On the Future of Bookstores

On the Future of Bookstores

220px-borders_flagship_storeSo everyone’s crying about the demise of Borders, though it wasn’t that long ago we were all crying about how it and evil twin Barnes and Noble were driving  local independent bookstores out of business, even as we were shopping mostly at Amazon to get the books we found browsing at the physical bookstore at a better price (sinner, heal thyself). Like everyone else, I used to love going into the megastores, and maybe felt a little guilty about it, but not so much that I stopped doing it, because the small guys just didn’t have the inventory to browse through.  Which is also why I used to like going into Tower Records, too, but the same thing that’s happening to the music megastore (of which “Borders ‘n Noble” was once a subset) is catching up to the bookstore. You want to browse inventory, you go online, for both selection and prices. And you don’t have to get into the car and drive anywhere to do it.

On a personal level, the Borders closing doesn’t affect me. Here in Charlottesville, we have more used bookstores per square foot than coffee shops, along with long established local retailer of new books and, yes, a Barnes and Noble (though not a superstore, meaning little in the way of music or video, though that’s being downsized anyway).  And, truth, be told, it’s been a while since the Borders experience peaked; in an effort to become profitable, the chain started emphasizing mass merchandising over book selling, becoming more like a mall store than an intellectual haven, and there was nothing more idiotic than staff running around with those silly headsets to give the illusion of instant customer service.

The primary attraction of going into a Borders (and Tower and all the other megastores) was that feeling that you can get in your hands just about almost anything you wanted, no matter how esoteric, and that’s not quite the same thing as pressing “The Look Inside” link online. While as eReaders ultimately displace the physical book, that distinction may become less important, but whether chat rooms and customer reviews can replace the barista who can recite from Nietzche, Heinlein and Bob Dylan is another matter.

Nor is the experience disappearing entirely for bookstores (or record stores), but it’s going to be harder to find if you don’t live in Portland (Powell’s Books) or New York City (Strand, for example, which is cleverly offering a free gift at its store to anyone who comes in with a Borders Rewards card).  These bookstores continue to survive because, unlike Borders, they haven’t tried to replicate their physical presence across the country like the Borg while still expanding their online footprint. Moreover, their brand identity distinguishes themselves from Amazon as knowledgable curators of their product (as opposed to a legion of Harriet Klausners and algorithms that tell you what you like based on past purchases).  Therein may lie the future of the physical bookstore.

That and maybe Apple acquiring Barnes and Noble.

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Blogging Marvel’s The Tomb of Dracula, Part Eleven

Blogging Marvel’s The Tomb of Dracula, Part Eleven

tod-55The Tomb of Dracula #55, “Requiem for a Vampire” is highlighted by the stunning artwork of Gene Colan and Tom Palmer, which is exceptionally beautiful even by their high standards. Marv Wolfman’s script cleverly builds on the conflict between Dracula finding marital bliss with his wife and their infant son and the nagging doubt that he was capable of siring a child in his undead state. Adding to his concerns is the fact that his son resembles the angel he battled several issues earlier. Only the vampire’s lust for power distracts him from pondering this further. Anton Lupeski’s growing awareness of Dracula’s madness convinces him he must remove him once and for all before the vampire turns on him. Meantime, Quincy Harker is recovering from his heart attack and meets with Frank Drake, Rachel Van Helsing, Harold H. Harold and Aurora Rabinowitz to discuss their next move. Harold successfully infiltrates the Satanic christening ceremony held in the Dark Church where Lupeski christens Dracula and Domini’s son, Janus and declares the child is the promised anti-Christ. Dracula realizes that Lupeski is setting up his infant son as the focus of the cult to minimize the vampire’s influence and rebukes Lupeski publicly, abruptly departing the ceremony with his wife and son and leaving the High Priest fuming over his humiliation. What follows is a wonderful piece of writing with husband and wife alone together, bearing their scarred souls to one another. Dracula opens up about his fractured relationship with his daughter, Lilith and Domini goes into greater detail about how she fell into the Church of Satan. Wolfman is as bluntly honest as the censorship of the day would allow in depicting real life sexual abuse by cult members.

