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Where The Road meets Mad Max: Peter Newman’s The Vagrant Trilogy

Where The Road meets Mad Max: Peter Newman’s The Vagrant Trilogy

The Vagrant Peter Newman-small The Malice Peter Newman-small The Seven Peter Newman-small

In his SF Signal review Nick Sharps called Peter Newman’s The Vagrant “Dark Dystopian Fantasy at Its Very Best,” saying:

The premise of The Vagrant is simple enough. Accompanied by a baby and a goat, a nameless mute must cross demon-infested wastelands to deliver a magical sword to the Shining City, last bastion of hope. The mute is hunted by multiple factions and it is difficult to distinguish friend from foe in the ruins of a world tainted by evil… Beneath the grit and grime of The Vagrant there is no shortage of beauty. It’s part fantasy and part science fiction. There are demons and knights but the demons enhance their followers with necrotech and the knights ride floating castles and caterpillar tanks. All of the shiny technology of the past has fallen to rust and disuse in the wake of the demonic incursion. The taint of the demons brings mutation and famine. The Vagrant has a sort of The Road meets Mad Max meets The Children of Men vibe…

It wouldn’t feel appropriate to classify The Vagrant as grimdark fantasy. The elements of the subgenre are all present: the setting is dystopian, life is harsh and brief, the bad guys are bad and the good guys are few and far between. Newman’s demons and the change they affect on the world and its inhabitants remind me of the forces of Chaos from Warhammer 40,000 — the very property that inspired the term grimdark. The Vagrant is bleak, depressive, and violent and yet… The Vagrant surpassed all my expectations.

The sequel, The Malice, finally arrived in trade paperback from Harper Voyager this week, and the third and final book, The Seven, is scheduled to appear in October.

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Future Treasures: The Return by Joseph Helmreich

Future Treasures: The Return by Joseph Helmreich

The Return Joseph Helmreich-smallHere’s a fun little science fiction mystery thriller about a scientist who returns after a very public alien abduction… or does he? What does it mean when the man at the center of an unexplained celestial event denies it ever happened?

The Return is a the first novel from Joseph Helmreich, a script reader for the Weinstein Company and an alternative folk singer. It arrives in hardcover from Thomas Dunne next week.

During a live television broadcast on the night of a lunar eclipse, renowned astrophysicist Andrew Leland is suddenly lifted into the sky by a giant spacecraft and taken away for all to see. Six years later, he turns up, wandering in a South American desert, denying ever having been abducted and disappearing from the public eye.

Meanwhile, he inspires legions of cultish devotees, including a young physics graduate student named Shawn Ferris who is obsessed with finding out what really happened to him. When Shawn finally tracks Leland down, he discovers that he’s been on the run for years, continuously hunted by a secret organization that has pursued him across multiple continents, determined to force him into revealing what he knows.

Shawn soon joins Leland on the run. Though Leland is at first reluctant to reveal anything, Shawn will soon learn the truth about his abduction, the real reason for his return, and will find himself caught up in a global conspiracy that puts more than just one planet in danger.

Equal parts science-fiction and globe-hopping thriller, Joseph Helmreich’s The Return will appeal to fans of both, and to anyone who has ever wondered… what’s out there?

The Return will be published by Thomas Dunne Books on March 14, 2017. It is 248 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. The cover was designed by David Curtis.

A Jaunt Through Clark Ashton Smith’s Collected Fantasies—Vol. 1: The End of the Story

A Jaunt Through Clark Ashton Smith’s Collected Fantasies—Vol. 1: The End of the Story

Clark-ashton-smith-end-of-the-story-wildside-press-coverI’ve read the complete works of Clark Ashton Smith. And I’ve been known to write at length about them, or to chat with journalists on the topic. There’s nothing unusual about this, since Smith ranks among my favorite five or so authors of all time.

But only recently did I decide to undertake reading his fantasy stories in the original order he wrote them. I can thank Night Shade Books’ five volume series, The Collected Fantasies of Clark Ashton Smith, for making this an easier task than it would’ve been only a few years ago. When the series started to appear in 2007, the hardcover volumes went out of print rapidly. Even a hardcore fan like myself couldn’t justify a purchase of one of the high-priced used copies.

However, as of 2016, all five of The Collected Fantasies are now available in inexpensive trade paperbacks that can be purchased through online retailers with a few clicks. The texts for these volumes have been meticulously prepared (no simple feat considering the revisions and alternate versions published in the past) and offered in the chronological order of composition.

I’m taking a stroll through these editions to read the stories as they were imagined and committed to paper. Instead of regaling you with further long essays, I’m going to take on the role of sightseer, bringing back notes and a slideshow presentation about the best — and the rest — of each volume.

