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The blog posts of Black Gate Managing Editor Howard Andrew Jones and Editor John O’Neill

Start Off the New Year With Strange Tales

Start Off the New Year With Strange Tales

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Strange-Tales-Wildside-Pulp-Reprint-smallerSanta was good to me this year. Lots of great paperbacks, some Warhammer 40K audio dramas, two graphic novels… and a copy of Strange Tales #6, cover dated October 1932 (the Wildside reprint edition, of course.)

Nothing like getting a famous pulp magazine for Christmas. This one contains a novella by Victor Rousseau and short stories by Clark Ashton Smith, Frank Belknap Long, Hugh B. Cave, Sewell Peaslee Wright, and Henry S. Whitehead, among others. I even know who Henry S. Whitehead is, thanks to my recent post on the Wordsworth edition of Voodoo Tales: The Ghost Stories of Henry S. Whitehead (and yes, I felt smug when I spotted him on the TOC). There’s even an essay on True Tales of the Weird by Robert W. Sneddon. The reprint includes all of the interior artwork by Amos Sewell and Rafael Desoto. Here’s the complete table of contents:

“The Hunters from Beyond” by Clark Ashton Smith
“The Curse of Amen-Ra” by Victor Rousseau
“Sea-Tiger” by Henry S. Whitehead
“The Dead Walk Softly” by Sewell Peaslee Wright
“Bal Macabre” by Gustav Meyrink
“Strange Tales and True,” essay by Robert W. Sneddon
“The Infernal Shadow” by Hugh B. Cave
“The Artist of Tao” by Arthur Styron
“In the Lair of the Space Monsters” by Frank Belknap Long
The Cauldron (Letters)

We covered several of Wildside’s pulp reprints in December. Strange Tales #6 is about 148 pages, priced at $14.95. Wildside’s has replicas of issues 4, 6, and 7 for sale as pulp reprints here.

Doc Savage Meets… The Grinch Who Stole Christmas

Doc Savage Meets… The Grinch Who Stole Christmas

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Doc Savage Grinch-small

Kez Wilson has been publishing Doc Savage fantasy covers at his website for years, and they get more and more creative as the months go by. His December entry this year (#252) sees Doc Savage face off against a diabolical agent of Christmas evil. Here’s his Doctor Seuss-inspired back cover copy:

Every Who down in Whoville liked Christmas a lot. But the Grinch, who lived just north of Whoville, did not. Then he got a wonderful idea! An awful idea! THE GRINCH GOT A WONDERFUL, AWFUL IDEA! Word of his plan to steal Christmas did leak, and the holiday began to look rather bleak. Then Cindy Lou Who took matters in her own tiny hands and got word to the one man who could foil those evil plans. Now when Grinchy Claus slips down the chimney with intent to burglarize, he’ll be face to face with a new holiday protector with glistening bronze skin and golden eyes.

Wilson’s pastiche covers are based on the brilliant work of James Bama and Bob Larkin, who illustrated the original Doc Savage paperbacks from Bantam. Check out his marvelous Doc Savage Fantasy Cover Gallery to see the Man of Bronze face off against Buffy, Ming the Merciless, Cthulhu, 007, The Thing, the Terminator, Sharknado, the Hardy Boys, Barbarella, Doctor Who, Kirk and Spock, and many others.

The Classic Games of Metagaming: Chitin I: The Harvest Wars

The Classic Games of Metagaming: Chitin I: The Harvest Wars

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Chitin Second edition cover-smallWe’re back to reviewing the games that introduced me to fantasy and science fiction gaming. This is the second in a series, following my look at Steve Jackson’s classic Ogre earlier this month.

The second game I purchased from Metagaming (still by mail order, if I remember correctly) was Howard Thompson’s ambitious and imaginative science fiction wargame Chitin I: The Harvest Wars. I ordered it after seeing the advertisement in Analog magazine in 1978. The brief text of the ad read:

The intelligent insects of the plant Chelan go to war for one reason only. Food. This detailed tactical game pits varying forces of the specially-bred Hymenopteran warrior types against one another. Victory goes to the player who removes the most food — including enemy bodies — from the board.

