Black Gate – Page 536 – Adventures in Fantasy Literature

Catching Up With the Fiction at Tor.com

Tuesday, June 6, 2017 John ONeill Comments 1 comment

Extracurricular Activities by Yoon Ha Lee

The Autobiography of a Traitor and a Half-Savage by Alix Harrow

The Scholast in the Low Waters Kingdom by Max Gladstone

Tor.com is one of the most successful and acclaimed sources of genre short fiction we have. They routinely lead the field in award nominations, as they did with this year’s Hugo nominations. And as recently as 2014, they swept the short fiction categories of the Hugo Awards.

They publish one new work of short fiction every week, completely free, at the Tor.com website. But because they don’t have regular issues, I don’t do a very good job of including them in our regular magazine coverage. So that means I have to report on them as best I can every few months. Which brings us to today’s massive catch-up post featuring 30 stories and 11 flash fiction pieces — enough to fill two decent-sized anthologies.

And what a dazzling list of contributors! Over the last 6+ months Tor.com has published brand new fiction from Peter S. Beagle, Carrie Vaughn, Yoon Ha Lee, Lavie Tidhar, Max Gladstone, Jo Walton, Kelly Robson, M. Dellamonica, Theodora Goss, Allen Steele, S.B. Divya, Stephen Leigh, and many others, plus reprints from Ken Liu, Ellen Klages, and others. All of it gorgeously illustrated by a talented group of artists, and available online completely free. You owe it to yourself to check it out.

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“A World Gone to the Dogs”: City by Clifford D. Simak

Tuesday, June 6, 2017 Fletcher Vredenburgh Comments 7 comments

These are the stories that the Dogs tell when the fires burn high and the wind is from the north. Then each family circle gathers at the hearthstone and the pups sit silently and listen and when the story’s done they ask many questions:

“What is Man?” they’ll ask.

Or perhaps: “What is a city?”

Or: “What is a war?”

from the Editor’s Preface to City

City (1952), by Clifford D. Simak, unfolds over thousands of years, telling of the end of humanity, the rise of dogs and robots to terrestrial preeminence, and finally, the near abandonment of Earth. It’s a fix-up of nine stories, eight written between 1944 and 1951, and one more, added to later editions, in 1973. It is a book conceived of in anger and despair, yet one that strives to posit a better, more humane world — even if it’s one devoid of humans.

Perhaps because we, by which I mean the post-WW II generations, have grown up aware of the deepest, most evil tendencies of humanity, it’s difficult to appreciate completely the anger and despair over what happened during the 1930s and 40s. Years after its publication, Simak said:

“The series was written in a revulsion against mass killing and as a protest against war.”

That revulsion was so intense that Simak contemplated the extinction of his own species and its replacement by a better one.

I suppose following the First World War, there was some hope that humanity would avoid that sort of mass slaughter again. Instead, it only increased by many magnitudes. In an essay on City, Robert Silverberg wrote that the story “Desertion” was written in 1943 in direct response to reports from Europe about the Holocaust. Simak was a gentle writer, so there is little anger or bitterness in the novel, but he wasn’t prone to sentimentality either. His depiction of humanity’s downfall and supplantation is remorseless.

When Simak collected the stories, he presented them as a tales told by dogs to each other as perhaps no more than legends. For each story, Simak wrote an interstitial explaining what different dog philosophers thought about the veracity of each story, as well as any meaning it might hold for their society.

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Self-published Book Review: Clearwater Dawn by Scott Fitzgerald Gray

Monday, June 5, 2017 Donald Crankshaw Comments 0 Comment

I just spent the weekend on a ship, with very limited Internet access, so I’m afraid this month’s review is a bit late. The good news is that there is a self-published book review this month. I’d like to keep the monthly schedule going, so please keep sending me books to review–see the instructions here.

Clearwater Dawn by Scott Fitzgerald Gray is a love story. It’s about the love between the half-Ilvani orphan Chriani and Lauresa, the daughter of an Ilmar prince and a sorcerous Leisanmira.

Chriani is the apprentice of Lauresa’s warden, Barien. At the age of eighteen, Chriani should have his own commission, but his temper, and Barien’s outsider status at court, have left him an unranked tyro. Despite this, he is very good at his job, aided by the preternatural senses he inherited from his Ilvani father, and the training in moving quietly and picking locks he received from his mother. On a night of betrayal and death, Barien is murdered, and Prince Chanist marches off to war against the Valnirata Ilvani war clans. Chriani is left behind, unofficial guardian of the princess, sole keeper of Barien’s last words. When Lauresa hears them, and learns that Chriani was unable to share them with the prince before he left, she heads out to make sure her father learns of the betrayal Barien revealed. Chriani catches up with her before she gets far, and accompanies her to find her father, who may know more than they expect.