The literate, moving dialogue combined with Colan’s realistic artwork combine to make this issue a landmark installment in this fine series. It seems impossible not to be moved by these two lost souls whose one desire is to find peace after living lives of degradation and abandonment. Of course, moments of peace are short-lived in broken lives and Lupeski is overheard by another vampire plotting with one of his cult member to kill Dracula once and for all. The loyal vampire reports Lupeski’s betrayal to Domini who chooses to pay a clandestine visit to Lupeski herself rather than inform her husband that the High Priest is plotting his murder. The issue ends with the vampire prowling the night skies in bat-form ruminating as he had at the start of the issue over the points that continue to cause him unrest. His melancholy mood is tempered by the belief that he has a loving and devoted family and has finally found some semblance of peace.

tod-56#56, “The Vampire Conspiracy” is the title of Harold’s fictionalized account of his encounters with Dracula. This is really just a humorous filler issue which neatly summarizes the Boston-based storyline thus far and wrings some humor out of the contrast between Harold’s narration (where he depicts himself as capable, heroic, and distinctly Sherlockian) and the reader’s recollection of what has occurred in the narrative up to this point. It is interesting to note that Harold portrays Rachel and Aurora as helpless damsels in distress in a fashion that is very familiar to those who grew up on a steady diet of Universal and Hammer horror. Most intriguing is a purely fictionalized encounter between Dracula and Satan who appears in the form of a black panther. While no such event has occurred, it does prefigure the direction Wolfman is about to take with the storyline in coming months. As it is, the issue remains a diverting time-filler.

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Goth Chick News – JP4: A Whole New Lizard, or Just Another Clone?

Goth Chick News – JP4: A Whole New Lizard, or Just Another Clone?

image0023Let’s start with the picture on the left.

This is the back of my SUV. I would like to draw your attention to the customized wheel cover one of my artist friends presented me with a couple Christmases ago. If you were sitting in the driver’s seat you’d be perfectly positioned to see my Jurassic Park Test Vehicle Identification Tag hanging alongside a tiny Velociraptor.

This of course proves I am a geek. We established that quite some time ago so let’s move on. What this really proves is that I’m a huge movie geek with a major Jurassic Park fixation, which coincidentally positions me perfectly to deliver the following news in the most expert of fashion.

JP4 is coming and I can prove it. Whether this is a good thing or a bad thing is up to you to decide, but I think you’ll agree it’s at least worth imagining at this point.

Let’s start with the basics in case some of you were still in diapers when this story kicked off

The original 1993 Jurassic Park movie, which earned over $914 million, and the sequel The Lost World: Jurassic Park, which earned $618 million, were based upon novels by Michael Crichton, who died unexpectedly in November 2008. Jurassic Park 3 departed from Crichton’s story line and was largely considered “the end” of the franchise due to its very poor box office performance.

What you probably have already heard is that Steven Spielberg raised the hopes of geeks everywhere by telling fans at San Diego’s Comic Con that a new JP sequel might be coming out “in two or three years.” Spielberg also mentioned he might oversee the new project as a producer.

But I’ve got some additional scoop you may not have heard.

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Art Evolution 2011: Janet Aulisio

Art Evolution 2011: Janet Aulisio

obsidiman_merchant-254Art Evolution continues with the second entry into this exclusive club for 2011, but if you’ve missed any of the other contributors you can find them here.

I can’t remember the first time I saw a Janet Aulisio piece of art, but I presume it was in the pages of FASA’s Shadowrun RPG in 1992. Like most games of the era, interior work was done in black and white line art [although FASA was the first to include color plates which took the product to whole new levels of RPG design]. Janet, for her part, was tasked with adding a different level of art to the games 2nd Edition and her technique stood out in a style I like to refer to as ‘art of the scratch’.

This is a kind of Russ Nicholson school of art, a concept where ink is used in every aspect of the picture, even the negative space. White is almost seen as an enemy, and Janet herself has said ‘I’m like any other artist, greedy for lots of space to spread my art’.

Oddly, I was instantly taken with her style. I note this as ‘odd’ because to that point I’d been a kind of beauty purist, a clean image always more appealing to me than sketchy stuff. I can only guess that by 1992 my former ‘teenage eye’ was being replaced by something more accepting of a larger world of artistic style.

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Readercon 22: Meeting Mark Twain, Winning a Rhysling, and Sundry

Readercon 22: Meeting Mark Twain, Winning a Rhysling, and Sundry

PART II.

