Fredric Brown, Stanley G. Weinbaum, and Appendix N: Advanced Readings in D&D

Fredric Brown, Stanley G. Weinbaum, and Appendix N: Advanced Readings in D&D

What Mad Universe-smallTime to get caught up with the tireless Mordicai Knode and Tim Callahan, as they trek towards the finish line of their epic Appendix N re-read over at Tor.com.

This time, they take a look at two names very familiar to Black Gate readers: Fredric Brown and Stanley G. Weinbaum, both of whom we’ve discussed recently, and at considerable length.

In fact, just last week I examined The Best of Fredric Brown, calling it “one of the best short story collections I’ve read in years.” Any collection which included “Arena,” “Puppet Show,” and “The Geezenstacks” has to be considered a classic, and I was looking forward to seeing what our intrepid literary explorers thought of it.

Not much, going by Tim’s analysis:

A spaceman single-handedly battles for the fate of the human race. A god plays war games with knights and bishops. Test tube babies become the new anointed ones. A mountaineer comes face-to-face with a yeti. Earth’s first contact with Mars goes horribly awry.

These are things that happen in the stories, often very short stories, of Fredric Brown. I can see why Gary Gygax liked them.

Unfortunately, their connection to Dungeons & Dragons is vague at best. They seem to fall into a category that, after reading most of these Appendix N recommendations, I can now confidently call Somewhat Clever Things Gary Gygax Enjoyed but are Pretty Tedious to Read Today.

Like the works of L. Sprague de Camp and Fletcher Pratt, the stories by Fredric Brown seem to be the kinds of tales that would delight Gygax with their intellectual playfulness and that might be reason enough for their inclusion on his list of recommended reading, but the cleverness only goes so far, and the stories feel pretty thin otherwise.

Bah. I don’t mean to critique the critic, but I think Tim was asleep at the switch here. Maybe he should have read these magical tales on a long plane-ride to Las Vegas, like I did, instead of hunched over his laptop, thirty minutes before deadline.

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Tell Us Your Favorite Sword & Sorcery Tale, and Win One of Five Copies of Stalking the Beast!

Tell Us Your Favorite Sword & Sorcery Tale, and Win One of Five Copies of Stalking the Beast!

Pathfinder Tales Stalking the Beast-smallWe enjoy discussing sword & sorcery here at Black Gate. And we love to give away free stuff. So this week, we decided to combine our two favorite hobbies.

Specifically, we want to hear about your favorite sword & sorcery tale — novel or short story — and we want to give you one of five copies of Howard Andrew Jones’s exciting new Pathfinder Tales novel, Stalking the Beast, the follow-up to his hit Pathfinder release Plague of Shadows,

All five copies were provided by the fine folks at Paizo Publishing. Paizo will mail copies directly to five randomly-selected qualifying entrants.

How does this work, exactly?

It’s simple. Just send us a one-paragraph review of your favorite sword & sorcery novel or short story. Tell us what makes it so special and be sure to include the author and (if it’s a short story) where you read it.

Old or new, acknowledged classic or overlooked masterpeice, makes no difference. If it’s your favorite, we want to hear about it. And we’ll publish the best entries right here at Black Gate.

To enter our contest, just send an e-mail to john@blackgate.com with the title “Stalking the Beast,” and your one-paragraph entry, before December 1, 2013.

All entries become the property of New Epoch Press. No purchase necessary. Must be 12 or older. Decisions of the judges (capricious as they may be) are final. Terms and conditions subject to change. Sorry, US entrants only. Not valid where prohibited by law. Eat your vegetables.

And good luck!

Sharon Shinn’s Royal Airs: A Review

Sharon Shinn’s Royal Airs: A Review

BGRAFirst of all, I love getting snail mail. Postcards are great, letters are better — but best of all is a lumpy Manila package with something mysterious inside of it.

But when I came home to see my mailbox was stuffed full of a Manila envelope from Sharon Shinn, there was no mystery.

There was only a short squeal and a jig. I knew what awaited me. I bounded up the stairs to the third floor, reciting all the while:

“Her book! Her book! Her newest book!!!”

Because Sharon? Rocks.

(I mean, I thought she rocked long before I met her, but after John O’Neill introduced us at one of those World Fantasy breakfasts where you can’t believe you’re eating pancakes with a woman whose books you devour regularly, she rocked about a thousand times more.)

