Black Gate – Page 412 – Adventures in Fantasy Literature

A (Black) Gat in the Hand: D. L. Champion’s Rex Sackler

Monday, July 2, 2018 Bob Byrne

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Only T.T. Flynn (80), Frederick C. Davis (73) and Carroll John Daly (53) appeared in Dime Detective more often than D’arcy Lyndon Champion, who was in 47 issues. Twenty-nine of those were Inspector Allhoff stories (behind only Frederick Nebel’s Cardigan and John Lawrence’s the Marquis of Broadway).

Allhoff was an unpleasant, kind of psychotic, legless former cop who still worked with the police. Bill Pronzini wrote that Champion “took the Nero Wolfe formula and gave it a perverse twist.” You can find a collection with several of the Allhoff stories from Altus Press. A second volume will be released at PulpFest this summer.

The Phantom Detective was the second pulp hero magazine star, after The Shadow, appearing one month before Lester Dent’s/Kenneth Robeson’s Doc Savage. Champion was the primary writer of the early stories under the name Jack D’arcy. He had many other series characters, including hypochondriac Mexican PI Mariano Mercado (another Altus collection) and penny-pinching detective Rex Sackler.

I’ve only found one Rex Sackler tale, “Death Stops Payment,” which is included in the Black Lizard Big Book of Black Mask Stories. Sackler appeared in three issues of Detective Fiction Weekly before moving to Black Mask for twenty-six more. There haven’t been any Sackler collections at all; even in electronic format. Which is a SHAME! Sackler brings to mind the humorous stories of the vastly under-appreciated Norbert Davis (who, of course, you read about here…).

Sackler is so cheap he makes Scrooge look like philanthropist (the pre-ghosts Scrooge). He hates paying Joey Graham, his street-smart assistant, his hard-earned wages. And knowing Graham’s weakness for gambling, he entices his employee into losing part of his pay right back to him. Graham knows what’s happening, but he can’t resist the lure.

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Birthday Reviews: Kay Kenyon’s “The Executioner’s Apprentice”

Monday, July 2, 2018 Steven H Silver Comments 0 Comment

Kay Kenyon was born on July 2, 1956.

Kenyon has been nominated for the Philip K. Dick Award for her novel Maximum Ice. Her novel The Braided World was nominated for the John W. Campbell Memorial Award. She was nominated for the Endeavour Award three years in a row for the novels Bright of the Sky, A World Too Near, and City Without End.

She wrote “The Executioner’s Apprentice” for Julie Czerneda and Isaac Szpindel’s anthology ReVisions, which focused on scientific achievements as the catalyst for alternate history. Published in 2004, the story has never been reprinted.

“The Executioner’s Apprentice” takes a place in an Aztec empire which is advanced enough to make use of genetic testing in determining who has violent tendencies and likely criminal behavior to determine the appropriate victims of execution. Pacal is the titular apprentice who is preparing for his first execution and has completely bought into the traditional system. When his friends arrange for him to lose his virginity prior to his first execution, Kina, the woman he is with, tries to make him understand that there are better ways than executions.

On the eve of his induction into the ranks of Executioners, Pacal learns that the methodology he has been taught by the priests to find victims is a lie, and that his first victim will be Kina. Rather than culling the Aztecs of their most violent citizens, the priests are working to remove those who abhor violence, building a society which is ready to defend themselves not only against their traditional enemies but also the mysterious Eastern Army, which is implied to be made up of European conquistadors.

The discovery that genetic testing was not used for what Pacal believed is only the first twist that Kenyon introduces. When Kina and Pacal flee so he doesn’t have to kill her, Kenyon reveals more about the Eastern religion Kina follows and the holy book she reveres and tries to get Pacal to understand. This last twist is a nice touch, although it doesn’t help place the time period or the evolution of society to the story, if anything confusing it even more.

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Rebecca Roanhorse Celebrates the Launch of Trail of Lightning with a Reading and Q&A

Sunday, July 1, 2018 Emily Mah Comments 0 Comment

Nebula Award winning author Rebecca Roanhorse released her first novel this week.

Trail of Lightning takes place on the Navajo reservation, where Roanhorse lived with her extended family (she, herself, is Ohkay Owingeh and African American). Environmental apocalypse has drowned most of the rest of the world, but the Navajo reservation — now called Dinétah — survived with some supernatural help. The Sixth World has dawned, bringing back the gods and monsters of old.

Main character, Maggie Hoskie, isn’t sure whether or not she’s a monster herself, but she excels at hunting them. When a new kind of horror starts abducting and killing innocent people, only Maggie, with the help of an unconventional (and rather attractive) medicine man named Kai, can hope to stop it; but can she defeat this great evil before it destroys what’s left of the world or will her own demons consume her first?

