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Category: Vintage Treasures

Harpy’s Flight by Megan Lindholm (aka Robin Hobb)

Harpy’s Flight by Megan Lindholm (aka Robin Hobb)

oie_2355541zLiqR1TsBefore becoming the better known Robin Hobb, Mary Astrid Lindholm Ogden wrote under the pen name Megan Lindholm. Today, what little she writes under the Lindholm name tends to be contemporary fantasy. Initially, though, some of it came very close to heroic fantasy. Ogden’s first published story was a swords & sorcery tale under the Lindholm byline, in Jessica Amanda Salmonson’s important 1979 anthology Amazons!.

That first story, “Bones for Dulath,” introduced a pair of traveling adventurers: the stolid wagon driving Ki and her more lighthearted companion Vandien. In a review of Amazons! I wrote last year I said:

It’s not an especially exciting story but Ki’s voice and the easy camaraderie between the two feels real and comfortable. Ki and Vandien find themselves face to face with a strange, dangerous mountain creature and a town of people who’ve come to see it as a god. I’ve read a few of Lindholm’s novels under the Robin Hobb name and enjoyed them but they’re more mainline fantasy than this good slice of S&S.

In her first published novel, Harpy’s Flight (1983), Lindholm returned to Ki and Vandien to tell how they met and became companions. It’s not the work of heroic fantasy I was expecting based on “Bones for Dulath,” but instead something closer to the mainline fantasy of her Hobbs books. Still, it is good solid work, particularly for a first book. Lindholm/Hobb has a tremendous talent for creating truly strange, alien worlds and peopling them with multi-dimensional human characters, not simply hangers for a bundle of traits and quirks. That talent is beautifully displayed throughout Harpy’s Flight.

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The Ballantine Adult Fantasy Series: The Blue Star by Fletcher Pratt

The Ballantine Adult Fantasy Series: The Blue Star by Fletcher Pratt

The Blue StarThe Blue Star
Fletcher Pratt
Ballantine Books (242 pages, May 1969, $0.95)
Cover art by Ron Walotsky

Lin Carter chose Fletcher Pratt’s novel The Blue Star to be the inaugural title in Ballantine’s Adult Fantasy series. I’ve found nothing that explicitly says why this novel rather than another, but a remark in his introduction provides a clue.

Prior to this publication, The Blue Star had only been published in an omnibus edition along with Fritz Leiber’s Conjure Wife and James Blish’s There Shall be no Darkness in 1952. This was 17 years prior to Ballantine reprinting it and two years before The Lord of the Rings was first published. Carter wrote, “I am pleased to have been instrumental in getting this remarkable novel back into print again.”

The novel tells the story of Rodvard Bergelin, who is a clerk in the genealogical offices of the Empire in the capital city of Netznegon. Not given an actual name, the Empire is in decay. Ruled by a Queen whose only heir has been exiled, political intrigue abounds. Rodvard is a member of a revolutionary group known as the Sons of the New Day. They have Bolshevik overtones, but when they eventually gain power, things resemble the French Revolution.

The other protagonist is a young woman who is a witch, Lalette Asterhax. In Pratt’s world, magic is real, but only witches can use it. The only exception is through a gem known as a Blue Star. Not all witches have one, but Lalette does. The power to be a witch is hereditary, passed from mother to daughter. A witch gains her powers when she loses her virginity.

The Sons of the New Day order Rodvard to seduce Lalette. Neither is really interested in the other. Rodvard is taken with a voluptuous young noblewoman who has started hanging around his office. Lalette, on the other hand, is being pursued by an old nobleman, Count Cleudi. In order to get away from him and out from under her mother’s thumb, Lalette reluctantly yields to Rodvard’s advances.

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Vintage Treasures: Nine Horrors and a Dream by Joseph Payne Brennan

Vintage Treasures: Nine Horrors and a Dream by Joseph Payne Brennan

Nine Horrors and a Dream-smallBack in September, prodded on by some comments Douglas Draa made in my article on The People of the Black Circle, I tracked down a copy of Joseph Payne Brennan’s short story collection The Shapes of Midnight (which I wrote about in detail here).

I didn’t know much about Brennan (that’s one of the wonderful things about this hobby — always delightful new authors to discover!) I recently came across him again, this time in a collection of 52 vintage paperbacks I bought on eBay for fifteen bucks — a collection which also included The Unknown and Robert Bloch’s Nightmares. (Here’s a pic of the set, since I know I’m gonna get questions about it). The book this time was titled Nine Horrors and a Dream, a very slender paperback containing, not too surprisingly, 10 stories.

