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Vintage Treasures: The Radio Planet by Ralph Milne Farley

Vintage Treasures: The Radio Planet by Ralph Milne Farley

The Radio Planet AceAnd so we come to the third volume of Ralph Milne Farley’s Radio Men series, The Radio Planet.

Like the first two, The Radio Man (aka An Earth Man on Venus, which I discussed here) and The Radio Beasts (here), The Radio Planet was originally published in Argosy All-Story Weekly, in six installments starting in June 26, 1926, following the previous novel by some fifteen months.

Farley wrote several more Radio novels, including The Radio Menace, The Radio War, The Radio Pirates, and The Radio Flyers, between 1930 and 1955. Only a few were even loosely connected to the first three; most of them were futuristic pulp adventures set on Earth, and Ace didn’t bother to reprint them.

Yes, that’s right. After three popular Radio Men novels, Ralph Milne Farley continued to merrily put Radio in every one of his titles, even though most had nothing to do with Myles Cabot, Venus, or Mars. Apparently, the man had only a rudimentary concept of brand marketing. And liked radio.

In any event, The Radio Planet was the last novel to feature Myles Cabot. Two other short adventures followed: “The Radio Man Returns,” a short story from Amazing Stories (June 1939), and “The Radio Minds of Mars,” originally published in the January 1955 issue of Spaceway magazine.

Fortunately for young teenage fans in the 1970s, such as yours truly, there were two inexpensive paperback editions of The Radio Planet, which kept it in print for roughly a decade. Both were from Ace Books.

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Vintage Treasures: The Radio Beasts by Ralph Milne Farley

Vintage Treasures: The Radio Beasts by Ralph Milne Farley

The Radio Beasts brightLast month I wrote a brief piece on Ralph Milne Farley’s pulp novel An Earth Man on Venus, originally published as The Radio Man in Argosy magazine in 1924.

As part of the research I dug a little into Farley, and discovered his real identity was Roger Sherman Hoar, state senator and assistant Attorney General for the state of Massachusetts.

I also discovered he produced seven (!) sequels over the next three decades: The Radio Beasts (1925), The Radio Planet (1926), The Radio Flyers (1929), The Radio Menace (1930), The Radio Gun-Runners (1930), The Radio War (1932) and The Radio Minds of Mars (1955).

That’s a lot of radio action.

A lot of things have changed since the 1920s. But one aspect of pop culture remains consistent: when a property has seven sequels, someone somewhere made a lot of money.

We can safely assume that by the time The Radio Minds of Mars (great title) appeared in 1955, America had had its fill of radio adventure. But in the intervening years, the Radio novels were a hot property.

The Radio Beasts affirms that. It had multiple editions, beginning with its 1925 four-part serialization in Argosy All-Story Weekly. It was reprinted (in one installment) in Fantastic Novels Magazine in January 1941 — with a Frank R. Paul cover, no less.

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New Treasures: Brother Grim by Ron Fortier

New Treasures: Brother Grim by Ron Fortier

Brother GrimI’ve been hearing a lot about Ron Fortier and his publishing house Airship 27 over the last 12 months.

We’ve reported on a few of his titles here, including Barry Baskerville Solves a Case (which William Patrick Maynard calls “equal parts Encyclopedia Brown, Nate the Great, and Sherlock Holmes”), Joe Bonadonna’s space opera Three Against The Stars, David C. Smith’s occult thriller Call of Shadows, the TV-inspired anthology Tales from the Hanging Monkey, Jim Beard’s occult detective Sgt. Janus, Spirit-Breaker, pulp adventurer Ravenwood: Stepson of Mystery, The Moon Man — whom David C Smith describes as “a Robin Hood-type vigilante who fights crime while disguising himself by wearing a fish bowl over his head. (Yes! A fishbowl!)” — and many others.

I met Ron for the first time at the Windy City Pulp and Paper show here in Chicago in April, and I was astounded at the vast array of terrific pulp adventure titles he had spread out at his table. I purchased a tiny sample to take home and enjoy, including Charles R. Saunders 1930s Harlem boxing and Nazis saga Damballa, the SF anthology Mars McCoy, Space Ranger, and Ron Fortier and Gary Kato’s comic Days of the Dragon.

