Black Gate

Last week I told you about how BG reader R.K. Robinson gave me a bit of grief for writing about Halloween in March. The fact this column is entitled Goth Chick News aside, I couldn’t help but drag him into the coverage of what is normally the last show of “the season.” Days of the Dead used to be where our road-tripping to various horror-related events ended for the year, and we settled into a long winter of Netflicking and reading before picking it all up again at the Halloween Attractions Association show in March; which is where RK came in.

However, this year BG photog Chris Z and I got an offer we could not refuse; not the least of which because it provided a perfect opportunity to offer RK a further extension of the Halloween season. That and because covering a show of this type the weekend after Thanksgiving when the Christmas décor is dripping from everywhere was just too appealing.

Enter the Holiday Horror Con.

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I will start this week’s article with a shout out to Black Gate reader R.K. Robinson who posted “It’s only March!” on my coverage of the Haunted Association and Attractions show. Apparently, he is genuinely unaware that “the season” begins with the HAA which often happens in February (it was late this year) and generally goes all the way into November, ending with Days of the Dead. However, in honor of R.K., Black Gate photog Chris Z and I have accepted an invitation to cover the Holiday Horror Con taking place this weekend outside of Chicago, officially extending “the season” into December.

Next week our Holiday Horror Con coverage will be dedicated to R.K.

But this week we’re talking Days of the Dead (or DotD for you cool kids) and the fabulous event that it was last weekend.

DotD is a horror and pop culture convention with annual stops in Atlanta, Las Vegas, Indianapolis, Charlotte, wrapping up its tour in Chicago. Due to its increasing popularity, the 2019 event here was moved to a bigger hotel venue then in the past, and from the looks of it, probably needs to upsize again next year. As always, DotD attracted an impressive list of celebrity guests including Richard Dreyfuss (Close Encounters of the Third Kind, Jaws), Steve Guttenberg (Cocoon, Police Academy) and Michael Biehn (Aliens, Terminator) among many others. Additionally, there were over 100, horror-themed vendors selling everything from jewelry to movie memorabilia. What is especially wonderful about DotD in Chicago is the amount of material we always get from meeting indie filmmakers, new artists and aspiring writers.

That, and the opportunity to do a bit of holiday shopping…

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Blackout

Every year around the time of my favorite holiday season, reports make the news about “extreme” haunted attractions. This sort of thing is so far beyond your local Jaycee’s haunted house that putting them in the same category is just this side of dangerous.

Why, you ask?

Because around 10 years ago, someone decided jump scares and fake blood was no longer doing the trick when it came to getting one’s heart and adrenaline racing. Actually, the original someone’s were the proprietors of Blackout who launched their sadomasochistic experience in 2009 immediately attracting a very enthusiastic fanbase. For $50 and your signature on a waiver, you embarked on an hour-long odyssey which required a “safe word” in case you had enough of being screamed at, choked, blasted with a fire hose, and having all five of your rational senses otherwise assaulted.

I remain conflicted about what to think of this whole thing, mainly because getting scared — whether at the movies or attending an October event — is generally a safe version of escapism. I mean, the chance of zombies actually chasing you is relatively low in real life.

Relatively.

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Every September for the last 20+ years, “The Season” has begun the same way – with a special sneak preview event at our local Chicagoland Six Flags amusement park called Fright Fest. Saying I look forward to this is a significant understatement. Like the whole kid calendar revolving around Christmas in A Christmas Story, the whole Goth Chick year revolves around Halloween, and Fright Fest has historically been the high-water mark that kicks off the festivities.

Though every year has not necessarily been created equal,  one can usually expect copious decorations, a large number of staff in very high quality costumes (the Edward Scissorhands of one past year is still one of the best I’ve seen), and multiple themed “zones” throughout the park such as an alien zone, a zombie zone, etc, where everything is kicked up a notch. Some years back, Six Flags made the patron-sensitive decision to split the park in half for the protection of younger visitors. Enter the gate and go right, the experience is of more the pumpkin and skeleton varieties; go left, and a very high-quality wolfman could chase you half a city block. In other words, the experience was definitely “adult.” In addition, there were 5 to 6 “haunted houses” each year, again, ranging in intensity. However, the “headliner” houses, of which there were usually two, were high-quality experiences with good special effects, great décor and plenty of actors delivering the scares.

Alas, that was previous years.

Though Fright Fest 2018 had shown a marked decline, I didn’t want to call it a trend after one season. However, this year clinched it and I could not be sadder.

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