Once again I turned to the experts to find out more. Our buddy Douglas Draa talks in detail about the book on his blog, Uncle Doug’s Bunker of Horror. Here’s what he has to say, in part:

Nine Horrors and a Dream has been one of my most sought after books these last several years… the wonderful “Richard Powers” cover art has help to maintain the high interest in this specific collection. So I was very happy to get this book at a fair price…

What I enjoy so much about these stories is Mr. Brennan’s economy of word, sense of place and strong mood. Most of his stories [are] fairly short, but he stills manages to make them into fully fleshed out reading experiences. Nine Horrors and a Dream is a prime example… That calibre of writing [isn’t] something you stumble across every day.

More than enough of an endorsement for me. I find it curious that there’s some story duplication with The Shapes of Midnight, though. And while we’re asking questions, which story is the dream? I suppose that’s all part of the mystery. I plan to dig into in this weekend and find out.

Nine Horrors and a Dream was published in 1962 by Ballantine Books. It is 122 pages, originally priced at 35 cents in paperback. It was originally published in hardcover by Arkham House in 1958. It has been out of print for over five decades. I bought my copy for about 30 cents, as part of a collection.

Why I’m Here – Part One

Why I’m Here – Part One

I don't want to be this man
I don’t want to be this man

A couple of times this past summer I felt really old. Somehow the classic sci-fi/fantasy books I grew up reading weren’t well known to younger readers (really, you don’t know who Manly Wade Wellman is?!?) or even all that important anymore. In the forty-year span of my sci-fi and fantasy reading life, the genres’ audiences had changed.

Now you could be a sci-fi reader without having read Dune or planning to ever read it. Roger Zelazny’s Chronicles of Amber was “shockingly discordant and unsatisfying to actually read all the way through.” This was nuts — cats-and-dogs-living-together nuts.

After my brain stopped spasming and cooled off a little, I started to actually think. Sure, there are certain — I’d say canonical — books important to the development of fantasy and sci-fi. But if you haven’t read them will somebody revoke your fandom card? If you don’t like the books I like, does that make you less discerning than I? I doubt it.

Besides, discerning is not a word I’d use for a lot of my own book choices. I mean, there’s a certain Lord of the Rings ripoff homage published by Ballantine in 1977 that I, along with the whole fantasy-reading audience, went nuts for. (You had to be there when fantasy pickings were meager.) I still love The Sword of Shannara today. It doesn’t get less discerning than that.

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Vintage Treasures: Nightmares by Robert Bloch

Vintage Treasures: Nightmares by Robert Bloch

Nightmares Robert Bloch-smallI’ve been on something of a Robert Bloch kick recently.

It started with the Vintage Treasures article on The Best of Robert Bloch I wrote back in July, the second in my series on Lester Del Rey’s Classics of Science Fiction. That lead me to his Lovecraftian novel Strange Eons, first published in 1979, which I wrote about in October.

Strange Eons was fun, but honestly I think I prefer Bloch’s short stories. And he certainly has a lot of them, gathered in dozens of collections starting with The Opener of the Way, published in 1945 by Arkham House when he was just 28 years old, and ending the year he died with his final collection The Early Fears (1994, Fedogan & Bremer) — which won the Bram Stoker Award for Superior Achievement in a Fiction Collection.

As usual, I tend to gravitate towards the paperbacks. Last week I bought a copy of Nightmares, a slender 1961 paperback from Belmont which contains 10 short stories originally published in Weird Tales, Fantastic, The Magazine of Fantasy and Science Fiction, and other fine publications.

Nightmare is a selection of tales from Pleasant Dreams — Nightmares (1960), an Arkham House hardcover which contained 16 short stories and novelettes (and cost, according to a note on the copyright page, an outrageous $4). The paperback is dedicated to August Derleth, Fritz Lieber (sic), and Star Trek writer Samuel A. Peeples, author of “”Where No Man Has Gone Before” (one of my favorite episodes, incidentally, although doubtless he’s listed here for his horror work).

And yes, Fritz’s Leiber’s name was misspelled. Clearly the paperback editions were not edited as tightly as they could have been, or Fritz Leiber wasn’t yet a big name. Probably both.

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Experience the Joy of the Pulps With The Incredible Pulps

Experience the Joy of the Pulps With The Incredible Pulps

The Incredible Pulps-smallWe’ve been chatting a lot about pulp fantasy recently — for example, in our recent explorations of Appendix N, Unknown magazine, escaping our genre’s pulp roots, forgotten pulp villains, Clark Ashton Smith’s Martian pulp fiction, and much more.

I occasionally get asked what I mean by “pulp.” It’s not the most intuitive term, I’ll grant you that, especially for younger readers. For them, if it means anything it usually conjures up images of Tarantino’s Pulp Fiction, and perhaps vague echoes of noir detective stories.