Royal Airs is the second in the “Elemental Blessings” series, which take place in the Kingdom of Chialto. It’s an exciting time in this secondary world, with “smoker cars” taking over for horse-drawn carriages, the blushing dawn of flying machines, alliances forming and falling apart with realms across the mountains and seas, the delicate balance of power between the regent, the primes of the Five Houses, and the heirs to the throne.

All of this and magic too!

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An American Fantasy Master: The Pulp Art of Virgil Finlay

An American Fantasy Master: The Pulp Art of Virgil Finlay

Virgil Finlay cover for Famous Fantastic Mysteries-smallJohn O’Neill graciously offered me a spot in Black Gate’s blogosphere. How nice of him. Silly man, now he has to put up with me.

Most of you probably don’t recognize my name, but I’ve been in the fantasy-sf-comics business for years. I’ve worked at Cinefantastique magazine (and written for it), Mayfair Games, and First Comics. In 1984, I began freelancing and have worked for a number of specialty presses as designer, consultant, guru, you name it.

A few years ago, I decided I wanted more control of the work I was doing, packaged the first US edition of Creature From the Black Lagoon for DreamHaven Books, and co-edited the Worlds of Edgar Rice Burroughs with Mike Resnick for Baen Books. Go buy them both.

So what can you expect from me in the upcoming weeks and months?

Well, I’ll be giving you sneak peeks on things I’m working on, writing retrospectives of great American Fantasists (writers and artists) you should know about, and giving you a lot of information on fantasy films from the silent era to now.

The last bit is because I’m working on a history of fantasy films and occasionally I run across bits that are cool, but just don’t fit into the book. I’ll share them here.

This time, let’s start with a book I’m working on which allows me to talk about that wonderful artist Virgil Finlay.

It’s a 192 page 9 x 12 art book Doug Ellis, Bob Weinberg, and I are putting together, with over 150 black and white Finlay illustrations from Doug’s and Bob’s personal art collections, and a 32 page color section that will include paintings from Glynn Crain’s collection as well.

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New Treasures: Hooded Man by Paul Kane

New Treasures: Hooded Man by Paul Kane

Hooded Man Paul Kane-smallThere are lots of retellings of Dracula out there (just in the last two weeks William Patrick Maynard covered of Marvel’s Dracula, Lord of the Undead, James Maliszewski examined Bela Lugosi’s turn as Count Dracula in the 1931 Universal film, and John R. Fultz looked at NBC’s new series Dracula.) Same with Sherlock Holmes (see the trailer for Season Three of BBC One’s adaptation here), and the Tales of King Arthur and his noble knights (examples from the past two weeks here and here).

Hell, they recently retold Carrie and John Carpenter’s Halloween, and those stories are barely 30 years old.

For my money, the legend that doesn’t get re-told enough is the tale of Robin Hood. I can think of only a handful of really fine versions in the last 30 years, including Parke Godwin’s novel Sherwood, Richard Carpenter TV series Robin of Sherwood, and Robin McKinley’s novel The Outlaws of Sherwood. So I was pleased to see a new omnibus collecting all three novels of Paul Kane’s post apocalyptic retelling, Hooded Man.

When nine-tenths of the world died horrifically, Robert Stokes lost everything, including his wife and his son. The world about him gradually descended into a second Dark Age, and the former policeman retreated into the woods near Nottingham, becoming a hunter, living off the land and avoiding any form of human contact… until now.

A new foreign despot, De Falaise, has looked on England and found it ripe for conquest. He leads an army of mercenaries through the Channel Tunnel and works his way up the country, pillaging as he goes. When De Falaise arrives at Nottingham and sets up his new dominion, Robert finds himself drawn reluctantly into the resistance, and assumes the mantle of the famous legend of Robin Hood, in a guerrilla war that will take him and his followers to the limits of endurance and beyond.

This volumes collects the novels Arrowhead, Broken Arrow, and Arrowland. Paul Kane’s other novels include Of Darkness and Light and The Gemini Factor. His short story collection, The Butterfly Man, was released in 2011 by PS Publishing. Although it’s standalone, Hooded Man is part of The Afterblight Chronicles series, which also includes School’s Out Forever by Scott K. Andrews and The Afterblight Chronciles: America by Simon Spurrier, Rebecca Levene and Al Ewing.

