Dion Fortune and The Demon Lover

Dion Fortune and The Demon Lover

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The Demon LoverWhen I took a look at Shirley Jackson’s The Haunting of Hill House the other week, I did not know that February was in fact Women in Horror Recognition Month. The establishment of WiHM, as it’s abbreviated, began in 2010 as “a month-long celebration that would promote and assist underrepresented female artists while educating the public about current and past discrimination.” In 2011, WiHM was backed by the Viscera Organization, a non-profit assisting female genre filmmakers. If you want to know more, here’s the web site for the event, from which I took the foregoing quote, and the Facebook page; here’s a link to the Viscera Organization, with info on the annual film festivals they hold in Los Angeles and Boston. As for me, as a result of learning all this, I stumbled on a couple of lists of works by female horror writers. And on one of those lists, I noticed a book I’d had on my shelf for ages: The Demon Lover, by Dion Fortune.

Fortune is an interesting figure. Born in Wales in or about 1890 (sources vary) as Violet Mary Firth, in her twenties she grew interested in psychotherapy and occultism — possibly a function of visions she claimed to have had since the age of four, which she came to believe were memories of a past life in ancient Atlantis; or of a nervous breakdown she suffered at age twenty, which she believed was the result of a magical attack against her. She became a Theosophist in 1914, and in 1919, while studying magic under a man named Doctor Theodore Moriarty, she took the name ‘Dion Fortune’ and joined the Order of the Golden Dawn. She founded her own magical society in 1922, the Community (later Fraternity, now Society) of the Inner Light, which aimed at bringing Chistian teachings into occultism. In 1926, she published a book of short stories based on her magic experiences: The Secrets of Dr. Taverner. The Demon Lover, her first novel, followed in 1927, with more novels coming in the years after that. She wrote several non-fiction books about occultism — I’ve read The Mystical Qabalah — although it has been argued that her novels ended up being more important for later occultists, especially Gardenerian Wiccans.

Fortune’s work certainly seems to have influenced Marion Zimmer Bradley and Diana Paxson, both as literature and as spiritual inspiration. Alan Moore has spoken highly of Fortune’s magical writing, and more equivocally ranked her with Sax Rohmer as an imaginative writer. For the sake of this piece, it may be worth noting that I’m temperamentally agnostic — I make no claim to wisdom — but naturally skeptical. I want to write about The Demon Lover because I thought it was an interesting book. Not flawless; but interesting. It’s not necessary to know, much less share, Fortune’s history and beliefs in order to enjoy the novel. But Fortune’s biography does suggest some interesting ways to look at what she wrote, and consider the relation between horror (and fantasy) and what is commonly perceived to be real.

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Black Gate Online Fiction: “The Find,” Part II of The Tales of Gemen, by Mark Rigney

Black Gate Online Fiction: “The Find,” Part II of The Tales of Gemen, by Mark Rigney

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AppleMarkGemen the Antiques Dealer gathers a resourceful team of fighters and adventurers to assist him in his mysterious quest, in the sequel to “The Trade”:

The guards finished lowering their prisoner into the octagonal pit. Gemen guessed that at least three hundred now looked on as the woman, very much alone, paced back and forth with restless, furtive energy while a bored-sounding magistrate, above, read out a host of generic accusations.

The magistrate rolled up his paintbark parchment. “The accused calls herself Velori, and she will now defend herself! Survival connotes innocence!”

Immediately four ladders snaked down, and as Velori planted herself in the center, four warriors slid down and advanced, their heads encased in bestial masks of iron and leather, inlaid axes at the ready.

Gemen’s companion let out a dry laugh. “You’re about to tell me it isn’t fair, aren’t you? They’ve got weapons. She doesn’t.”

Gemen shook his head. “It looks fair to me.”

Mark Rigney is the author of the plays Acts of God and Bears and winner of the 2012 Panowski Playwriting Competition. His short fiction has been nominated for a Pushcart Prize and has appeared in Black Static, The Best of the Bellevue Literary Review, Realms of Fantasy, Talebones, Not One Of Us, Andromeda Spaceways Inflight Magazine, Lady Churchill’s Rosebud Wristlet and many more. His contemporary fantasy novel, A Most Unruly Gnome, won the 2009 First Coast Novel Contest. Two collections of his stories (all previously published by various mags and ‘zines) are available through Amazon, Flights of Fantasy, and Reality Checks.