But I also picked up Ron’s Brother Grim, a collection of six pulp adventure stories featuring an undead avenger. Brother Grim first appeared on the Supernatural Crime website, and was popular enough to branch out into print. It looks like a lot of fun.

Risen from the grave in the aftermath of a brutal murder, former underworld hitman Tony Grimaldi finds himself transformed. Now, with his ebon trenchcoat, gleaming silver automatics and ivory skull mask, Tony stalked the benighted streets and back alleys of Port Nocturne, bringing justice to the downtrodden, and judgement to the wicked!

Brother Grim was published in 2004 by Wildcat Books. It is 156 pages in trade paperback, priced at $15. It is illustrated by Rob Davis, with a cover by Thomas Floyd.

See all of our recent New Treasures articles here.

Fantastic Stories, October 1964: A Retro-Review

Fantastic Stories, October 1964: A Retro-Review

Fantastic Stories October 1964I continue my peregrinations through the Cele Goldsmith Lalli years at Amazing/Fantastic.

This issue features a George Schelling cover. I don’t know if there are Schelling fans out here – but I have to say I found it quite poor, with absurdly stiff human characters, a particularly strange looking female character, a quite inaccurate representation (as to size) of the Tharn antagonist, and also not representing the scene it apparently depicts very well. Other than that… it’s kind of colorful.

(Click on the image at left to get a full-size version).

Curiously, the cover features no author’s name – only the title of the serial, “Seed of Eloraspon,” and the description: “Magnanthropus returns in a new novel.”

The interiors are by Arndt, Schelling (rather better than the cover), Finlay, and Andragna.

The ads are mostly Ziff-Davis house ads, with one full page ad for the Rosicrucians. The editorial, as usual by editorial director Norman M. Lobsenz, is about progress towards a real life version of Donovan’s Brain (and many other stories). The only other feature is a single column on what’s “Coming Next Month.”

The fiction:

Novelet:

“Beyond the Ebon Wall,” by C. C. MacApp (18,700 words)

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The Nightmare Men: “The Phantom Fighter”

The Nightmare Men: “The Phantom Fighter”

adventuresdegrandin‘He was…rather under medium height, but with military erectness of carriage that made him seem several inches taller than he actually was. His light blue eyes were small and exceedingly deep set and would have been humorous had it not been for the curiously cold directness of their gaze. With his blonde moustache waxed at the ends in two perfectly horizontal points and those twinkling, stock taking eyes, he reminded me of an alert tom-cat.’

Such is the stout Dr. Trowbridge’s description of Jules de Grandin, late of Paris, the Surete, and the Sorbonne, upon first meeting the irascible little French physician in the 1925 story, “Terror on the Links”.  Cat-eyed and ebullient, de Grandin is the epitome of the phrase ‘it’s not the size of the dog in the fight, but the size of the fight in the dog.’ He defends Harrisonville, New Jersey, and by extension, all of mankind, against the spawn of Satan, using forbidden knowledge and firearms alike.

Jules de Grandin and his ever-present companion, Dr. Trowbridge, were created in 1925 by Seabury Quinn for Weird Tales and went on to feature in close to a hundred stories, with the last, “The Ring of Bastet”, appearing in 1951. Quinn, in the introduction to the 1976 Popular Library collection, The Adventures of Jules de Grandin, says that de Grandin is ‘…a sort of literary combination of Topsy and Minerva, that is, he just growed.’

It’s hard to imagine it being otherwise, given the sheer vibrancy of de Grandin from the start. De Grandin, like his more passive predecessor Dr. Hesselius, is a physician, and approaches the supernatural as an illness to be confronted. Unlike the kindly Hesselius, however, de Grandin is no amiable general practitioner, but a surgeon — flamboyant, precise, and ruthless.