Hooded Man was published June 11, 2013 by Abaddon. It is 704 pages, priced at $12.99 in trade paperback and $9.99 for the digital version.

Spotlight on Fantasy Webcomics: Thistil Mistil Kistil‘s spin on Loki

Spotlight on Fantasy Webcomics: Thistil Mistil Kistil‘s spin on Loki

It’s the official release date for Marvel’s Thor: The Dark World, and posts on Norse Mythology, the Thunder God, and the Trickster Loki are cropping up all over the Internet. (Fantasy author Max Gladstone’s post on “The Real Loki” at Think Progress is one of my favorites.) I’m grateful to Marvel for drawing attention to Asgard, especially because it gives me the excuse to write about one of my very favorite webcomics, Thistil Mistil Kistil (TMK) by Sarah Schanze. It’s a unique spin on Norse mythology that features Loki as one of the major protagonists — and while he’s still a trickster with a distinct tendency toward chaos (and probably ADHD), he’s not the villain that the stories so often make him out to be.

An early page from Sarah Schanze's Thistil, Mistil, Kistil, featuring hero Coal and trickster god Loki.
An early page from Sarah Schanze’s Thistil, Mistil, Kistil, featuring hero Coal and trickster god Loki.

The story begins with Coal, a young Viking warrior who ought to be on his way to Valhalla. But despite his heroic death, he’s brought to Odin and the All Father (with the help of an irritable Thor) explains that Loki has stolen the weapons of the gods and it’s up to Coal to get them back. Since Loki once saved Coal’s life, Coal believes he might just be able to accomplish the task — but Loki being Loki, it’s not going to be simple. Set during the Viking Era, with plenty of detail about the world in which the historical (rather than mythical) Vikings explored, TMK combines fantasy, history, and mythology in one big quest tale. And as Coal and Loki search for the missing weapons (because of course Loki doesn’t have them any more — that would be too easy!), new non-Viking characters–including shy Hedda, the former thrall, and Ibrahim, a Moor scholar–get pulled into the adventure.

I discovered TMK in 2010, through Comic Creators for Freedom, a group that does a fundraiser every year to promote awareness of and fight against human trafficking. That was where I first met Hedda, who doesn’t appear until Chapter 5 of the story (so I had to wait a while to actually see her appear). For people unfamiliar with CCF’s fundraiser, the comic creators collaborate on a desktop wallpaper featuring characters from each of their comics, which donors to the fundraiser receive. All of the donations go to the charity Love146. I’ve found several of my favorite webcomics through the fundraiser, and I feel good about supporting artists who are involved with the charity.

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A Contagious Love of Fantasy: Lin Carter’s Imaginary Worlds

A Contagious Love of Fantasy: Lin Carter’s Imaginary Worlds

Lin Carter Imaginary Worlds-smallI recently did a review here at Black Gate of L. Sprague de Camp’s 1976 Literary Swordsmen and Sorcerers: The Makers of Heroic Fantasy. De Camp’s book is one of the few histories of the genre of fantasy around, and it is a great and enjoyable book. But it’s not the only one, nor probably the most favored. I get the sense from others’ comments that the Best History of Fantasy title probably goes to Lin Carter’s 1973 Imaginary Worlds.

Each of the chapters in de Camp’s book is dedicated to a separate writer. But most of the chapters in Carter’s book are centered around themes; in each chapter he examines fantasy writers that explore that theme well. In addition, Carter’s concluding chapters contain advice to authors on how to write fantasy. I found this latter part less interesting.

One of the plusses I pointed out for de Camp’s history was that you could tell he loved the genre. The same must be said in spades for Lin Carter. Carter wrote the introduction for Literary Swordsmen, and I was very excited to read de Camp’s book just on the strength of Carter’s intro. Imagine how enthusiastic I was to get Carter’s own book on the subject! (I’ve also heard that Carter’s intros to the Ballantine Adult Fantasy are fantastic as well.)

Carter’s love of fantasy is contagious. He writes with a real verve for his favorite fantasy authors, books, and tropes. Carter is unapologetic about his love for fantasy and seems completely unaffected by criticisms of childishness or escapism. Given his thoughtful interactions with the genre, he does not come off as a slavish fanboy. Instead, Carter strikes me as an intelligent and committed fantasist. Quite refreshing! I wish he were still alive.

