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Category: Vintage Treasures

A Tale of Two Covers: If This Goes On edited by Charles Nuetzel and Cat Rambo

A Tale of Two Covers: If This Goes On edited by Charles Nuetzel and Cat Rambo

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If This Goes On Charles Nuetzel If This Goes On Cat Rambo-small

Art by Albert Nuetzell and Bernard Lee

If This Goes On seems like the perfect title for a science fiction anthology; I’m surprised it hasn’t been used more often. It was first used by Robert A. Heinlein for his 1940 famous novella, which became a key part of his massive science fiction Future History. The story won a Retro Hugo in 2016, but was renamed Revolt in 2100 for its publication as a novel in 1953. Charles Nuetzel co-opted the title 25 years after Heinlein used it for his first (and only) anthology, published in paperback in 1965, reprinting stories by Fredric Brown, Richard Matheson, A. E. van Vogt, Isaac Asimov, Fritz Leiber, Forrest J. Ackerman, and others (above left).

My recent interest springs, of course, from Cat Rambo’s brand new anthology If This Goes On (above right), funded by a June 2018 $12,000 Kickstarter campaign and published in trade paperback by our friends at Parvus Press in March. It contains 30 brand new SF tales by some of the most exciting writers in the field today, including Andy Duncan, Nisi Shawl, Sarah Pinsker, Scott Edelman, Beth Dawkins, and many more. Subtitled The Science Fiction Future of Today’s Politics, this ambitious anthology looks at what today’s politics and policies will do to shape our world a generation from now. Tales within include:

  • “Green Glass: A Love Story” by Lily Yu, Hugo and World Fantasy Award nominee, and winner of the 2012 John W. Campbell Award for Best New Writer, filters the future of now through a wholly relatable lens: relationships and marriage.
  • Hugo-winning editor Scott Edelman’s “The Stranded Time Traveler Embraces the Inevitable” expertly employs an age-old science fiction convention to tell a deeply human tale of love, loss, and desperate hope.
  • Streaming our everyday lives has become commonplace, but in “Making Happy” Zandra Renwick examines a very uncommon consequence of broadcasting your every experience.
  • Former Minnesota Viking and noted equal rights advocate Chris Kluwe’s “The Machine” deals with one of the most important and hotly contested questions of the day: what truly defines citizenship and American identity?
  • Nebula winner Sarah Pinsker’s “That Our Flag Was Still There” uses possibly the most powerful symbol in American iconography to create a frightening and darkly illuminating vision of freedom of speech.
  • NAACP Image Award winner for Outstanding Literary Work Steven Barnes offers up the consequences of integrating technology and surveillance into our daily lives with his detective story “The Last Adventure of Jack Laff: The Dayveil Gambit”

Here’s the complete Table of Contents.

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The Golden Age of Science Fiction: Manly Wade Wellman

The Golden Age of Science Fiction: Manly Wade Wellman

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Cover by Lee Brown Coye
Cover by Lee Brown Coye

Manly Wade Wellman
Manly Wade Wellman

Cover by Michael Flanagan
Cover by Michael Flanagan

The World Fantasy Awards are presented during the World Fantasy Convention and are selected by a mix of nominations from members of the convention and a panel of judges. The awards were established in 1975 and presented at the 1st World Fantasy Convention in Providence, Rhode Island. Traditionally, the awards took the form of a bust of H.P. Lovecraft sculpted by Gahan Wilson, however in recent years the trophy became controversial in light of Lovecraft’s more problematic beliefs and has been replaced with a trophy of a tree with a full moon. The Lifetime Achievement Award has been part of the award since its founding, with the first one being presented to Robert Bloch. In 1980, the year Wellman was recognized, the convention was held in Baltimore, Maryland. Judges were Stephen R. Donaldson, Frank Belknap Long, andrew j. offutt, Ted White, and Susan Wood.

Manly Wade Wellman was born in Kamundongo in Portuguese West Africa (now part of Angola) on May 21, 1903, where his father was serving as a medical officer. When he was six years old, his family moved back to the United States and Wellman attended school in Washington, DC and prep school in Salt Lake City before going to Wichita Municipal University to earn a BA in English.