(Part I can be found here.)

Readercon 22: Saturday

Now. Where was I, where was I?

Ah, yes. Readercon.

Me, Gwynne Garfinkle and My Sinister Puppet Hand
Me, Gwynne Garfinkle and My Sinister Puppet Hand

Think back. Stretch your minds back. It’s Saturday, July 16th. Where are you? Sipping ice tea on your veranda while the dog pants at your feet and the cicadas whine and the barbecue sizzles — and it’s a summery summertime stretch of summeriness — and you’ve even remembered to put on your sunblock? GOOD FOR YOU!

Me, I hardly saw the sun that weekend. I was in the Boston Merriot Burlington, where the air conditioning was fierce and the convention programming intense!

Julia Rios Makes Every Hotel Room a Castle!
Julia Rios Makes Every Hotel Room a Castle!

In the morning, Erik Amundsen and Patty Templeton and I stole away to Panera Bread, to consume an inexpensive breakfast of sandwiches and rubbery room-temperature soufflés. I was back to the hotel in time for my 11 o’ clock interview with Julia Rios.

Ha.

An interview!!!

That makes me sound VERY POSH AND IMPORTANT, doesn’t it? Only it wasn’t like that, really, because the interview was recorded as a podcast for Broad Universe (called “The Broad Pod“), and it was to involve me and Gwynne Garfinkle and Mary Robinette Kowal, and if you think that I’M the posh and important one in that group, then I don’t know which current affairs rack you’ve been hanging your hats on lately, misters and mistresses!

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Movie review: Captain America: The First Avenger

Movie review: Captain America: The First Avenger

Captain America: The First Avenger (2011)
Directed by Joe Johnston. Starring Chris Evans, Hugo Weaving, Tommy Lee Jones, Haley Atwell, Sebastian Stan, Dominic Cooper, Stanley Tucci, Toby Jones.
captain-america-red-skull-movie-comparison1
How much a geek am I? After my first screening of Captain America, I stood up and thrust both my hands in the air with balled fists and screamed “Hail HYDRA!” Yeah, they may be the bad guys, but they have a great rallying cry.

I have waited since I was twelve years old for a big theatrical Captain America movie. (That 1990s straight-to-vid quickie directed by Albert Pyun does not count.) Ever since I was old enough to read comics on my own, Cap was my favorite superhero. I have spent an enormous amount of time on my own blog going through the chronological history of the Captain America comic book. All that Captain America: The First Avenger needed to do was not mess up the Joe Simon and Jack Kirby’s star-spangled hero and I would be happy.

Now I’m ecstatic. I unabashedly love this movie. It is the finest product yet to come from Marvel Studios and one of the best superhero movies ever made. I’m going back to see it a second time the moment I can. (In fact, by the time you read this, I probably will already have seen it a second time; I watched the first show on Friday morning.)

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A Beautiful Trilogy – Uglies Film Announced

A Beautiful Trilogy – Uglies Film Announced

ugliesScott Westerfeld has posted on his blog a press release announcing upcoming film adaptations of his popular Uglies trilogy, set in a post-apocalyptic future where everyone, at age 16, is made “pretty” through an intense surgical procedure. When everyone is Pretty, the idea is, everyone is equal and happy, so there’s no reason for discord.

Why the Books Rock

Uglies is a powerful book which features some of the best of science fiction. It has action, but also deep thematic elements. It has social context, without being preachy. It has deeply realized characters and very human conflicts between them. It is a rich world that grows more complex with each book.

And, of course, being a modern young adult series, it also features a love triangle. (A couple of them, actually.)

The story of the first book, Uglies, starts with the main character, Tally Youngblood, who is nearing 16 (and her surgery) with anxious anticipation. One great thing about this book is Tally, because she’s not your typical hero. She’s fairly selfish and certainly short-sighted. It often doesn’t occur to her, especially in the first book, that she should take into account much beyond her own immediate wants and desires … which makes her a perfect teenage protagonist.

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Win a Limited Edition Copy of Rage of the Behemoth from Rogue Blades Entertainment

Win a Limited Edition Copy of Rage of the Behemoth from Rogue Blades Entertainment

rotbJason M Waltz, publisher of Rogue Blades Entertainment, is giving away a free copy of the limited edition of Rage of the Behemoth to one lucky winner this week.

