Browsed by
Category: Vintage Treasures

The Mystery of New Dimensions 13

The Mystery of New Dimensions 13

new-dimensions-13-small

Robert Silverberg’s New Dimensions was one of the most celebrated anthology series of the 70s. It published an impressive amount of award-winning fiction, including R. A. Lafferty’s “Eurema’s Dam” (1973 Hugo), Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas” (1974 Hugo), James Tiptree, Jr’s “The Girl Who Was Plugged In” (1974 Hugo), Suzy McKee Charnas “Unicorn Tapestry” (1981 Nebula), and many others.

New Dimensions 11 and 12 were co-edited with Marta Randall. The final volume, New Dimensions 13, was solely edited by Randall, and it boasted a dazzling range of writers, including Vonda McIntyre, Robert Silverberg, R.A. Lafferty, Lucius Shepard Michael Swanwick, Barry N. Malzberg, and many others. There’s just one problem with it, however: no finished copies are known to have survived. The entire print run was reportedly pulped, and the only copies that exist today were advance copies sent out to reviewers.

Why? That’s part of the mystery. Gunter Swain posted the cover above on Facebook today — the first image I’ve ever seen of the book. He reports the book “was published but was never distributed.” In the comments section, Marta Randall shed some light on the mystery.

Read More Read More

Amazing, May 1963: A Retro-Review

Amazing, May 1963: A Retro-Review

amazing-science-fiction-may-1963-smallThis is one of the best issues of Cele Goldsmith’s Amazing I’ve encountered. Only four stories, but all decent, one really good.

The cover is by Ray Kalfus, illustrating Henry Slesar’s “Jobo” in a fashion that gives away one of the story’s secrets (not that it’s that big of a secret). Interiors are by Leo Summers, George Schelling, and Virgil Finlay.

Norman Lobsenz’ Editorial opens thusly:

The New Yorker magazine, which normally does not care to admit of the existence of such a literary form as science fiction (probably because sf stories have plots with beginnings, middles, and ends, which the New Yorker fiction editors abhor)…

Plus ça change! The occasion is an approving New Yorker review of Arthur C. Clarke’s Tales of Ten Worlds, and in particular their praise for the story “Before Eden,” which was first published in Amazing in 1961.

“… Or So You Say”, the letter column, is mostly occupied with complaints about a letter in the January issue from Lorne Yacuk, which apparently complained about the “new” type of stories published in those days, particularly that they featured dull “common men” instead of “supermen.” The writers are James C. Pierce, W. D. Shephard, and Gil Lamont. In addition, Paul Gilster (from St. Louis!) praises Albert Teichner’s “Cerebrum” (mentioned in these reviews some time ago).

The Spectroscope, S. E. Cotts’ book review column, covers The Space Child’s Mother Goose, by Frederick Winsor; Moon Missing, by Edward Gorey; They Walked Like Men, by Clifford Simak; and Anything You Can Do…, by Darrel T. Langart (Randall Garrett). The only one he really approves of is the Simak.

There are two “fact” articles. One is called “A Soviet View of American SF,” by Alexander Kazantsev. It’s a reprint (translated by John Isaac) of the introduction to an anthology of American SF published in the Soviet Union. The author (Kazantsev) is said to be famous for suggesting that the Tunguska event was caused by the explosion of a Martian spaceship. His views of the stories mentioned are politically tinged to the point of parody. The other article is by Ben Bova, “Where is Everybody?”, and it’s a look at the Fermi Paradox.

Read More Read More

Mixing Hardboiled Film Noir and Magic: Cast a Deadly Spell

Mixing Hardboiled Film Noir and Magic: Cast a Deadly Spell

cast-a-deadly-spell-small cast-a-deadly-spell-back-small

Cast a Deadly Spell stars Fred Ward, Julianne Moore, and David Warner
Director: Martin Campbell; Writer: Joseph Dougherty
HBO 1991. 1 hours 36 minutes

Philip Lovecraft (Fred Ward) is a hardboiled Los Angeles private eye who is hired by Amos Hackshaw (David Warner) to find the Necronomicon, a book which contains the knowledge to destroy the world when the stars line up at midnight in two days. It was stolen from Hackshaw by his ex-chauffer, Larry Willis (Lee Tergesen).

Read More Read More

Exploring the Leonaur Science Fiction and Fantasy Catalog

Exploring the Leonaur Science Fiction and Fantasy Catalog

the-first-leonaur-book-of-supernatural-detectives-small the-second-leonaur-book-of-supernatural-detectives-small

I first discovered Leonaur Books when I went looking for in-print editions of Stanley G. Weinbaum, the pulp author who died in 1935. Leonaur has virtually his entire science fiction output in print in four handsome and affordable paperbacks. How cool is that? Shortly thereafter, I found Leonaur has a back catalog with enormous appeal to pulp fans, including the complete Arcot, Morey & Wade space opera stories of John W. Campbell, Jr, Guy Boothby’s Dr. Nikola tales, and collections by Homer Eon Flint, Arthur Conan Doyle, Robert E. Howard, Arthur Sellings, Rudyard Kipling, Jack London, and many others.

