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Category: Vintage Treasures

The Spectre Library Brings Rare Pulp Fantasy Back to Life

The Spectre Library Brings Rare Pulp Fantasy Back to Life

the-living-deadWhen I originally wrote the title above, it was “The Spectre Library Brings Rare Pulp Fantasy Back to Print.” I had to change it when I realized it wasn’t true. Damn digital books… I have to change the way I speak now.

Let me start over.

The Spectre Library, a small press outfit known primarily for reprinting the works of Victor Rousseau, has produced Kindle versions of all four of Michael Waugh’s rare short novelettes:

The Living Dead
Back From the Dead
Fangs of the Vampire
The Mystery of the Abominable Snowman

All four were originally produced by Cleveland Publishing Co., an Australian publisher, in pamphlet format between 1954 – 55. They are quite short, between 45 and 48 print pages.

The Kindle versions feature the original cover art, and are priced at $9.99 each (click on the image at right for bigger version).

On their website The Spectre Library says they “issue lost, rare works of fiction, with a focus upon publishing jacketed limited edition smythe-sewn hardcovers of Weird, Adventure, Detective, Crime, Oriental and Fantastic Content.” Sounds like an enlightened calling to me.

They also have an excellent gallery of cover art of Science Fiction, Fantasy, Weird & Occult publications — including paperbacks, digests, pamphlets, pulps, and magazines — from Britain, Australia and Canada between 1930-1966. It is curated by Morgan A. Wallace.

Vintage Treasures: Science and Sorcery edited by Garret Ford

Vintage Treasures: Science and Sorcery edited by Garret Ford

science-and-sorceryA few days ago I mentioned Martin H. Greenberg’s impressive collection of paperback SF and Fantasy, and the three boxes of that collection I carted back from the Windy City Pulp and Paperback Show. Two are now incorporated in my library. I set aside roughly a dozen of the more interesting titles to talk about here, and the first one is Science and Sorcery, an anthology of pulp SF stories from 1978.

It was published by Zebra, a pretty low-budget outfit. So low-budget, in fact, that it doesn’t even have a table of contents.

Who publishes an anthology without a table of contents? That’s pretty edgy. A publisher desperate to save paper, apparently. The whole thing feels slapped together, from the introduction on the back of the title page to the oddly formatted first story, Cordwainer Smith’s “Scanners Live in Vain” (page 3).

Fortunately, science fiction fans are a diligent and industrious lot, and I found a complete TOC online (at the book’s Wikipedia page, believe it or not). Here it is:

  • “Scanners Live in Vain”, by Cordwainer Smith
  • “The Little Man on the Subway,” by Isaac Asimov & James MacCreigh
  • “What Goes Up,” by Alfred Coppel
  • “Kleon of the Golden Sun,” by Ed Earl Repp
  • “How High on the Ladder?” by Leo Paige
  • “Footprints,” by Robert E. Gilbert
  • “The Naming of Names,” by Ray Bradbury
  • “The Eyes,” by Henry Hasse
  • “The Scarlet Lunes,” by Stanton A. Coblentz
  • “Demobilization,” by George R. Cowie
  • “Voices from the Cliff,” by John Martin Leahy
  • “The Lost Chord,” by Sam Moskowitz
  • “The Watchers,” by R. H. Deutsch
  • “The Peaceful Martian,” by J. T. Oliver
  • “Escape to Yesterday,” by Arthur J. Burks

A pretty eclectic mix, to be honest. Can’t remember the last time I saw an anthology with fiction by Sam Moskowitz. Or James MacCreigh, Ed Earl Repp, Leo Paige, Robert E. Gilbert, George R. Cowie, John Martin Leahy, R. H. Deutsch, or J. T. Oliver, for that matter. I don’t want to say this anthology primarily consists of nobodies, but it looks like this anthology primarily consists of nobodies.