I had the privilege of facilitating a Q&A session with Roanhorse at the Jean-Cocteau Cinema on the day of her book launch. During the hour-long session, she read excerpts from her book and took audience questions about her work and process.

The video below is a record of that evening — unedited for the most part. The only parts it lacks are the signing session and the amazing cake that Roanhorse brought to celebrate.

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Harlan Ellison 1934-2018: Essential and Impossible

Sunday, July 1, 2018 Thomas Parker Comments 11 comments

Did you feel that? That sudden drop in pressure, that slump, as if the world itself had let out a long-held breath? I’m sure it was registered on every spot on earth, from Cleveland to Calcutta, from Reykjavik to Tierra del Fuego. That was Harlan Ellison leaving the building. No man was ever less likely to die peacefully in his sleep at the ripe old age of eighty four, but that’s exactly what happened on the morning of June 28th, and the effect is tantamount to global nuclear disarmament. The immanent threat is over; finally, we can all relax a bit.

An authoritative assessment of Ellison’s tumultuous sixty year career can now begin and is far beyond the scope of this piece, even if I had the ability to do it — which I don’t. All that I can say is that the world has instantly become a less interesting, less vital place than it was when the human bomb that was Harlan Ellison was still ticking away. He was one of those rare people who can actually alter the atmosphere; in his presence, the air was sharper, the light brighter, the temperature higher, and everything seems a little dulled and diminished now that he’s gone.

The couple of times that I met him in person — in the mid 70’s, at the legendary Change of Hobbit bookstore in Los Angeles — the intensity and excitement radiated from him in waves. It was actually a bit frightening, like being too close to an enormous bonfire. It was immediately evident that this was a dangerous person; he would break boundaries in ways good and bad, because that was life to him, and he didn’t know any other way to exist. It’s amazing that he lived to be eighty four — by all rights he should have succumbed to stroke or homicide long ago.

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Birthday Reviews: Genevieve Valentine’s “From the Catalogue of the Pavilion of the Uncanny and Marvellous, Scheduled for Premier at the Great Exhibition (Before the Fire)”

Sunday, July 1, 2018 Steven H Silver Comments 4 comments

Genevieve Valentine was born on July 1, 1981.

Valentine was nominated for the World Fantasy Award for Best Short Story in 2010 for “Light on the Water.” In 2012, her short story “Things to Know About Being Dead” was a Shirley Jackson Award nominee and her novel Mechanique: A Tale of the Circus Tresaulti was a Nebula Award nominee. That same year Mechanique won the William L. Crawford — IAFA Award.

“From the Catalogue of the Pavilion of the Uncanny and Marvellous, Scheduled for Premier at the Great Exhibition (Before the Fire)” was published by Ellen Datlow in Queen Victoria’s Book of Spells: An Anthology of Gaslamp Fiction in 2013. It has not been reprinted.

Genevieve Valentine’s “From the Catalogue of the Pavilion of the Uncanny and Marvellous, Scheduled for Premier at the Great Exhibition (Before the Fire)” is a story told in the form of letters, catalogue entries, and quotations from books about a lost pavilion at London’s Great Exhibition of 1851. According to Valentine, part of the Exhibition was to be devoted to creatures and oddities from around the world: actual mermaids, fairies, and other mythical creatures, but a fire before the opening destroyed the exhibit.

The catalog of these exhibitions is interspersed throughout the story, beginning with the “Biddenden Maids,” a pair of German Siamese twins, but the entries get more inventive very quickly. Letters from Walter Goodall, the artist hired to paint images of the pavilion are also included as the reader is given background information about both the Exhibition and the staff that is handling this particular pavilion.

The plot of the story, such as it is, is essentially revealed in the work’s title. The enjoyment of the story comes from the descriptions of the oddities which would have been found in the pavilion and Goodall’s letters indicating that he is attempting to maintain at least a semblance of normalcy despite the strangeness of his commission. As a story, it works less well, but it is evocative and makes the reader want to learn more about the Exhibition and if anything like the Pavilion of the Uncanny and Marvellous was meant to exist.

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Birthday Reviews: June Index

Sunday, July 1, 2018 Steven H Silver Comments 0 Comment

January index
February index
March index
April index
May index

June 1, James P. Killus: “Flower of the Void”
June 2, Lester del Rey: “Fade Out”
June 3, Tony Richards: “Discards”
June 4, Nictzin Dyalhis: “Heart of Atlantan”
June 5, Margo Lanagan: “The Proving of Smollett Standforth”
June 6, Jay Lake: “The Water Castle”

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Shadows, Robots, and Warrior Monks: Amazon Selects the Five Best Science Fiction and Fantasy Books of June

Saturday, June 30, 2018 John ONeill Comments 0 Comment

Amazon closes out a month of great books with their 5 Top Picks for Best Science Fiction and Fantasy of June. The list includes some pretty familiar titles, including Peng Shepherd’s The Book of M, Yoon Ha Lee’s Revenant Gun, Stephanie Garber’s Legendary, and the debut novel by Black Gate‘s own Todd McAulty. Here’s their take.

