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Category: Weird Western

Rising Star Indie Publisher Mirror Comics on their Weird Western Mission Arizona

Rising Star Indie Publisher Mirror Comics on their Weird Western Mission Arizona

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a MISSION_GN_00_cover_02bMission Arizona, the graphic novel from indie publisher Mirror Comics, recently came out on ComiXology. I already had a paper copy and loved this take on the weird western (like the dark weird westerns Buried Eyes by Lavie Tidhar or A Feast for Dust by Gemma Files), but I knew less about making comics or the changes in the comic book industry with e-comics sites like ComiXology, so I decided to chat with Mirror. Dominic Bercier is the president and publisher (and artist of Mission Arizona), while Kristopher Waddell is the editor-in-chief and co-publisher (and the writer of Mission Arizona). Both live in Ottawa, Canada.

Mission Arizona is a dark weird western about an old west town that has an unpleasant crossing with the supernatural world. Its outlaw hero is destined, by fate and birth, to face this supernatural evil.

Derek: Where does Mission Arizona come from? It’s got a bit of a spaghetti western feel, overlaid with the destiny of facing off against a terrible evil, but begins with a travelling showman sequence. How did these different flavors make it into the mix?

Kris: My interest in writing in this genre came from my childhood experiences watching old Roy Rogers and Gene Autry westerns with my Dad. Horror has always interested me because I’m fascinated by the abject, and our culture’s obsession with fearing the other. It probably doesn’t help that I watched Nightmare on Elm Street, Jaws and Alien at a very young age.

In Mission, I really wanted to explore loss and redemption. Padre Martin Risk loses his wife and child, Samuel Risk loses his home and his family, while the town of Mission loses its soul. I wanted to write about the struggle and the consequences of dealing with loss, and the protagonist’s fight for redemption.

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Self-Published Book Review: Vampire Siege at Rio Muerto by John M. Whalen

Self-Published Book Review: Vampire Siege at Rio Muerto by John M. Whalen

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Vampire_SiegeI have a soft spot for Weird Westerns. (I know, last month I said I have a soft spot for dwarves. Well, they’re both true. If anyone ever writes a Weird Western with a dwarf protagonist, I’ll be all over it.) This wasn’t always the case, but a couple of years ago I had an idea for a story that turned out to be a Weird Western, and I developed an appreciation for the genre in the process of writing it. (Not that I’ve yet managed to sell that story, but that’s neither here nor there.)

I didn’t want to review  Vampire Siege at Rio Muerto last month, partly because I had just reviewed a vampire book the month before, and to be honest, I’m not much of a fan of vampires. At least in this book, the vampires were unabashedly bad guys, drinking the blood of the living and engaging in all sorts of debauchery. The main character of the book is Mordecai Slate, a professional vampire hunter in the Old West. Apparently, vampires were more of a problem back then than I realized. Mordecai has been hired to capture, rather than kill, a vampire, and to bring him back to be staked by Don Pedro to avenge his daughter. It’s an unusual mission for Mordecai, but the pay is very good, so he takes it.

Capturing the vampire, Kord Manion, proves easy enough, but soon Kord’s brother Dax and his gang are on Mordecai’s tail. He plans to set up an ambush for the six of them, but he runs into some trouble on the way, rescuing a girl from some outlaws, and gets himself shot. He needs to visit the doctor at the small town of Rio Verde, renamed Rio Muerto since the river dried up, and that doesn’t give him enough time to recover before Dax and his gang are at the town’s doorstep and he needs to convince the suspicious townsfolk to help him before the place is destroyed.

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New Treasures: She Returns From War by Lee Collins

New Treasures: She Returns From War by Lee Collins

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She Returns from War-smallI love Angry Robot books. I don’t pay much attention to publishers when I’m at the bookstore. But when I’m home, and my purchases are stacked by my big green chair, it’s hard not to notice that half of them have the Angry Robot logo on the spine.

I think they’re just in tune with the kind of books I’m most interested in. Which is weird, because I’m not exactly sure what they are myself. But I know they involve great cover art, intriguing settings, and women in cowboy hats. This week, anyway.

She Returns From War is the sequel to the supernatural western The Dead of Winter, released last October. The tag line is True Grit Meets True Blood, which is clever. Have you noticed this burgeoning mini-trend of western-horror-fantasies, including Guy Adams’s The Good The Bad and the Infernal, Mercedes Lackey & Rosemary Edghill’s Dead Reckoning, and the Bloodlands novels of Christine Cody? Apparently it’s a thing. See? We’re paying attention.