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Thank You, Martin H. Greenberg (and Doug Ellis)

Thank You, Martin H. Greenberg (and Doug Ellis)

martin-h-greenberg-paperback-lot-small

That’s a pic of one of the boxes I unloaded in my library this morning. It contained 103 paperbacks from the vast collection of the great Martin H. Greenberg, one of the most prolific and talented anthologists our field has ever seen (click for a more legible version). Greenberg died almost exactly a year ago, on June 25, 2011. He left behind some 2,500 anthologies and other books he created — including over 120 co-edited with his friend Isaac Asimov — and his company Tekno Books, a book packager which produced nearly 150 books a year. I wrote about six of them just last week in my article TSR’s Amazing Science Fiction Anthologies.

He also left behind a massive collection in his home in Green Bay, which was purchased by Chicago collectors Doug Ellis and Bob Weinberg. They’ve been gradually selling the high value stuff — autographed vintage hardcovers, things like that. Doug runs the Windy City Pulp and Paper show every year, and he brought some of it to the show.

I’m usually a pretty social guy. Put me in a room with fellow collectors and I’ll happily spend my hours chatting. But as I passed Doug’s booth, I saw countless boxes of what looked like beautiful, unread vintage paperbacks stacked in neat rows, all priced at a buck. I started to browse, then select a few books, and finally obsessively dig through every single box, much to the annoyance of the always patient Jason Waltz and my other companions.

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New Treasures: The Fantasy Fan

New Treasures: The Fantasy Fan

the-fantasy-fanLast month, I got a great e-mail from Black Gate blogger Barbara Barrett. In between her entertaining comments on The Avengers, Arthur Machen, and re-discovering comic books, was this fascinating tidbit:

I’ve started reading The Fantasy Fan — a fan’s tribute to Hornig.  It’s a book containing a compilation of all the Fantasy Fan magazines… I’m only on the first zine but I’m amazed how closely the format matches that of Black Gate. Is this a *coincidence*? The first zine was published in September 1933 and it’s chilling because I keep in mind Robert E.Howard was still alive at that point… the breadth and depth of authors, articles and stories are wonderful. It’s definitely a page out of Living History.

Among fantasy collectors The Fantasy Fan is legendary. The world’s first fanzine dedicated to weird fiction, it lasted for 18 issues, from September 1933 to February 1935. Its contributors included some of the most famous names in the genre — H.P Lovecraft, Clark Ashton Smith, Robert E. Howard, Bob Tucker, Julius Schwartz, Forry Ackerman, Robert Bloch, August Derleth, Eando Binder, and many others — and its young editor Charles Horning so impressed Hugo Gernsback that he hired him to edit Wonder Stories in 1933, at the age of 17. While at Wonder Stories he published Stanley G. Weinbaum’s “A Martian Odyssey” and many other famous pulp stories.

Barbara’s reference to a compilation of The Fantasy Fan was so intriguing I had to track down a copy for myself, and it finally arrived last week. Copies of the original fanzine are so rare that I’ve never even seen one, so to hold a facsimile reprint of all 18 issues in my hands was rather breathtaking. The man behind the book is Lance Thingmaker, and here’s what he says in his introduction:

These fragile gems were so unique. They were simple little fanzines, but were filled with stories, articles and comments by history’s most important weird fiction writers and fans. I felt like I was looking back in time… Since they are extremely hard to find, it seemed many others probably never had the chance to check out the world’s first weird fiction zine. I wanted to make it happen.

The end product is a top-notch piece of work. The magazines are presented in facsimile format, with painstaking restoration of the original barely legible pages, hand printed and hand-bound in hardcover by Thingmaker. The book is over 300 pages, including the complete text of H.P. Lovecraft’s famous essay “Supernatural Horror in Literature,” which was being serialized when the magazine folded. It is limited to 100 copies and sold for $50. Thingmaker’s next project, due to ship later this month, is a facsimile reprint of all four issues of the ultra-rare pulp Marvel Tales.

You can find a detailed breakdown of the contents of The Fantasy Fan here. My thanks again to Barbara for alerting me to this before it sold out!

Vintage Treasures: Poul Anderson’s After Doomsday

Vintage Treasures: Poul Anderson’s After Doomsday

after-doomsdayI’m putting away all the paperbacks that arrived with my two Philip K. Dick lots, and I stumbled across the fabulous artifact at right.

After Doomsday was published by Ballantine Books in 1962, two years before I was born. It was originally serialized in Galaxy magazine (as The Day after Doomsday) between December 1961 and February 1962.

