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Edgar Rice Burroughs’s Mars, Part 1: A Princess of Mars

Edgar Rice Burroughs’s Mars, Part 1: A Princess of Mars

princess-of-mars-a-c-mcclurgThe year 2012 C.E. is the centenary of the Reader Revolution. Two novels published in pulp magazines that year, A Princess of Mars and Tarzan of the Apes, re-shaped popular fiction, helped change the United States into a nation of readers, and created the professional fiction writer. One man wrote both books: Edgar Rice Burroughs.

In celebration of this anniversary, and in anticipation of the upcoming Andrew Stanton film John Carter based on A Princess of Mars, I will tackle all eleven of ERB’s Martian/Barsoom novels in reviews for Black Gate. I also have something special in store for Tarzan of the Apes. This endeavor sounds a touch insane, but come on, but this is the centennial of the series! When else am I going to do it?

Let us turn back the calendar a hundred years to the beginning of all things…

Our Saga: The adventures of Earthman John Carter, his progeny, and sundry other natives and visitors, on the planet Mars. A dry and slowly dying world, the planet known to its inhabitants as “Barsoom” contains four different human civilizations, one non-human one, a scattering of science among swashbuckling, and a plethora of religions, mystery cities, and strange beasts. The series spans 1912 to 1964 with eleven books: nine novels, a book of linked novellas, and a volume collecting two unrelated novellas.

Today’s Installment: A Princess of Mars (1912)

The Backstory

In 1911, Edgar Rice Burroughs was thirty-five years old and selling pencil sharpeners out of an office in Chicago. His post-military service career was so far a series of undistinguished jobs that kept him and his family barely above poverty: an associate in a mining company in Idaho, a railroad policeman in Salt Lake City, a manager of a stenography department, an owner of a stationery store, and a partner in an advertising agency. No position lasted longer than two years.

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Steampunk Spotlight: The Steampunk Bible by Jeff VanderMeer with S.J. Chambers

Steampunk Spotlight: The Steampunk Bible by Jeff VanderMeer with S.J. Chambers

steampunk-bibleOver the last couple of Steampunk Spotlight posts, I’ve focused on steampunk in games (upcoming board game The Kings of Air and Steam and the roleplaying game Victoriana), but it’s time to dive deep into the literary end of the pool, and there’s nowhere better to start than in Jeff VanderMeer’s gorgeous The Steampunk Bible (Amazon, B&N).

This book is a narrative and visual exploration of steampunk as a literary genre, a fan costuming phenomenon, and an artistic inspiration, certainly living up to its subtitle: An Illustrated Guide to the world of Imaginary Airships, Corsets and Goggles, Mad Scientists, and Strange Literature.

It’s hard to imagine an aspect of the steampunk movement that isn’t covered by this book full of full-color illustrations and photographs, mixed with interviews, anecdotes, lists, and analyses of steampunk-related themes.

Consider just a few of the fascinating articles/essays contained in this book:

  • Edgar Allen Poe: Perpetuator of the First Steampunk Hoax?
  • Brothers at Sea: Oshikawa Shunro and Verne’s Influence in Japan
  • A Young Steampunk’s Guide to Subgenres
  • Etching tins with Saltwater and Electricity
  • Steampunk Fashion: Four Styles
  • Eight Ways to Raise Your Steampunk Fashion Game
  • Can Airships Slouch Along? Can They Saunter?
  • Obscure Steampunk TV Moments

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Chris Braak Reviews Cthulhu’s Reign

Chris Braak Reviews Cthulhu’s Reign

cthulhus-reignCthulhu’s Reign
Darrell Schweitzer, ed.
DAW (308 pp, $7.99, 2010)
Reviewed by Chris Braak

It is unquestionably a challenge to create a sense of drama in a set of stories that all share the premise of “human civilization has been destroyed by invincible monster-gods from space.” Cthulhu’s Reign is an anthology that sets out to do just that, using the theme of H. P. Lovecraft’s Old Ones – most often Cthulhu and his star-spawn, but not always – returning to prominence on earth after countless millennia of death/sleep. All of the book’s fifteen authors are to be commended for their imaginative takes on just what that return might look like, but there are some problems with the anthology as a whole.