Four years after the horrific events in Leadville, a young woman from England, Victoria Dawes, sets into motion a series of events that will lead Cora and herself out into the New Mexico desert in pursuit of Anaba, a Navajo witch bent on taking revenge for the atrocities committed against her people.

She Returns From War was published by Angry Robot on January 29, 2013. It is 361 pages, priced at $7.99 in paperback and $6.99 for the digital edition.

The recent coverage Angry Robot titles we’ve covered were The Crown of the Blood by Gav Thorpe, The Lives of Tao by Wesley Chu, The Bookman Histories by Lavie Tidhar, and The Corpse-Rat King, by Lee Battersby.

See all of our recent New Treasures here.

“Hi-yo, Silver! Awayzzzzzz…” The Lone Ranger Defeats Insomnia!

“Hi-yo, Silver! Awayzzzzzz…” The Lone Ranger Defeats Insomnia!

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TheLoneRanger2013PosterThe Lone Ranger (2013)
Directed by Gore Verbinski. Starring Silver, Johnny Depp, Armie Hammer, Tom Wilkinson, William Fichtner, Barry Pepper, Ruth Wilson, James Badge Dale, Helena Bonham Carter.

At the climax of the new cinematic exploit of the Lone Ranger, director Gore Verbinski finally busts out his skills at orchestrating thrilling and intricately choreographed action set pieces. He hits viewers with a top-notch closer aboard a train full of silver roaring around a Mousetrap structure of parallel tracks. The sudden eruption of “The William Tell Overture” on the theater sound system stirs listless audience members awake. For a few minutes, The Lone Ranger feels like The Lone Ranger: old-fashioned Western thrills starring one of the great Do-Gooder heroes. A few folks in the audience clap. Some notice they haven’t finished their popcorn.

Then everybody leaves the multiplex to go home and catch up on their nap times, which they never realized they needed.

That’s the most damning criticism I can lob at this new Lone Ranger: I nearly nodded off twice during my screening. I say this as a hardcore fan of the Western genre, a nostalgia monster, and a fellow who has never before fallen asleep during a theatrical showing of a movie. Not even Meet Joe Black. The only other time I came as close to the narcoleptic fit I experienced here was due to an unfortunate application of medicine that carried warnings regarding heavy machinery.

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New Treasures: The Good The Bad and the Infernal, by Guy Adams

New Treasures: The Good The Bad and the Infernal, by Guy Adams

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The Good the Bad and the Infernal-smallI’m pretty plugged in to the industry. Every week, I get a host of press releases, advance proofs, review copies, PR follow-ups, and other stuff that keeps me on top of the latest fantasy releases.

Or so I assume, anyway. Turns out there’s just no substitute for spending time in a good bookstore. Last Saturday, I was browsing the SF and fantasy section of my local Barnes and Noble and came across a number of surprises. Easily the most intriguing was Guy Adams latest: The Good the Bad and the Infernal.

Every one hundred years a town appears. From a small village in the peaks of Tibet to a gathering of mud huts in the jungles of South American, it can take many forms. It exists for twenty-four hours then vanishes once more, but for that single day it contains the greatest miracle a man could imagine: a doorway to Heaven.

It is due to appear on the 21st September 1889 as a ghost town in the American Midwest. When it does there are many who hope to be there: traveling preacher Obeisance Hicks and his simple messiah, a brain-damaged Civil War veteran; Henry and Harmonium Jones and their freak show pack of outlaws; the Brothers of Ruth and their sponsor Lord Forset (inventor of the Forset Thunderpack and other incendiary modes of personal transport); finally, an aging gunslinger who lost his wings at the very beginning of creation and wants nothing more than to settle old scores.

A weird western, a gun-toting, cigarrillo-chewing fantasy built from hangman’s rope and spent bullets. The West has never been wilder.

How the heck did I miss this? I may just have to clear the decks to try this one. Guy Adams released two other paperbacks through Solaris: The World House and its sequel, Restoration. The sequel to this one, Once Upon a Time in Hell, is scheduled for release in December.

The Good The Bad and the Infernal was published by Solaris Books on March 26. It is 318 pages and $7.99 in paperback, or $6.99 for the digital edition. Check out all the latest from Solaris here.