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The Golden Age of Science Fiction: Universe 9, edited by Terry Carr

The Golden Age of Science Fiction: Universe 9, edited by Terry Carr

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Cover by Roger Zimmerman
Cover by Roger Zimmerman

Cover by Carlos Ochagavia
Cover by Carlos Ochagavia

Cover by Richard Weaver
Cover by Richard Weaver

The Locus Awards were established in 1972 and presented by Locus Magazine based on a poll of its readers. In more recent years, the poll has been opened up to on-line readers, although subscribers’ votes have been given extra weight. At various times the award has been presented at Westercon and, more recently, at a weekend sponsored by Locus at the Science Fiction Museum (now MoPop) in Seattle. The Best Anthology Award dates back to 1976, although it was not presented in 1978. The inaugural award went to the anthology Epoch, edited Roger Elwood and Robert Silverberg. The 1980 award was won by Terry Carr for Universe 9. It was Carr’s third win in a row, with his first two being for entries in his Terry Carr’s Best Science Fiction of the Year series. The Locus Poll received 854 responses.

Terry Carr’s Universe series of anthologies ran for 17 volumes, beginning in 1971 and only ending with Carr’s death in 1987. During that time, he also edited 16 volumes of Terry Carr’s Best Science Fiction of the Year, five volumes of Fantasy Annual, and two volumes of The Best Science Fiction Novellas of the Year. Sixteen of the volumes of Universe ranked in the Locus Poll (only Universe 7 missed out), and Carr won the Locus Poll for entries of Universe for volumes 1, 4, and 9. In four years, Carr’s best of year anthology beat out his own Universe anthology in the poll.

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Vintage Treasures: Davy by Edgar Pangborn

Vintage Treasures: Davy by Edgar Pangborn

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Davy Edgar Pangborn-small Davy Edgar Pangborn-back-small

1982 Ballantine paperback reprint; cover by Boris Vallejo

Edgar Pangborn died in 1976. His last book, the collection Still I Persist in Wondering, was published in 1978. The first Pangborn story I can recall reading was his splendid tale of the first landing on an alien world, and the majestic and deadly creatures found there, “The Red Hills of Summer,” in Gardner Dozois’ anthology Explorers (2000). It was enough to turn me into an instant fan.

I never read any Pangborn during my formative teen years, but he still managed to feature prominently in my early science fiction education. That’s chiefly because the reviewer I read most avidly at the time, Spider Robinson, was a late convert and a huge fan. In his column in the March 1976 Galaxy magazine, Spider raved:

I’ve only just discovered Edgar Pangborn. I haven’t been so delighted since (years ago, thank God) I discovered Theodore Sturgeon. In fact, the comparison is apt. I like Pangborn and Sturgeon for very similar reasons. Both are thoughtful, mature writers, and both remind me at times of [John] Brunner’s Chad Mulligan [the hero of Stand on Zanzibar], bitter drunk, crying at the world, “Goddammit, I love you all.” Both are bitterly disappointed in man’s evil, and both are hopelessly in love with man’s good. Both are addicted to creating and falling in love with warmly human, vibrantly alive characters, and making you love them too.

In the November 1976 issue of Galaxy, shortly after he learned of Pangborn’s death, Spider wrote a bitter rant of his own, lamenting the loss of a great writer and the fact that the world had stubbornly refused to acknowledge his achievements. He held up Pangborn’s 1964 novel Davy as a testament to what the field had lost. I’m not sure there’s a short story from 1976 that’s lived in my mind as vividly for the past four decades as Spider’s review of Davy. Here it is.

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A Slender, Forgotten Gem: The Deep by John Crowley

A Slender, Forgotten Gem: The Deep by John Crowley

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The Deep John Crowley-small

1984 Bantam paperback edition; cover by Yvonne Gilbert

Some authors create slender, nearly flawless works of fiction. Books like little jewels on the shelf — cut just right, gleaming, standing alone. Beagle managed this a few times: A Fine and Private Place, The Last Unicorn. Goldman turned his into a movie that was nearly as good: The Princess Bride. Swanwick and Wolfe have done it with literary science fiction: Stations of the Tide and The Fifth Head of Cerberus, respectively. The Deep is a book like this: finely wrought, chiseled, alien.

Is this tiny 1975 volume science fiction or fantasy? On the one hand, the book starts with the Visitor, a damaged android who arrives in the book’s world with no memory of what he is or his mission. But the world he’s in, the culture and factions of which his ignorance provides the perfect excuse for a narrator’s artful explanation, is purely fantasy: a kingdom riven by conflict between Reds and Blacks, with a city at its center and wild wastes surrounding, ringed on all sides by the Deep.

