Browsed by
Category: Reviews

The Historian, or An Excuse Not to Read Dracula, the Un-Dead

The Historian, or An Excuse Not to Read Dracula, the Un-Dead

Comments 6 comments

historianI don’t have a dislike for the vampire in general. I’ve repeatedly reminded myself about this  even as I cringe at the saturation in our culture of mediocre work based on supernatural bloodsuckers. (Do I really have to name the book and movie series at the center of this creative blood drain? Of course I don’t.) Vampires are everywhere today, and this visibility has reduced their effectiveness for me, no matter what “new” spin the artists claim they’re putting on the legend. Exceptions are out there—for example the action-packed novels of certain contributor to Black Gate—but today I actively avoid horror and dark fantasy and especially parodies using vampires. I want more werewolves and phantasms and cosmic weirdness. Specifically werewolves. I love werewolves.

I wasn’t always this apathetic about vampires. I had a great interest in vampire legendry and literature when I was in college, right at the time that Bram Stoker’s Dracula was an enormous hit in theaters. I was always focused on Dracula, and not as interested in other vampires. This is still true today; while I shrug at most vampire offerings, I’ll still pick up something about the King of the Undead. Perhaps it’s the history major in me, or my love of the Victorian Gothic, that pulls me back to the vampiric Transylvanian noble. Literary Dracula excursions I’ve taken over the past few years include Fred Saberhagen’s The Dracula Tape (an intriguing piece of literary criticism, but his heroic and misunderstood Dracula isn’t my flavor of garlic seasoning), the anthology Dracula in London (answering the question, “So what else was the Count doing in London Town when not desanguinizing Lucy and Mina?”), the history volume Dracula: Prince of Many Faces, and Kim Newman’s wonderful “Anno-Dracula” series. If you haven’t read these three novels and wonder if there’s anything out there that might make you feel a bit better about vampires in general, seek out the nearest used book service posthaste.

…

Read More Read More

The Wolfman

The Wolfman

Comments 1 comment

wolfman-poster-mainThe Wolfman (2010)
Directed by Joe Johnston. Written by Andrew Kevin Walker and David Self from the Screenplay by Curt Siodmak. Starring Benicio Del Toro, Anthony Hopkins, Emily Blunt, Hugo Weaving.

The re-make of the 1941 Universal horror classic The Wolf Man had a hellaciously crazy time getting to you this weekend. Original director Mark Romanek was removed from the film right before shooting commenced, giving replacement director Joe Johnston only two weeks of prep time. The studio rejected Danny Elfman’s classically-toned orchestral music and hired Pauls Haslinger from Tangerine Dream to re-score the picture . . . only to reject his music a month before the release date and put Elfman’s music back in. The movie, shot in the summer of 2008, was pushed back repeatedly, with new editors brought on in what seemed like a flurry of desperation to save a troubled, messy film.

All this caused considerable concern among old school horror fans like myself, for whom the George Waggner/Lon Chaney Jr. The Wolf Man is a primary text. (Read my thoughts on the original here.) Maybe the movie was in serious trouble; or perhaps Universal wanted to get it just right. We all wanted this film to work; we feared it would not.

I can now confidently report, as a Universal-and-Hammer Horror geek, that the compound word 2010 The Wolfman most definitely does work. It shows evidence of breaks and tears and furious hammering to cover construction difficulties. It has pacing trouble (for once, a movie that goes too fast), character and plot loose ends, and a female lead who doesn’t bring much to the film. It’s flawed, when you come down to silver tacks (not brass tacks; this is a werewolf film). But The Wolfman is also bloody furious fun of a kind that contemporary horror films just haven’t given to somebody with my tastes in a long time. Terence Fisher fans, James Whale fans, Jack Pierce fans, Lon Chaney Jr. Fans, werewolf fans, Victorian London fans, steampunk fans, go see this movie . . . warts and bare patches and all, this is your film.

…

Read More Read More

Dark Adventure Radio Theatre’s The Shadow Over Innsmouth

Dark Adventure Radio Theatre’s The Shadow Over Innsmouth

Comments 7 comments

shadow-innsmouthI work for a small software company in Champaign, Illinois.  I live in St. Charles, about three hours away. I spend a lot of time in the car. I’ve learned to love audio books.

In the past three years I’ve listened to The Old Man and the Sea, To Kill a Mockingbird, all seven Harry Potter novels, Stephen King’s Dreamcatcher, Isabel Allende’s Zorro, and dozens more.

It’s how I get the bulk of my reading done these days. If I had someone to read fiction submissions to me in the car, I swear we could publish Black Gate weekly.

Late last month, as Highway 47 was smothered in fog and I made my way carefully through a desolate winter landscape, I popped an adaption of H.P. Lovecraft’s  “The Shadow Over Innsmouth” into the CD player. It was, hands down, one of the best audio experiences I’ve ever had.

“Innsmouth” is one of Lovecraft’s most well-known stories, a creepy and wonderfully atmospheric tale of a young tourist stumbling off the beaten path into a shadowy New England fishing village with a dark history and a rather nasty aversion to visitors — especially those who ask too many questions. It originally appeared in a minuscule edition of 200 copies in 1936, the only book Lovecraft published in his lifetime.

