The Poison Apple: An Interview with T.J. Glenn
TJ doubling The Toxic Avenger (photo by Robert Griffith)
The Poison Apple is a new semi-regular Black Gate column. Interviewer Elizabeth Crowens will be talking with atypical authors with unusual backgrounds or passions in the speculative fiction arena, and sharing their stories here.
The first “victim” to take a bite out of the Poison Apple is Teel James Glenn, known to most as T.J. Glenn, winner of the 2012 Pulp Ark Best Author of the Year, Epic eBook award finalist, P&E winner, Best Thriller Novel, Best Steampunk Short, multiple finalist for Best Fantasy short stories, author of the bestselling Exceptionals series, the Maxi/Moxie series, the Dr. Shadows series, the Renfairies series, stunt double and fight choreographer, and more.
Crowens: T.J., you seem to be living the dream of what Oscar Wilde would call art imitating life, being pretty much an action fantasy character day in and day out — a cross between Errol Flynn and Qui-Gon Jinn with a touch of James Bond villain thrown in. What attracted you to this world?
T.J.: When I was a kid I wanted to write comic books, draw them and then play the character. Here I am fifty years later, and I’ve sort of done it. I’ve never been able to completely separate them. Sometimes I do full renderings of the rooms my characters live in. I always do physical portraits of them. Often I conceive a character visually and work backwards from there. I’m a better writer because I’m a fight choreographer; I’m a better fight choreographer because I’m an actor; I’m a better actor, because I’m a writer. It all morphs together for me.









Lately I’ve been looking at adaptations, both novel-to-movie, and novel or movie to TV series. I been talking about them in terms of what I thought was successfully done, and occasionally pointed at my favourites. In their comments people observed that while they agreed, for the most part, with my suggestions, they had suggestions of their own. All of us had to admit, however, that we were sometimes unfamiliar with either the source work, or the adaptation, or even both.