The complete catalog of Black Gate Online Fiction, including stories by C.S.E. Cooney, Vaughn Heppner, E.E. Knight, Jason E. Thummel, Gregory Bierly, Judith Berman, Howard Andrew Jones, Dave Gross, Harry Connolly, and others, is here.

“The Find” is a complete 14,000-word novelette of weird fantasy offered at no cost. It is the sequel to “The Trade,” Part I of The Tales of Gemen the Antiques Dealer, which Tangent Online called a “Marvelous tale. Can’t wait for the next part.”

Read the complete story here.

The Weird of Oz Recalls his First Visit to Barsoom

The Weird of Oz Recalls his First Visit to Barsoom

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warlord of marsBy the time I was in the third grade, I was reading a little bit of everything (still do). From Zorro to The Hardy Boys to Pippi Longstocking, I gave everything a try. But already I was being drawn more strongly to works of speculative fiction, especially heroic fantasy. The year before, I’d gotten hooked on C.S. Lewis’s Chronicles of Narnia.

I often did my best bouts of reading after I’d been tucked into bed and the lights were out. I’d sneak down by the door, sprawl out on the carpet, and read by the narrow band of light coming in from the bathroom down the hall (my mother would leave it on as a nightlight). On one particular night, I chose an old hardcover that I’d taken off my Granddad’s shelf. Whatever dust jacket had once adorned its fraying red cloth was long since lost, and the pages were becoming yellow and brittle. I gently opened to the first page and read these words:

In the shadows of the forest that flanks the crimson plain by the side of the Lost Sea of Korus in the Valley Dor, beneath the hurtling moons of Mars, speeding their meteoric way close above the bosom of the dying planet, I crept stealthily along the trail of a shadowy form that hugged the darker places with a persistency that proclaimed the sinister nature of its errand.

These are the first words of The Warlord of Mars  (1919) by Edgar Rice Burroughs.

This happens to be the third book in the Barsoom series, so I had no idea what was going on. But “the shadows of the forest that flanks the crimson plain,” the “Lost Sea of Korus,” the “Valley Dor,” and the “dying planet” piqued a part of my brain that wanted to explore, as the voice at the beginning of Star Trek used to announce, “strange new worlds.” And then that sudden telescoping in on the “shadowy form” on a sinister errand…I was hooked.  I was on my way to Mars — or Barsoom, as its inhabitants called it.

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New Treasures: Death Watch, by Ari Berk

New Treasures: Death Watch, by Ari Berk

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Death WatchI live in a house with three young adults, all fairly active readers. When one discovers an intriguing new fantasy series, it gets passed around excitedly. That happened with Christopher Paolini’s Eragon books, Stephanie Meyer’s Twilight, Suzanne Collins’s Gregor The Overlander and The Hunger Games, and John Flanagan’s Ranger’s Apprentice books.

The latest book to get discussed and passed around is Ari Berk’s Death Watch, the first installment in The Undertaken Trilogy. It’s too early to determine if this will captivate all three the way previous books have, but early indications are good.

They say the dead should rest in peace. Not all the dead agree.

When Silas Umber’s father, Amos, doesn’t come home from work one night, Silas discovers that his father was no mere mortician, but an Undertaker who worked to bring The Peace to lost and wandering souls. With Amos gone, Silas and his mother move back to Lichport, the crumbling seaside town where he was born, and Silas seizes the opportunity to investigate his father’s disappearance.

When his search leads him to his father’s old office, he comes across a powerful artifact: the Death Watch, a tool that allows the owner to see the dead. Death Watch in hand, Silas begins to unearth Lichport’s secret history — and discovers that he has taken on his father’s mantle as Lichport’s Undertaker. Now, Silas must embark on a dangerous path into the Shadowlands to embrace his destiny and discover the truth about his father — even if it kills him.

Death Watch was published November 27, 2012 by Simon & Schuster Books for Young Readers. It is 560 pages in trade paperback, priced at $9.99 ($8.89 for the digital edition). The second volume of The Undertaken Trilogy, Mistle Child, was published Feb 12.

