“Farewell to Tyrn” and Notes on Self-Publishing for the First Time

“Farewell to Tyrn” and Notes on Self-Publishing for the First Time

Comments 6 comments

farewell-to-tyrn-cover-500x667I’m taking a one-week break from Mars to do some shameless self-promotion, which I promise will be over quickly so I can regale you with a personal story. The Warlord of Mars next week, I promise.

I entered the realm of e-book publishing this week with my novelette “Farewell to Tyrn.” It is available for 99¢ at Amazon.com for the Kindle, and at Smashwords for all other e-reader formats (including vanilla plain text, which I find cool in a low-tech way).

“Farewell to Tyrn” is the second story released in my science-fantasy setting of Ahn-Tarqa. The first is my Writers of the Future-winning piece “An Acolyte of Black Spires.” Two more Ahn-Tarqa stories, “The Sorrowless Thief” and “Stand at Dubun-Geb,” are slated to appear in upcoming issues of Black Gate, so if you want to get a sense of the world, you can start with “Farewell to Tyrn.”

…

Read More Read More

The Bones of the Old Ones Arrives in August

The Bones of the Old Ones Arrives in August

Comments 4 comments

bones-of-the-old-onesThomas Dunne Books has released the cover art, and announced the release date, for Howard Andrew Jones’ The Bones of the Old Ones, the sequel to The Desert of Souls, which The Mad Hatter’s calls “one of the most enjoyable Swords & Sorcery novels in quite a few years.”

The Bones of the Old Ones will be released in hardcover on August 21, 2012, with a cover by Stephen Stone. This will be the third book chronicling the exploits of Dabir and Asim, Arabian adventurers par excellence, following The Desert of Souls and the short story collection The Waters of Eternity, released in Kindle, Nook and iBook format on November 22.

Here’s the groovy cover blurb for Bones:

A thrilling, inventive follow-up to The Desert of Souls by Howard Andrew Jones, a “rare master of the storyteller’s art” (Greenmanreview.com)

As a snowfall blankets 8th century Mosul, a Persian noblewoman arrives at the home of the scholar Dabir and his friend the swordsman Captain Asim. Najya has escaped from a dangerous cabal that has ensorcelled her to track down ancient magical tools of tremendous power, the bones of the old ones.

To stop the cabal and save Najya, Dabir and Asim venture into the worst winter in human memory, hunted by a shape-changing assassin. The stalwart Asim is drawn irresistibly toward the beautiful Persian even as Dabir realizes she may be far more dangerous a threat than anyone who pursues them, for her enchantment worsens with the winter. As their opposition grows, Dabir and Asim have no choice but to ally with their deadliest enemy, the treacherous Greek necromancer, Lydia. But even if they can trust one another long enough to escape their foes, it may be too late for Najya, whose soul is bound up with a vengeful spirit intent on sheathing the world in ice for a thousand years…

Tomorrow is the release of The Desert of Souls in trade paperback — a perfect chance to job on board if you haven’t already. Don’t miss out on one of the most exciting fantasy debuts in years.

The World Beats a Path to John Fultz’s Door

The World Beats a Path to John Fultz’s Door

Comments 2 comments

seven-princesJohn R. Fultz’s first novel, Seven Princes, has been on sale less than two weeks and already it’s shaking the walls of the literary establishment, getting rave reviews from all corners.

Last week genre website io9 called it “Amazing… It’s epic with a capital EPIC… You sort of wish Frazetta was still alive, just so he could illustrate some scenes from this book.”

This week Library Journal checks in with a starred review of their own:

When Elhathym, the necromancer, murders the royal house of Yaskatha and seizes power, Prince D’zan, the sole survivor of the massacre, vows to avenge his family and liberate his homeland. Traveling thoughout the world, D’zan seeks aid from the Kingdoms of Udurum, land of Giants and men; the Uurz Empire, known for its lush, exotic Royal Gardens; Mumbaza, ruled by its Boy-King; and the Kingdom of Shar Dni, a country already under attack from pirates. Thus, seven princes become caught up in a great conflict. Fultz’s first novel launches an epic series set in a world in which a race of Giants nears extinction and an aging king delivers himself to the Mer-Queen’s justice for a crime committed in his youth… A richly detailed background history filled with the legends of many cultures lends depth to a stand-out fantasy series from an author with an exceptional talent for characterization and world building.

In the same piece you’ll also notice a starred review for our buddy Saladin Ahmed’s new novel Throne of the Crescent Moon, which they call a “long-awaited debut by a finalist for the Nebula and Campbell awards [that] brings The Arabian Nights to sensuous life.”

It’s a good week to be a fantasy fan. Check out both new reviews here.