“Pulp fiction” means the fast-paced genre stories written for the popular magazines of the 1920s, ’30s and ’40s, and modern fiction written in conscious emulation of that style. The most popular of the pulp magazines, including Argosy, Adventure, All-Story Weekly, and Detective Story, had reliable circulations in the hundreds of thousands. They cost a quarter or less, and were printed on cheap (pulp) paper, frequently with ragged, untrimmed edges.

The pulps are still discussed and collected today for a number of reasons. Several of the most important writers of the 20th century — including Edgar Rice Burroughs, Sax Rohmer, H.P. Lovecraft, Ralph Milne Farley, Raymond Chandler, Agatha Christie, Louis L’Amour, and Harold Lamb — got their start in the pulps. They featured some of the most famous heroes of the early 20th Century, including Doc Savage, The Shadow, Conan, Buck Rogers, Tarzan, Zorro, and many others.

But the best fiction from the pulps has been reprinted many times and — unless you’re Howard Andrew Jones, Stephen Haffner, or John C. Hocking, on the trail of an obscure or neglected author — you rarely dig through pulps for the fiction any more. No, there’s really only one reason most of us still collect pulps. And that’s the fabulous covers and artwork.

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H.P. Lovecraft, A. Merritt, and Appendix N: Advanced Readings in D&D

H.P. Lovecraft, A. Merritt, and Appendix N: Advanced Readings in D&D

The Lurking Fear HP Lovecraft-smallWe’re drawing closer to the end of Gygax’s famous Appendix N, the list of influences and recommended reading he included at the back of the D&D Dungeon Masters Guide.

Over at Tor.com, Tim Callahan and Mordicai Knode continue their tireless trek through the entire list, sampling a little bit of each writer and generously sharing their impressions with us, while here at Black Gate we continue to appreciate and critique their columns. Since that’s a heck of a lot easier than actually trying to read along with such a massive project. Makes me tired just to think about it. Seriously, I need a bit of a lie down.

In the last few weeks they covered one of the most popular fantasy writers of the 20th Century — indeed, one of the most popular writers to pick up a pen, period — and a relatively obscure short story writer who was ignored for virtually his entire life, until a tiny press in Sauk City, Wisconsin, decided to make it their mission to return all of his works to print shortly after his death. Yes, we’re here today to discuss A. Merritt and H.P. Lovecraft, respectively.

Let’s start with Lovecraft. Mordicai kicks things off in fine fashion:

The guy basically invented contemporary horror — besides splatter and slasher, I suppose — and you can’t really talk about him without a sort of gleeful enthusiasm. Or at least, I can’t.

Uncaring alien godthings and cults of fishpeople get all the attention, but the stories that stick with me are the ones that get a little more surreal. Don’t get me wrong: At the Mountains of MadnessCall of CthulhuThe Dunwich HorrorThe Shadow Over Innsmouth… there are a reason that these stories are at the forefront, as the juxtaposition of modern man with truly unknowable forces is a ripe category…the ensuing cosmic creepfest and insanity in response to a nihilistic and uncaring universe might be seen as Lovecraft’s thesis.

That said, for me it is the odder tales, like The Dream-Quest of Unknown Kadath, that kick it up a notch. Hordes of cats, friendly conversations with cannibal ghouls, trips to the moon, evil ticklers, and terrifying plateaus that only exist in dreams? Yes please! I’m going to go on a limb and say that I see a little Randolph Carter in some of my favorite protagonists. Dale Cooper from Twin Peaks, I’m looking at you…

While I’m a devoted fan of Lovecraft’s longer and most famous works — I consider “The Shadow out of Time” to be one of the finest pieces of fantastic fiction ever written — there’s no question that his Dream-Quest tales are equally worthy of attention. A tip of the hat to Mordicai for not taking the easy route.

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The Finest Sword & Sorcery: Announcing the Winners of the Stalking the Beast Contest

The Finest Sword & Sorcery: Announcing the Winners of the Stalking the Beast Contest

Pathfinder Tales Stalking the Beast-smallLast month we invited Black Gate readers to tell us about the best sword & sorcery tale they’d ever read, in one paragraph or less.

In return, we offered to award a copy of Howard Andrew Jones’ terrific new Pathfinder Tales book, Stalking the Beast, the follow-up to his hit Pathfinder release Plague of Shadows from Paizo Publishing, to five lucky winners.

Those five winners were randomly drawn from the list of all qualified entrants.