The first and primary issue is that it’s just unrelentingly depressing. One story about the end of humanity out of a collection of fifteen is one thing; but a book in which every single story ends on a note of complete and utter hopelessness is exhausting. There is no reason to blame the authors; they are each separately and privately fulfilling their mandate. The problem is with the idea of the theme itself, which might be charitably described as “too much of a good thing.”

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The Desert of Souls is One of the Best Fantasy Novels of 2011

The Desert of Souls is One of the Best Fantasy Novels of 2011

the-desert-of-soulsHoward Andrew Jones’ first novel The Desert of Souls has been named one of the best fantasy novels of the year by Barnes & Noble.

Paul Goat Allen, a full-time genre book reviewer who’s reviewed thousands of titles over the past 20 years, posted his choices for the Best Fantasy Releases of 2011 at Explorations, the highly respected Barnes & Noble science fiction and fantasy Blog. In addition to Desert of Souls (#4), the list also includes Prince of Thorns by Black Gate blogger and author Mark Lawrence (at #5), and our good friend James L. Sutter’s first novel, Death’s Heretic (#3).

The top two books in the list were The Wise Man’s Fear by Patrick Rothfuss and Farlander by Col Buchanan. Allen writes:

The sheer amount of noteworthy fantasy debuts in 2011 was remarkable. Besides Buchanan and Sutter’s stellar first novels, this year gave us The Desert of Souls by Howard Andrew Jones, Mark Lawrence’s Prince of Thorns, Stina Leicht’s Of Blood and Honey, Courtney Schafer’s The Whitefire Crossing, Paula Brandon’s The Traitor’s Daughter, The Emperor’s Knife by Mazarkis Williams, Among Thieves by Douglas Hulick, Michael J. Sullivan’s Theft of Swords, and Teresa Frohock’s Miserere.

You can read an exclusive excerpt from Prince of Thorns, Brian Murphy’s recent review of The Desert of Souls, and Andrew Zimmerman Jones’ review of Death’s Heretic, all right here at Black Gate. Don’t tell us we don’t point you to the best fantasy.

Congratulations to Howard, Mark and James!

The Natural History of Unicorns

The Natural History of Unicorns

natural-history-of-unicornsThe Natural History of Unicorns (2009)
By Chris Lavers

Some book titles can grab you across a room and demand your money. Such was the case with The Natural History of Unicorns, which I discovered not in a bookstore, but in a curio shop in San Francisco specializing in . . . actually, I have no idea what the store was really selling, except that it was next to the Pirate Supply Store (no joke, this exists, although principally to fund a writing workshop in the back) and the excellent science-fiction and fantasy bookstore Borderlands. A bit of both stores rubbed off onto this one, and so in the midst of taxidermy snakes was this book promising to tell me the Natural History of a fantasy animal. Immediate sell.

Well, almost immediate. I did check to see that the book was not crazy pseudo-science making the claim that the fantasy version of the unicorn was real and scientists were refusing to admit the truth. But the book appeared to be exactly what I wanted: a multi-discipline exploration of the development and evolution of the unicorn legend.

On the surface, the unicorn is the simplest of fantastic creatures: a horse with a single horn jutting from its forehead. Of course something like that might exist! There are plenty of horned hoofed animals, a unicorn isn’t much of a stretch.

But the unicorn carries a trainload of baggage behind it: a symbol of spirituality and Christianity, emblem of British royalty, symbol of virgin purity, a creature in roleplaying games, icon of New Age thinking, and decoration on a third-grade girl’s wall. The unicorn is indeed, as legend has often claimed, tough to hunt and harder catch.

Chris Lavers, a lecturer in natural history at the University of Nottingham, writes in a friendly, humorous style that feels like an Oxford professor during the off-hours entertaining guests around the fire with brandy in ample supply. In places, Lavers seems to channel Avram Davidson and his Adventures in Unhistory, although not quite as obtusely or wittily. (Davidson’s book has a chapter on unicorns, by the by.) The book makes for fast nonfiction reading, although Lavers does go off on a dull detour from his topic in the center of the book, occasionally relies too heavily on long quotations, and fails to explore an important avenue of unicorn history that I hoped to learn more about.

