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Future Treasures: A Borrowed Man by Gene Wolfe

Future Treasures: A Borrowed Man by Gene Wolfe

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A Borrowed Man-smallA new novel by Gene Wolfe is always an event. He has been honored with virtually every award our field has to offer, including the Rhysling Award, BSFA Award, August Derleth Award, Campbell Award, two Nebula Awards, four World Fantasy awards, and six Locus Awards. He has received eighteen Nebula award nominations and eight Hugo Award nominations.

His latest, A Borrowed Man, is a new science fiction novel arriving in hardcover from Tor on October 20.

It is perhaps a hundred years in the future, our civilization is gone, and another is in place in North America, but it retains many familiar things and structures. Although the population is now small, there is advanced technology, there are robots, and there are clones.

E. A. Smithe is a borrowed person. He is a clone who lives on a third-tier shelf in a public library, and his personality is an uploaded recording of a deceased mystery writer. Smithe is a piece of property, not a legal human.

A wealthy patron, Colette Coldbrook, takes him from the library because he is the surviving personality of the author of Murder on Mars. A physical copy of that book was in the possession of her murdered father, and it contains an important secret, the key to immense family wealth. It is lost, and Colette is afraid of the police. She borrows Smithe to help her find the book and to find out what the secret is. And then the plot gets complicated.

If I had a dime for every time someone said “And then the plot gets complicated” with regards to a Gene Wolfe novel, I’d have a supertanker full of dimes.

A Borrowed Man will be published by Tor Books on October 20, 2015. It is 304 pages, priced at $25.99 in hardcover, and $12.99 for the digital edition. You can read an excerpt in the eBook edition of the latest issue of Lightspeed magazine.

Time Flies: Reflections on Reading Fantasy

Time Flies: Reflections on Reading Fantasy

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Reading Strange MattersTime flies when you’re having fun. My first post on Black Gate went up a bit more than five years ago, a piece about storytelling, role-playing games, and what happened when I ran a group of friends through the original Temple of Elemental Evil D&D module. A couple weeks later I began a run of weekly posts with a discussion of Arthur Howden Smith’s too-often-overlooked historical pulp adventure collection Grey Maiden. A couple weeks after that I finally got around to introducing myself properly.

And in that post I asked a question I’m still trying to answer. Why am I drawn to fantasy? As I put it then: “Why am I so passionate about these stories?” And, as I wondered in the comments, what is fantasy, anyway? About a year later I took a stab at answering at least the first question. I noted that ‘escapism’ didn’t seem like a good answer, that ‘fantasy’ to me is an extremely broad field, and that when I’m disappointed in a fantasy story it’s often because the story’s not fantastic enough — not strange enough, not deeply enough invested in the world it creates. Fantasy’s draw for me, I thought, has to do with its ability to create its own reality, and to organise facts and experience in a distinct way. And with its relation to language and myth: from a certain perspective, a metaphor is a fantasy. Fantasy is, to me, a way of constructing symbols and meaning.

A few years on, I think I can take that answer a little further. I’ve been going over my essays for Black Gate to prepare a series of ebook collections — the first of which, looking at fantasy novels in the twenty-first century, is now available at Amazon and Kobo (and if anybody is gracious enough to buy it, I’d love to hear any reactions in comments to this post). I’m hoping to get a second collection out by Christmas, with more to follow. Preparing them I find myself thinking about those original questions. Why is fantasy more powerful to me than mimetic fiction? What is there in fantasy’s relation to meaning that appeals to me? What follows is an attempt to expand on my earlier answers; it’s entirely personal, and perhaps self-indulgent. This is me trying to work out for myself how I react to stories. It might be useful food for thought for others. It might not.

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Hey! Let’s Not Get TOO Cozy

Hey! Let’s Not Get TOO Cozy

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Tooth and Claw Jo Walton-smallLast time I wrote about cozy mysteries and whether we might have the equivalent subgenre in Fantasy or SF, and I got a couple of suggestions among the comments that intrigued me more than a little. Now obviously, our version of such a thing wouldn’t have the same conventions and elements as the cozy mystery – there likely wouldn’t be a murder, for one thing – and fellow BG blogger Sarah Avery reminded me of a cozy convention I’d forgotten, that the protagonist is never in any real danger. That doesn’t hold true for any subgenre of either Fantasy or SF, where every character is playing for keeps. As readers, we might feel sure that the main character(s) won’t die, but we often find that living has cost them a great deal.

So, are there Fantasy and SF equivalents to the cozy mystery?

One suggestion we batted around a little was the idea of the “intimate” Fantasy novel. This would be one in which the personal stakes might be very high, but in which the global stakes are minor, or don’t exist at all. This is less unusual for our genres then it used to be.

Just by chance the novel that reached the top of my to-be-read pile most recently was Jo Walton’s Tooth and Claw. I don’t know why it’s taken me so long to get to this one, but I’m now recommending it to anyone who holds still long enough – including you. Right from the start, as you can see from the cover art I’ve included, the novel has been compared to Jane Austen’s Pride and Prejudice, and in that manner, it’s certainly “intimate” in the sense that we’re talking about.