Described as “Almost 150,000 words of monstrous mayhem recording the ferocious battles that rage between gargantuan creatures of myth and legend, and the warriors and wizards who wage war against, beside, and astride them,” Rage of the Behemoth gathers 21 splendid tales of pure adventure fantasy under one cover, including contributions from Bill Ward, Andrew Offutt & Richard K. Lyon, Lois Tilton, Mary Rosenblum, Sean T. M. Stiennon, Brian Ruckley, Bruce Durham, Jason Thummel, C.L. Werner, and many more.

How do you win? Easy!

Just comment on any of the three posts this week at Rogue Blades Entertainment’s Home of Heroics , and you’ll be entered into a drawing to win a copy. The Home of Heroics is the Grand Central Station for heroic fiction on the Web, and previous writers have included Martha Wells, E.E. Knight, David C. Smith, Charles Saunders, Bill Ward, and many others.

Comments must be made between Monday, July 25, and Friday July 29. Complete details on the contest are here.

Learn more about Rage of the Behemoth here.

You won’t find many contests this easy — or this much fun. Check out Home of Heroics today. You can thank us later.

Mark Lawrence on Prince of Thorns

Mark Lawrence on Prince of Thorns

prince-of-thornsThat fantasy story you love, the one where the farm boy gets the sword and kills that monster so the bad overlord is cast down and the princess is freed… I didn’t write that one. Those stories, wrapped up in more sophisticated prose with a twist and turn and an OMG, are great. They’re the strength and the curse of the genre. I didn’t write one. I wrote an ugly awkward thing that has seriously made someone blog ‘I got that horrible feeling in my tummy and could not read any more.’ Prince of Thorns is an ungentle book.

In 2004 I got my first ever check for writing fiction, a princely $31 for ‘Song of the Mind-born,’ a story that Black Gate had turned down. Between 2003 and 2006 Black Gate turned down about five of my short stories. John O’Neill writes the best rejections of any magazine editor I’ve ever encountered, and believe me if we lived pre-email I would have enough rejections to reconstitute a sizeable tree.

Reading an O’Neill rejection you know that the man has read your submission from top to bottom and put some thought into letting you know why he’s not going to pay you for it. He lets you walk away with dignity and hope.

This was the last O’Neill rejection I got:

It is with great pain that I am forced to reject you yet again. I really liked this story and read to the end, even though I was sure after the first few paragraphs that it wouldn’t be a fit for Black Gate. It was very nicely done, and hit me on an emotional level. It works at all levels, I think — except it’s not a fit for Black Gate. Please put some of your excellent talent to use on an adventure story with some unique world building, and ship it my way.

I took John’s advice and the next three submissions were all accepted. ‘Bulletproof,’ accepted in 2006, will appear in Black Gate 16, perhaps Spring 2012? And that’s another thing I love about Black Gate (apart from the fact you can actually buy it off the shelves of real shops) – the optimism, the way they put the season on each issue as if the year wasn’t enough to uniquely identify it!

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Ruminations on Ice and Fire

Ruminations on Ice and Fire

A Dance With DragonsI recently had the chance to review George R.R. Martin’s A Dance With Dragons for my hometown newspaper, The Montreal Gazette. Looking at both the new volume and the previous four installments in his Song of Ice and Fire series, I found myself wondering what it is that makes the books work so well both with critics and a mass audience.

A Dance With Dragons reached the top of the best-seller lists in its first week of release, and had the highest first-day sales of any fiction book this year. The initial wave of reviews were widely positive, with glowing praise from Jeff VanderMeer and Lev Grossman among others (I liked it, too). There have been some dissenting opinions, though, one example of which is Theo’s post from earlier today. Oddly, it seems many of the people most disenchanted with the book have been (some) long-standing fans.

Perhaps it’s not so odd. It’s been six years since the last book in the series came out, and another five years since the book before that. Because of the way Martin structured these books, that means fans have been waiting to read about some of their favourite characters for eleven years. That’s quite a while; longer than the gap between the cancellation of the original Star Trek TV series and the premiere of Star Trek: The Motion Picture, for example. Expectations had to have been running high. But this only brings me back to what I was wondering before: why have people been waiting so fervently for the book?

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