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Got an eReader for Christmas? Try some $0.99 Titles from Harper Voyager

Got an eReader for Christmas? Try some $0.99 Titles from Harper Voyager

den-of-thievesI bought my first e-readers two months back — a Kindle Fire and an iPad — in preparation for converting Black Gate to digital format (a project that bore its first fruit with BG 15, now available in its full digital glory, complete with enhanced content and cool color images. Woo hoo!)

Mostly I’ve been using them to review dozens of different iterations of BG 14 & 15, as John Woolley and I constantly tweaked and improved the digital versions. But I’m gradually getting used to them, and despite having a library of thousands of print volumes, I can see how digital readers could easily become my preferred medium for leisure reading. They are light, compact, and perfect for the kind of quick web surfing needed to check on that curious fact or two that comes up during reading. Plus, they’re capable of surviving a gentle plummet from about three feet when I doze off in my chair, just like real books.

I told myself I’d finally use one to read a novel over the Christmas break, and see if I found them as compelling for lengthier work. But I haven’t made the time to pick a book; and besides, most of ones I want to read I’ve already purchased in print, and I wasn’t wild about shelling out another seven to eight bucks just to get a digital version.

But that was before I got an e-mail from Harper Voyager yesterday, with a list of digital fantasy titles specially priced at $0.99 to $1.99 — including a handful that were on my reading list this month, like David Chandler’s Den of Thieves and Sandman Slim by Richard Kadrey. The books are available for Kindle, Nook, iBookstore, and Google eBookstore, and titles include:

heir-of-night

Den of Thieves by David Chandler ($0.99)
Sandman Slim by Richard Kadrey ($0.99)
Nightwalker by Jocelynn Drake ($0.99)
White Tiger by Kylie Chan ($0.99)
Phoenix Rising by Pip Ballantine & Tee Morris ($0.99)
The Scent of Shadows by Vicki Pettersson ($0.99)
Every Which Way But Dead by Kim Harrison ($1.99)
Shaman’s Crossing by Robin Hobb ($1.99)
Rides a Dread Legion by Raymond E. Feist ($1.99)
The Heir of Night by Helen Lowe ($1.99)
Earth Strike: Star Carrier One by Ian Douglas ($1.99)

For 99 cents, I don’t mind buying a digital version of a novel I already have in print, and I bought four (the Chandler, Kadrey, plus The Scent of Shadows and The Heir of Night).

The complete list of titles is here, or you can just do a search for each of the above digital titles at Amazon, Barnes & Noble, iBookstore, or Google eBookstore. The website doesn’t say how long the pricing will last however, so if you’re interested, I would act now.

Osprey Adventures

Osprey Adventures

teutonic-knightWhat if one day you woke up and found yourself in charge of a publishing imprint?

You had financial backing, the support of an experienced production and marketing team, and a wide-open remit. You also had the weight of a lot of expectation.

Well, about a month ago, this happened to me.

My name is Joseph McCullough, which some of you may recognize from Black Gate. At various times I have worked as an author and an assistant editor for the magazine, and I continue to be a fan and supporter.

I have also recently been made the Project Manager for Osprey Adventures, an imprint of Osprey Publishing.

I mentioned my new position to John O’Neill, and he kindly invited me to write a series of blogs about my experiences in the publishing world, and my trials and tribulations as I attempt to bring some new, fun, semi-fantasy books to market.

For those who don’t know, Osprey Publishing is arguably the most famous publisher of military history in the English language.

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Long Live the Physical Book–at least for now

Long Live the Physical Book–at least for now

jp-holiday-articleinlineSo it would seem that the death of the physical book and the physical bookstore is greatly exaggerated. According to The New York Times, bookstores are having a banner year. In part this is because some of the competition (i.e., Borders) is no longer a factor in brick-and-mortar retailing, a number of popular books (ironically including the biography of Steve Jobs, the very guy who sought to digitize and commodify the object in question) and a desire among consumers in a slowly recovering economy to give gifts that are attractive in a way that bits on a screen don’t quite emulate.