These guys are clearly serious about vintage fantasy and SF. But they don’t just do single-author collections. Over the past few years they’ve also assembled some top-notch original anthologies as part of their extensive Supernatural Fiction Series, like the two volume Leonaur Book of Supernatural Detectives, edited by Morgan Tyler, which contains “The Door Into Infinity” by Edmond Hamilton, a Carnacki tale by William Hope Hodgson, and stories by Joseph Sheridan Le Fanu, Richard Marsh, Gordon McCreagh, Enoch F. Gerrish, and two dozen more.

Read More Read More

Gypsies, Monsters, and Very Spooky Real Estate: Haunted Castles: The Complete Gothic Stories by Ray Russell

Gypsies, Monsters, and Very Spooky Real Estate: Haunted Castles: The Complete Gothic Stories by Ray Russell

haunted-castles-the-complete-gothic-stories-1985-small haunted-castles-the-complete-gothic-stories-small

Ray Russell received the World Fantasy Lifetime Achievement Award in 1991 and the Bram Stoker Lifetime Achievement Award in 1992. His novels included The Case Against Satan (1962), Incubus (1976), and Absolute Power (1992), and he published a half dozen horror collections in his lifetime, including Unholy Trinity (1967), Prince of Darkness (1971), and The Book of Hell (1980).

Stephen King called his novelette “Sardonicus,” his best known work, “perhaps the finest example of the modern Gothic ever written.” It was collected, with the follow up tales “Sanguinarius” and “Sagittarius,” in Haunted Castles: The Complete Gothic Stories, published in hardcover in 1985 by Maclay & Associates, with a cover by Stanley Mossman (above left). Penguin Classics released it in a new hardcover edition in 2013 with a new foreword by Guillermo del Toro, and the book will be released in paperback for the first time at the end of this month, with a deliciously creepy new cover (above right).

Here’s the description.

Read More Read More

New Treasures: Ancient Egyptian Supernatural Tales edited by Jonathan E. Lewis

New Treasures: Ancient Egyptian Supernatural Tales edited by Jonathan E. Lewis

ancient-egyptian-supernatural-tales-small ancient-egyptian-supernatural-tales-back-small

Here’s a fun little artifact, eminently suitable for late summer reading: Jonathan E. Lewis’s anthology of classic (and pulp) Egyptian dark fantasies, Ancient Egyptian Supernatural Tales, published in trade paperback in July as part of the Stark House Supernatural Classics line.

Lewis has done a fine job assembling a stellar line-up of dark fantasy and horror stories featuring mummies, curses, ancient Egyptian vampires, and lots more. In addition to classic tales from Edgar Allan Poe, Louisa May Alcott, Arthur Conan Doyle, H. Rider Haggard, and Sax Rohmer, there’s a quartet of stories from Weird Tales (by Frank Belknap Long, E. Hoffmann Price, John Murray Reynolds — and Tennessee Williams!), Algernon Blackwood’s novella “A Descent Into Egypt,” and two excerpts: one from the first mummy novel ever written in English, Jane Webb Loudon’s The Mummy (1827), and one from Bram Stoker’s classic The Jewel of Seven Stars.

Read More Read More

Vintage Treasures: The Best Science Fiction of the Year #3, edited by Terry Carr

Vintage Treasures: The Best Science Fiction of the Year #3, edited by Terry Carr

The Best Science Fiction of the Year 3 Terry Carr-small The Best Science Fiction of the Year 3 Terry Carr back-small

How did Terry Carr’s Best Science Fiction of the Year paperback anthology series last an incredible sixteen years, from 1972 until his death in 1987?

It’s not that hard to figure out. When early volumes were as amazing as #3, released in July 1974, it didn’t take long for these books to establish a stellar reputation — and a staunchly loyal readership.

How incredible was The Best Science Fiction of the Year #3?

It contains some of the finest science fiction stories of all time, packed into one slender volume. Like “The Women Men Don’t See” by James Tiptree, Jr… perhaps her most famous story, and that’s saying something. And Vonda N. McIntyre’s Nebula Award-winning “Of Mist, and Grass, and Sand,” which became the basis of her 1978 novel Dreamsnake (which swept the Hugo, Nebula, and Locus Awards the following year.) And Harlan Ellison’s classic “The Deathbird,” the Hugo and Locus Award-winning title story of his celebrated 1975 collection Deathbird Stories. Plus Gene Wolfe’s famous “The Death of Dr. Island,” winner of the Locus and Nebula awards for Best Novella.