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New Treasures: Pathfinder Tales: Beyond the Pool of Stars by Howard Andrew Jones

New Treasures: Pathfinder Tales: Beyond the Pool of Stars by Howard Andrew Jones

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Beyond the Pool of Stars-smallHere at the Chicago rooftop headquarters of Black Gate, one of the most anticipated books of the fall is Howard Andrew Jones’ third Pathfinder Tales novel, Beyond the Pool of Stars. It was finally released this week.

Beyond the Pool of Stars is a fantastical adventure of deep-water danger and unlikely alliances set in the award-winning world of the Pathfinder Roleplaying Game. It follows Plague of Shadows and Stalking the Beast, but is a completely standalone adventure.

Mirian Raas comes from a long line of salvagers, adventurers who use magic to dive for sunken ships off the coast of tropical Sargava. When her father dies, Mirian has to take over his last job: a dangerous expedition into deep jungle pools, helping a tribe of lizardfolk reclaim the lost treasures of their people. Yet this isn’t any ordinary job, as the same colonial government that looks down on Mirian for her half-native heritage has an interest in the treasure, and the survival of the entire nation may depend on the outcome…

It also contains a free 12-page excerpt from Pathfinder Tales: Bloodhound by F. Wesley Schneider, on sale in December.

Pathfinder Tales: Beyond the Pool of Stars was published by Tor Books on October 6, 2015. It is 347 pages, priced at $14.99 in trade paperback and $9.99 for the digital edition. The cover is by Tyler Jacobson (see the complete wraparound art here). Read more at Howard’s website.

Vintage Treasures: Walkabout Woman by Michaela Roessner

Vintage Treasures: Walkabout Woman by Michaela Roessner

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Walkabout Woman Michaela Roessner-back-small Walkabout Woman Michaela Roessner-small

Fantasy shelves in the 80s groaned under the weight of Tolkien pastiches, Celtic fantasies, Thieves World anthologies, and a whole lot of Dragonlance and Forgotten Realms books. Books with more original settings, however, or which tapped into non-Western mythic traditions, were a lot harder to come by.

That’s part of what made Michaela Roessner’s debut novel Walkabout Woman so special. Set in the modern Australian outback, the novel offered fascinating glimpses of Aboriginal culture, paired with an intriguing story of a young Aboriginal girl pulled away from her home by a well-meaning missionary. The novel was a nominee for the Mythopoeic Award, and won the Crawford Award. Based almost solely on the strength of this novel, Roessner won the 1989 John W. Campbell Award for Best New Writer.

Michaela Roessner was not a prolific writer, and she produced only three other books in her brief career: the SF novel Vanishing Point (1993), and two historical novels, The Stars Dispose (1997) and The Stars Compel (1999). Since 1999 she has concentrated mostly on short fiction. She’s produced roughly a dozen short stories in the last two decades; her most recent, “The Klepsydra: A Chapter from A Faunary of Recondite Beings,” appeared in the November 2011 issue of F&SF. Walkabout Woman was published in September 1988 by Bantam Spectra; it is 276 pages, priced at $3.95 in paperback. The wraparound cover is by Mark Harrison. It has never been reprinted, but Roessner did self-publish a digital version in July, 2011.

Celebrating the Arrival of Matthew David Surridge’s Reading Strange Matters: Collected Reviews, Vol I

Celebrating the Arrival of Matthew David Surridge’s Reading Strange Matters: Collected Reviews, Vol I

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Reading Strange Matters-smallMatthew David Surridge became a blogger here in June 2010, after his acclaimed story “The Word of Azrael” appeared in Black Gate 14. His very first post was “The Art of Storytelling and The Temple of Elemental Evil,” a look at how unpredictable stories spontaneously arise out of D&D sessions, using his own experience with Gary Gygax’s classic adventure as an example.

Since then he’s published 259 articles with us, and become one of our most respected and cherished writers. He was nominated for a Hugo Award this year (and his post declining the nomination, “A Detailed Explanation,” became the most-read article in Black Gate‘s history.)

Matthew’s blog posts are very different from what we normally do here. We cover a lot of ground at the site — keeping you up-to-date on the newest fantasy releases, reminding you of overlooked vintage paperbacks, informing you when magazines go on sale, and the like. By their nature, most of those articles are short and to-the-point. In contrast, Matthew’s pieces dive deep into carefully-selected subjects, exploring some of the best (and most overlooked) novels and writers in the field, and engaging them with depth and passion.

“I think I do good work,” one of his fellow bloggers confided in me years ago, “but Matthew raises blogging to a fine art.”

So I was delighted to see the release this week of the first collection of Matthew’s Black Gate columns, Reading Strange Matters: Collected Reviews, Vol I, from Grace & Victory Publications. It collects 23 of his best book reviews, plus one brand new piece, on Nalo Hopkinson’s Skin Folk.