Also, content owners are, as they are prone to do, shooting themselves in the foot when it comes to digital retailing. Despite the fact the e-book readers are more affordable than ever with a growing proliferation of titles in e-book format, pricing strategies are frequently rendering physical books as less expensive than their digital counterparts, The Wall Street Journal reports.

Long live the dog-eared book, if only for another few years.

On another note, and though it has nothing to do with the normal realm of Black Gate matters, I’m sad to note the passing of Christopher Hitchens.  Right up to the end, he was one gutsy bastard.  Here’s what I presume was his last piece of Vanity Fair.

Enjoying the Unique Character of Karl Edward Wagner’s Dark Crusade

Enjoying the Unique Character of Karl Edward Wagner’s Dark Crusade

dark-crusade-wagnerWhy has swords and sorcery languished while epic fantasy enjoys a wide readership? In an age of diminished attention spans and the proliferation of Twitter and video games, it’s hard to explain why ponderous five and seven and 12 book series dominate fantasy fiction while lean and mean swords and sorcery short stories and novels struggle to find markets (Black Gate and a few other outlets excepted).

During a recent reading of the late Karl Edward Wagner’s Dark Crusade (1976) a potential answer coalesced: Many readers want and expect deep characterization in their fiction, and it’s simply not a particularly strong suit of the swords and sorcery genre (or at least of classic swords and sorcery, circa 1930 through the early 1980s). Wagner is one of a handful of classic swords and sorcery authors to whom history has not been particularly kind*. His dark, God-accursed hero-villain Kane deserves a place alongside Conan or Fafhrd and the Gray Mouser in the roll of great genre heroes, but is sadly left off many “best of” swords and sorcery lists. Relegated to the status of cult figure, Kane is the darling of heroic fantasy connoisseurs but unread of by many casual genre fans, and unheard of by most of the larger fantasy fan base.

Kane and many of his swords and sorcery ilk are not what most modern readers would consider fully realized characters. You just don’t get anything close to the same level of introspection and cradle to the grave development of Kane in Dark Crusade as you do of, say, Kvothe in Patrick Rothfuss’ The Name of the Wind.

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Goth Chick News: The Best Book to Not Read on a Plane

Goth Chick News: The Best Book to Not Read on a Plane

image0021Until recently, reading on a plane was one of my personal joys.

As an electronics geek (admitting it is the first step) it is a rare thing indeed for me to find myself in an environment where connectivity isn’t possible.  Okay, I know that some flights are now offering Internet in the sky, but I prefer to ignore this for the time being in the name of preserving the one place where I can guiltlessly escape email, IM and my cell phone.  And though it is still possible to “work” while disconnected, I generally ignore this as well and relish the opportunity to sink uninterrupted into a novel.

And this was precisely what I did on a recent getaway to my favorite US destination; New Orleans.  I boarded the American Airlines jet and settled back in my window seat with Chris Bohjalian’s fourteenth novel, The Night Strangers.

Things went all wrong shortly thereafter.

We had only just pushed back from the gate when the plane came to a rather abrupt halt and the engines shut down.  The pilot’s voice sounded a tad embarrassed when he explained our aircraft had just experienced an “electrical abnormality” and mechanics were being called to look into the issue before we would be cleared to take off.

Now, as someone who has clocked countless hours on airplanes, this “electrical abnormality” didn’t concern me all that much.  I imagined that some unexpected red light was blinking away in the flight deck that probably wouldn’t have meant much if it had occurred aloft, but as it had started up while we were still on the runway, the crew was obligated to halt our journey and have it looked at.

I went back to The Night Strangers.

In case you’re not familiar (I certainly wasn’t prior to picking up his latest book), Chris Bohjalian is a New York Times bestselling author, and his latest outing The Night Strangers is a ghost story inspired by both a door in his basement and Sully Sullenberger’s successful ditching of an Airbus in the Hudson River.

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