The Rise of the Short Story: The New York Times on the New Era of Short Fiction

The Rise of the Short Story: The New York Times on the New Era of Short Fiction

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The New York Times logoInteresting post on the success of short stories in the digital marketplace at today’s New York Times:

The Internet may be disrupting much of the book industry, but for short-story writers it has been a good thing. Story collections, an often underappreciated literary cousin of novels, are experiencing a resurgence, driven by a proliferation of digital options that offer not only new creative opportunities but exposure and revenue as well.

Already, 2013 has yielded an unusually rich crop of short-story collections, including George Saunders’s Tenth of December, which arrived in January with a media splash normally reserved for Hollywood movies and moved quickly onto the best-seller lists…

“It is the culmination of a trend we have seen building for five years,” said Cal Morgan, the editorial director of Harper Perennial Originals, who until last year ran a blog called Fifty-Two Stories, devoted to short fiction. “The Internet has made people a lot more open to reading story forms that are different from the novel, and you see a generation of writers very engaged in experimentation.”

The article was written by Leslie Kaufman; the complete text is here.

Amazing Stuff Where There’s a Will

Amazing Stuff Where There’s a Will

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Amazing Stories August 2012Here’s some Amazing news. Just think what the Golden Agers who wrote for this magazine back in the 1940s might wonder about an online pulp magazine?

Actually, one of them, Ray Bradbury, considered the Internet a “waste of time.” I guess his problem was he never spent any time on the Internet.

We don’t have any of Shakespeare’s plays that he wrote in his actual hand, but we do have the plays as transcribed by members of his acting troupe. These days, it wouldn’t be profitable to have an Amazing Stories magazine if it weren’t for the Internet. Even Uncle Ray would be down with that, wouldn’t you think?

Apex Magazine 49Speaking of the Bard and online magazines, I had two “minor” fields of study for my English M.A. (if you must know, or care, the major field was Rhetoric), which were science fiction and Shakespeare.

When I say that, some people think there’s a discipline called “Science Fiction and Shakespeare” and maybe there should be, as certainly the Elizabethan fantasist has inspired many a modern one.

Case in point is the latest edition of Apex Magazine, which is a Shakespeare-themed issue featuring the work of Kate Elliott, Kat Howard, Sarah Monette, Merrie Haskell and Patricia Wrede.

Renovating Tegel Manor

Renovating Tegel Manor

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Tegel Manor-smallWhile I was assembling my Judges Guild article on Tuesday, I stumbled on an odd reference to a revised version of one of their earliest (and most famous) products: Tegel Manor. I’d never seen a copy however, and was pretty sure it didn’t exist, so I set it aside to investigate later.

What makes Tegel Manor so famous? I don’t think I could articulate its wonders as well as the talented James Maliszewski, author of the Grognardia blog; here he is:

Tegel Manor is without a doubt one of Bob Bledsaw’s masterpieces. Describing a sprawling 240-room haunted castle, the module is a textbook example of a funhouse dungeon, utterly lacking in anything resembling an ecology and filled with many encounters for which the adjective “whimsical” is charitable at best. The contents and/or inhabitants of each room are random — in some cases literally — meaning that, here you might find nothing more threatening than some giant beetles but next door you might find a Type III demon polymorphed as a kindly old beggar…

With its random encounter charts containing 100 members of the cursed and unfortunately named Rump family (all of whose names start with the letter R) and its goofy encounters (“Four Zombies … bowing to a Giant White Rat … in a pink cape and red plumed hat”), it certainly seems that way. It’s one thing to sidestep naturalism, but Tegel Manor goes above and beyond the call of duty when it comes to “gonzo.”

But the map is a thing of beauty. Nothing — and I mean nothing — has ever beaten it… It’s filled with winding passages, secret doors, mazes, empty rooms, weird features, and more.

James’s complete review is here. Tegel Manor was originally released in 1977, and revised and expanded in later editions. A little digging revealed that Necromancer Games had contracted to do an updated version for the Old School Renaissance market — and even produced the cover at right — but Judges Guild withdrew the rights before it saw the light of day. But that’s a story that deserves a post of its own.