The Robots of Gotham by Todd McAulty

Robots have taken over most of the world, but not quite in the way you’d expect. Some have fought their way to dominion. Others have been voted into power by human citizens who think AIs will make better decisions. Readers who enjoyed the complex robot-human relationships within Robopocalypse and the investigations in World War Z about how institutions function (or don’t) in the face of species-changing event will happily sink their teeth into The Robots of Gotham.

See the complete list here.

Peplum Populist: Goliath and the Vampires (1961)

Saturday, June 30, 2018 Ryan Harvey Comments 0 Comment

Okay, another Maciste film! Let’s do this!

When writing about Maciste’s history in silent movies, I promised that the next Peplum Populist article would hurtle ahead to Maciste’s first appearance in the sword-and-sandal boom of the 1960s, Son of Samson (Maciste nella valle dei Re). But I have a DVD of Goliath and the Vampires (Maciste contro il vampiro) lying here on the shelf, and it’s about time I completed the “dark fantasy” trio of peplum classics after writing about Hercules in the Haunted World (1961) and Maciste in Hell/The Witch’s Curse (1962). Although Goliath and the Vampires doesn’t have the same visual imagination, it’s in the 90th percentile as far as sword-and-sandal fun goes.

Goliath and the Vampires features more stock genre situations than those two other films. The fantastic elements don’t dictate the story as much as they’re pasted onto the pre-fabricated framework of what sword-and-sandal films were quickly solidifying into.

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Birthday Reviews: Adam Roberts’s “Pest Control”

Saturday, June 30, 2018 Steven H Silver Comments 0 Comment

Adam Roberts was born on June 30, 1965.

Roberts won the John W. Campbell Memorial Award and the British SF Association Award for his novel Jack Glass in 2013. In 2016, he won a second BSFA Award for his non-fiction book Rave and Let Die: The SF and Fantasy of 2014. He has also been nominated for the Arthur C. Clarke Award, the British Fantasy Award, the Philip K. Dick Award, the Sidewise Award, and the Kitschies. In addition to writing series science fiction, he also has published several fantasy parodies, usually identifiable based on a series of Rs as his middle initial.

“Pest Control” was purchased by Mike Ashley for inclusion in the 2005 anthology The Mammoth Book of New Comic Fantasy. Although it appeared in a Science Fiction Book Club reprint of the volume, it has not appeared elsewhere.

A familiarity with the poem Beowulf is a benefit for those reading Adam Roberts’s “Pest Control,” although at the same it can be something of an hindrance. The story relates the events of the poem, but rather than Beowulf coming to Hrothgar’s aide to rid Heorot of Grendel, in Roberts’s version of the story, Beowulf, or Mr. Wulf, calls a modern day pest control company to get rid of the creature.

The humor of the story comes from the juxtaposition of the ancient story of Beowulf and Des Hannigan, the representative of King and Kegan Pest Control, treating the situation as normal, although he thought he was being called to take care of a rat infestation rather than a Grendel. The story follows the tripartite nature of the original poem, so anyone who knows the poem has a good idea about the results of each of the attempts at pest eradication.

Roberts manages to make his jokes land, although it seems like having Mr. Wulf as the pest control specialist and the person with the Grendel problem being a Mr. Hrothgar would have fit the pattern of the original poem a bit better. As it is, Des provides solutions for the clearly not very bright Mr. Wulf and while the reader is allowed to see the progression of the story, the ultimate pest control issue is left to the imagination.

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For Those Who Conjure: Anna Tambour’s The Road to Neozon from Obsidian Sky

Friday, June 29, 2018 C.S.E. Cooney Comments 0 Comment

NEW READS!

The Road to Neozon is the latest collection of short stories by author Anna Tambour (Smoke, Paper, Mirrors; Crandolin; Spotted Lily; Monterra’s Deliciosa and Other Tales), and the latest publication of Obsidian Sky books.

Author Paul Di Filipo once wrote that Tambour will “register Richter-powerful on the delighted synapses of all patrons of weird, funny fabulism.” Her new book, Road to Neozon, invites “those who lack caution” to “proceed,” and offers its pages “to those who conjure. To those who wander. To those with a hopeful eye for things unseen.”

Neozon showcases eleven “distinctly Tambourian (7 special to this collection), typically slippery tales to celebrate life’s wondrous unease, and its unerring ability to attract the attention of forces that grin at the notion of human control.”

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