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Future Treasures: A Gathering of Ravens by Scott Oden

Monday, June 5, 2017 John ONeill Comments 7 comments

Scott Oden is the author of two celebrated historical novels, Men of Bronze (2005) and Memnon (2006), and the historical fantasy The Lion of Cairo (2010). His first novel in seven years is the ambitious historical fantasy A Gathering of Ravens, which author John Gwynne (The Faithful and the Fallen) calls “A magnificent mytho-historical saga, blending the history of 11th century Europe with Norse and Celtic mythology. A dark, grim and unrelentingly bloody tale of the last Orc and his quest for vengeance.” It arrives in hardcover from Thomas Dunne Press later this month.

To the Danes, he is skraelingr; to the English, he is orcnéas; to the Irish, he is fomoraig. He is Corpse-maker and Life-quencher, the Bringer of Night, the Son of the Wolf and Brother of the Serpent. He is Grimnir, and he is the last of his kind ― the last in a long line of monsters who have plagued humanity since the Elder Days.

Drawn from his lair by a thirst for vengeance against the Dane who slew his brother, Grimnir emerges into a world that’s changed. A new faith has arisen. The Old Ways are dying, and their followers retreating into the shadows; even still, Grimnir’s vengeance cannot be denied.

Taking a young Christian hostage to be his guide, Grimnir embarks on a journey that takes him from the hinterlands of Denmark, where the wisdom of the ancient dwarves has given way to madness, to the war-torn heart of southern England, where the spirits of the land make violence on one another. And thence to the green shores of Ireland and the Viking stronghold of Dubhlinn, where his enemy awaits.

But, unless Grimnir can set aside his hatreds, his dream of retribution will come to nothing. For Dubhlinn is set to be the site of a reckoning ― the Old Ways versus the New ― and Grimnir, the last of his kind left to plague mankind, must choose: stand with the Christian King of Ireland and see his vengeance done or stand against him and see it slip away?

Scott Oden’s A Gathering of Ravens is an epic novel of vengeance, faith, and the power of myth.

A Gathering of Ravens will be published by Thomas Dunne Books on June 20, 2017. It is 326 pages, priced at $27.99 in hardcover and $14.99 for the digital edition. The cover is by James Iacobelli. Read an excerpt here.

Things Your Writing Teacher Never Told You: Character Profile Sheet — Revised

Monday, June 5, 2017 Tina Jens Comments 0 Comment

DandD sheet-small

In my last blog, “Getting to Know Your Omniscient Narrator,” I promised to share my personal character profile sheet. I used to use it on my primary and secondary characters for all my stories. But I haven’t use it in awhile. When I took a look at it, I realized it needed serious revamping. So, here’s the new and improved version.

In the process of revamping it, I realized my writing is stronger when I take the time to really figure out who my characters are: what their quirks are, what makes them an individual. My subconscious can then go to work connecting dots, finding patterns, devising solutions to problems that are uniquely suited to that character, discovering actions and reactions that FEEL right.

I know some authors use a basic RGP character sheet, such as Dungeons & Dragons, but for me, that doesn’t go far enough.

Knowing that my protagonist’s favorite ice cream flavor is peach pecan and they turn very dark and maudlin when they drink tequila may never come up in the story… but it might. Knowing lots of little details about them helps you inhabit your characters and makes them feel more alive.

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Discussing All Things Fantasy, Past, Present, and Future: An Interview with Adrian Simmons and David Farney of Heroic Fantasy Quarterly

Sunday, June 4, 2017 Joe Bonadonna Comments 7 comments

Heroic Fantasy Quarterly is an ezine dedicated to publishing short works of heroic fantasy. More than that, through both prose and poetry we hope to hearken an older age of storytelling – an age when a story well told enthralled audiences. Traits of great oral storytelling survive the ages to influence treasures of literature, the pulps, radio plays, late-night game sessions, and now Heroic Fantasy Quarterly.

So reads the “Mission Statement “of Heroic Fantasy Quarterly. Like Black Gate e-magazine, Heroic Fantasy Quarterly is one of the bright lights and a sure leader in the Fantasy genre, and always goes above and beyond to keep the genre alive, fresh, and rolling along. When John O’Neill of Black Gate asked me if I would “interview” Adrian Simmons and David Farney of HFQ, I jumped at the chance, thrilled to “meet” these two outstanding editors of such a well-respected e-zine. The result is one great interview with both gentlemen sounding in, and I hope it’s as much of a treat for fans of BG and HFQ as it was for me.