What truly makes it fabulous isn’t just the great cover art by Ralph Brillhart, with a bug-eyed alien stumbling on some guy surveying a road during his evening constitutional. No no no. It’s this wonderful description on the back cover:

CARL DONNAN was a space engineer — a man of action who did his job well and didn’t think much beyond that — but now his home planet was destroyed and he found himself with two burning ambitions:

– FIND the beings who blew up the Earth.

– SEARCH the galaxies until they located another Starship with female humans aboard.

BOTH PROJECTS were vital to the survival of the human race — and both were monumental tasks.

THIS was the time when the galaxies discovered how grim and purposeful a handful of homo sapiens could be.

A starship with “female humans” aboard. I think the first task for this guy Carl should be to look up “female humans,” find out they’re called “women,” and then put an ad on Craig’s List. The survival of the species is on your shoulders, dude. Time to put down that survey equipment and pick up a clean shirt. And maybe some mouthwash.

There’s a lengthy plot synopsis of After Doomsday here. Don’t expect it to be as entertaining as that back cover copy, though.

Selling Philip K. Dick

Selling Philip K. Dick

the-simulacra-philip-k-dickAlmost exactly a year ago this weekend I was in downtown Chicago, selling books and Black Gate magazines at the Printer’s Row book fair. It was hot and I got sunstroke, and I had to cancel dinner plans with the charming and beautiful Patty Templeton. Stupid, stupid sunstroke.

But I learned something fascinating. Well, two fascinating things. The second was that no one wants print fiction magazines anymore. I can’t tell you how many people picked up copies of Black Gate 15, dazzled by the look and heft of the thing, asking “What is this?” The moment they learned it was a magazine, they put it down and wandered over to the booth selling travel books.

But the first fascinating thing I learned is that vintage Philip K. Dick paperbacks sell at almost any price.

I learned this mostly by accident. I had a few hundred recently-acquired vintage paperbacks bagged up, but didn’t have time to price them. The night before the show they were spread out in stacks on our bed, all with cheerful blank price stickers, and Alice was threatening to sleep on the couch.

So I just priced them at random. Most I listed at 2 – 3 bucks, occasionally as high as 10. When I got to the more valuable stuff, like the Philip K. Dick , I wrote “$35” on most of ’em, even the stuff I’d only paid a buck or two for. I figured I’d do my homework and re-price everything that didn’t sell later.

Instead, I sold all the Philip K. Dick in less than two days.

Obviously, this was an unusual test case. For one thing, this wasn’t an SF convention and my buyers generally weren’t science fiction readers. They were book collectors who knew just enough about Philip K. Dick to know he’s in demand. There was a lot of impulse buying, and hardened rare book collectors are maybe less reluctant to fork over $30 – $40 on impulse than a typical SF reader.

Still, it was very educational. Dick was one of the only authors browsing customers frequently asked about (the others were Samuel R. Delaney and Ursula K. LeGuin), and if I could put a book in their hands, it was a short step to a sale. It didn’t hurt that many of his paperbacks look terrific, like the Emsh cover on the 1964 Ace edition of The Simulacra, above.

I don’t sell much anymore, but I do have two tables reserved for Chicon 7, the World Science Fiction convention coming up this Labor Day here in Chicago. In preparation, I’ve been accumulating as many Philip K. Dick titles — and other vintage SF paperbacks — as I can find. eBay is one fertile hunting ground, especially if you’re willing to buy larger lots. Last week I purchased lots containing The Simulacra and Dr. Bloodmoney (plus 10 other mixed SF paperbacks) for $6.05 each. I’m pretty sure I can re-sell the Dick titles alone for a lot more than that.

Just how much more remains to be seen. I’ll let you know after Chicon.

Octavia E. Butler’s “Bloodchild”

Octavia E. Butler’s “Bloodchild”

isaac-asimovs-science-fiction-magazine-june-1984I’m still putting away boxes of stuff that’s piled up in my library. Today it’s a collection of science fiction magazines I purchased from Craig Sandford, a guy I met on eBay, a few months ago. Craig kept his magazines in great condition. I had most of them already (don’t tell Alice), but Craig offered me a sweet deal. And realistically, I won’t be content until my basement is so stuffed with games and magazines it’s impossible to move. So this is progress.