Now, this was pretty cool. In 1978, science fiction games primarily meant things like SPI’s Outreach, and Avalon Hill’s Stellar Conquest. You got a bunch of starships and space marines, you plopped them down on a stellar map, and tried to blast the hell out of the other guy. Something like Ogre, in which one player took the role of an A.I.-powered supertank, was considered innovative.

Chitin, however, was genuinely different. There were no starships. No space marines. No planets ripe for the plucking.

There weren’t even any humans. Chitin was a true science fiction game — it placed you in an imaginative setting on a far away world, smack dab in the middle of a life-or-death struggle between two alien cultures.

Like all microgames, it shared a couple of appealing aspects with its predecessor Ogre: it could be set up, and played, in a matter of minutes. It was also about one-fifth the price of those big SPI and Avalon Hill games… no small thing when you’re an unemployed teen.

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The Top 50 Black Gate Posts in November

The Top 50 Black Gate Posts in November

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John Brunner
John Brunner

Boy, we sure covered a wide range of topics in November.

They included a look at the tragic death of British SF author John Brunner, the triumphant return of one of the fathers of modern Sword & Sorcery, a high-resolution snapshot of a 1942 pulp magazine rack, bulletins from the World Fantasy Convention, and a detailed report from inside the prehistoric painted caves of Somaliland.

And that’s just a sample of the Top Ten most popular articles.

The #1 article of the month was an excerpt from Robert Silverber’s article in the March 1996 issue of Asimov’s SF magazine, on the tragic death of John Brunner, and a look at Brunner’s career following his ill-fated detour into historical fiction.

The second most popular blog post last month was Fletcher Vredenburgh’s review of Charles R. Saunders’s new Sword & Soul novel Abengoni: First Calling. Saunders reshaped sword & sorcery with his first novel Imaro in 1981, and Howard Andrew Jones calls him “one of the greatest sword-and-sorcery writers of the ’70s (and one that by all rights should be a household name).”

The #3 article for the month was a sample from the Shorpy Historic Picture Archive, with a gorgeous high-resolution pic of a 1942 magazine rack crammed with hundreds of pulp magazines, slicks, and comics — all in glorious color.

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Merry Christmas From All of Us at Black Gate

Merry Christmas From All of Us at Black Gate

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Black Gate Christmas Tree-smallThe Black Gate offices are empty, the lights are off, and the only illumination is from the tiny tree the interns put on top of the filing cabinets during the Christmas party. Another year gone. Another 780 books discussed, 112 games reviewed, 84 comics examined, and numerous issues of critical importance to the genre fiercely debated. The staff are all at home with their loved ones, sleeping the sleep of the just (and the exhausted), and the office is strangely quiet.

It’s during the few times the office is like this — and not filled with raucous debate, and the never-ending tension of the nearly-blown deadline — that I can really remember what Black Gate is all about. Sometimes, when we’re busiest, it seems that we’re just a website, just another stop on the Internet where people promote their opinions.

But if that were true, Black Gate would still just be Howard Andrew Jones and me, working away in near-total obscurity. Instead, Black Gate has become a thriving and growing collective of writers and artists who care about fantasy. We work together to promote forgotten classics and celebrate overlooked modern writers. And to help each other.

We have some of the finest writers in the industry and they work tirelessly week after week to keep you informed on a genre with hidden depths and constant surprises. It’s been an incredible year and traffic to the site has nearly doubled in just the last 12 months. The real engine of that growth has been you, the fans, who have helped spread the word, telling others about us.

So thank you once again, from the bottom of our hearts. On behalf of the vast and unruly collective that is Black Gate, I would like to wish you all Merry Christmas and Happy Holidays. Continue being excellent — it’s what you’re good at.

Celebrate the Holidays with A Cosmic Christmas, edited by Hank Davis

Celebrate the Holidays with A Cosmic Christmas, edited by Hank Davis

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A Cosmic Christmas-smallI admit it — I love Christmas stories. Some of the finest fantasies ever told — including Charles Dickens’s A Christmas Carol and Frank Capra’s It’s a Wonderful Life — have been Christmas stories. It’s a great time of year to curl up in my big green chair with a cup of hot chocolate, a cat in my lap, and a Christmas fantasy in hand.