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Future Treasures: King of Shards by Matthew Kressel

Future Treasures: King of Shards by Matthew Kressel

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King of Shards-small

Matthew Kressel has had an impressive career over the past decade. He started publishing fiction in his own magazine, Sybil’s Garage, and quickly branched out to Electric Velocipede, Interzone, Lightspeed, Clarkesworld, and Beneath Ceaseless Skies. He received his first Nebula Nomination for “The Sounds of Old Earth” in 2013, and his second for “The Meeker and the All-Seeing Eye” earlier this year. He has also been nominated for the World Fantasy Award, for editing Sybil’s Garage.

King of Shards is his debut novel. It will be published by Arche Press, a quality small press who this year have also produced Marguerite Reed’s Archangel, and The End of the End of Everything by Dale Bailey. It is the first novel in The Worldmender Trilogy, and N.K. Jemisin called it “A surreal and exotic adventure in a unique mythological setting. Scary, exhilarating fun!” It follows Daniel Fisher, abducted on his wedding day by the demon king, Ashmedai, who been supplanted by the demon Mashit. Daniel and Ashmedai must work together to stop Mashit, before she destroys all of existence.

King of Shards will be published by Arche Press on October 13, 2015. It is 320 pages, priced at $17 in trade paperback. The striking cover is by Leon Tukker (click the image above for a bigger version). Read more at Matthew’s website.

Peter Tremayne’s Dracula Lives Trilogy Revisited

Peter Tremayne’s Dracula Lives Trilogy Revisited

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NOTE: The following article was first published on February 14, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

Dracyla UnbrnNurceaIt has long been my contention that pulp fiction not discovered by age thirteen was beyond my ability to appreciate later in life. A certain amount of nostalgia seemed essential to enjoying such escapism once age and responsibility have got the better of you. There are, of course, exceptions to this rule in the rare instances where genuine literary talent is in evidence as is the case with the Holy Trinity of hardboiled detective fiction: Dashiell Hammett, Raymond Chandler, and Ross Macdonald. Given that I recently covered Bram Stoker’s Dracula, I decided to revisit Peter Tremayne’s three Dracula novels and one short story that I enjoyed so much as a teenager to see how they held up three decades on.

Peter Tremayne is best known today for his long-running Sister Fidelma mysteries. His medieval detective series is sort of a lightweight version of an Umberto Eco doorstop. Although Tremayne’s real world credentials are quite impressive as both an academic and scholar, his fiction is strictly populist in its appeal. Turn back the clock 40 years and one would find Peter Tremayne as a dedicated pulp pastiche writer trying his hand at extending the lifespan of H. Rider Haggard’s She, deliriously combining Shelley’s Frankenstein with Conan Doyle’s Hound of the Baskervilles, and delving deep into Stoker’s Dracula for a trilogy of loosely connected titles published by Bailey Brothers in the UK.

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The Search for Perry Rhodan 50

The Search for Perry Rhodan 50

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Perry Rhodan 50-smallBack when I was a teenager in the 1970’s, I was a big fan of the Perry Rhodan series.

The English edition was published by Ace Books, and edited by Forry Ackerman. Forry offered subscriptions to the series, and I started subscribing as soon as I found out about the series.

The primary cover artist for the first 100+ issues was Gray Morrow. Morrow’s cover for #50, “Attack From the Unseen,” showed Perry posing heroically.

In 1976, Ace ran a survey in the back of issue #s 86-91, offering a free poster of the cover for #50 if you cut out the survey and returned it to Ace. I filled out my survey the day I got #86 in the mail, and sent it back immediately.

And then I waited. And waited. And waited. And no poster ever showed up. I’ve never seen one of these posters, have never heard of anyone who actually got one, and don’t think they were ever printed. My disappointment with Ace over this was deep.

Fast forward 28 years to the 62nd Worldcon, Noreascon 4, held in Boston. Prior to the convention, Deb and I visited our friend, Jerry Weist, and his wife Dana, who lived in the area. While going through stacks of art in Jerry’s flat files, I was astounded to find the original Gray Morrow painting for Perry Rhodan 50!

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New Treasures: Last Song Before Night by Ilana C. Myer

New Treasures: Last Song Before Night by Ilana C. Myer

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Last Song Before Night-smallIt’s always a delight to see a debut fantasy writer make a profound splash on the industry. Ilana C. Myer’s first fantasy novel, Last Song Before Night, hit shelves on September 29, and it’s already collected a hat-full of rave reviews. BG blogger Alex Bledsoe said:

I was totally drawn in to Last Song Before Night… the story is as grand as a Wagner opera.

David Mack said:

It’s one of the most impressive debut novels I’ve ever read; I am in awe.

And in a feature review, NPR said:

Myers’ depiction of Tamryllin and the land it inhabits is shadowy and lush, a tapestry of gossamer wonders as well as theocratic oppression and brutality. But the core of Last Song‘s strength is its characters. Bound by enmities, rivalries, lust, sacrifices, and ancient tragedies, the novel’s sizeable cast forms a dizzying chemistry… Last Song Before Night is about music, but it’s also a work of music itself: Lyrical, dynamic, and winningly melodic.

See our previous article about the book here.

Last Song Before Night was published by Tor Books on September 29, 2015. It is 416 pages, priced at $26.99 in hardcover, and $12.99 for the digital version. The cover is by Stephan Martiniere. Read more at Myer’s website here.