Black Gate

There’s a great mix of new and established writers in the latest F&SF, including masters such as Robert Reed, Gardner Dozois, Esther M. Friesner, and Matthew Hughes, and newcomers like Lilliam Rivera, Minsoo Kang, and James Beaumon. Tangent Online‘s Bob Blough has particular praise for Esther Friesner and Robert Reed in his online review.

Esther M. Friesner starts it off with a fairy tale based on Puss n’ Boots called “The Cat Bell.” This concerns a famous actor at the end of the nineteenth century and his love of cats. It is told from the viewpoint of his pinched, mean cook who is in love with her master. She hates cats and hates having to feed them every night—all 19 of them. Each cat has a bell around its neck. But the cat bell is what the cook uses to gather the cats for a meal. Inevitably Puss n’ Boots shows up and works his inevitable charm on the household. The cook receives her heart’s desire in a way that gives her just desserts as well. Fun and a well-rounded main character make this most enjoyable…

Robert Reed writes a lot of short stories. Most of them of very high quality, but in “Passelande” he has outdone himself. This is a sneaky story concerning Lucas Pepper. Lucas lives in a time just years ahead of ours in which the world is falling apart outside the town of Passelande. The plot is complicated and concerns identity as people have backups who, if given a body, are almost as real as the progenitors themselves.

I read it twice. I thought it was excellent on the first read but the second solidified it as absolutely first rate. It has all the echoes of great Gene Wolfe stories but remains completely Reed’s.

The cover is by Kristin Kest. Here’s the complete Table of Contents.

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One of the (many) reasons I enjoy Tor.com is the enormously diverse range of fiction, compliments of Tor’s large cast of contributing editors. The sixteen stories posted there in the last three months were selected by Patrick Nielsen Hayden, Justin Landon, Diana Pho, Liz Gorinsky, Melissa Frain, Susan Chang, and other fine editors. They include YA fantasy, horror, hard SF, urban fantasy, dystopian SF, space opera, dark fantasy, post-apocalyptic SF, and historical fantasy. What’s not to love?

A new story is posted at Tor.com every week. Not sure which ones you’d enjoy most? That’s what Tangent Online is for. Here’s Seraph on Rebecca Campbell’s “The High Lonesome Frontier,” illustrated by Linda Yan (above left).

As I drifted along these memories of the man who wrote the song, and the woman who sang it, and the mother who loved it, and the granddaughter who wasn’t even sure it was real yet loved it anyways… I realized the true beauty of this story, and the legitimacy of its claim to being science fiction. This story is of a 4th, or perhaps 5th-dimensional viewpoint, following the thread of this one song in a direct course from one life to the next, experiencing it all as a single moment in time, yet never in a linear fashion, as if the story itself is the river of which the song forever echoes, where does that water run. Magnificent.

Read Seraph’s review here. And here’s Jason McGregor on Lettie Prell’s hard SF tale “The Three Lives of Sonata James,” illustrated by Kevin Hong (above middle).

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Adrian Simmons is one of the editors of the highly-regarded Heroic Fantasy Quarterly magazine. But he’s also a fine writer in his own right, as Charles Payseur reminds us this week, in his review of the Summer 2016 issue of Lackington’s magazine, containing Adrian’s short story “How I Came to Be Raised by Balniwan the Fool.”

Just ahead of the release of their next issue, Lackinton’s has dropped the paywall on their Possessions issue and it’s a great collection of rather dark stories… there are a lot of ways that these tales circle around what it is to have possessions, and what it is to be possessed. Most of the pieces are solidly fantasy, the magic alive and well and further complicating the theme but also giving it a wild fire that casts some wicked shadows…

This story takes an interesting angle on the idea of possessions, focusing on a child living in a world defined by violence. Under the rule of their father, Alebeg, the children as possessions, less than people. He scares them and he awes them and he lives a bit like a cult leader on a hill, though with a rather Norse feel to it. So as I read [the] main possession of the story is that of the main character, who is treated more like property than a person… It’s certainly a visceral story that comes with the taste of blood and the bitterness of being someone powerless in the face of force and power. A fine way to kick off the issue!

Read Charles’ complete review here.

Every issue of Lackington’s has a theme, which gives the magazine an interesting focus. The theme this issue is “Possessions.”