So let’s get started, shall we?

Gentlemen, what are some of your earliest influences? Who inspired you to become an editor? And perhaps even more importantly, why did you decide to become an editor?

ADRIAN: Early influences are many and varied. In the early 80s I discovered Dungeons and Dragons, and all of its clones and hybrids. I was exposed to all those early 80s swords and sorcery movies (good and bad!), and was reading the The Lord of the Rings and such. By the late 80s, in high school, I was reading the The Lord of the Rings and actually understanding most of it, and had picked up Robert Howard’s Conan books (the Ace collections, with all the post-humus collaborations), and Fritz Leiber.

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New Treasures: Behind the Mask, edited by Tricia Reeks and Kyle Richardson

Sunday, June 4, 2017 John ONeill Comments 0 Comment

With the constant drumbeat of hit superhero films — mostly recently the huge international hit Wonder Woman, which opened on Friday — I’m surprised there’s not a lot more attention to superheroes in print. But there is the occasional anthology, like the brand new Behind the Mask, which looks at “The hopes and dreams of our cape-clad heroes. The regrets and longings of our cowled villains. That poignant, solitary view of the world that can only be experienced from behind the mask.” It contains original short fiction from some of the top writers in SF & fantasy, including Kelly Link, Carrie Vaughn, Seanan McGuire, Lavie Tidhar, Sarah Pinsker, Cat Rambo, and others. It’s available now in trade paperback from Meerkat Press.

The authors in this collection, both established and new, are all dexterous and wonderfully imaginative, each deserving of their own form-fitting uniforms and capes. Some of the stories pulse with social commentary, like Cat Rambo’s whimsical and deft “Ms. Liberty Gets a Haircut” and Keith Rosson’s haunting “Torch Songs.” Others twist the genre into strange and new territories, like Stuart Suffel’s atmospheric “Birthright,” Kate Marhsall’s moving “Destroy the City with Me Tonight,” and Adam Shannon’s reality-bending “Over an Embattled City.” Some punch with heart and humor, like Matt Mikalatos’s satisfying “The Beard of Truth” and Chris Large’s adventurous “Salt City Blue,” while others punch with bite and grit, such as Michael Milne’s evocative “Inheritance,” Aimee Ogden’s poignant “As I Fall Asleep,” and Jennifer Pullen’s heartfelt “Meeting Someone in the 22nd Century.” Some of the stories feature characters who might not be superheroes in the traditional sense, yet are heroic nonetheless, such as Sarah Pinsker’s imaginative “The Smoke Means It’s Working” and Stephanie Lai’s majestic “The Fall of the Jade Sword.” Some shine a unique, captivating spotlight on supervillains, like Keith Frady’s dramatic “Fool” and Carrie Vaughn’s romantic “Origin Story.” Some are somber, ponderous works, where our heroes consider their impact on the world, like Lavie Tidhar’s regret-tinged “Heroes” and Nathan Crowder’s resonant “Madjack.” Others tread more light-hearted waters, with heroes adjusting to the sometimes-comical, sometimes-stressful life in the public eye, like Seanan McGuire’s entertaining “Pedestal” and Patrick Flanagan’s lively “Quintessential Justice.” And then there are the softer, quieter moments between heroes, as they navigate their extraordinary lives in their own unique ways, such as Ziggy Schutz’s tender “Eggshells” and, of course, Kelly Link’s captivating “Origin Story.”

Behind the Mask was published by Meerkat Press on May 16, 2017. It is 290 pages, priced at $16.95 in trade paperback and $8.95 for the digital edition. Order at your favorite online retailer or at the Meerkat website.

A Tale of Two Covers: Chasers of the Wind by Alexey Pehov

Sunday, June 4, 2017 John ONeill Comments 3 comments

Back in 2013 I bought a hardcover copy of Shadow Prowler, the opening volume in Alexey Pehov’s epic fantasy trilogy Chronicles of Siala. An international bestseller in his home country of Russia and across Europe, Pehov has been called “the Russian George R.R. Martin.” Two more volumes in translation followed, Shadow Chaser and Shadow Bllizard, both from Tor.

In June 2014 Tor released Chasers of the Wind in hardcover, with an action-filled cover by Kekai Kotaki (above left). Set in the same world as Pehov’s previous trilogy, the cover proudly proclaimed this was the first book of The Cycle of Wind and Sparks, a four-volume series that had already appeared in Russia and Germany.