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Fantasy Face-Off: Henry Kuttner’s Elak of Atlantis vs. Robert E Howard’s Conan the Cimmerian

Fantasy Face-Off: Henry Kuttner’s Elak of Atlantis vs. Robert E Howard’s Conan the Cimmerian

Weird Tales, July 1938, featuring Elak of Atlantis in "Spawn of Dagon"
Weird Tales, July 1938, featuring Elak of Atlantis in “Spawn of Dagon”

Now, before I start actually looking at these two heroes, I should probably explain why I’m doing what I’m doing.

You see, when Robert E Howard — creator of the sword and sorcery sub-genre, bare-fisted boxer, and all-round amazing writer — killed himself at the age of thirty, he left a pretty substantial gap in the pulp fiction market, one that was very hard to fill, but one that had to be filled. So Henry Kuttner, a fellow writer more famous for his science fiction than his fantasy, was called in to take up the sword and sorcery mantle — and stumbled in doing so.

The blurb describes the Elak stories as “exciting tales that helped establish a genre,” and “a major step in the evolution of the genre.” (I read Gateways kindle collection.)

Yeah that’s… an overstatement, not much more than a writer’s hyperbole. To be frank, the Elak tales are most easily comparable to a Saturday morning cartoon or a SyFy B-movie, what with all the hackneyed prose and clichéd characters.

Kuttner makes no attempt to advance the formula that Howard established, no attempt to evolve the genre as the over-enthusiastic blurb suggests. What you get instead is a readable adventure, entertaining, but not much more; it’s plot and prose, its action and characters merging with all the other yarns you’ve read and books you’ve consumed.

But then perhaps that’s the point. Pulp is meant to entertain; it’s not The Lord of the Rings or The Game of Thrones, it’s not supposed to make you think or take sides, not intended to evolve anything. Just to entertain.

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Galaxy Science Fiction, February 1951: A Retro-Review

Galaxy Science Fiction, February 1951: A Retro-Review

Galaxy February 1951The February, 1951 issue of Galaxy Science Fiction is groundbreaking. The first story is a novella by Ray Bradbury titled “The Fireman.”

My heart skipped a beat when I saw this, and I quickly discovered that Bradbury later expanded this tale into the classic novel Fahrenheit 451.

In “The Fireman,” Mr. Montag works as a fireman – not one who douses flames, but one who starts them in order to destroy books. Books, after all, are upsetting and challenge the brain-numbing entertainment of the day. People who are well-read might unbalance a society of non-thinkers.

I read Fahrenheit 451 in school, and I didn’t understand all of the warnings Bradbury issues throughout the novel. When I read “The Fireman,” there were parts that really concerned me as I considered our own society. Replace references to “television” with “Internet” or “Facebook,” and suddenly Bradbury’s dystopia doesn’t seem so distant anymore. This is a story I wish everyone would read – and think about while reading it. It really is quite chilling.

“…And it comes out here” by Lester del Rey – A man travels back in time to prepare his younger self for an expedition. The mission is to retrieve a device from the future and claim it as his own invention.

I love the second-person narrative of this tale, and I equally enjoyed the way that everything circuitously ties together. It was interesting how del Rey used the protagonist both as a character and as a narrator, and because time travel was involved, these were essentially two different people.

Oh, and in case you’re wondering — yes, this is the same man who started Del Rey Books.

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Paul Di Filippo on “A” is for Android and Other Tales: Masters of Science Fiction Vol. #8

Paul Di Filippo on “A” is for Android and Other Tales: Masters of Science Fiction Vol. #8

Milton Lesser A is for AndroidOver at Locus Online, Paul Di Filippo has a look at the latest Masters of Science Fiction reprint from Armchair Fiction, this one focused on Milton Lesser, author of Slaves to the Metal Horde and The Thing from Underneath.

If you do not know the enchantingly retro line of SF/F/H books published by Armchair Fiction… then I offer you now an eye-popping introduction. Visit his site and marvel at the vast range of vintage fiction, long out of print, lovingly repackaged with period artwork. Names as seminal as those of Fritz Leiber, Clifford Simak and Edmond Hamilton consort with the bylines of lesser craftsmen… The Armchair Fiction catalogue opens an essential window onto a vital and overlooked and still enjoyable portion of our history.