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Uber-editor John Joseph Adams has had enormous success with his Kickstarter-funded DESTROY special issues of Lightspeed, Fantasy, and Nightmare. The original idea sprung from the ludicrous Alt-Right claim that women were destroying science fiction; that gave birth to the brilliant and groundbreaking Women Destroy Science Fiction! special issue of Lightspeed, a massive 479-page issue released in 2014.

Since then there have been multiple successful iterations, including Queers Destroy Science Fiction in June of last year, and People of Colo(u)r Destroy Science Fiction, in June of this year. The People of Colo(u)r Destroy Fantasy! special issue of Fantasy will be published in December, and The People of Colo(u)r Destroy Horror! special issue of Nightmare magazine arrived this month. Here’s the description from the website.

Nightmare was founded on the core idea that all horror is real horror. The whole point of this magazine is that horror fiction is vast. It is inclusive. Horror is about all people and for all people.

The People of Colo(u)r Destroy Horror! special issue exists to relieve a brokenness in the genre that’s been enabled time and time again by favoring certain voices and portrayals of particular characters. Here we bring together a team of POC writers and editors from around the globe to present horror that explores the nuances of culture, race, and history. This is horror for our present time, but also — most of all — for our future.

People of Colo(u)r Destroy Horror! is 100% written and edited by people of color, and is lead by guest editor Silvia Moreno-Garcia, with editorial contributions from Tananarive Due, Maurice Broaddus, Arley Sorg, and others. It features four original, never-before-published short stories, from Valerie Valdes, Nadia Bulkin, Gabriela Santiago, and Russell Nichols. Plus, there’s four classic reprints by Nisi Shawl, Priya Sharma, Terence Taylor, and Pulitzer Prize-winning author Junot Díaz. On top of all that, we also have an array of nonfiction articles and interviews, from Alyssa Wong, Chesya Burke, Rochita Loenen-Ruiz, Jayaprakash Satyamurthy, and Chinelo Onwualu, as well as original illustrations by Kimberly Wengerd, SainaSix, Maggie Chiang, and Reiko Murakami.

Enjoy the destruction!

Here’s the complete TOC for this special issue.

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Charles Payseur at Quick Sip Reviews has some high praise for the latest issue of Uncanny,

This month’s offerings from Uncanny Magazine bring a bit of everything. Two original fiction pieces, two poems, and two works of nonfiction covering fairy tales and AI insurrections and ghosts and desires and distorted realities and lineages of SFF. The fiction is gripping and challenging, difficult and unflinching. The poetry is moving and all about desire and nostalgia and looking back. And the nonfiction is about perception and how it can be changed, either in the brain or by those around you, and how that can effect the inroads to SFF. It’s a full month and a nice balance of the strange, the heartbreaking, and the affirming….

“The Witch of Orion Waste and the Boy Knight” by E. Lily Yu (5,868 words)

This story takes an interesting look at fairy tale tropes and humanizes them in interesting ways, casting a goose girl as a witch and a cursed boy as a knight and weaving a complex tale of hope and disappointment and longing. The story does an excellent job capturing the feel of the witch, who is blown across her own life, going where inclination leads. She is inquisitive and never truly satisfied and when given the opportunity to be a witch she jumps on it, only to find that not all things are what she expects. She ends up following a knight on his quest, hoping to keep him safe and also stay with him, but the way that power and curses work in this story is strange and interesting. It twists things. And that’s part of what I love about it.

Read his complete review here

The issue includes fiction by Sarah Pinsker, Carmen Maria Machado, Tim Pratt, E. Lily Yu, Ferrett Steinmetz, and a reprint by Sofia Samatar, and non-fiction by Una McCormack, Mary Anne Mohanraj, Dominik Parisien, and Aidan Moher, plus poetry, interview, and an editorial. All of the content became available for purchase as an eBook (PDF, EPUB, MOBI) on September 1, 2016.

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The October/November double issue of Asimov’s Science Fiction is the annual “Slightly Spooky” Halloween special, “jam-packed with stories about ghosts, angels, demons, souls, curses, and a couple of aliens.” Here’s Sheila’s full description:

October/November is our traditional “slightly spooky” issue, and the 2016 edition is no exception. The magazine is jam-packed with stories about ghosts, angels, demons, souls, curses, and a couple of aliens. Alexander Jablokov’s bold new novella brings us a tale of death and danger, a woman with a rather unusual occupation, and “The Forgotten Taste of Honey.”