Blogging Sax Rohmer’s The Bride of Fu Manchu, Part Two

Blogging Sax Rohmer’s The Bride of Fu Manchu, Part Two

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$(KGrHqJ,!p!E9dR9SnnCBPebmY)fDQ~~60_35The Bride of Fu ManchuSax Rohmer’s The Bride of Fu Manchu was originally serialized in Collier’s from May 6 to July 8, 1933 under the variant title, Fu Manchu’s Bride. It was published in book form later that year by Cassell in the UK and Doubleday in the US. The US edition retained the original magazine title until the 1960s, when the UK book title was adopted for the paperback edition published by Pyramid Books.

After Alan Sterling recovers consciousness, Sir Denis insists he dine out that evening in Monte Carlo to take his mind off the terrible situation with Dr. Petrie. Complying with his wishes, Alan drives to Monaco and spends some time at a casino trying to apply Petrie’s (really Rohmer’s) complicated system to break the bank, to no avail. While dining that night, he is startled to spy Fleurette at another table dining with a Russian nobleman and Mahdi Bey.

Observing them in public, Sterling convinces himself that Fleurette must be Mahdi Bey’s mistress. This devastates him as he has idealized her as his virginal dream girl since first glimpsing her on the beach at Ste. Claire. Sterling’s reverie is broken when he spies the Chinese agents of Dr. Fu Manchu in the restaurant. He then hears the mysterious sonic trumpet sound once more. He doesn’t understand the connection, but he is now certain that Mahdi Bey is somehow mixed up in the dangerous business and Fleurette with him.

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Goth Chick News: The Vatican Tapes – We’re Nothing If Not Timely

Goth Chick News: The Vatican Tapes – We’re Nothing If Not Timely

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image004Earlier this week, we learned Pope Benedict XVI resigned his post, reportedly due to “advanced age.”

But could the real reason have anything to do with a misplaced video of a botched exorcism?

Okay, probably not. But as a new pope must be found, so too has a new director been recruited for a long-awaited exorcism tale from Lakeshore Entertainment.

Tuesday Lakeshore released a statement indicating Mark Neveldine, one half of the directing duo behind Gamer, Ghost Rider: Spirit of Vengeance and the two Crank films, will be at the helm of Lakeshore’s possession project, The Vatican Tapes, but without his usual co-director Brian Taylor. James Marsh (Man on a Wire) was in the director’s chair for a while, but dropped out for unknown reasons; advanced age perhaps?

It’s been nearly three years since I’ve heard anything new about the movie, but as far as I can determine the plot line remains the same. The Vatican Tapes follows a series of events depicted on a tape leaked from the Vatican displaying an exorcism that goes horribly wrong. Christopher Borrelli (Con Air, Armageddon) is scripting based on a story envisioned by he and Chris Morgan, but no cast is attached yet and IMDB still lists it as “in development.”

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Invocation of The Muses

Invocation of The Muses

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Thalia Took’s Sketch of 9 Greek Muses

One of Steven Pressfield’s main topics of focus in The War of Art is the fight against what he calls Resistance — the unrelenting struggle a writer faces to NOT write. Every day a writer has to push forward and make the writing happen. You just can’t wait for inspiration, at least not if you’re going to write professionally.

I’ve found that The War of Art is one of the most useful writing books I’ve ever read because of its description of and advice about waging the battle against Resistance (note the capital R — you must respect the enemy). To help me do battle, one of my tactics is to recognize that when you sit down to write, you’re entering a different kind of mental state. I tell writing students that just as a professional athlete would not simply arrive at the track field and start sprinting, a writer will be poorly served to jump into the seat and immediately start typing.

It’s my thought that you have to acknowledge that change, that transition from one mental state (where you’re worrying about groceries and laundry or that news article) to another where the story is all, in order to do good work.

On the first page of The War of Art, Pressfield describes what he does each day to prepare to write so that he can be in the proper frame. Amongst several other personal rituals, Pressfield says a prayer. His is the Invocation of the Muse from Homer’s Odyssey, translated by T.E. Lawrence (that’s Lawrence of Arabia, incidentally).

I’ve never been much of a praying man myself, but I liked the sound of this, so I looked up the prayer, which I had read as a school boy and probably blipped over.

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