Weird Western-on-Demand: The White Buffalo from MGM Limited Edition Collection

Weird Western-on-Demand: The White Buffalo from MGM Limited Edition Collection

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White Buffalo One SheetWarner Archive has so far received all the attention in my recent veer into the world of the manufacture-on-demand DVD, a dazzling universe where the big studios serve the niche movie lovers with titles that would otherwise only surface in North America on bootlegs swiped off Japanese laserdiscs. (Yeah, you own a couple of those.) Tarzan’s Greatest Adventure, The Bermuda Depths, and The Last Dinosaur all come from Warner Brothers’ MOD division. But two other studios have their own extensive MOD programs: MGM Limited Edition Collection and Universal Vault. It’s through MGM that we get the strange 1977 combo of Western and monster movie called The White Buffalo.

My first experience with The White Buffalo, aside from seeing ads on local television stations when it ran during “Charles Bronson Tough Guy Week,” was on an awful first-generation VHS tape I watched during college as part of an independent study of the 1970s Western. The movie was drab and a cruel disappointment considering how exciting the plot description sounded: “Wild Bill Hickok and Crazy Horse team up to hunt down a giant, possibly supernatural, white buffalo on a rampage.” How could such a crunchy high-concept result in such a bland film?

Blame “VHS goggles,” which turned the movie’s photography into mulch. The difference in The White Buffalo experience between VHS and DVD is substantial. Although the MGM Limited Edition Collection DVD is rough compared to today’s Blu-rays, it is about as good as the picture could look in standard definition without undergoing hefty restoration. The movie isn’t a lost classic, but it wins in the realm of atmosphere: eerie and bleak. The artifice of the limited budget, which puts most of the nighttime and snowbound scenes against the Buffalo on obvious interior sets, contributes to the dream-like atmosphere. That may be an accident of filming, but it’s a positive creative accident. The White Buffalo never succeeds as an action thriller, but it remains a fascinating piece of odd Western cinema of the 1970s, a decade filled with plenty of oddness for the grand ol’ American genre. The current popularity of the Weird Western and steampunk subgenres gives the movie a freshness that moves it beyond being only a “Manifest Destiny” take on Jaws.

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The Weird of Oz gabs about Antiheroes

The Weird of Oz gabs about Antiheroes

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100_0347Antihero. A problematic term to begin with, its overuse has further watered it down. Anti- typically means to be in opposition or even to be the opposite; the antithesis of a position is the oppositional position.

So, technically, one might interpret anti-hero to mean a villain. This is rarely, if ever, how the term is used; so what do we mean by an antihero?

Off the top of my head, without resorting to any dictionary definition, this is how I tend to picture an antihero: A person not serving any particular ideal or higher purpose, but generally self-serving, who, while going about his (or her) business in pursuit of fortune, power, pleasure, or whatever turns his crank, is suddenly confronted by a moral choice. And at that moment, not for any dogmatic or religious reasons, any creeds or codes, but simply because of some niggling inner compass — his conscience — he makes the choice that is least likely to offer personal gain, that involves self-sacrifice, that may in fact be fatal. He makes a heroic choice, the choice that allows us to continue to root for him as the hero-protagonist.

Think of the fallen samurai in The Seven Samurai or the lawless gunslingers in The Magnificent Seven. In both cases, when they learn that the threatened peasant village cannot really afford to pay them and that they are outnumbered five to one, they nevertheless decide to make a stand to protect the afflicted. No promise of financial reward and a very high probability of death — an option that the histories of these men would not suggest they would choose. They are neither knights nor saints. Yet they become heroes and, in some cases, martyrs. All appearances to the contrary, deep down they prove to be — when it really counts — good men. Or in that moment they become good men.

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Vintage Treasures: Hong on the Range by William F. Wu

Vintage Treasures: Hong on the Range by William F. Wu

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hong-on-the-range4I admit this one doesn’t seem very vintage to me, but perhaps that’s just because I’m getting a little vintage myself.

William F. Wu’s fourth novel, Hong on the Range, was published 23 years ago. It was originally published in hardcover and has never had a paperback release.

And that’s too bad, since it’s the kind of off-the-wall science fantasy that I think would really appeal to a modern audience. Set in a post-apocalyptic American West where cities have decayed and the surviving towns cling to the railway, where most people have cyborg enhancements, meat is harvested from cows without harming them, and a young man named Louie — a “control-natural” forbidden by law from enhancing himself, and who is shunned and misunderstood by others — heads West to find his fortune.