One of the better Christmas anthologies I’ve stumbled on recently is Hank Davis’s 2012 A Cosmic Christmas, which celebrates twelve cosmic days of Christmas with a dozen tales of vampires, robots, A.I’s, alien invasions, and stranger things, from the hills of Appalachia to a high orbit space station. It includes a novella by Catherine Asaro, a Jon & Lobo story by Mark L. Van Name, a John the Balladeer tale from Manly Wade Wellman, a Venus Equilateral story by George O. Smith, a Grimnoir Chronicles novelette by Larry Correia, a Technic History story by Poul Anderson — and a brand new novelette by Sarah A. Hoyt.

Joy to the world… or, joy to the worlds! Let heaven and nature — and also the supernatural — sing. A Cosmic Christmas presents twelve stories of Christmas in very unusual circumstances, ranging from vampires to robots, from the hills of Appalachia to a high orbit space station, all celebrating the holiday in their own, off-beat ways.

New York Times best-selling author Larry Correia sends his popular tough guy detective and magicwielder, Jake Sullivan, on a special case, while visions of tommy guns dance in the heads of the thugs he’s up against. Mark L. Van Name’s Lobo, an A.I. housed in a pocket battle starship, drops his usual cynical pose when challenged by a troubled family at Christmas time. Nebula Award-winner Catherine Asaro tells of a romantic weekend that turns into a mystery in a futuristic high-tech house — all that and Christmas, too. Mercedes Lackey delivers a ghost story with a not-so-friendly visitation from the beyond, and George O. Smith, a star of the Golden Age of science fiction, is on hand with an episode from his classic Venus Equilateral series, in which a Christmas celebration on a gigantic space station is interrupted by the arrival of a ruthless interplanetary criminal, who didn’t drop by to hand out presents. And much more, in a holiday package that any fan of science fiction and fantasy would be delighted to find under their tree, on any planet.

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Embrace the Odd: The Fantasy Catalog of ChiZine Publications

Embrace the Odd: The Fantasy Catalog of ChiZine Publications

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They Do the Same Things Different There-small We Will All Go Down Together-small Year's Best Weird Fiction-small

Last month, I attended the World Fantasy Convention in Washington D.C. (my first trip to the city) and had a marvelous time. I attended readings by over a dozen writers, sat in on terrific panels, and reconnected with close friends I haven’t seen in far too long.

But I probably spent the most time in the Dealers Room, where publishers and collectors laid out their wares on closely packed tables. We talk about a lot of new books here at Black Gate, and I’m proud of our coverage of the industry, but let me tell you — there’s nothing like wandering past stacks of newly-published fantasy titles from dozens of publishers to make you realize how woefully you’ve underrepresented the cavalcade of new books that have arrived in just the last few months.

I vowed that when I returned to our rooftop headquarters here in Chicago, I’d showcase those publishers that most impressed me — and not just with a book or two, but by trying to show you what it was like to stand in front of their tables in that room, with the full range of their current books on display. I’ve done that once already, with Valancourt Books; today I’d like to focus on one of the most innovative small press publishers in the field, the brilliant ChiZine Publications.

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Keep Your Blaster Close: The Many Horrors of Outbreak: Deep Space

Keep Your Blaster Close: The Many Horrors of Outbreak: Deep Space

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Outbreak Deep Space-smallBeing at the Games Plus Fall Auction can be an exhilarating experience. Take my discovery of Outbreak: Deep Space, just as an example.

There I am, sitting in the second row of the auction on October 4th, ninety minutes into the auction, wondering if I’ve blown my budget already. I’ve just made the decision to add up my purchases when the auctioneer holds up a brand new copy of Outbreak: Deep Space and starts the bidding at $5.

What the heck is that?, I think. And then, I have no idea, but it looks fantastic.

I immediately hold up my bidding card. Unfortunately, I’m not the only one to be intrigued by this strange gaming artifact. About a dozen bidders have their cards in the air, and the auctioneer quickly runs the price up to ten bucks. This is how you get in trouble, I remind myself. Bidding like mad on a book when you have absolutely no idea what it is. 

But my card stays in the air. The bidding hits 15 bucks, then blows past it. The cards around me are starting to waver and drop.

This thing could be on sale at Amazon for $10. Just because you’ve never seen a copy doesn’t mean it’s hard to find.