Sandra McDonald’s cheerful tone belies the horror that lurks for “The People in the Building”; the souls of the damned are captured in Susan Palwick’s poignant “Lucite”; death and another odd job play a part in Michael Libling’s amusing and irreverent tale of “Wretched the Romantic”; “Project Extropy” uncovers new mysteries in Dominica Phetteplace’s ongoing series; S. N. Dyer draws on history and folklore to explain what happens “When Grandfather Returns”; seeds of hurt and mistrust are sewn in Rich Larson’s “Water Scorpions”; new author Octavia Cade invites us to spend some time “Eating Science With Ghosts”; Will Ludwigsen examines the curse of “The Leaning Lincoln”; and Michael Blumlein’sheartfelt novella asks us to “Choose Poison, Choose Life.”

Robert Silverberg’s Reflections column dabbles in some “Magical Thinking”; James Patrick Kelly’s On the Net prepares to “Welcome Our Robot Overlords!”; Norman Spinrad’s On Books takes on “Short Stories” in a column that features the Nebula Awards Showcase anthologies as well as The Fredric Brown Megapack and Harlan Ellison’sCan & Can’tankerous; plus we’ll have an array of poetry and other features you’re sure to enjoy.

The cover is fabulous, but I couldn’t find any info anywhere on the website on who painted it. It’s by Karla Ortiz (karlaortizart.com/illustration).

In her editorial, Sheila Williams talks about the annual tradition of the “slightly spooky” issue, saying that she saves the best creepy stories each year for Halloween. She also talks about some of her favorites over the years.

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Issue #210 of Beneath Ceaseless Skies is now available, completely free on their website. It is dated October 13 and features fiction by Stephanie Burgis and Martin Cahill, a podcast by Stephanie Burgis, and a reprint by Siobhan Carroll. Here’s the complete Table of Contents.

“A Cup of Comfort” by Stephanie Burgis
“Of course I will come,” said the Dragon Queen. Her voice was muted beneath the layers of dark cloth that covered her, but a ripple of amusement sounded as she added, “I should hope my old friend has not forgotten my favorite blend, after all these decades. I shall be disappointed if there isn’t a fresh pot awaiting me.”

“A Glass Kiss for the Little Prince of Pain’” by Martin Cahill
His grip tightens. He looks up at me with an honesty reserved for saints and the soon to be executed. “If you do this, it’ll ruin you. Please, come back with me to the school, give up this alliance with the Empress, and together we can find a way to save the boy. Armila, please, this kind of murder, to one so young? You can’t come back from that kind of corruption.”

Audio Fiction Podcast

“A Cup of Comfort” by Stephanie Burgis (Duration: 28:08 — 19.32MB)
“Nonsense. You are my guest.” The dragon reached out with long, sharp, delicately curving claws and tipped the teapot.

From the Archives

“In the Gardens of the Night“ by Siobhan Carroll
If the General wants her dead, he must agree to my requests.

Read issue 210 online completely free here.

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I was always a Carnacki man, staunch and true. An Edwardian adventurer, willing to admit that I was afraid, but determined to stiffen that lip and see the game through. And as a follower of William Hope Hodgson’s Carnacki the Ghostfinder, I quickly took to games like Call of Cthulhu when it first came out in the eighties. The dedicated investigator pitted against almost indescribable horrors had an obvious appeal. It turned out to be a shock, because unlike our usual, intriguing fantasy RPG campaigns, in CoC we died a lot. A real lot. We were, generally, doomed.

So when we decided that we would launch a new magazine, Occult Detective Quarterly, we knew what we wanted. Someone even suggested that Doomed Meddler Quarterly would be a good alternative name. We wanted tales of psychic detectives, amateur supernatural sleuths, embittered foes of the Dark, and people who ended up having to investigate malevolent forces against their wills. New Lovecraftian terror was welcome, as was old-fashioned pluck. Stories from Carnacki to Constantine, with terrified innocents thrown in along the way.

We held an open call for stories over the Summer, and we even received quite a few tales where the protagonist didn’t die, not yet. He or she survived with a modicum of sanity, which counts as a major victory in this sort of area. Not only did we get stories from people unknown to us, but tales from seasoned fantasy and weird fiction authors.

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