Wrath of the Titans Makes Me Want to Start a Hoax That It’s a Re-make
Wrath of the Titans (2012)
Directed by Jonathan Liebesman. Starring Sam Worthington, Rosamund Pike, Bill Nighy, Edgar Ramirez, Toby Kebbell, Danny Huston, Ralph Fiennes, Liam Neeson.
Well, that was trivial.
A sequel nobody demanded from a re-make nobody cared about. There’s no John Carter of Mars “never gonna see a sequel” bitterness here at all. Nope.
But there is some Ray Harryhausen gloating. While watching Wrath of the Titans, I constantly thought of reverse-engineering the movie to create the Ray Harryhausen-Charles H. Schneer original from which it was re-made. I came up with a pretty entertaining film; not as good as Jason and the Argonauts or The Golden Voyage of Sinbad, but right on the level of Mysterious Island, although lacking a Bernard Herrmann score. The scene of Perseus fighting the Minotaur in the labyrinth is one of Harryhausen’s most suspenseful an atmospheric stop-motion creations. In the re-make, the scene is sloppily tossed into the action without any tension, and then fought through without a moment of genuine excitement.
Yes, I’m criticizing this movie by comparing it to a movie that doesn’t exist. But Wrath of the Titans made me do it! It begged me to imagine this better movie from the mid-1980s, one that right now all of us would be geeking-out over on its Blu-ray tie-in release. In fact, I’m going to start an Internet hoax right here: Warner Bros.: Release Ray Harryhausen’s Original Wrath of the Titans (1985) or I Shall Release the Kraken!
Help out, spread the false word. Next year, I want people genuinely confused about the existence of an earlier movie called Wrath of the Titans. It’s almost April Fool’s day, right?
Wrath of the Titans feels exactly like what the Clash of the Titans re-make felt like when I watched it for the second time on DVD: a lifeless spectacle. I gave the re-make a decent review on Black Gate back in the day, but any critic knows that his or her first impressions do not necessarily remain constant. I cannot now, in good conscience, recommend the 2010 Clash of the Titans as even a decent time-waster. It’s a mass of digital nothing that flashed from memory the moment it was over. It is awful.
So Wrath of the Titans is no better or worse than its predecessor — it just reaches the point of minimum returns faster. As in, before the end credits roll.




Seven Princes
Sometimes, you need to grow as a reader to be able to appreciate a certain book. In 1996, I bought a paperback fantasy novel called The Memory Palace, by Gill Alderman. It was a whim, I suppose; maybe something about the cover appealed to me, or more likely something in the synopsis on the back, promising a story about a fantasy writer who gets lost in his fictions and confronts an archmage of his own making. Whatever the reason, I started in on it, swiftly lost interest, set it aside, and only came back to it sixteen years later.