But I keep my card in the air. It’s a sharp-looking and professional bound hardcover — my instincts tell me it’s going to cost a lot more than 10 bucks to track down a copy if I miss out on this one. And besides… there’s more going on now than just bargain hunting. It looks like a science fiction horror RPG, and a very professional one. I’m deeply curious and willing to pay more than $15 for the opportunity to find out what it is.

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C. S. E. Cooney Joins Uncanny Magazine as a Podcast Reader

C. S. E. Cooney Joins Uncanny Magazine as a Podcast Reader

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C. S. E. Cooney has hair like Medusa seriously it's amazing-smallThe brand new fantasy magazine Uncanny — which we discussed excitedly last month when its first issue went on sale — has shown uncanny good sense by hiring our very own C.S.E. Cooney as a podcast reader. Here’s a bit cribbed from the press release:

Uncanny Magazine is thrilled to announce that the marvelous C.S.E. Cooney has agreed to join us as the second reader on the Uncanny Magazine Podcast! Ms. Cooney is a Rhode Island writer and actor… She loves to read aloud to anyone who will sit still long enough to listen. Some of her narration work can be found on Podcastle and Tales to Terrify. With her fellow artists in the Banjo Apocalypse Crinoline Troubadours, C. S. E. Cooney appears at conventions and other venues, singing from their growing collection of Distant Star Ballads, dramatizing fiction, and performing such story-poems as “The Sea King’s Second Bride,” for which she won the Rhysling Award in 2011.

Ms. Cooney will make her debut as an Uncanny Magazine Podcast reader in Episode 3 this January.

So much exciting C.S.E. Cooney news! Just last month, we reported on Amal El-Mohtar’s review of her short story “Witch, Beast, Saint,” and our roving reporter Mark Rigney interviewed her in late October. The two C.S.E. Cooney short stories we published here at Black Gate, “Godmother Lizard” and “Life on the Sun,” consistently rank among the most popular pieces we’ve ever published. Her most recent blog post for us was Book Pairings: Queen Victoria’s Book of Spells and Royal Airs, published last Sunday. She is a past website editor of Black Gate, and the author of How to Flirt in Faerieland and Other Wild Rhymes and Jack o’ the Hills.

In other C.S.E. Cooney news, today is her birthday. Happy Birthday, Claire!!

Fantasy Keeps You Young

Fantasy Keeps You Young

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John O'Neill at Capricon 2014 (photo by Patty Templeton)
John O’Neill at Capricon 2014 (photo by Patty Templeton)

Some years before I started Black Gate magazine, I was editing a science fiction fan site called SF Site. It’s still going strong today, managed by my old partners Rodger Turner and Neil Walsh in Ottawa. It was nominated for a Hugo award in 2002, and a World Fantasy Award in 2006; in 2002, it won the Locus Award for best webzine.

Anyway, before all that fame and glory, I was still struggling to get the damn site off the ground. That meant a lot of hard work, writing and posting articles that nobody read, late into the night. Around 1997 or so, I hit on an idea to give my site a higher profile: offering free hosting to the major SF and fantasy magazines, none of which had websites at the time. This worked splendidly, and over the next few years, Rodger and I launched sites for Analog, F&SF, SF Chronicle, and many others (meaning that I made a lot of phone calls, and Rodger did all the actual work.)

In 1998, shortly after we launched the Asimov’s SF site, I wrote A Brief History of Asimov’s Science Fiction Magazine, to celebrate the magazine coming on board. I wrote about finding the second issue in 1977, the summer I discovered SF magazines. In my first draft, I said something about Asimov looking elderly and distinguished on the cover.

I ran the draft past Sheila Williams, then Executive Editor of Asimov’s, and received a very cranky note in return. She strongly objected to my wording, saying “Isaac was barely fifty when that photo was taken — hardly elderly!” I puzzled over that for a long, long time. What did she mean, exactly? It didn’t make any sense. Finally, I had an epiphany. Sheila was probably really old, too. She might even be approaching 50 herself! And as everyone knew, old people shouted at everybody, and didn’t make much sense. I tweaked my wording enough to pacify her and we published the article.

I’ve thought about that exchange a few times since I turned 50, just a few months ago.

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