Dark Adventure Radio Theatre has transformed the story into a 77-minute radio play just as it might have been broadcast in the 1930s, with a large cast of talented actors, terrific sound effects, and original music. You’ll hear the creak of doors, ominous footsteps, the muttering of hostile crowds, and the sounds of a frantic rooftop escape  from an unknown something, pounding through the walls.

…

Read More Read More

Short Fiction Review #25: Interzone #226

Short Fiction Review #25: Interzone #226

Comments 1 comment

213The January/February Interzone features a very cool, magna-like cover by Warwick Fraser-Coombe; he’ll be doing the cover art for all six issues in 2010, which are intended to be put together to form a larger image. Collect them all and assemble the collage to see exactly what’s up with this. As far as I can tell, it has nothing to do with the contents of the magazine, which, by the way, has  returned to a color interior; it’s a very attractive package, as you’d expect from the folks at TTA Press.

The retro-look does reflect the fiction, however, in the sense that, for the most, part the fiction could have been ripped right out of a 1950s/1960s pulp magazine. A swashbuckling fantasy, space adventure, post-nuclear holocaust dystopia. It’s  déjà vu all over again.

…

Read More Read More

Heroscape Wave 10: Valkrill’s Gambit

Heroscape Wave 10: Valkrill’s Gambit

Comments 1 comment

heroscape-wave-101One of the things I most enjoy about Heroscape is the great variety of figures in the expansions. Because I was introduced to the game years after it first debuted, I’ve missed out on a number of the earlier sets. I’ve been trying out all of the recent expansion sets, though. What I didn’t know when Wave 10 arrived was that half of it was a reprint from Wave 5t — now very hard to find — that another quarter of it reprinted some hard-to-find special release figures, and that the final quarter recast earlier molds with different colors and rules. I don’t mean that to sound like a complaint, because 3/4 of those figures are nearly impossible to lay hands on and the other quarter, those recasts, are now among my favorite squads.

…

Read More Read More

Short Fiction Review #24: Realms of Fantasy February 2010

Short Fiction Review #24: Realms of Fantasy February 2010

Comments 0 Comment

currentissue-feb2010The new Realms of Fantasy coincides with the relaunch (as of December 11, 2009) of an actually informative website since Warren Lapine took over as publisher beginning with the August 2009 issue (and perhaps the fact that  the website of previous owner Sovereign Media was essentially just a placeholder was indicative of the company’s general lack of interest in the magazine that eventually led to its sale). There was a free PDF version of this bimonthly available for a time, but the link seems to have been taken down. Fans of Black Gate magazine in particular will no doubt appreciate the largely sword and sorcery, high fantasy type fiction, as well as the related non-fiction gaming, illustration and book genre reviews. Black Gate fans may also appreciate that their favorite magazine dispenses with high gloss interior color; for some reason the graphic designer(s) of the current RoF think that red and yellow headlines and callouts on a white background  make the magazine more visually interesting; I find it not only ugly, but in certain lighting, difficult to read.

Of interest to the broader science fiction and fantasy audience, however, is a Harlan Ellision® short story  featuring a curmudgeonly character undoubtedly intended to remind you of the copyrighted author. This is another in the genre’s seemingly endless fascination with the Frankenstein trope of the responsibilities between the creator and the created.  Ellison’s spin is to introduce the notion of the stupidity and bigotry of political correctness while tacking on two alternate endings reminiscent of classic Golden Age treatments of this theme from the 1950s/1960s. Actually, I thought the story worked well enough if it ended with “But I had been ignorant of the laws of human nature, and we both knew it was all my responsibility. The beginning,the term of the adventure, and now, the ending” (31) before it branches off to present conclusions from two different perspectives. The second has deeper philosophical implications, but for whatever visceral reasons I prefer the first one. No spoilers here — decide and discuss among  yourselves.

…

Read More Read More

Robert Low’s The Wolf Sea

Robert Low’s The Wolf Sea

Comments 2 comments

wolf-seaThe Wolf Sea
Robert Low
Thomas Dunne Books — St. Martin’s Press (340 pages, Hardback, June 2008, First published in Great Britain by HarperCollins, $24.95)
Reviewed by Bill Ward

This follow-up to 2007’s The Whale Road, Robert Low’s debut novel of grim Viking adventurers questing for the lost horde of Attila the Hun, is a continuation of the story of the Oathsworn and their new and untested leader, Orm Rurisksson. Orm, still a teenager, earned a reputation as a ‘deep thinker’ amongst his Viking crew and was their choice for leader with the death of Einar the Black — the man who had led them on a doomed expedition to the very ends of the earth in the first book of this series.

