Black Gate

I talk a lot about book collecting here on the blog. People sometimes tell me, “It’s interesting to hear about all the books you’ve been able to find… sort of. But you know what would really be interesting? To hear about the books you haven’t been able to find.”

Okay, but this is a painful subject. Just ask any serious book collector to tell you about the titles that have eluded them for decades. It’s like asking a guy to enumerate all the women who’ve turned him down. We carry those memories for a long time, but that don’t mean we wanna talk about ’em.

“Oh come on,” people say. “Like you’ve ever turned down a chance to talk about books. Give it up.” Well, since you put it that way.

Let’s talk about The Pan Book of Horror Stories.

The Pan Book of Horror Stories was a British paperback series of horror anthologies. Published by Pan Books, it lasted for an amazing thirty volumes, from 1959 to 1989. The series creator — and editor for the first 25 volumes — was the renowned editor Herbert van Thal (Told in the Dark, Tales to Make the Flesh Creep, Lie Ten Nights Awake, and many others classic horror anthologies). Clarence Paget took over in 1985 after Van Thal’s death and edited the last five volumes, until the series came to an end with number thirty in 1989.

The Pan Book of Horror Stories has a legendary reputation. Van Thal is a highly regarded editor, and with these books his vision was nothing less than to create a complete library of the finest short horror stories ever written. With the early volumes he relied heavily on classic tales from Bram Stoker, C. S. Forester, Ray Bradbury, Lord Dunsany, Edgar Allan Poe, William Hope Hodgson, William Faulkner, Frank Belknap Long, and many others, but with later installments he branched out to include newer authors (such as Stephen King), which helped launch a lot of new talent.

After several decades of collecting I have managed to lay my hands on exactly one volume: The Third Pan Book of Horror Stories, published in 1962 (shown above).

That probably overemphasizes the rarity of these books — they’re not that hard to find. But they are expensive, especially in the original British editions (the US editions were dramatically pared down, including fewer stories), and the older volumes in particular are difficult to find in good condition. I’ve been trying to locate a reasonably-priced collection of Pan Book of Horror Stories for years, with absolutely no success.

But that’s okay. As most collectors know, the real joy is in the search. I’m looking forward to a lot of joy in the next few years, as I gradually accumulate the other 29 volumes. Wish me luck.

Damon Knight’s massive anthology A Science Fiction Argosy was published in 1972, when I was eight years old. It’s over 800 pages, packed with 24 novellas and short stories plus two complete novels, Theodore Sturgeon’s More Than Human and The Demolished Man by Alfred Bester. It’s one of those big, heavy books I’d often glance at on my bookshelf, thinking “I should really read that. As soon as I finish this game of Solitaire.”

I know Damon Knight mostly as an editor — of the highly acclaimed Orbit series, and dozens of other SF anthologies — but he was also a novelist and short story writer. Late in his career he wrote some exceedingly weird SF novels. Check out the article I published at SF Site in 1997, Jim Seidman’s review of his last novel Humpty Dumpty: An Oval, which centers on a lingerie salesman whose skull is fractured by a stray bullet, and who abruptly finds himself dodging both deadly meteorite storms and the society of dentists that secretly rules the world. Glad Jim read it, as I’m sure he made more sense out of it than I would have.

Damon Knight was also a highly respected critic, famous for his dislike of popular pulp writer A. E. van Vogt (“A pygmy who has learned to operate an overgrown typewriter”), for founding the Science Fiction and Fantasy Writers of America, and co-founding both the Milford Writer’s Workshop and the Clarion Writers Workshop. He was a busy guy.

I finally started reading A Science Fiction Argosy this morning (after blowing nearly four decades of dust off it). And you know what? It’s pretty good. I was particularly charmed by Knight’s introduction, which can be nicely encapsulated with its first and last sentences:

Some few years ago, when I was only teen-aged science fiction addict in Hood River, Oregon, I prowled the stacks of the local library… like a pornographer looking for pornography, I ferreted out science fiction… but I never got enough…

This is the kind of big meaty selection I wish someone had given me when I was a teen-aged science fiction addict in Hood River, Oregon.

That may be the most honest intro I’ve ever read, and it explains a good deal about what Knight was trying to accomplish with A Science Fiction Argosy — and indeed, perhaps, his entire life as a critic and highly vocal advocate for science fiction. The first story, John Collier’s “Green Thoughts,” is from 1931, but the anthology quickly leaps forward (skipping nearly the entire pulp era) to 1949 for the second, Isaac Asimov’s talky SF puzzler, “The Red Queen’s Race.” Henry Kuttner and C.L. Moore’s “The Cure” is even better, a dark and twisted fantasy of a New York lawyer trying to understand an oddly recurring hallucination of suffocation.

That puts me barely 50 pages in. I’m tempted to stop here and write a review, but Knight the critic would not be impressed. So I’ll reserve final judgment until I turn a lot more pages. In the meantime, consider this un-critical word of advice: find your own copy, and don’t wait as long as I did to crack it open.