And an unassuming little story by a young writer named Ursula K. Le Guin, “The Ones Who Walk Away from Omelas,” which won the Hugo Award for Best Short Story, and is considered by many (me included) to be one of the finest short stories ever written. And lots more — including a Jack Vance novella, plus stories by Philip José Farmer, Alfred Bester, R. A. Lafferty, Robert Silverberg, and F. M. Busby. All for $1.50!

Read More Read More

Old Dark House Double Feature III: The Ghost in the Invisible Bikini (1966) and Ghost of Dragstrip Hollow (1959)

Old Dark House Double Feature III: The Ghost in the Invisible Bikini (1966) and Ghost of Dragstrip Hollow (1959)

The Ghost in the Invisible Bikini-small

The Ghost in the Invisible Bikini
American International Pictures (1966)
Directed by Don Weis
Written by Louis M. Heyward and Elwood Ullman
Starring: Basil Rathbone, Boris Karloff, Tommy Kirk, Deborah Walley, Aron Kincaid

I’m not sure how the phrase “everything but the kitchen sink” originated. Perhaps to describe this movie, which pulls out all the stops. As with Ghost of Dragstrip Hollow, I went into it with very low expectations and ended up being surprised.

I’m pretty sure this is the only movie ever made that starred Basil Rathbone, Boris Karloff and Tommy Kirk. Black Gate readers will probably know the first two names and I think it’s safe to say that this movie wasn’t the highlight of their careers, although Rathbone turns in an energetic performance.

Read More Read More

Blogging Marvel’s Master of Kung-Fu, Part Three

Blogging Marvel’s Master of Kung-Fu, Part Three

Master_of_Kung_Fu_Vol_1_22Giant-Size_Master_of_Kung_Fu_Vol_1_2Master of Kung Fu #22 sees the welcome return of artist Paul Gulacy who came and went a bit in these early issues. The first half of the story sees Shang-Chi set upon by Si-Fan assassins at a Chinese restaurant in New York before infiltrating his father’s skyscraper base of operations. Fu Manchu has captured both Sir Denis Nayland Smith and Black Jack Tarr. Shang-Chi stows away aboard Fu Manchu’s private jet unaware of their destination. Once on the ground, he follows as his father’s minions lead their captives to a cave in the side of a mountain which has been filled with dynamite. Shang-Chi rescues the two Englishmen and prevents the detonation which would have seen Fu Manchu kill his archenemy in the same instant he destroyed Mount Rushmore. Doug Moench, like Steve Englehart before him, has an embarrassment of riches that are largely squandered with insufficient page count to fully develop his narrative. This would soon change, however, and make the series one of the finest published in the 1970s.

Most of Marvel’s Giant-Size quarterly titles were throwaways, much like too many of their special Annual editions, but Giant-Size Master of Kung Fu #2 was a 40-page epic designed to showcase both the character of Shang-Chi and the talents of the series’ writer and artist, respectively. Doug Moench had been harboring a desire to address racism and bigotry directly and a series with an Asian protagonist gave him the perfect forum to do so. Paul Gulacy now had the freedom to display martial arts fighting as well as moving displays of romance and longing relying solely on the power of his images in a string of panels that conveyed storytelling free of words. Even more significant is the fact that Gulacy’s depictions of lust and attraction never pandered to titillation as the artist evinced a mature understanding of the art form’s possibility. The fact that he was strongly influenced by cinema and Steranko’s pop art work of the 1960s take nothing away from the fact that Gulacy was coming into his own as an artist with this title.

Read More Read More

Gamma 3, 1964: A Retro-Review

Gamma 3, 1964: A Retro-Review

Gamma 3-smallHere’s a bit of a curiosity — a magazine I had not heard of until quite recently.

Gamma was a short lived digest magazine published out of North Hollywood, CA, between 1963 and 1965. Five issues total were published, the first three edited by William Nolan (best known, probably, for writing Logan’s Run with the recently late George Clayton Johnson, but an active writer since 1956 and still publishing new stuff now, age 88). Because of its location*, perhaps, they attracted some writers associated with the movie business, and in general published a mix of SF and Fantasy, and of writers both from within and without the genre, that reminded me of F&SF, especially in its first few years.

*(Indeed, of the 9 writers in this issue, 7 (as far as I can tell) were based in California, and those who weren’t (Malamud and Highsmith) are the most prominent and the only “non-genre” writers.) The interior art is by Luan Meatheringham, an LA artist active in the ad industry and as a freelancer, who seems to have disappeared from notice.

The cover is called “Expedition to Jupiter,” by Morris Scott Dollens, and it depicts a spaceship and a couple of astronauts on what I take to be Ganymede or Callisto, with Jupiter in the sky.

There is one feature, an interview with the editor (using a false name) of a Soviet publishing house, discussing the state of Soviet SF. (By coincidence, I just read a similar piece in Amazing.)

Read More Read More