Steampunk Spotlight: Cherie Priest’s Boneshaker

Steampunk Spotlight: Cherie Priest’s Boneshaker

Comments 3 comments

boneshaker3One of the most popular steampunk books of the last few years, Boneshaker (Amazon, B&N) melded some of the most popular genre elements of steampunk and the zombie apocalypse wave of fiction. In this review from Black Gate #15, I commented that the book was a little action-heavy, full of zombie chases that didn’t always translate well on the printed page. I compared it to a George Romero film … and it turns out that someone took that to heart, because it’s being made into a film. I don’t normally go to zombie movies, but I’ll definitely make an exception for this one, which may well be the most visually-stunning zombie film ever.

Boneshaker

Cherie Priest
Tor (416 pp, $15.99, 2009)
Reviewed by Andrew Zimmerman Jones

Steampunk is traditionally set in a Victorian urban environment, with a veneer of gentility that covers a darker underbelly. And steampunk almost always includes airships (or at least flying bicycles)… often with air pirates in tow.

The weird west mythos, on the other hand, represents the frontier. While technology is usually central to steampunk, the weird west is often defined by some sort of monster (frequently zombies), but these elements can cross genres. The 1999 Will Smith film Wild Wild West featured a flying bicycle and a giant robotic spider, firmly placing it in the camp of steampunk by most accounts, but containing many weird west elements.

Boneshaker takes many of these staples, puts them in a blender, and sets to mix. It is set in a modified 1880’s Seattle, which has been walled off because a gas drifting out of the ground turns people into zombies.

…

Read More Read More

A Few Words on Clark Ashton Smith

A Few Words on Clark Ashton Smith

Comments 7 comments

A Rendezvous in AveroigneLast Friday was Friday the thirteenth. It was also Clark Ashton Smith’s birthday. In memory of that conjunction, I’d like to write a bit about Smith and his work. I have only a few thoughts about Smith’s prose style; Ryan Harvey’s excellent and insightful look at Smith’s fiction can be found in four parts, here, here, here, and here. And you can find an online collection of Smith’s works here.

Smith’s probably a familiar figure to many readers of this site, but for those that don’t know him, some background: Born in 1893, Smith suffered from a fear of crowds, and never attended high school. He was an autodidact and dedicated reader; he apparently read, in fact, through the Encyclopedia Britannica and Webster’s Dictionary. He wrote novels as a teenager (I haven’t read them, though in recent years they’ve been put into print), sold a few stories at 17, and then published a collection of verse at 19. Plagued by ill-health, he continued to write poetry, and in 1922 received a fan letter from H.P. Lovecraft. The two men became pen pals, and shared ideas and imagery.

In 1929 Smith began writing weird fiction, odd mélanges of horror, science fiction, and fantasy. He published in Weird Tales, like Lovecraft, and like Robert E. Howard, with whom he struck up a friendship by post in 1933. Howard died in 1936, Lovecraft in 1937, and then late in 1937 first Smith’s mother and then his father passed away. Smith had for the most part stopped writing fiction in 1935; although a few stories came in later years, as well as more verse, Smith shifted his focus to sculpture for much of the rest of his life. He died in 1961.

…

Read More Read More

New Treasures: Armchair Fiction

New Treasures: Armchair Fiction

Comments 2 comments

girl-who-loved-deathI stumbled on the new line of Armchair Fiction science fiction and horror reprints late last year, and finally ordered a few in December.

Armchair claims they’re “dedicated to the restoration of classic genre fiction,” and they mean it. So far they’ve published 39 “Double Novels” — two short novels packaged together, modeled after the fondly-remembered Ace Doubles from the 50s and 60s — plus 15 single novels, and six short story collections.

Much of what they’ve publishing has been out of print for decades, including work from Fritz Leiber, Murray Leinster, Robert Sheckley, Mack Reynolds, Jerome Bixby, Keith Laumer, Edgar Pangborn, Richard S. Shaver, Robert A. W. Lowndes, Leigh Brackett, Raymond F. Jones, Poul Anderson, and many others.

When a vintage press is inclusive enough to reprint the work of Richard S. Shaver, author of the infamous “Shaver Mysteries,” you know they’re serious. Trust me.

I’ve been very pleased with the books I’ve received so far — they’re quality productions, probably print-on-demand, although POD has gotten so polished these days I can’t even be sure. They’re glossy paperbacks, with excellent cover reproductions (most taken from 50s SF magazine covers and Ace Doubles), about the size of a trade paperback, and reasonably priced at $12.95.

They have 15 new releases for Winter 2012, including fiction from Clifford D. Simak, Rog Phillips, Stanton A. Coblentz, Jack Sharkey, Edmond Hamilton, Frank Belknap Long, Don Wilcox, and other neglected science fiction and horror writers.