Eleven months later, in May 2015, Tor reprinted the book in mass market paperback (above right). There were the usual small tweaks in design and font for the paperback edition. But the biggest change was a little more subtle — all mention of The Cycle of Wind and Sparks had been scrubbed. For fans of the series, this was like running into a close friend and noticing her engagement ring was missing. I’m not sure if Tor was unable to secure English language reprint rights, the sales on the first series didn’t meet expectations, or there was some other reason, but Tor never released the next three volumes. They remain unavailable in English.

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May/June 2017 Analog Now on Sale

Saturday, June 3, 2017 John ONeill Comments 0 Comment

Howard V. Hendrix is experiencing a bit of a comeback in the pages of Analog magazine. He launched his career with a well-respected SF trilogy in the late 90s [Locus Award nominee for Best First Novel Lightpaths (1997), Standing Wave (1998), and Better Angels (1999)], but he hasn’t published a novel since Spears of God in 2006.

But since September 2007 he’s published no less than eight stories in Analog Science Fiction and Fact, including two novellas:

“Palimpsest ” – September 2007
“Knot Your Grandfather’s Knot” -March 2008
“Monuments of Unageing Intellect” – June 2009
“Red Rover, Red Rover” – July-August 2012
“Other People’s Avatars” – July-August 2013 – novella
“The Perfect Bracket” – March 2016 (with Art Holcomb)
“The Infinite Manqué” – May 2016
“The Girls with Kaleidoscope Eyes” – May-June 2017 – novella

The May/June Analog contains that last one, the novella “The Girls with Kaleidoscope Eyes.” Victoria Silverwolf, in her Tangent Online review, summarizes it as follows.

A government agent investigates an apparent attempt by a teacher to kill a classroom full of girls with a bomb, although at the last second he protected them from the explosion, seriously injuring himself in the process. She interviews the teacher while he is in custody in a hospital. He reveals his strange motive for his aborted crime, stating that “before there can exist a world of machines that can pass for people, there first must be a world of people that can pass for machines…”

Silverwolf praised several other stories this issue, including work by Julie Novakova, Eric Choi, Manny Frishberg and Edd Vick, Lavie Tidhar, and Bud Sparhawk. Here’s a few of her story descriptions I found most intriguing.

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Edgar Rice Burroughs’s Pellucidar Saga: Back to the Stone Age

Saturday, June 3, 2017 Ryan Harvey Comments 0 Comment

I’ve now arrived at that period in the Pellucidar series. The period any Edgar Rice Burroughs series eventually reaches: the late 1930s. I took a break from my Pellucidar retrospective to look at Burroughs’s 1913 horror-adventure novel The Monster Men just to delay taking the next step and driving my snowmobile headfirst into the hard ice of the poorest period of Burroughs’s career. But now I’m here and must accept the facts of the late ‘30s and an author trudging through his weakest creative years. Maybe it won’t be so bad. Perhaps I’ll discover a few pleasures in the last three Pellucidar books.

Anyway, enough procrastination. I’m getting on the snowmobile.

Our Saga: Beneath our feet lies a realm beyond the most vivid daydreams of the fantastic … Pellucidar. A subterranean world formed along the concave curve inside the earth’s crust, surrounding an eternally stationary sun that eliminates the concept of time. A land of savage humanoids, fierce beasts, and reptilian overlords, Pellucidar is the weird stage for adventurers from the topside layer — including a certain Lord Greystoke. The series consists of six novels, one which crosses over with the Tarzan series, plus a volume of linked novellas, published between 1914 and 1963.

Today’s Installment: Back to the Stone Age (1937)

Previous Installments: At the Earth’s Core (1914), Pellucidar (1915), Tanar of Pellucidar (1929), Tarzan at the Earth’s Core (1929–30)

The Backstory

The ending of Tarzan at the Earth’s Core set the scene for a direct follow-up. Wilhelm von Horst, one of the German members of the O-220 expedition to Pellucidar to rescue David Innes, was still stranded somewhere in the inner world, and Jason Gridley chose to remain in Pellucidar to locate him. But other projects and business concerns prevented Burroughs from moving fast into writing this proposed sequel. He wouldn’t start work on the new Pellucidar novel until January 1935, writing it under the working title Back to the Stone Age: A Romance of the Inner World. It took him eight months to finish the 80,000-word novel, an unusually protracted length for him. And that was only the beginning of the difficulties.

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