New Treasures: Alaya Johnson’s Wicked City

New Treasures: Alaya Johnson’s Wicked City

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wicked-cityYeah, pretty much the last thing I expected to distract me this week was yet another urban fantasy featuring a kick-butt female protagonist and a city overrun by vampires.

In my defense, the city is Prohibition-era Manhattan and our protagonist Zephyr Hollis, newly arrived from the ranches of Montana, isn’t a vampire hunter but a socially conscious teacher who’s not above mingling with men — and the Others, otherworldly creatures that include vampires — in discreet speakeasies. The quirky setting and fine attention to detail intrigued me, but it was the engaging narrator that kept me reading. The novel is Wicked City by Alaya Johnson, and it was this jacket copy that first hooked me:

It’s summer in the city and most vampires are drunk on the blood-based intoxicant Faust. The mayor has tied his political fortunes to legalizing the brew, but Zephyr Hollis has dedicated herself to the cause of Faust prohibition — at least when she isn’t knocking back sidecars in speakeasies.

But the game changes when dozens of vampires end up in the city morgue after drinking Faust. Are they succumbing to natural causes, or have they been deliberately poisoned? When an anonymous tip convinces the police of her guilt, Zephyr has to save her reputation, her freedom and possibly her life. Someone is after her blood — and this time it isn’t a vampire.

In a New York City populated by flappers and vampires, debutantes and djinn, it’s best to watch your back. You never know what’s lurking in the shadows.

It’s too early to tell if the novel is going to live up to its early promise, but so far indications are good. Wicked City goes on sale today; it is available in hardcover from Thomas Dunne Books, at $25.99 for 306 pages.

The 2012 Hugo Award Nominations

The 2012 Hugo Award Nominations

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among-othersThe nominations for the 2012 Hugo Awards have been announced by Chicon 7, the 70th World Science Fiction Convention. Chicon 7 will be held over Labor Day weekend right here in Chicago. The nominations are:

Best Novel

  • Among Others by Jo Walton (Tor)
  • A Dance With Dragons by George R. R. Martin (Bantam Spectra)
  • Deadline by Mira Grant (Orbit)
  • Embassytown by China Miéville (Macmillan / Del Rey)
  • Leviathan Wakes by James S. A. Corey (Orbit)

Best Novella

  • Countdown by Mira Grant (Orbit Short Fiction)
  • “The Ice Owl” by Carolyn Ives Gilman (The Magazine of Fantasy & Science Fiction, November/December 2011)
  • “Kiss Me Twice” by Mary Robinette Kowal (Asimov’s, June 2011)
  • “The Man Who Bridged the Mist” by Kij Johnson (Asimov’s, September/October 2011)
  • “The Man Who Ended History: A Documentary” by Ken Liu (Panverse 3)
  • Silently and Very Fast by Catherynne M. Valente (Clarkesworld / WSFA)

Complete list after the jump.

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John R. Fultz’s Seven Kings due in January

John R. Fultz’s Seven Kings due in January

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seven-kingsJohn R. Fultz’s second novel Seven Kings, the sequel to his breakout fantasy epic Seven Princes, will be available January, 2013.

Seven Kings, the second volume in The Books of the Shaper, will be published by Orbit in trade paperback. The cover is by Richard Anderson.

On his blog Fultz spills some additional details on the new installment:

I finished the final revisions about a month ago. I don’t want to say too much about the plot, but you will see much more of Khyrei and its poisonous crimson jungles than in the first book.

Plus: More Giants…

Barnes & Noble’s inhouse magazine Explorations called Seven Princes “flawless – and timeless – epic fantasy… Seven Princes is as good as it gets.” Here on the blog Brian Murphy said:

Seven Princes is bold, brash, and big. This is a novel written with bright strokes of character and setting, bursting with world-shaking adventure, intrigue, and conflict. It reads big, and feels big, and it’s unrepentantly so.

Stay tuned — we’ll keep you posted on the latest Books of the Shaper news as word escapes from the haunted towers of Castle Fultz.

New Treasures: Warhammer 40K: A Thousand Sons and Prospero Burns on Unabridged Audio

New Treasures: Warhammer 40K: A Thousand Sons and Prospero Burns on Unabridged Audio

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prospero-plus11When I drove my son Tim to Blue Lake Fine Arts camp in Michigan last summer, during the five hour drive we listened to Steve Lyons’ The Madness Within and Sandy Mitchell’s Dead in the Water, both 65-minute audiobooks in the Warhammer 40,000 universe.

And boy, they were great. Both were extremely polished, with professional readers and solid production values, including subtle sound effects and rousing music.

Best of all they were terrific stories — especially the Ciaphas Cain tale Dead in the Water. Commissar Cain is a rogue with no interest in heroics of any kind, but an enviable talent for getting out of sticky situations. When he’s posted to Archipelaga, a feral ocean world slowly being pacified by the Imperium, he soon finds himself investigating the mystery of a missing squad, and facing a dangerous and unknown enemy.

