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Category: Vintage Treasures

Art of the Genre: The Art of Selling your Past

Art of the Genre: The Art of Selling your Past

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photoConsidering the fact that James ‘Grognardia’ Maliszewski is one of my office mates here in Black Gate L.A., I’m often inspired by what he has to say on the subject of gaming.  Now sure, James comes at the hobby from a more mechanics angle, while I take on the artistic side, but nonetheless, we are still cut from the same cloth and overlap on many details [he’s two years older than me, so MUCH wiser].

After reading his The Golden Age article this week, I couldn’t help but find an odd pleasure in the fact that I too was revisiting my gaming past, only once again from a different angle.

So, when he posted his image of the ‘treasure’ found at his ancestral home, I couldn’t help but smile because I’d just taken a picture similar to it myself the day before.  You see, James, according to the article, was enjoying the nostalgia of his TSR collection in his visual framing, but for me, I was working toward the reality of parting ways with mine.

Over the past three weeks, I’ve been selling off parts of my RPG collection.  It began as a quest to raise capital for other projects, but as it continued, it turned into a kind of cathartic shedding of unneeded pounds.  Last year, I wrote an article for Black Gate entitled The Weight of Print, and over the past weeks I’ve toted at least a hundred pounds of books to the USPS from my RPG shelves.

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The Golden Age

The Golden Age

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Optimized-IMG_5384There’s a famous epigram mistakenly attributed to a number of different people – as famous epigrams so often are – that states that “the golden age of science fiction is twelve.” Some quick research into the matter reveals that its actual author was Peter Graham, an editor of fanzines in the late 1950s and early ’60s. My research also revealed that the original quote stated the golden age of science to be thirteen.

I turned thirteen in the Fall of 1982, three years after I first discovered Dungeons & Dragons. By that time, I was hopelessly in the thrall not just of D&D, but of a wide variety of roleplaying games. RPGs played a very important role in my young life, complementing many of my earlier interests and hobbies (like mythology, science fiction, and fantasy) and fostering many news ones (such as history, foreign languages, and philosophy). It is no exaggeration to say that I’d be a completely different man today if it weren’t for these games.

Consequently, I tend to look back on that time as a golden age, a time when the hobby of roleplaying was just right for a kid like me. I was reminded of this recently when I returned to visit my mother at my childhood home. Though I haven’t lived in that house on a permanent basis since I first went away to college in 1987, it still holds a great many things belonging to me that I simply hadn’t had the time to take with me as I traveled up and down the East Coast of North America. This year, I vowed that, during my visit, I’d do a proper inventory of what I’d left behind so that I could get rid of the stuff I didn’t want and once again take possession of at least some of the rest.

What I found was a time capsule of the inner life of my thirteen year-old self.

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The Public Life of Sherlock Holmes: The “Lost” Holmes Story

The Public Life of Sherlock Holmes: The “Lost” Holmes Story

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Wanted_CosmoThere are 60 original Sherlock Holmes stories written by Sir Arthur Conan Doyle: 56 short stories and 4 novels (novellas, really). He also wrote two very short Holmes “bits” that are not included in the official Canon, though all acknowledge they are his works.

In August of 1948, the Doyle Estate added a 61st story to the official list when Cosmopolitan proclaimed  “FOUND! The Last Adventure of SHERLOCK HOMES, a hitherto unpublished story by Sir Arthur Conan Doyle.”

Included in that issue was “The Man Who Was Wanted,” a long lost Holmes tale from the pen of Doyle himself. Five months later, London’s Sunday Dispatch serialized it in three installments during January of 1949.

Rumors of the story’s discovery had started in 1942 and Hesketh Pearson, the man who found it while working on an authorized biography of Conan Doyle, had printed the beginning of the story and commented on it in Conan Doyle: His Life and Art.

Notable Baker Street Irregulars such as Edgar Smith, Vincent Starrett, and Anthony Boucher raised a hue and cry for the story to be published. For Sherlockians, this was on a par with the discovery of a Homeric account of the first nine years of the Trojan War!

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Discover the Prototype for Lord of the Rings: The Zimiamvia Trilogy by E. R. Eddison

Discover the Prototype for Lord of the Rings: The Zimiamvia Trilogy by E. R. Eddison

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The Mezentian Gate-small The Worm Ouroboros-small
A Fish Dinner in Memison-small Mistress of Mistresses-small

Many decades ago, I discovered four volumes of fantasy by the British author E. R. Eddison: The Worm Ouroboros, and its sequel, The Zimiamvia Trilogy (Mistress of Mistresses, A Fish Dinner in Memison, and the uncompleted The Mezentian Gate.) They were a handsome set of Ballantine paperbacks from 1967, all with gorgeous covers by Barbara Remington.

