately realize is for them is exactly the kind of book Black Gate readers love.

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New Treasures: Conspiracy of Angels by Michelle Belanger

New Treasures: Conspiracy of Angels by Michelle Belanger

Conspiracy of Angels-smallMichelle Belanger is something of a celebrity with modern vampire subculture. She was featured on five seasons of A&E’s Paranormal State as an advocate for the “vampire community” (whatever that is), and she wrote several of its foundational texts, including The Black Veil, an ethical guide for vampires. If you’re a vampire nut, she’s your girl.

Closer to our interests, she’s also the editor of several horror anthologies for Llewellyn Publications, including Vampires in Their Own Words: An Anthology of Vampire Voices (2007) and Walking the Twilight Path: A Gothic Book of the Dead (2008). Late last year she released her debut novel, Conspiracy of Angels, the first of the Novels of the Shadowside.

When Zachary Westland regains consciousness on the winter shores of Lake Erie, his memories are gone. All he has are chaotic visions of violence and death… and a business card for Club Heaven. There Zack finds the six-foot-six transexual decimus known as Saliriel, and begins to learn what has happened.

Alarming details emerge, of angelic tribes trapped on Earth and struggling in the wake of the Blood Wars. Anakim, Nephilim, Gibburim, and Rephaim — there has been an uneasy peace for centuries, but the truce is at an end.

With the help of his “sibling” Remiel and Lilianna, the lady of beasts, Zack must stem the bloodshed before it cannot be stopped. Yet if he dies again, it may be for the final time.

Conspiracy of Angels was published by Titan Books on October 27, 2015. It is 426 pages, priced at $7.99 for both the print and digital editions. The cover was designed by Julia Lloyd.

December Issue of Swords and Sorcery Magazine Now Available

December Issue of Swords and Sorcery Magazine Now Available

Swords and Sorcery Magazine November 2015-smallIssue 47 of Swords and Sorcery Magazine, cover-dated December 2015, is now available. Each issue of contains two short stories, and is available free online. This issue features brand new fiction from Dan DeFazio and Frank Martinicchio. Here’s the issue summary from editor Curtis Ellett:

The Death of the Bastard D’Uvel,” by Dan DeFazio, tells a tale of daring deeds, black magic, and questionable morality. DeFazio’s work has previously been published in Dungeon Magazine. This is his first story in Swords & Sorcery.

Arbor,” by Frank Martinicchio, is the tale of a young man who finds an unexpected mentor. Martinicchio has previously been published in Tincture Journal.

I was glad to see that, after months of searching, Curtis has found a suitable number of volunteers to help him select the contents of a Best of Swords and Sorcery Magazine anthology.

Fletcher Vredenburgh reviewed issue #46 in his November Short Story Roundup, with particular praise for “Last Stand at Wellworm’s Pass” by Nick Ozment, which he called “a perfect dose of old school storytelling… Any S&S story that can stuff in werewolves, demons, and djinns is alright by me.” Read the current issue here. We last covered Swords and Sorcery Magazine with Issue #46.

See our Late-December Fantasy Magazine Rack here, and all of our recent magazine coverage here.

Guides to Worlds Fantastic and Strange

Guides to Worlds Fantastic and Strange

I’ve always loved maps — following rivers to the seas, tracing the shores of those seas, and then crossing them by fingertip to a distant land. My dad had a giant Rand-McNally atlas that I took possession of when I was ten or eleven and never returned. I would pore over its pages, puzzling out how to say the names of cities like Dnepropetrovsk or Tegucigalpa and wondering what exactly was the Neutral Zone between Saudi Arabia and Iraq.

Today, my favorite atlas is the Cram’s Unrivaled Family Atlas of the World 1889 that my grandfather scavenged from a work site. As with my dad’s, I quickly assumed ownership of the book. Better than a lot of history I’ve read, it conveys the reality of the past in finely drawn lines. The vast scope of the British and Russian empires — the web of conquered lands covering Africa and Asia — are right there in clear pastel pinks and yellows. Images conjured up in my brain while reading were made concrete on the pages before me.

And, of course, I love maps in fantasy books. Always have, from those very first ones I saw in The Lord of the Rings and the Conan books. While Tolkien’s maps are intricate, lovingly created works of art, and the one of Hyboria is spare and undetailed, both intensify the illusion that the books’ worlds are real. They may not have been as vast and detailed as my dad’s atlas, but they were as captivating. While a book doesn’t need to include a map, I’m a fan of one that does. It’s an added bonus that I really dig. (To read another piece I wrote about maps several years ago, you can click HERE).

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