By the way, if you are new to Clark Ashton Smith, the Night Shade editions aren’t the best way to start out. They’re aimed at the collector and long-time connoisseur. I recommend the Penguin Classics collection The Dark Eidolon and Other Fantasies as a better Smith introduction. If you like the heady journey, there’s much more to explore in the dark fathoms below…

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In 500 Words or Less: Angels of Our Better Beasts by Jerome Stueart

In 500 Words or Less: Angels of Our Better Beasts by Jerome Stueart

The Angels of Our Better Beasts-smallAngels of Our Better Beasts
By Jerome Stueart
ChiZine Publications (300 pages, $16.99 paperback/$9.99 digital, December 2016)

As part of my Short Fiction Spotlight for 2016, I discussed the collection Angels of Our Better Beasts by author Jerome Stueart – specifically his short story “Why the Poets Were Banned from the City,” which focuses on the emotional turmoil of a father who has lost his daughter, and blames the writers who have been exiled for the safety of everyone else in the big city. As I mentioned previously, it’s an emotionally charged story that balances a great premise with a realistic, human situation – which is arguably what every SF writer should strive for.

Stueart’s entire collection is like that: fabulous ideas and even more fabulous characters. I got my first taste of this at World Fantasy 2016, hearing Stueart read from “Lemmings in the Third Year,” where a scientist transported to a world of intelligent animals tries to teach the Scientific Method to a group of lemmings. It’s a hilarious story, as the lemmings have grown accustomed to one of their group being regularly eaten by a neighboring owl, and the scientist’s exasperation reminded me of some days in the classroom where people just aren’t getting it.

And while a lot of the stories in Better Beasts are funny – like “Bondsmen,” where the previous incarnations of 007 try to desperately help the current holder of their legacy – there are an equal number of poignant and heartfelt stories. “Brazos,” for example, focuses on a farmer negotiating for his daughter’s hand with a god, maintaining the tension throughout the entire story as this simple human throws down with an entity who could smite him with a single gesture.

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Black Gate Online Fiction: Black City Demon by Richard A. Knaak

Black Gate Online Fiction: Black City Demon by Richard A. Knaak

Black City Demon-smallBlack Gate is very pleased to offer our readers an exclusive excerpt from Black City Demon by Richard A. Knaak, published by Pyr Books in trade paperback on March 14. Richard A. Knaak is the New York Times bestselling author of some three dozen novels, including The Sin War trilogy for Diablo and the Legend of Huma for Dragonlance.

A chill wind rose up. I tightened the collar of my overcoat and looked around. Diocles’s presence had left me with no more desire to be here. Besides, I had an appointment farther on the North Side — a young couple called the Nilssons who continually heard footsteps on the upper floor of the old house they rented. They thought it was the ghost of the first owner, who’d hung herself after her husband perished in the Great Fire.

I knew better. It wasn’t a ghost. If they’d seen my ad, seen the offerings of Nick Medea, investigator and debunker of the supernatural, then they had a far worse problem than ghosts. They had one of the Wyld lurking around their home.

There was plenty of time to reach my clients, since the appointment was set — for more than theatrical reasons — at midnight. It wasn’t hard to convince anyone who needed my services that I needed to come at the witching hour. They’d be desperate for any help at this point, no doubt having exhausted the usual charlatans.

“There was a visitor to Saint Michael’s this evening,” Diocles muttered.

The complete catalog of Black Gate Online Fiction, including stories by Mark Rigney, John Fultz, Jon Sprunk, Tara Cardinal and Alex Bledsoe, E.E. Knight, Vaughn Heppner,  Howard Andrew Jones, David Evan Harris, John C. Hocking, Michael Shea, Aaron Bradford Starr, Martha Wells, Nina Kiriki Hoffman, C.S.E. Cooney, and many others, is here.

We covered the first volume in the series, Black City Saint, here, and Richard’s newest Pathfinder Tales novel, Reaper’s Eye, here. Richard’s last article for Black Gate was “Tommy Guns, Prohibition, and…. Magic?

Black City Demon will published March 14, 2017 by Pyr Books. It is 363 pages, priced at $17.50 in trade paperback and $2.99 for the digital edition.

Read an exclusive excerpt from Black City Demon here.

New Treasures: The Facefaker’s Game by Chandler J. Birch

New Treasures: The Facefaker’s Game by Chandler J. Birch

The Facefaker's Game-small The Facefaker's Game-back-small

I stumbled on Chandler J. Birch’s debut fantasy novel in the New Arrivals section at Barnes & Noble last month. The description on the back immediately made me think of a fantasy version of Charles Dickens… a clever and resourceful pickpocket in the employ of the greedy Mr. Ragged plies his trade in a monster-infested slum, until the day he crosses Ragged once too often and is forced to flee. Soon enough he falls in with a crew of talented rogues planning an ambitious heist, led by the brilliant and mysterious Candlestick Jack.

I’m not the only one to make the comparison to Dickens. Brent Weeks says, “It takes a special writer to blend Dickens, Sanderson, and Lynch — and yet make it totally his own. Chandler Birch succeeds beautifully. A wonderful debut!” I was hoping to point you to an online excerpt so you could try it out, but so far I’ve been unable to track one down. If that changes, I’ll let you know!

The Facefaker’s Game was published by Simon & Schuster/ Simon451 on November 1, 2016. It is 444 pages, priced at $15.99 in trade paperback and $4.99 for the digital edition. The cover was designed by Tal Goretsky. Click the images above for bigger versions.