The Wolf Sea begins in Miklagard — the Norse-termed ‘Great City’ of Constantinople — with the theft of the jeweled saber Orm rescued from the Volsung horde in The Whale Road.  Valuable in and of itself, perhaps even magical, the saber is also the key to finding Attila’s silver because Orm has carved its hilt with runes that will act as a guide should the Oathsworn ever return to the steppe. It turns out the saber has fallen into the hands of their old enemy, Starkad, who also seeks the fabulous treasure but has no idea that he possesses the key to finding it. Starkad is convinced that Martin, the venal priest that journeyed with the Oathsworn in their quest for Attila’s tomb, knows the way to the treasure and he sets off to the Holy Land to find him — with Orm and the Oathsworn in pursuit.
…

Read More Read More

Goth Chick News: Fractured Fairytales – A Review of Isis by Douglas Clegg

Goth Chick News: Fractured Fairytales – A Review of Isis by Douglas Clegg

Comments 1 comment

isisDon’t talk to a wolf in your Grandma’s nighty, don’t take an apple from a creepy old lady and when in doubt, trust the house mice.

These are the very important lessons taught to us by fairytales, normally animated by Walt Disney and all with happy endings. However, when you read Isis, you’ll learn one more bit of indispensable wisdom: sometimes dead is better, and knowledge can come too late for a happy ending.

This seems to be the year for returning to old-fashioned scares, the kind that get into your head, and Douglas Clegg has done a masterful job at taking the horror story back to the campfire, or in this case, the Victorian mansion. Isis is the story of what appears to be, on the surface, a perfect and wealthy 19th century British family complete with doting mother, war-hero father, and precocious but loving children tended to by domestic servants. Belerion Hall is not a frightening but instead postcard-like stone manor house surrounded by lush gardens in which Iris and her beloved brother Harvey pass enchanted, summer afternoons.

However, things are never quite as they appear.

…

Read More Read More

The Ship of Ishtar

The Ship of Ishtar

Comments 5 comments

ship-of-ishtar-piazoThe Ship of Ishtar
A. Merritt (Paizo Publishing, 2009)

I first read The Ship of Ishtar in a 1960s Avon paperback I found in a used bookstore in Phoenix. This copy is so brittle that I have to specially brace the book each time I open it or else the spine will separate like the San Andreas fault and the pages flutter down in a yellow autumn fall.

What I’m saying is . . . I’m extremely glad that Paizo Publishing has brought my favorite A. Merritt novel back into print in an edition that doesn’t make me afraid of the physical act of reading it. (Go buy it here.)

It’s strange that Abraham Merritt, one the biggest sellers in the history of speculative fiction, should need an introduction at all today, but sadly he does. Merritt was a journalist by vocation, the editor of The American Weekly, but his forays into writing ornate “scientific romances” starting with The Moon Pool in 1918–19 made him one of the most popular authors of the first half of the twentieth century. Today, he’s the realm of specialists, collectors, and his work is found in volumes from university publishers and small presses. In his introduction to Merritt’s breakthrough novel, The Moon Pool, Robert Silverberg pondered this turn of events that made Merritt obscure. What happened?

Silverberg offers up his own wonderings, ultimately finding the author’s eclipse inexplicable; but I think Merritt’s unusual mixture of two-fisted stalwart heroes in epic action with grandiose, mind-bending worlds of wonder painted in prose arabesques (and millions of exclamation marks!) makes him an author who doesn’t speak to mainstream genre readers today, even if he invented the clichés of countless contemporary fantasy authors. Clark Ashton Smith started as a specialty author and has remained there. Abraham Merritt was a mainstream writer who managed to Clark Ashton Smith himself after his death, ending up as a specialty author as well. Unfortunately, such is often the way of unusual talents. At least The Ship of Ishtar is now only a few clicks away for you to purchase and enjoy.

…

Read More Read More

Short Fiction Review #23: McSweeney’s Quarterly Concern Thirty Two

Short Fiction Review #23: McSweeney’s Quarterly Concern Thirty Two

Comments 0 Comment

8fa88b703af59a7fb42bf6ab2c911549McSweeney’s is a quirky quarterly  that  breaks conventional publishing boundaries with each issue devoted to a unique theme, both in terms of editorial content and physical packaging. For McSweeney’s 32, its last issue of 2009, ten contributors were tasked with writing tales specifically set somewhere in the world that take place fifteen years hence in 2024. According to the editors:

…we wanted to hear about where we’d be — to see what the world could look like when things had shifted just a bit , as it seems like they’re starting to, heading into the second decade of the third millennium…and a semitangible future at last seeming imminent.

For the most part, this is a future defined by natural disaster, frequently involving water. Serendipitously, I read this during a record snowfall in which I was homebound for four days before my driveway could be cleared out. While the state declared an emergency disaster, and unlike a lot of Virginians who lost power as well, it didn’t much matter to me that I couldn’t go anywhere since I was comfortable with reading material, heat, food and Internet access. Not Katrina, by any means, but “normal life” did shut down for a short time. In some of these stories, normal becomes not a return following a disaster, but is defined by the disaster.

There was a time when futurist stories were about how humanity overcame its limitations, both in terms of earthbound existence and its evolutionary defects (remember that what was supposed to be so “innovative” about the original Star Trek was that it depicted various races working together in harmony, forgetting that women of any race were stuck in miniskirts and mostly served as subserviant love interest for the captain). It would seem that from the perspective of the oughts of the 21st century, the future does not look particularly bright.

…

Read More Read More