The Old West Was Never This Wild! In a New West filled with cyber-enhanced cowboys and mechanized singing steers, Louie Hong must make his way through hostile territory filled with cattle rustlers and bank robbers, and a passel of cyborg bounty hunters who think he’s both! A story about coming of age in a strange and dangerous land where a young man’s most faithful friend may just turn out to be a computerized steer named Chuck.

While it’s the only novel in the sequence, Hong on the Range is part of a series of stories written by Wu that began in 1985 with “Wild Garlic.” Most of them were published in Pulphouse magazine; the last one, “In the Temple of Forgotten Spirits,” in 1993.

Hong on the Range was published by Walker & Co in 1989. It is 286 pages in hardcover. It has never had a paperback release, but it was re-released in a digital edition for $2.99 last October.

New Treasures: Dead Reckoning by Mercedes Lackey & Rosemary Edghill

New Treasures: Dead Reckoning by Mercedes Lackey & Rosemary Edghill

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dead-reckoning2July is a special month in the O’Neill household, and not just because it’s summer. All three of my children were born in July, which means it’s a month of birthday cake, party planning, and a lot of exchanging gifts.

My kids are readers, and one of the gifts they traditionally receive from aunts and uncles is book store gift certificates. So every year, at the end of July, we trek to the local Barnes & Noble where my children each bring home a stack of books. For Tim, the oldest, it’s usually manga — this year as many Fullmetal Alchemist volumes as he could find. Taylor is harder to predict, although she’s developed a fondness for manga herself, especially Inuyahsa and Hollow Fields. The middle one, Drew, is a little more adventurous, and this year he parked himself in front of the teen section and spent long minutes agonizing over the selection.

One of the titles he picked out caught my eye as well: Dead Reckoning, a zombie western from two much-loved fantasy writers with a history of successful collaboration. This one looks like a lot of fun, and I might read it as soon as he’s done.

It’s 1867. And something truly monstrous is breaking loose in West Texas.

Jett Gallatin expects trouble in Alsop, Texas, but not zombies. She’s looking for her lost twin brother when she enters a dusty saloon that suddenly is attacked by an army of the undead.

Together with her new friends — one a brilliant inventor, one a clever and good-looking young scout — it’s everything she can do to keep the zombies from killing or taking every living soul in their path. But who could possibly desire to control such an army? And what is it they want from the wild Texas frontier?

Mercedes Lackey & Rosemary Edghill have written more than a dozen books together, including the Shadow Grail novels and six volumes of the Bedlam’s Bard series.

Dead Reckoning was published in June by Bloomsbury. It is 324 pages in hardcover for $16.99 ($13.99 for the digital edition).

The Bloodlands Novels of Christine Cody

The Bloodlands Novels of Christine Cody

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bloodlands2I’ve been having fun with the Bloodlands novels of Christine Cody. Her website calls them “a post-apocalyptic Western fantasy series,” and that’s probably the best way to describe them.

Technically they’re science fiction, since there’s a near-future SF vibe and a post-disaster setting. “The New Badlands” is a vast and devastated American West where a handful of survivors retreated underground to escape changing and deadly weather, and a sequence of unrelenting apocalyptic events that have ravaged the country.

But at heart they’re really fantasy as the Badlands aren’t just filled with lethal storms, desperate survivors and brutal gunslingers — they’re also crawling with monsters, including vampires.

The marketing copy from Ace Books left me in mind of Deadlands, the weird western role playing game from Pinnacle Entertainment that breathed new life into the RPG genre in the 90s. But the author credits her inspiration to classic westerns. This is from the dedication to Bloodlands:

A big shout-out goes to all those Westerns that provided us with High Plains Drifters, Shanes, and Pale Riders, plus all the greedy ranchers and gunslinging villains, feisty homesteaders and rugged pioneers. I wanted to twist and reshape those wonderful tropes into something new while recalling the old. Most important, though, I wanted to pay homage to the mysterious cowboys who have wandered across dusty landscapes to face down the bad guys.

Fair warning to those looking for a pure-blooded adventure series: these books have an outcast female protagonist, and a brooding and misunderstood vampire named “Gabriel.” And there’s kissing.

The technical term for books containing both kissing and vampires is “paranormal romance,” and that’s exactly what these are. If sweaty make-out scenes with the undead make you uncomfortable, then back away now.

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