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Blogging Sax Rohmer’s The Shadow of Fu Manchu, Part Two

Blogging Sax Rohmer’s The Shadow of Fu Manchu, Part Two

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Shadow of Fu ManchuShadow ZebraThe Shadow of Fu Manchu was serialized in Collier’s from May 8 to June 12, 1948. Hardcover editions followed later that year from Doubleday in the U.S. and Herbert Jenkins in the U.K. Sax Rohmer’s eleventh Fu Manchu thriller gets underway with Sir Denis Nayland Smith in New York on special assignment with the FBI. He is partnered with FBI Agent Raymond Harkness to investigate why agents from various nations are converging on Manhattan. Sir Denis suspects the object of international attention is the special project being handled by The Huston Research Laboratory under the supervision of Dr. Morris Craig. However, Smith initially chooses to keep the FBI in the dark on this matter until he is certain.

The Si-Fan has succeeded in closing in on The Huston Research Laboratory by drawing a net around parent corporation Huston Electric’s director, millionaire Michael Frobisher and his wife, Stella. The Frobisher marriage is not a happy one. Michael lives in fear that his flirtatious wife is unfaithful to him and Stella is likewise tormented by a series of neuroses. The family physician, Dr. Pardoe, recommends an eminent European psychiatrist and Nazi concentration camp survivor, Professor Hoffmeyer, to treat Stella Frobisher. Both Mr. and Mrs. Frobisher are concerned that Asians have been spying on them, going so far as to break into their home and infiltrate their country club. As their marriage is not a healthy one, neither husband nor wife confide in the other, but rather let their paranoia grow until their nerves have frayed. What neither suspects is that Carl Hoffmeyer is really Dr. Fu Manchu in disguise.

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Vintage Treasures: Horrors Unknown, edited by Sam Moskowitz

Vintage Treasures: Horrors Unknown, edited by Sam Moskowitz

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Sam Moskowitz Horrors Unknown-smallI think of Sam Moskowitz primarily as an SF historian, perhaps the greatest the field has ever known.

His book The Immortal Storm, a history of early fannish feuds, is still read and discussed today, and his numerous biographical articles on 20th Century SF writers — published in an assortment of SF digests in the 50s and 60s — were eventually collected into two popular books, Explorers of the Infinite and Seekers of Tomorrow. He was a tireless advocate for SF, and was famously the chairman of the first World Science Fiction Convention in New York City in 1939 at just nineteen years of age. He was so strongly associated with early pulp SF, primarily as a collector and genre evangelist, that Isaac Asimov dedicated Before the Golden Age to him.

But Moskowitz was also an editor of no little note, with some two dozen titles to his name. I recently stumbled on one of his first horror anthologies, Horrors Unknown (1971), which collects early 20th Century short fiction from Edison Marshall, Fitz-James O’Brien, Ray Bradbury, and many others — including a Jules de Grandin novelette by Seabury Quinn, a Northwest Smith novelette from C. L. Moore, and an incredible round-robin Cthulhu Mythos tales by none other than H. P. Lovecraft, C. L. Moore, A. Merritt, Robert E. Howard, and Frank Belknap Long.

Two more horror anthologies followed this one: Horrors in Hiding (1973; edited with Alden H. Norton) and Horrors Unseen (1974). The latter was his final anthology. Sam Moskowitz died in 1997, at the age of 76.

Sam wrote fascinating and detailed introductions — author appreciations, really — for each story, and his love and knowledge of the field shine through in every one.

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Action Comics #1 Sells For $3,207,852 on eBay

Action Comics #1 Sells For $3,207,852 on eBay

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Action Comics Issue 1-smallIf you’ve been on eBay at all in the last ten days, you’ve probably seen banner ads for an unusual auction: a copy of Action Comics #1, featuring the first appearance of Superman. Written and drawn by Jerry Siegel and Joe Shuster, Action #1 was published on April 18, 1938 (cover-dated June) by National Allied Publications, the company that eventually became DC Comics. Although it had a print run of over 200,000, only some 50-100 copies of Action #1 are still known to exist.

The seller, Darren Adams of Pristine Comics in Washington, had the comic professionally graded by CGC at a 9.0. Only one other copy has ever achieved a 9.0, and it sold for $2.16 million in 2011. Until yesterday, that was the highest price ever paid for a comic book. Adams didn’t restrain his enthusiasm in the auction description:

For sale here is the single most valuable comic book to ever be offered for sale, and is likely to be the only time ever offered for sale during many of our lifetimes… This is THE comic book that started it all. This comic features not only the first appearance of Superman, Clark Kent and Lois Lane, but this comic began the entire superhero genre that has followed during the 76 years since. It is referred to as the Holy Grail of comics and this is the finest graded copy to exist with perfect white pages. This is…. the Mona Lisa of comics and stands alone as the most valuable comic book ever printed.