The world, as different characters explain at different times, is a platter or a plate suspended on the Deep by a great pillar. And even when the android journeys to the edge of this world and meets the Leviathan who dwells there, when he learns the nature of the engineered conflict and how humans were first settled on the world, Crowley doesn’t ever default to pure science fiction. Even if the reader can credit a resettled humanity in the far future, reset to medieval technology with continual wars to control the population, the story still leaves you with a flat world upon the Deep. Somehow, this central oddity works; it keeps a surreal wrinkle in the heart of the world Crowley creates.

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The Golden Age of Science Fiction: The 1973 Skylark Award: Larry Niven

The Golden Age of Science Fiction: The 1973 Skylark Award: Larry Niven

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World of Ptavvs-small The Long ARM of Gil Hamilton-small Ringworld-small

The Skylark Award, also called the Edward E. Smith Award for Imaginative Fiction, has been presented by the New England Science Fiction Association (NESFA)

to  some person, who, in the opinion of the membership, has contributed significantly to science fiction, both through work in the field and by exemplifying the personal qualities which made the late “Doc” Smith well-loved by those who knew him.

The Award is presented at Boskone – alas, I missed the presentation the two times I’ve attended Boskone (a favorite convention of mine based on those two visits) – in 2017 it went to Jo Walton, and in 2019 to Melinda Snodgrass.

The first winner, in 1966, was Frederik Pohl (Smith having died in 1965.) Over the years it has gone primary to writers, but also to artist, editors, and fans. In 1973 the award went to Larry Niven. One implication of the association of the award with Doc Smith might be that it would go to writers of Space Opera, but that really hasn’t been the case, by and large. That said, while Larry Niven didn’t exactly write Space Opera in the Doc Smith mode, I think what he wrote qualified.

As the title of this series – Golden Age – might suggest, I started reading SF seriously in 1972, when I was 12. I was certainly reading Niven not long after, and I read him with intense pleasure in those years. I remember in particular encountering his story collection Tales of Known Space at Paradise Bookshop in Naperville, IL (located at the site of the now well-known Anderson Books, though I believe the stores have no other connection) in 1975, with the glorious Rick Sternbach “Star Map” cover. I devoured Niven’s books back in the day – Protector might have been my favorite, but I liked them all – A Gift From Earth, World of Ptavvs, the Gil Hamilton stories. (Oddly, perhaps, his Hugo and Nebula winner Ringworld was never a favorite.) And of course the short stories were wonderful.

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An Offshore Haul

An Offshore Haul

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Haul-small

Latest Haul

As I’m sure regular visitors have noticed, Black Gate has over time become a home for like-minded people, introducing readers to new authors. The regular posts that really appeal to me are, not surprisingly, John O’Neill’s reports on the book collections he’s secured online, or via visits to local conventions like Windy City Pulp & Paper. Nick Ozment has also come across the odd windfall while glancing about thrift stores.

Not to be outdone this side of the Atlantic, I’ve also made some cool finds, often at bargain prices. Recently I killed an hour in a second hand bookshop, and it’s a testament to Black Gate that the books I came away with were far different from what I would have sought out a decade ago.

The shop in question is a bit of a mess, with volumes haphazardly stacked. They have (for the most part) separated books into genres, but between inattentive browsers — and perhaps just lack of diligence on the part of the owners — the books are all over the show, with only a minor nod to any sort of alphabetic sorting. Faced with this challenge, I dug in and soon found myself sporting a decent pile of overlooked volumes, including the sought after Panther version of Farewell Fantastic Venus (discussed at Black Gate some time back).

While nowhere near the size of many of John’s hauls, I am fair impressed with what I managed to pick up for the princely sum of ZAR97 (about USD6.75). The only duplicate, that I am aware of (mistakes have been made before), is the Lyndon Hardy, which I chose to complete the set by the same publisher.

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Vintage Treasures: Tea With the Black Dragon by R.A. MacAvoy

Vintage Treasures: Tea With the Black Dragon by R.A. MacAvoy

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Tea With the Black Dragon-small Tea With the Black Dragon-back-small

Tea With the Black Dragon was R.A. (Bertie) MacAvoy’s debut novel — and what a debut it was. It was the book everyone was talking about in 1983, and it was nominated for the Locus Award for Best First Novel (which it won), as well as the Hugo, Nebula, World Fantasy, and Philip K. Dick Awards (which it lost to Startide Rising, The Dragon Waiting, and The Anubis Gates, respectively.  You can’t say it wasn’t a year with worthy competition.)

In his 2015 Throwback Thursday article at the Barnes & Noble Sci-Fi & Fantasy Blog, Jeff Somers helped re-introduce the book to a lot of modern fantasy readers, with a rather clever description of the plot.