Dead Gods, Buried Histories, and a Protean City: Robert Jackson Bennett’s The Divine Cities Trilogy

Dead Gods, Buried Histories, and a Protean City: Robert Jackson Bennett’s The Divine Cities Trilogy

City of Stairs-small City of Blades-small City of Miracles-small

I love it when the final book in a terrific trilogy finally arrives. (Wait a minute… are you sure it’s a trilogy? How can you tell? Sure, they all look like trilogies, until that pesky fourth book shows up. Better start over.) I love it when the third book in a terrific series finally arrives, and wraps things up satisfactorily… at least until the fourth book appears, maybe.

Robert Jackson Bennett’s City of Stairs (2014), the opening novel in The Divine Cities, was nominated for the World Fantasy, British Fantasy, and GoodReads Choice Award, and came in second for the Locus Award. But what got my attention was BG writer Peadar Ó Guilín calling it “The best fantasy I’ve read so far this year. Great stuff,” and a reviewer at Tor.com who described it as “an atmospheric and intrigue-filled novel of dead gods, buried histories, and a mysterious, protean city.” Volume II, City of Blades, was published in 2016 to wide acclaim, and that built up anticipation for the third volume nicely.

City of Miracles is now scheduled to arrive in trade paperback from Broadway Books in early May. On his blog Bennett calls it “the final installment of The Divine Cities series, starring everyone’s favorite Dreyling murder machine, Sigrud. It’s readable as a standalone, just like the other books, but it’s highly recommended that you read the previous ones first.” Final installment. Uh huh. Let’s see how long that promise that holds up when this thing is optioned as the next big Netflix series.

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Future Treasures: Warren the 13th and the Whispering Woods by Tania del Rio and Will Staehle

Future Treasures: Warren the 13th and the Whispering Woods by Tania del Rio and Will Staehle

Warren the 13th and The Whispering Woods 1-small

Back in September I wrote a brief piece on Warren the 13th and The All-Seeing Eye, the opening book in a new middle grade series written by Tania Del Rio and illustrated by Will Staehle. I’d been seeing glowing coverage of the book and had decided to order it, and as I said in the piece, “I can make up my mind on Staehle’s artwork right now — and I think it’s fantastic.”

So I was very pleased to see a new entry in the series, Warren the 13th and the Whispering Woods, on the schedule for March 21, 2017. The books follow the adventures of twelve-year-old Warren, a kid who looks like he escaped from an Edward Gorey cartoon. Warren is the sole surviving heir to a grand (but rapidly decaying) old hotel, and his exploits see him mixed up with a terrific cast of supporting characters who live on or near the grounds of the rambling hotel, including monsters, witches, a ghostly girl who creeps around the hedge maze, and his twisted Aunt Annaconda and her evil sisters.

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Black Gate Online Fiction: Shards of the Glass Slipper: Queen Cinder by Roy A. Mauritsen

Black Gate Online Fiction: Shards of the Glass Slipper: Queen Cinder by Roy A. Mauritsen

Shards of the Glass Slipper Queen Cinder-small Shards of the Glass Slipper Queen Cinder-back-small

Black Gate is very pleased to offer our readers an exclusive excerpt from Shards of the Glass Slipper: Queen Cinder by Roy A. Mauritsen, published by Padwolf Publishing and now available in a brand new audibook narrated by Christopher Crosby Morris!

The new audiobook is available at Amazon, iTunes and Audible.com. Over 15 hours long and richly enhanced with music and sound, it’s a whole new way to experience Shards Of The Glass Slipper — the fairy tale fantasy epic that Patrick Thomas (The Murphy’s Lore series) calls “The Brothers Grimm meets Lord of the Rings.”

Here’s the audiobook trailer.

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The End of the Matter: Viriconium Nights by M. John Harrison

The End of the Matter: Viriconium Nights by M. John Harrison

Viriconium Nights-smallThe three novels of the Viriconium sequence, The Pastel City, A Storm of Wings,  and In Viriconium, are not the entirety of M. John Harrison’s intricate, multi-faceted portrayal of the titular city. A fourth book, Viriconium Nights (1984), collects seven stories written between 1971 and 1983. Each is strange, some bordering on the inpenetrable, but all attempt to shine lights onto new aspects of the larger story.

As he did with each succeeding novel, Harrison twists, recasts, and reweaves characters, thematic melodies, and locations first found in The Pastel City.  Sometimes, as with that book’s ostensible hero, tegeus-Cromis, things seem to be exactly as they were before. Other times, particularly with the city of Viriconium itself, they are changed considerably. Its very name becomes mutable, one time being Uriconium, another just Vriko. This reminds us of one of Harrison’s central ideas: that there is no real “there” to Viriconium; it is just a bundle of words painted on a page at its creator’s discretion.

Viriconium Nights commences with “The Lamia & Lord Cromis.” tegeus-Cromis is in search of the lamia, a beast which has slain numerous members of his family. Though he appears to have accepted the same will happen to him, still he sets out accompanied by the wonderfully named Dissolution Khan and the dwarf gladiator, Morgante. The hunt ends in a morass of complications, death, and unclarity.

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