As I slid each magazine into a protective plastic bag, daydreaming of the future age when SF digests from the 1980s are near-priceless cultural artifacts (not far off now), I came across the June 1984 issue of Isaac Asimov’s Science Fiction Magazine, with Wayne Barlowe’s brilliant and chilling cover for Octavia E. Butler’s story “Bloodchild.”

“Bloodchild” is a stunning work of short fiction. It won both the Hugo and Nebula awards for best novelette, and was the title story of her slim 1995 collection, Bloodchild and Other Stories. Although I had magazines and boxes scattered all over the floor, I curled up in my big green chair to re-read it.

Butler has described “Bloodchild” as a tale of male pregnancy, which is apt even if it isn’t very descriptive. The young Gan lives with his family on a Preserve on an alien world, where humans are protected from the dominant species — the huge, powerful and intelligent insect-like Tlic, who lay their eggs in humans and nearly wiped them out when the first human settlers arrived. Gan’s father gave birth to three alien broods before he died, including the noble T’Gatoi, a female Tlic who’s become one of humanity’s strongest protectors. But now it’s time for T’Gatoi to lay her own eggs, and she has chosen Gan as her mate. When Gan witnesses the violent and bloody birth of a clutch of grubs, he realizes for the first time exactly what he’s being groomed for. He’s unsure he can go through with it, but to refuse now will have dangerous ramifications for his family. “I knew birth was bloody and painful, no matter what,” he reasons. And how does T’Gatoi see her mate? Is he just a pet? Or is it possible she feels… something like love?

Barlowe captures the innocence and horror of “Bloochild” perfectly in his cover, which depicts a new-born alien grub leaving a trail of blood as it emerges from the adolescent boy Gan, who watches with a calculating look. Click on the image above for a bigger version.

This is why I love science fiction and fantasy magazines. They’re not just slender collections of stories. They are a refined meeting of fact, art, and fiction, and when that meeting turns into a wild night of necking in the back seat, as it does here, it’s worth telling your friends about. You’re my friends, so I’m telling you. (And as we’ve discussed, kindly don’t mention this to Alice).

I don’t know any place where you can read “Bloodchild” online, but you can get a copy of the June 84 issue of Asimov’s online for only a couple of bucks. Just buy it soon, before the inevitable day 80s SF magazines become priceless. Why not hoard them in your basement, like me? You’ll thank me later.

Vintage Treasures: TSR’s Amazing Science Fiction Anthologies

Vintage Treasures: TSR’s Amazing Science Fiction Anthologies

amazing-the-wonder-yearsD&D publisher TSR generally gets a bad rap for their brief venture into science fiction in the 1980s. Much of their D&D related fiction — especially the Weis and Hickman DragonLance novels, which launched their entire publishing line — is still remembered fondly today. But does anybody remember Martin Caidin’s Buck Rogers novel, or Martin H. Greenberg’s Starfall anthology?

Nope.

Which is a shame. At one point — riding high on the success of the DragonLance books — TSR claimed it was the largest publisher of SF and fantasy titles in the nation, and it sure looked that way whenever I walked into a bookstore. There were literally racks of the stuff: DragonLance books, Forgotten Realms books, Dark Sun novels, Birthright novels, SpellJammer novels, Greyhawk books, Ravenloft novels, Planescape novels… and on and on and on.

If you were a serious genre reader in the late 80s, you gradually trained your eyes to ignore it all as you scanned the shelves for anything new and original.

What many of us never knew — because they were hidden alongside all their gaming fiction — was that TSR published dozens of new and original SF and fantasy novels, unconnected to any of their gaming fiction, including bestselling author Sharyn McCrumb’s famous science fiction pastiche Bimbos of the Death Sun (1987), Paul B. Thompson and Tonya C. Cook’s Red Sands (1988), Ardath Mayhar and Ron Fortier’s Monkey Station (1989), Robin Wayne Bailey’s Nightwatch (1990), and many others.

