Black Gate

This is the year of Disney. Three of the top four films (Captain America: Civil War, Zootopia, and The Jungle Book) are Disney properties… not to mention the new Star Wars film scheduled for release in December. And on the small screen, the Disney Channel original film Descendants — featuring the children of Disney’s most famous villains, including Maleficent and Jafar, and Cruella de Vil — has proven to be a big hit.

Melissa de la Cruz’s The Isle of the Lost, released in hardcover by Hyperion last year, was the prequel to Descendants, and it became an international blockbuster. The novel spent thirty-seven weeks on the New York Times bestseller list — including fifteen at the #1 spot — and has more than a million copies in print. Descendants proved to be the #1 most watched cable TV movie of 2015 (#5 of all time), and even its soundtrack soared to #1 on iTunes.

Now de la Cruz brings us a second book, Return to the Isle of the Lost, which bridges the gap between Descendants and its sequel, currently in development. Everything changes for our villainous heroes (heroic villains?) when they receive anonymous messages demanding that they return to the Isle… and when their arrival sets them on the path of a new and exciting magical adventure deep in the catacombs beneath the Isle of the Lost. Return to the Isle of the Lost will be published by Disney-Hyperion on May 24, 2016. It is 313 pages, priced at $17.99 in hardcover, or $12.99 for the digital version.

While I was at the Friday night mass autographing session at the Nebula Awards weekend, I discovered Neil Clarke had a small number of copies of his upcoming anthology The Best Science Fiction of the Year, Volume 1 at his table — a book I’ve been looking forward to for months — and I was delighted to be able to buy one. Since we were at an autographing session, after all, I asked if he’d sign it. I also asked, as I usually do when requesting autographs, if he’d add, “To my one true love, John.” Neil, who knew of my ongoing plan to save my marriage (it’s a long story), wrote the following:

To John,

Since everyone does it… to my one true love. See Alice, we really do this all the time.

It’s good to have friends who care if I stay married.

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Holy cats… Jonathan Strahan’s up to Volume Ten already? My oh my, how times flies.

Well, you know what the imminent arrival of the newest volume of The Best Science Fiction and Fantasy of the Year means. That’s right — the Best of the Year season is upon us. Strahan kicks it off, as usual, but in the next 3-4 months we’ll see a dozen more from Gardner Dozois, Rich Horton, Paula Guran (two volumes!), Ellen Datlow, Neil Clarke, John Joseph Adams, and many others. (Have a look at the 17 volumes we covered last year here and here.)

You don’t need that many Best of the Year anthologies. But you definitely need Jonathan’s — his taste is impeccable, and this volume is one of the very best of the lot. Here’s a peek at the table of contents… 27 short stories from Kai Ashante Wilson, Vonda McIntyre, Robert Reed, Alastair Reynolds, Kim Stanley Robinson, Genevieve Valentine, Kelly Link, Anne Leckie, Jeffrey Ford, and many others. Here’s the complete TOC.

1. “City of Ash,” Paolo Bacigalupi
2. “The Heart’s Filthy Lesson,” Elizabeth Bear
3. “The Machine Starts,” Greg Bear
4. “The Winter Wraith,” Jeffrey Ford
5. “Black Dog,” Neil Gaiman
6. “Jamaica Ginger,” Nalo Hopkinson & Nisi Shawl
7. “Drones,” Simon Ings
8. “Emergence,” Gwyneth Jones

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Madeline Ashby is the author Vn and its sequel iD, the first two novels in the The Machine Dynasty trilogy from Angry Robot. She lives in Toronto and writes articles for my hometown paper, the Ottawa Citizen, which automatically makes her cool in my eyes.

Her third novel Company Town, a near-future mystery, is getting a lot of early attention. Locus calls it “Worthy of the best Heinlein…. a terrific ride,” and Chuck Wendig says “This is brave, bold, crazy storytelling.” Charlie Stross says “Madeline Ashby bludgeons cyberpunk to death with this post-climate change thriller about life aboard a gas platform, confronting an uncomfortable new future.” I’m sold.