…

Read More Read More

Mark Rigney Reviews Ivy’s Ever After

Mark Rigney Reviews Ivy’s Ever After

Comments 0 Comment

ivys-ever-afterIvy’s Ever After
Dawn Lairamore
Holiday House, Inc., (311 pp, $16.95, 2010)
Reviewed by Mark Rigney

There is a land where children go, to fill their minds with castles and kings and queens and rescues and, well, you know. All that stuff. For some, that land comes equipped with polyhedron dice. For seasoned readers ready to dispense with their dice, one can always fall back on Tolkien, Sir Walter Scott, or Le Morte d’Arthur. But what if you happen to be, say, nine years old, and a veteran of second-hand My Pretty Ponies and half-remembered episodes of TV’s greatest fantasia, Sesame Street? The Babysitter’s Club won’t be for you, no, and Swallows and Amazons might be a little dated. Time, then, to sample the gentle charms of Ivy’s Ever After.

Dawn Lairamore has two things on her mind from the get-go. First, she sets out to tell a quite traditional tale set (of course) in a distant, unknown realm where a crisis of succession will soon vault young Princess Ivy into being the only one in the entire kingdom who can save the kingdom entire. Second, she wants to upend the genre just enough to ensure that Ivy actually will be a heroine worthy of a post-Sigourney Weaver world, a heroine who will rely not at all on the hapless men in her life (including her father, the king), and, indeed, not by any male aside from the rather large, winged exception of the dragon set to guard Ivy’s tower.

…

Read More Read More

Black Static #26

Black Static #26

Comments 0 Comment

black-static-26Black Gate contributor Mark Rigney’s story, “The Demon Laplace,” inspires the cover art by Rik Rawling for the December 2011-January 2012 Black Static. A variation of the “be careful what you wish for” trope, Rigney’s protagonist, Alan, is a 27 year-old postal worker whose lackluster love life has him worrying that he’ll never find someone to settle down with or, worse, he’ll settle for whoever might come along.  Then he meets mercurial Michael Wish (ostensibly short for Wyczniewski), a postal colleague of Alan’s who is taking a break from grad studies in statistics.  Michael in Hebrew means “he who is like god” and who better than a god to grant wishes; unless, that is, the god is really a devil.

Further complicating the picture is whether mathematics can actually predict future behavior (if you aren’t familiar with Laplace’s equation, Google can explain it for you).  After a series of what could be clever parlor tricks, an initially dubious Alan comes to invest god-like powers in Michael when the prediction that Alan will marry the next woman he talks to comes true.

The question is does it come true because Michael actually can predict the future or is it because Alan is so thorough convinced of Michael’s prestidigitation that he acts to make it true? Knowing, or at least believing, that someone can foretell future events leads to Alan’s obsession with finding out what he should do next. Problem is, Michael disavows that he was really doing anything more than “messing” with Alan:

“You little jackass. You want what really happened. Fine. When we met, sorting mail? That was a break from grad school–statistics,yes, probability curves — but I was halfway through my thesis, I was bored stiff, and I needed some kind of inspiration. Turns out what I needed was a live. unsuspecting subject. And there you were, a walking tabula rosa, just going with the flow…You fell for everything I said, hook, line and sinker. There. Is that what you came to hear?

4081Problem is, that’s not what Alan came to hear. Which results in tragedy (you are reading a dark horror magazine so why would you expect anything less?) that may, or may not, have been easily foreseen.

In your future I see some interesting reading ahead.

Blogging Alex Raymond’s Flash Gordon, Part Sixteen – “Return to Earth”

Blogging Alex Raymond’s Flash Gordon, Part Sixteen – “Return to Earth”

Comments 1 comment

fg6fg5“Return to Earth” was the sixteenth installment of Alex Raymond’s Flash Gordon Sunday comic strip serial for King Features Syndicate. Originally published between July 6 and December 28, 1941, “Return to Earth” is the first storyline following the conclusion of the Mongo storyline that had carried the strip through its first seven years. The journey back to Earth takes six days. Flash, Dale, and Dr. Zarkov crash land in the Atlantic Ocean and are picked up by a US Navy Destroyer. Rather than receiving the heroes’ homecoming they anticipated, they find they are treated with suspicion. The government fears that they might be Fifth Column agents of the totalitarian Red Sword regime (Alex Raymond’s commentary on 20th Century Fascism) whose aggression has led to a Second World War.

…

Read More Read More

Goth Chick News: 50-Year-Old Bird Carcasses Anyone…?

Goth Chick News: 50-Year-Old Bird Carcasses Anyone…?

Comments 4 comments

image0081There are those who will maintain that in order to call yourself a “fan” of something, you must be a complete expert on that topic.

I, however, would not be one of those people.

Those bits of trivia I retain about my favorite subject matters is sheer coincidence born of seeing, hearing or reading it multiple times until it stuck. Because of this there has been more than one incident where I inadvertently insulted a “real fan” of said topics by not being immediately aware of some “critical” bit of information related to them.

I am about to commit this exact sin, so if you’re one of those “real fans” of Alfred Hitchcock, then you may want to avert your gaze before you are forced to slam your keyboard down in disgust.

…

Read More Read More