This particular copy is the nicest that has ever been graded, with an ASTONISHING grade of CGC 9.0! To date, no copies have been graded higher and only one other copy has received the same grade. It is fair to say though that this copy blows the other 9.0 out of the water. Compared to the other 9.0 that sold for $2.1million several years ago it has significant superior eye appeal, extremely vibrant colors and PERFECT WHITE PAGES.

The auction ended at 6:00 pm Pacific time on Sunday. Bidders had to be pre-qualified and there were a total of 48 bids. The winning bid, placed 32 seconds before the end of the 10-day auction, was made by an unidentified eBay veteran with feedback from over 2,500 sellers. See the eBay auction listing here.

The Public Life of Sherlock Holmes: The Speckled Band — He’s Done Better…

The Public Life of Sherlock Holmes: The Speckled Band — He’s Done Better…

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Band_Roylott
“I will go when I have said my say. Don’t you dare to meddle with my affairs…”

“The Speckled Band,” the eighth of the short stories which make up The Adventures of Sherlock Holmes, first appeared in the Strand Magazine in February, 1892. It is often cited as a favorite Holmes case by fans of the great detective. Sir Arthur Conan Doyle himself put it at number one on his own list in 1927. I’ve read it at least a dozen times.

However, it also appears to be one of the most poorly handled the world’s first private consulting detective. There are several questionable aspects that leave one to wonder at Holmes’ actions:

HERE BE SPOILERS

If you haven’t read this story yet, take fifteen minutes and do so. You can read it online here, with illustrations. Going on with my article before you’ve read the story will truly ruin one of the Canon’s best known tales.

Sending Helen Stoner Home – Helen Stoner is worried that her stepfather will be angry with her when they are both back home after their separate visits to Baker Street. Holmes tells her that Roylott must “guard himself” or he may find that someone is on his track.

Roylott already knows that Helen has been to visit Holmes: the cat is out of the bag. It is unclear why Holmes is not concerned for her safety. He even says that if Roylott gets violent with her, he will take her to her aunt’s home. That’s a bit reactive. Holmes does not seem to be properly safeguarding her welfare.

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Vintage Treasures: Big Planet by Jack Vance

Vintage Treasures: Big Planet by Jack Vance

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Startling Stories September 1952-small Big Planet Jack Vance Ace-small Big-Planet-Ace-1978-small

I’m embarrassed to admit that I became a Jack Vance fan only late in life. I blame a misspent youth.

I first discovered him through his short fiction — especially “The Dragon Masters” and “The Moon Moth,” two brilliantly imaginative tales of far-off worlds. But I was slow to discover his novels and I’ve spent the last few years trying to catch up.

The one I want to read next is Big Planet, his 1952 novel of a massive but technologically backwards world known simply as Big Planet, settled over the centuries by a host of criminals, malcontents, and outcasts from Earth. Claude Glystra is sent to Big Planet to investigate rumors of a dark plot against Earth, but his ship is sabotaged and crash-lands 40,000 miles from his destination. Glystra and his crewmates must undertake an impossible journey on foot across a dangerous landscape filled with aliens, human colonies isolated for centuries, and the treacherous agents of his enemies.

Big Planet was Vance’s first major SF novel, and it is one of the classic adventure fantasies of the 1950s. It has been reprinted over a dozen times. I have several different paperback editions — and they are, in fact, very different. All I have to do is figure out which one to read.

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What Would it Look Like to Pull a Watchmen on Planetary Romance? Part II

What Would it Look Like to Pull a Watchmen on Planetary Romance? Part II

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carson aWhen we last left our intrepid blogger (me) two weeks ago, he was blogging (very roughly) about the superhero genre, pre- and post-Watchmen, and the kind of light that Alan Moore’s Watchmen shone onto superhero comics. I did this because I think Moore did something very special and I wondered if it could be done to other fields, especially planetary romance.

I ended on a cliffhanger. And now, Part II….

I said last time that most of the traditions of the superhero genre were born in a very brief period between 1938 and 1945. In fact, the elements of the superhero tradition come part and parcel from the larger pulp tradition, which contained westerns; gritty and occasionally lurid detective stories; and planetary romances like Buck Rogers, Flash Gordon, John Carter of Mars, and Carson Napier of Venus.

The planetary romance tradition was powerfully tailored to its key market: white male American teens and men. If you were an under-appreciated teen with hero or power fantasies, pulp was your thing.

The heroes were young, white, smart, good looking, physically able, self-deprecating, and commanding. They confronted immediate perils (like a monster) or vast dangers (like an invasion), often single-handedly, or from a position of inspiring leadership.

And the opponents the hero fought were most often one-dimensional, morally-destitute cardboard placeholders for savage (non-whites) in our world, a view consistent with racial views of the late 19th century.

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