New Arcadia is a city-sized oil rig off the coast of the Canadian Maritimes, now owned by one very wealthy, powerful, byzantine family: Lynch Ltd.

Hwa is of the few people in her community (which constitutes the whole rig) to forgo bio-engineered enhancements. As such, she’s the last truly organic person left on the rig — making her doubly an outsider, as well as a neglected daughter and bodyguard extraordinaire. Still, her expertise in the arts of self-defense and her record as a fighter mean that her services are yet in high demand. When the youngest Lynch needs training and protection, the family turns to Hwa. But can even she protect against increasingly intense death threats seemingly coming from another timeline?

Meanwhile, a series of interconnected murders threatens the city’s stability and heightens the unease of a rig turning over. All signs point to a nearly invisible serial killer, but all of the murders seem to lead right back to Hwa’s front door. Company Town has never been the safest place to be — but now, the danger is personal.

A brilliant, twisted mystery, as one woman must evaluate saving the people of a town that can’t be saved, or saving herself.

Company Town will be published by Tor Books on May 17, 2016. It is 341 pages, priced at $24.99 in hardcover and $11.99 for the digital version. The cover is by ChiZine’s genius designer Erik Mohr.

I enjoy a good fairy-tale retelling, especially those written with a modern sensibility — and a dark edge. Kat Howard’s debut novel, selected by Publishers Weekly as a Best Sci-Fi/Fantasy/Horror Novel of Summer 2016, looks like it fits my criteria nicely.

The marketing for Roses & Rot includes an enviable blurb from Neil Gaiman (“Kat Howard is a remarkable young writer”), and the promise that its main characters, Imogen and her sister Marin, find themselves living in a fairy tale as the story unfolds. But which fairy tale? Ah, that’s part of the mystery.

A prestigious artists’ retreat holds dark secrets as desire for art and love are within grasp for Imogen and her sister, Marin, but at a terrible price.

What would you sacrifice for everything you ever dreamed of?

Imogen has grown up reading fairy tales about mothers who die and make way for cruel stepmothers. As a child, she used to lie in bed wishing that her life would become one of these tragic fairy tales because she couldn’t imagine how a stepmother could be worse than her mother now. As adults, Imogen and her sister Marin are accepted to an elite post-grad arts program — Imogen as a writer and Marin as a dancer. Soon enough, though, they realize that there’s more to the school than meets the eye. Imogen might be living in the fairy tale she’s dreamed about as a child, but it’s one that will pit her against Marin if she decides to escape her past to find her heart’s desire.

Roses and Rot will be published by Saga Press on May 17, 2016. It is 307 pages, priced at $24.99 in hardcover, and $7.99 for the digital version.

The 2015 Nebula Awards were a pretty big deal for me. They were presented here in Chicago, and I was able to attend for the first time. I was also asked to present the award for Best Novelette of the Year, an honor I won’t soon forget.

In addition I got to catch up with old friends, and meet plenty of new faces — folks like Rachel Swirsky, Liz Gorinsky, Aliette de Bodard, Lawrence M. Schoen, Cixin Liu, and many more. The Nebula Awards Weekend is relaxed, fun, and attended by the best and brightest writers and editors in the industry. It’s a great place to meet and chat with your favorite writers — not to mention get lots of free books.

They also give out some Nebula Awards, of course. And the Nebula Awards Showcase collects the winners and finalists in a handsome anthology, as it has every year since 1966. The Nebula Awards Showcase 2016 is the 50th volume in the series, and it looks like one of the strongest in recent memory.

This year editor Mercedes Lackey elected to take a rather eclectic approach — to include every short story and novelette nominee and winner, and limit herself to excerpts in the novella category (with the exception of the winner). Here’s the complete TOC.

Short Story

“Jackalope Wives,” Ursula Vernon (Apex 1/7/14) — Winner

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