They also discovered several major authors, publishing Nancy Varian Berberick’s first novel The Jewels of Elvish (1989), Nick Pollotta’s first novel Illegal Aliens (written with Phil Foglio, 1989), and first novels from L. Dean James, Chrys Cymri, K.B. Bogen, and others.

But my favorite books published by TSR during this period weren’t novels at all. They were five anthologies collecting stories from the pulp days of Amazing Stories, edited by Martin H. Greenberg.

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Announcing the Winner of Thunder in the Void from Haffner Press!

Announcing the Winner of Thunder in the Void from Haffner Press!

thunder-in-the-voidThanks to all those who entered our contest to win a copy of Thunder in the Void, compliments of Haffner Press.

We asked our readers to submit the title of an imaginary Space Opera tale in honor of Henry Kuttner, whose imagination produced the stories in Thunder in the Void: “War-Gods of the Void,” “Raider of the Spaceways,” “We Guard the Black Planet,” “Crypt-City of the Deathless Ones,” the previously unpublished “The Interplanetary Limited,” and many more.

Here are the 13 finalists, as chosen by judges John O’Neill, C.S.E. Cooney, and Howard Andrew Jones:

“The Werehounds of Autumn Zero,” Daniel Eness
“Lamentations of a Dying Empire,” Mark Zuchowski
“Nightmare at Lightspeed,” Michael Rogers
“In the Clutches of the Gear-God,” Jason Thummel
“It Was Born In A Black Hole,” Dave Ritzlin
“Dark as a Nova, Slow as Light,” Martin PaweÅ
“Miss Manners and the Andromedan Royal Court,” Barbara Barrett
“Demon of the Farthest Star,” Ryan Rollins
“The Pirate Priestess of Pallas,” Mike Brown
“The Starfarers of Zaurak,” Shedrick Pittman-Hassett
“Vortex Raiders of Krygon-9,” Stephen Blount
“Purple Priestess of the Citadel of the Snake-Men,” Amy Farmer

After much discussion, pondering, and hand-to-hand combat, the judges managed to whittle the choices down to three finalists:

“It Was Born In A Black Hole,” Dave Ritzlin
“Demon of the Farthest Star,” Ryan Rollins
“The Pirate Priestess of Pallas,” Mike Brown

However, there can be only one winner — because we have only one copy of the book, and we forgot to come up with second prizes. So the judges were secluded until they managed to agree on a winner, and that winner is…

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Vintage Treasures: Swordquest, by Task Force Games

Vintage Treasures: Swordquest, by Task Force Games

swordquest-task-force-games2It’s almost Summer, and my teenage boys will be out of high school in a matter of days. Which means I need to get serious about finding a board game to play with my son Drew.

Recently Drew and I have been playing Grail Quest, a 1980 solitaire RPG from Metagaming. But sooner or later, we’re going to find that grail, damnit, and there’s not much point to replaying those old Fantasy Trip programmed adventures once you’ve solved them.

We’ve also playing the occasional round of RoboRally and of course Barbarian Prince, but to round out his education I need to include an assortment of fantasy board games, and I prefer something we can play in 90 minutes or so. This week, I’m considering Swordquest because I found a dusty copy in the basement that hadn’t been filed away yet.

Swordquest was designed by R. Vance Buck and originally published in 1979 as Task Force Game #7, part of Task Force Games Pocket Games line. Humble in origin and slim in production values (the original price was $3.95), these little zip-locked games proved extremely popular, and many are still fondly remembered three decades later.

Altogether, they published a total of 21 Pocket Games, including some of the most popular titles of the 70s and 80s, such Star Fleet Battles, which launched an entire line of game merchandise, and Starfire, which went through five editions and was the inspiration for the line of SF novels primarily written by Steve White and David Weber. The most popular Pocket Games were re-published in a second edition in more sturdy boxes in the early 80s, including Swordquest.

The inspiration for Swordquest — as with most fantasy boardgames of the era — was clearly J.R.R. Tolkien. The races of the kingdom of Tirrane consist of elves, dwarves, and giants, and there’s also a powerful dragon and winged creatures named wrogs rather obviously inspired by Balrogs.

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