Often when I read or hear other people talk about their favorite authors or books, I make notes for possible future purchases. If you’re setting out for yourself the task of trying to catch up on the great works of fantasy, the many references that Carter gives can leave you feeling exhausted.

But Carter is also good at pointing out what you probably shouldn’t bother with or if you’re only going to read one book by author X, make sure you read just Y. These suggestions are incredibly helpful and lessen your anxiety if you are indeed trying to catch up on the great works. (Speaking of which, I definitely want to get a copy of The Worm Ouroboros by E. R. Eddison. De Camp and Carter both raved about it.)

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Jack Ripcord and the Evolution of Pulp

Jack Ripcord and the Evolution of Pulp

may72013trysnakebiteMost mainstream readers who were familiar with the phrase “pulp fiction” prior to Quentin Tarantino’s critically and commercially acclaimed film associated it with hard-boiled detective fiction. While this association only captured part of the eclectic spectrum of genres represented in pulp magazines in the first half of the last century, it must be noted that the documented evolution of the western gunfighter into the hardboiled detective hero was crucial to the proliferation of twentieth century popular culture.

Dashiell Hammett’s seminal hardboiled thriller Red Harvest could just as easily have been transferred from a mining town to a western setting. This flexibility is what allowed the story to be adapted so effectively decades after the fact by Akira Kurosawa as Yojimbo and by Sergio Leone as A Fistful of Dollars with equally trendsetting results.

Most people today best understand the ethos of pulp fiction from the 1981 blockbuster hit Raiders of the Lost Ark. George Lucas and Steven Spielberg perfectly encapsulated the archetypal pulp hero in the form of Indiana Jones, an original character who revived the cheap thrills and spills of pulp magazines and Saturday matinee serials and transformed them into box office gold.

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Goth Chick News: Max Brooks Takes on Walking Dead with Extinction Parade (Maybe…)

Goth Chick News: Max Brooks Takes on Walking Dead with Extinction Parade (Maybe…)

The Extinction Parade-smallAnyone who thinks the whole zombie thing is at risk for falling out of pop-culture-vogue is underestimating the undead super powers of Max Brooks.

The World War Z: An Oral History of the Zombie War writer continues his current reign as king of the reanimated by reportedly signing his latest comic Extinction Parade to a TV deal, offering up what may be the first real, small-screen competition to The Walking Dead.

Bleeding Cool reports Brooks is in talks with “one of the most successful production companies in Hollywood,” though no one is even hinting at who that could be yet. But to really get our attention, Extinction Parade is going to need the no-holds-barred approach of someone like HBO rather than a network treatment.

NBC is resurrecting the made-for-CBS undead series Babylon Fields and The Sundance Channel is currently airing The Returned, both of which take a less violent look at zombies. But now with vampires in the mix, Brooks’s story definitely needs the creative freedom to back up the tanker of fake blood.

As explained in Extinction Parade’s first issue:

As humans wage their loosing fight versus the hoards of the subdead, a frightening realization sets in with the secretive Vampire race: our food is dying off. This is the story of Vampires’ decent into all-out war with the mindless hungry hordes of the zombie outbreak as humanity tries to survive them all. Three species in mortal conflict. This is how a species dies.

Oh yes please.

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The Sword Folk Are Coming!

The Sword Folk Are Coming!

John Gwynne
John Gwynne (who won!) with a nice non-fantasy looking longsword

The Gemmell Award ceremony at the World Fantasy Convention was a hoot. It was also illuminating.

Out of the five contenders for the Morningstar Award (Best Debut Novel), two appeared with weapons in the brochure: John Gwynne (who won!), with a nice non-fantasy looking longsword, and Miles Cameron, in Hundred Years War era armor.

Miles Cameron
Miles Cameron, in Hundred Years War era armor

Cameron is obviously a part-time sword person. Mr Gwynne, when I asked him, ‘fessed up to being a collector only, but still interested in authentic historical combat.

Later in the bar, I got talking to a journalist and the conversation turned to my obsession with Historical European Martial Arts, especially the superiority of the German Longsword tradition.

“Ah,” said the journalist, backing away and holding up his hands defensively. “You should chat to Adrian Tchaikovsky. He talks about that.”

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