I like to think of R.A. MacAvoy’s marvelous Tea with the Black Dragon as a quantum state fantasy, because it both is and is not a fantasy novel. The waveform collapse occurs inside your head when you read it… Martha Macnamara is a middle-aged, free-spirited musician who travels to California at the request of her semi-estranged daughter, who works in a finance role in the burgeoning California software industry. Put up in a swanky hotel, Martha meets Mayland Long, an older Asian man with elegant manners and a lot of money. Their conversation hints that he was an eyewitness to momentous events throughout history, and counts as close friends many long-dead historical figures. He and Martha strike up a thoroughly charming, adult relationship, instantly and believably drawn to one another. When Martha’s daughter goes missing, Long agrees to assist in tracking her down. Which could be useful, as he claims to be a 2,000-year old black dragon in human form. Boom.

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Vintage Treasures: Infinite Dreams by Joe Haldeman

Vintage Treasures: Infinite Dreams by Joe Haldeman

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Infinite Dreams Joe Haldeman-small2 Infinite Dreams Joe Haldeman-back-small

Cover by Clyde Caldwell

Joe Haldeman is chiefly known for his Hugo and Nebula award-winning novels, including The Forever War (1974), Forever Peace (1997), and Camouflage (2004). But he’s equally adept at shorter length, and in fact has been nominated for many major awards for his short fiction, including the novellas “Hero” and “The Hemingway Hoax,” and the stories “Tricentennial,” “Graves,” “None So Blind,” and “Four Short novels.”

Over the years I’ve hunted down several of his collections, including Dealing in Futures (1985), A Separate War and Other Stories (2006), and the huge retrospective volume from Subterranean Press, The Best of Joe Haldeman (2013). But I only recently became aware of his first collection Infinite Dreams, published in paperback by Avon in 1979 with a cover by popular TSR artist Clyde Caldwell.

Infinite Dreams gathers much of the best of his early short fiction, published 1972 – 1977 in magazines like Analog, Galaxy, F&SF and Cosmos, and anthologies like Damon Knight’s Orbit 11, and Kirby McCauley’s Frights. It contains “To Howard Hughes: A Modest Proposal,” “The Private War of Private Jacob,” “The Mazel Tov Revolution,” and his Hugo and Locus Award winner “Tricentennial.”

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Vintage Treasures: On Wings of Song by Thomas M. Disch

Vintage Treasures: On Wings of Song by Thomas M. Disch

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On Wings of Song-small On Wings of Song-back-small

Bantam Books, 1985. Cover by Kid Kane

Last time I wrote about Thomas M. Disch I got a cranky note from Michael Moorcock, taking me to task for calling him a “tragic figure.” Fair enough. He’s not quite as forgotten as I made him out to be, either. There are still people whispering about Thomas Disch in dusty corners of the internet, if you know where to look.

Me, for one. Disch is a fairly recent discovery for me, I admit, and I probably would never have tried him if it hadn’t been for a few lone voices out there still championing his quirky brand of SF, including Rich Horton, Ted Gioia, and Jo Walton. It was Jo who helped pique my interest in his 1979 novel On Wings of Song, with her 2011 review at Tor.com.

It’s a fascinating complex world. There are machines which you hook up to and sing sincerely, and if you do it right you have an out of body experience. They call this flying, and it’s banned in the same way that drugs are banned — illegal but available… There are famines when rations get cut to starvation levels, and prisons where you have to get McDonalds takeout to survive…

We don’t seem to have a word to describe the kind of story this is. It’s the whole life story, from age five to death, of Daniel Weinreb… He wants to fly, he wants it more than anything. His life is complicated and largely unheroic, the kind of life people actually have in reality and seldom have in fiction. But it’s a life he could only have in that time and place, in the world he lives in. It’s a book about how he grows up and what happens to him and what he wants and what he has to do to get by.

The book is depressing and hilarious in a way that’s very hard to describe. Most of Disch is brilliant and depressing, this is brilliant and depressing and moving and funny… You really want to read On Wings of Song. You might not like it, but it’s one of the books that marks the boundaries of what it’s possible to do with SF.

On Wings of Song was a Hugo nominee, and won the Campbell Award. But I’m certain I would have bounced off it when it was first published. In 1980 I was discovering Roger Zelazny, Robert A. Heinlein, and Stephen R. Donaldson, and busy falling in love with the sweeping adventure epics SF had to offer. I was just one of the many science fiction readers who ignored Disch completely. Definitely my loss.

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