The latest entry in their “Masters of Science Fiction” series is awarded to Milton Lesser, who bears a name the majority of modern fans will probably be unfamiliar with. Lesser was one of those working-stiff writers back in the day who turned out intelligent, yet perhaps sometimes over facile, goods to suit whatever market was looking for material and paying a decent word rate… Truly the work of a Master? Did it exhibit a genuine affinity for the mode, a sense of wonder, some unique ideation? Does it seem hokey and clunky today, or do its narrative virtues still engage and reward?

We last looked at Armchair Fiction — via Paul W. Fairman’s The Girl Who Loved Death and Murray Leinster’s Planet of Dreadlast January.

Curiously, this book is listed under the variant title “A” as in Android at Amazon.com and other places. I haven’t seen a copy myself, so I can’t confirm which title is correct.

“A” is for Android (or maybe “A” as in Android) was published January 30 by Armchair Fiction. It is 320 pages in trade paperback, priced at $16.95. There is no digital edition. See more details at the Armchair Fiction site here, and you can read Paul’s complete review here.

Forrest J. Ackerman and the Days of the Do-It-Yourself Anthology

Forrest J. Ackerman and the Days of the Do-It-Yourself Anthology

Forrest J Ackerman Starlog 1978-2When I was 14 years old, I stumbled on an article in Starlog magazine titled “The World’s Greatest Science Fiction Fan.”

It was about Forrest J. Ackerman, of course: writer, literary agent, and editor of Famous Monsters of Filmland. But Forry’s greatest claim to fame was his legendary science fiction collection, housed in the Ackermansion in Los Angeles.

The article was accompanied by some mind-blowing photos. Forry standing before one of his greatest prides: his complete collection of Weird Tales. Forry posing with the original model used in George Pal’s War of the Worlds. Forry shaking hands with the Maschinenmensch from Metropolis. [Click on the image at left or below for bigger versions.]

The article appeared in the 1978 issue of Starlog, and it had a pretty profound effect on me. After I read it, I knew what my life’s work would be: to build a science fiction collection that could stand with pride alongside Forrest J. Ackerman’s.

These are the things that only a 14-year-old can dream.

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Vintage Treasures: The Amazing Space Race

Vintage Treasures: The Amazing Space Race

Amazing Stories January 1969A few weeks back, I purchased a lot of 27 Amazing Stories digests from the mid-60s and early 70s in great condition, for $35 (including shipping) — or about a buck an issue.

This was simultaneously delightful and dismaying. Delightful, of course, to get a fine set of SF magazines for not much more than they cost on the newsstand 45 years ago; dismaying to find that pristine vintage copies of one of the most important SF magazines command such little interest in the market.

Seriously, this doesn’t bode well for the thousands of SF magazines I’ve been gradually accumulating in my basement for the last 35 years. I  consider them treasures, but it seems the number of people who share my interest is shrinking every year. I just hope they don’t all end up getting recycled when I shuffle off this mortal coil.

Well, all collectors can really do is delight in those treasures we find, and share our enthusiasm with those around us. To that end, here I am, talking about a handful of issues of Amazing Stories, starting with the January 1969 issue, at left.

The late sixties was a bumpy time for the Granddaddy of Science Fiction magazines. Perhaps its finest editor, the talented Cele Goldsmith, left when the magazine was sold to Sol Cohen’s Ultimate Publishing Company in March 1965. At the time, Ultimate was simultaneously publishing Great Science Fiction, Science Fiction Classics, and other profitable reprint magazines — profitable chiefly because they didn’t pay for any of the reprints. Cohen wanted to pursue a similar strategy with Amazing.

Cohen hired Joseph Wrzos to edit both Amazing and Fantastic magazines, and indeed for several years Amazing offered almost exclusively reprints — although Wrzos reportedly did get Cohen to cough up funds for one new piece of fiction per issue. Wrzos left in 1967, and Harry Harrison was briefly editor from September 1967 to February 1968, when the talented Barry Malzberg stepped into his shoes.

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