Cain’s an engaging and frequently very funny protagonist, and the story was the perfect length. After that I was on the hunt for more audiobooks from Black Library.

Last week my wishes were granted. In fact, they were exceeded in spectacular fashion: with the arrival of unabridged audio adaptations of two seminal works in The Horus Heresy cannon:  A Thousand Sons and Prospero Burns, both New York Times bestsellers.

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Rich Horton Reviews Arctic Rising

Rich Horton Reviews Arctic Rising

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arctuic-rising-tobias-buckellArctic Rising
Tobias S. Buckell
Tor ( $24.99, hc, February 2012, 304 pages)
Reviewed by Rich Horton

Tobias S. Buckell began his novelistic career with a very nice linked trio of books that fit fairly readily with what has been called “New Space Opera” – adventure stories set in space (or at least on distant planets), the main difference between “New” and “Old” Space Opera being a greater concern in the newer stuff for non-white characters, and perhaps a lesser belief in the primacy of humanity’s position in the Universe. His career hiccuped a bit in recent years, partly simply because he was changing course to a different sort of book, but more seriously because of some health issues. But his new novel, Arctic Rising, is now out, and it’s another cracker – as full of action and neat Sfnal ideas as his first three books, but set on Earth in the near future, and taking as its subject a central contemporary concern, global warming.

The protagonist of Arctic Rising, Anika Duncan, is an airship pilot for the United Nations Polar Guard. As the story opens she and her partner notice a radiation signature on a ship entering arctic waters, but when they investigate, the ship shoots them out of the sky, seemingly a rather disproportionate response. Her partner dies, and Anika is eager to find justice for him, but soon realizes that the investigation has hit a brick wall. When she makes noise, things get worse quickly, in classic thriller fashion: Anika’s home is bombed, she’s beaten up and only barely escapes being killed. She ends up on the run with a sort of “prostitute with a heart of gold” – that is, a brothel operator who has taken a shine to her. The one clue she has leads her to a ship run by the radical Green organization Gaia, who have a plan to stop global warming. But it turns out their tech can be used in multiple ways …

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Zero Fantasy

Zero Fantasy

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Ten thousand gallons of virtual ink have already been spent on the subject of cliché elves’n’dwarves’n’rogues’n’rangers fantasy.  But here’s a few droplets that I think are worth noting.

A photo of Yahtzee taken at his Swedish manorhouse
A photo of Yahtzee taken at his Swedish manorhouse

Ben “Yahtzee” Croshaw, for those not fully assimilated into the etherium of the web, is a popular reviewer of games and maker of funny videos.  He’s also the author of Mogworld, which I haven’t read.  Anyway, in his recent video review of the fantasy RPG Kingdoms of Amalur, he introduces a point which he expands on in the first few paragraphs of this essay.  Why does fantasy, theoretically the genre of limitless possibilities, so often fall back on the same stock elements (elves, dwarves, pseudo-Europe, fireballs, etc.)?

Now, here’s the thing: I think Yahtzee is largely arguing against a historical problem, at least when it comes to books.  Gaming may be different, with Dragon Age, Skyrim, and World of Warcraft riding high on a post-Tolkien wave of their own.  But when it comes to books, I’m honestly not seeing much of the cliché elf and dwarf pie being produced.

There are certainly shared universes, whether they be roleplaying settings like Pathfinder or Eberron, or the enormous line of Black Library titles for Warhammer and Warhammer 40K, but they don’t make any claims to originality of setting or trapping.  Many of those books tell great stories with memorable characters, but they do so with familiar elements and surroundings, and pretend to do more.  There’s something comforting about that, actually, and I rather enjoyed the only Pathfinder novel I read.

But in the wider world of fantasy, I’m just not seeing a glut of elves and dwarves or anything that’s recognizably derived from D&D.  I’m seeing Brandon Sanderson, Jim Butcher, Brent Weeks, and  Harry Conolly, James Enge and John C. Wright and Scott Lynch.  Well, okay, Enge has dragons and dwarves, but no one would mistake Morlock’s world for Forgotten Realms.

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This Week’s Bargain SF & Fantasy Books at Amazon.com

This Week’s Bargain SF & Fantasy Books at Amazon.com

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extreme-fantasyThis week sees some great bargains on fantasy, dark fantasy and horror from Carroll & Graf, including several of their splendid Mammoth Book Of... anthologies such as Mike Ashley’s The Mammoth Book of Extreme Fantasy, and a fine collection from Stephen Jones covering Dracula, Wolf Men, Monsters, and more. These are sizable trade paperbacks, 500 pages or more, and they assemble a wide assortment of excellent short fantasy.

For those looking for something a little edgier, or at least more in tune with modern publishing, I’ve also included The Mammoth Book of Vampire Romance, volumes 1 and 2, and The Mammoth Book of Paranormal Romance 2, all edited by Trisha Telep. You’re welcome.