Before we announce the winners, let’s have a look at some of the story suggestions. As much as we’d like to, we can’t reprint all the entries we received, so we’ll limit it to the 10 we found most insightful, well written, or intriguing. In the interest of diversity, we’ll limit our sampling to one entry for each author or major work. (But fret not — all qualifying entries received before December 1st were included in the drawing.)

We’ll start with David Kahler, who kicks things off in excellent fashion with the tales of Fritz Leiber:

My favorite Sword and Sorcery book is Fritz Leiber’s Swords Against Wizardry, a Fafhrd and Grey Mouser tale. From the very beginning, when the pair consult an old hag ( because, according to Fafhrd, before embarking on any great enterprise, it’s customary to consult a warlock or witch”) to the Lords of Quarmall and the battles with Hasjarl’s wizards, Swords Against Wizardry is (IMHO) one of the best of Leiber’s tales. His prose is superb, and the action sequences just as good. Fafhrd and Grey Mouser epitomize the “Neutral-Good” actions of adventurers who (even while they seek to enrich themselves) strive to do the right thing even if the “wrong” course of action would have been easier and more convenient. Thanks for the opportunity to win HAJ’s latest book! I always enjoy finding new reads and authors on your site. Keep up the good work!

You’re most welcome, David. Thanks for the enthusiastic entry — and good luck!

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Seductive Sorceress Queens, Decadent Civilizations, and Moon-lit Brawls: A Review of Bloodstone by Karl Edward Wagner

Seductive Sorceress Queens, Decadent Civilizations, and Moon-lit Brawls: A Review of Bloodstone by Karl Edward Wagner

Bloodstone Karl Edward Wagner-smallI love used book shops. And when I say love, I damn well mean love; anything that offers me a Kane Book for less than a pound is pretty much saying ‘I do’ in my book. You just can’t buy that kind of passion, unless you happen to offer me a Kane book for under a…. oh, never mind!

Now, if you’re a bit of a fantasy connoisseur (and if you’re reading this you probably are) you’ve likely heard of Kane, or at least Karl Edward Wagner; the guy’s novels sell for an arm and a leg on Amazon and are showered with praise at every turn. So you can understand my excitement upon finding the book, and my anticipation when I opened it up.

The story follows Kane as he stumbles upon an intriguing ring during a raid. His interest piqued, Kane investigates further and finds that it is actually linked to a legendary giant gem named ‘Bloodstone’ which would, apparently, look really nice in his front garden. Needless to say Kane decides to look for it, and his search leads him to an ancient city somewhere in a forest, one that serves as a kind of no man’s land for two warring leaders: Malchion, and Dribeck.

What follows is some seriously top-notch sword and sorcery; the first few chapters are brilliant, filled to the brim with Gothic imagery and seductive sorceress queens, decadent civilizations, moon-lit brawls with lurid beasts; all the good stuff that made me fall in love with the genre. It’s got everything: mysticism, super-science, monsters, a lost city, and an ancient civilization.

And the first couple of skirmishes with a race of lizard men, the Rillyti, (who happen to be the very same lizard men who made Bloodstone) are all excellently done, filled with a real unpredictability, and a truly tangible sense of danger. It really reads like something you’d find in the pages of Weird Tales, alongside the latest Conan tale, or Solomon Kane’s newest yarn.

And it’s great fun. The kind that is a lot harder to find today (a few exceptions aside). At this stage, the thunder in its pacing was audible, the weight of its sword blows palpable, the dirt and grit and grime of its world was seeping into the room. And I loved every moment.

So why, Mr Wagner, why oh why, did you slow it down?

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My Favorite Dragons

My Favorite Dragons

Dragonslayer poster-smallDragons.

These creatures of legend have captivated our imaginations from the dawn of time. A staple of fantasy literature and culture, they embody power, majesty, and perilous danger.

I’d like to share with you some of my favorites, in no particular order.

Smaug (The Hobbit, J.R.R. Tolkien)

Ah, old Smaug. Wrecker of dwarven homes and stealer of treasures. I can still remember the rapture with which I read this book as a child, with all Bilbo’s misadventures leading him toward an epic confrontation with this ancient wyrm.

Without a doubt, Smaug triggered a fascination with dragons that has lasted my entire life. And now with The Hobbit movies coming out, I can re-live that joy in its full splendor on the big screen.

Vermithrax Pejorative (Dragonslayer, Touchstone Pictures)

I saw this movie as a kid, fresh off my love-affair with Smaug. Even though we see precious little of the beast until the final act, just the sounds of its breath rising from the ground and the reactions of the various characters to its presence fill the movie with a wonderful sense of anticipation.

And the final battle between wizard and dragon is pretty damned good for its time. Definitely, a diamond in the rough.

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