Lou Anders’ terrific superhero anthology Masked is now available for just six measly bucks. Two installments of Barb Hendee’s urban Vampire Memories series are also on the list, as is the first novel by Bram Stoker’s great-grandnephew Dacre Stoker, Dracula The Un-Dead, the direct sequel to Dracula (read William Patrick Maynard’s review here).

Jeffrey Ford, author of the weird and wild story “Exo-Skeleton Town” in Black Gate 1 (read the complete text here), has a great selection of novels available available at steep discounts this week, including The Drowned Life, The Girl in the Glass, The Portrait of Mrs. Charbuque, and The Shadow Year.

Finally, don’t overlook two of the finest titles on this week’s list: Margo Lanagan’s World Fantasy Award-winning novel Tender Morsels, and the latest collection by the marvelous Kelly Link, Pretty Monsters.

As always, quantities on these bargain books are very limited. All these titles are eligible for free shipping on orders over $25.

Many of last week’s discounts are still available; you can see them here.

Apex Magazine #35

Apex Magazine #35

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apexmag0412_mediumThis month’s Apex Magazine is a special international themed issue, featuring ”Love is a Parasite Meme” by Lavie Tidhar  (who is interviewed by Stephanie Jacob) and  ”The Second Card of the Major Arcana” by Thoraiya Dyer; the classic reprint is “Alternate Girl’s Expatriate Life”  by Rochita Loenen-Ruuize.

Raul Cruz provides the cover art. Nonfiction by Charles Tan and editor Lynne M. Thomas round out the issue.

While each issue is available free on-line from the magazine’s website, it can also be downloaded to your e-reader from there for $2.99.  Individual issues are also available at  Amazon and Weightless. A version for the Nook will also be available in the near future.  Twelve issue (one year) subscription can be ordered at Apex and Weightless for $19.95; Kindle subscriptions are available for $1.99 a month.


Blogging Sax Rohmer’s The Yellow Claw – Part One

Blogging Sax Rohmer’s The Yellow Claw – Part One

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lippincott1detective-storySax Rohmer’s The Yellow Claw was originally serialized in five installments in Lippincott’s from February through June 1915. The serial was subsequently published in book form later that same year by Methuen Press in the UK and McBride & Nast in the US. The novel chooses to divide the story into four sections which is how we shall examine the title over the next four weeks.

Rohmer’s first Yellow Peril thriller outside the Fu Manchu series is chiefly remembered today for having introduced the character of his dapper French detective, Gaston Max of the Surete. Max went on to feature in three other novels [The Golden Scorpion (1918), The Day the World Ended (1929), and Seven Sins (1943)] as well as the BBC radio series, Myself and Gaston Max adapted from a series of short stories about an entirely different Rohmer character, The Crime Magnet.

Gaston Max was highly influenced by Edgar Allan Poe’s Auguste Dupin, the series detective who did much to direct the development of the mystery genre and was a primary source of inspiration for both Sir Arthur Conan Doyle’s Sherlock Holmes and Agatha Christie’s Hercule Poirot. Max was not Rohmer’s first attempt at fashioning his own French detective after Dupin’s example. His very first novel, The Sins of Severac Bablon (1912) featured Gaston Max’s prototype, Victor Lemage. The interesting feature is that while elements of Yellow Peril thrillers will surface in the book, Rohmer was trying hard to write a more conventional and realistic detective story in a direct break from the thrillers that made his name.

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In Defense of Elves

In Defense of Elves

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hornsofruin1I’m in the middle of another book, this one my fourth, and the first in a series of four. But writers are always in the middle of a book, always writing the next book, always revising the current one. And, worst of all, always reviewing and revising and dwelling endlessly on the books of the past.

One of the great things about the Arts is that you create specific works that are pretty much a time capsule of who you were and what you were capable of doing at one discrete point in your life. Each book is a little piece of you that you leave behind in the time stream, and every time you open it you get to re-live and remember what it was like to write that book. It’s a little bit like having a conversation with a younger self.

I don’t mean to sound pretentious when I say things like that. I think too much about what it means to be a writer, how we go about coming up with worlds and gods and believable characters, and then translate those ideas into words in such a way that a reader can experience them as well. Let’s be honest, words are probably the crudest, clumsiest, most difficult to wield of all the creative arts. We depend so much on the imagination of the reader. A writer doesn’t even get to read the book to the writer, and instead has to depend on the reader’s ability to pace the sentences correctly, read the dialogue with the right tonality… everything. It’s troublesome, when you really think about it. This is why I encourage you to go to readings when you get a chance, if only to hear the words in the writer’s voice.

Anyway. One of the books I’ve written is The Horns of Ruin, which was published by the fine folks at Pyr Books in 2010. I’ve been thinking about it a lot recently because what I was trying to do when I started that book is similar to what I’m trying to do with the current work. But at some point I changed my plan and went in a different direction.

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