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A Worthy Successor to an Award-Winning Tradition: Provenance by Ann Leckie

A Worthy Successor to an Award-Winning Tradition: Provenance by Ann Leckie

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Provenance Ann Leckie-smallIngray Aughskold hasn’t just risked her life’s savings for this moment. If she fails, she’ll have to work for years to make up the debt. Her reputation will be ruined, and she’ll lose her job. Worse, her adoptive mother will never choose her to inherit over her vile foster-brother Danach. But just when the deal’s supposed to come together, everything’s falling apart.

Sitting in a holographic room, Ingray can see the Facilitator clearly, and the Facilitator can see her. The Facilitator can also see the opposing party. To Ingray, however, he’s just a gray blur.

The blur cites “unexpected difficulties” in fulfilling the contract. “The package will not be delivered unless the payment is increased.”

But Ingray doesn’t have any more money. If this deal goes through, she won’t even be able to afford her next meal. She’ll have to wait to eat until she’s on board the ship home to Hwae. She really should’ve forced herself to eat breakfast that morning, no matter how nervous she may have been. “Then do not deliver it,” she says.

She’d probably be better off if the anonymous procurer didn’t cave. All she’d suffer would be a dent to her savings for the Facilitator’s fee and her travel expenses. She could go home and hatch some new scheme to outdo Danach. But she doesn’t get that lucky.

“Very well, then,” the blur says. “The deal goes forward.”

“Very well,” she answers. At which point, she takes custody of a large shipping crate. Which wasn’t what she was expecting at all.

Arriving at the small cargo ship she’s booked passage on, she runs into a new problem in the form of Captain Tic Uisine. Taking one look at the size and shape of her shipping container, he suspects human trafficking and insists on opening it.

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In 500 Words or Less: All Those Explosions Were Someone Else’s Fault by James Alan Gardner

In 500 Words or Less: All Those Explosions Were Someone Else’s Fault by James Alan Gardner

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All Those Explosions Were Someone Else’s Fault
By James Alan Gardner
Tor (384 pages, $17.99 paperback, $9.99 eBook, November 2017)

Imagine a world where vampires, werewolves and demons all exist in public, courtesy of rich people making pacts with dark entities for immortality and power. Got that? Okay, now imagine a world where people can become superheroes by being exposed to the right (or wrong) kind of powerful energies, with as wide an assortment of powers as any comic book. Good? Take another pocket of your mind and add in things like wizard magic and weird science like opening rifts to other dimensions. And then combine all of this together into a single world.

Still with me?

If you’re not, I’d understand – but nonetheless, all of the above is present in James Alan Gardner’s All Those Explosions Were Someone Else’s Fault. I’m sure some of you are sitting back and thinking that sounds insane. But the X-Files/Cops crossover episode or establishing Bones and Sleepy Hollow in the same universe came with an expectation of a certain amount of ridiculousness, and the world Jim has created definitely has that flair. It’s interesting in that there’s a fast-paced and arguably straightforward narrative, even when the narrative pauses again and again with moments of “okay, I’d better explain this before we move on,” where this might be were-bats, rifts to other worlds that spew telepathic fireflies, university buildings named after rich vampires, or why a cascade of superpowers like force fields and telescopic vision and encyclopedic knowledge and whatever you would call Ant-Man (which is all in the first five chapters) makes logical sense.

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New Treasures: The Hyperspace Trap by Christopher G. Nuttall

New Treasures: The Hyperspace Trap by Christopher G. Nuttall

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47North, the science fiction publishing imprint of Amazon.com, has taken a lot of chances on new authors, with considerable success. Jeff Wheeler (the Legends of Muirwood trilogy, The Kingfountain Series) has become a Wall Street Journal bestselling author, and Meg Elison’s The Book of Etta was a 2018 Philip K. Dick Award nominee, just as a few examples.

Christopher G. Nuttall is another example of a 47North author who’s a little outside the mainstream. Nuttall has published over fifty novels through Amazon Kindle Direct Publishing, as well as 16 volumes in the Schooled in Magic series through Timeless Books. His latest, The Hyperspace Trap, is a deep-space thriller set in the set in the world of his Angel in the Whirlwind series. It’s a creepy tale of a shipwreck in a floating graveyard, in a war-ravaged galaxy beset by pirates. Sounds like a winning combo to me.

The Hyperspace Trap was published by 47North on February 27, 2018. It is 397 pages, priced at $14.99 in trade paperback and $4.99 for the digital edition. Read an excerpt here.

The Origin Stories of Tempus, Niko and the Sacred Band: Tempus With His Right-Side Companion Niko, by Janet Morris

The Origin Stories of Tempus, Niko and the Sacred Band: Tempus With His Right-Side Companion Niko, by Janet Morris

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Tempus with his right-side companion Niko-small Tempus with his right-side companion Niko-back-small

Relive the iconic adventures of Tempus the Black and his Sacred Band through the eyes of Nikodemos, his right-side companion, as Niko seeks his spirit’s balance on Bandara’s misty isles. Five early tales of the Stepsons in a world of thieves, novelized with additional stories available nowhere else. Ride with Tempus and his Sacred Band once again, or for the first time. PUBLISHER’S NOTE: Parts of this work have been published in substantially similar form in several volumes of the Shared Universe Series, Thieves World.

This book contains the original stories first written about the Sacred Band of Stepsons, as well as some new stories that expand on their adventures, and  Niko’s quest to regain his spiritual and mystical balance. Meet the characters who made the Sacred Band famous: Abarsis, the Slaughter Priest Abarsis, who first formed the Sacred Band and from whom Tempus took over the Band; Niko, Critias, Straton, hazard-class and allergy prone mage Randal “Witchy Ears.” Meet Roxane the witch and her death squads, Ischade the Necromant and her cadre of undead servants, and Cime, Tempus’ wizard-slaying sister. Witness the might of the storm god Vashanka and his immortal god-ridden avatar, Tempus as they battle against sorcery, betrayal and corruption, alongside his Sacred Band of Stepsons. Meet legendary immortals Askelon, the Dream Lord of Meridian, and Jihan the Froth Daughter of Lord Storm.

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Future Treasures: The Body Party by Jeff Noon

Future Treasures: The Body Party by Jeff Noon

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A-Man-of-Shadows-Jeff-Noon-small The Body Library Jeff Noon-small

Jeff Noon, author of the 1993 Arthur C. Clarke award-winning Vurt (1993), returned after too long an absence with A Man of Shadow last year, which Warren Ellis called “superb… one of our few true visionaries,” and Adrian Tchaikovsky said was “A disturbing and bizarre journey by one of the great masters of weird fiction.” The sequel, The Body Party, arrives next month from Angry Robot, continuing the tale of a P.I. in an weird and inverted city.

Jeff Noon returns with a staggering hallucinogenic sequel to A Man of Shadows, taking hapless investigator John Nyquist into a city where reality is contaminated by the imagination of its citizens

In a city dissolving into an infected sprawl of ideas, where words come to life and reality is contaminated by stories, John Nyquist wakes up in a room with a dead body… The dead man’s impossible whispers plunge him into a murder investigation like no other. Clues point him deeper into an unfolding story infesting its participants as reality blurs between place and genre.

Only one man can hope to put it all back together into some kind of order, enough that lives can be saved… That man is Nyquist, and he is lost.

The Body Party will be published by Angry Robot on April 3, 2018. It is 384 pages, priced at $12.99 in trade paperback and $9.99 for the digital edition. The cover design is by Amazing15. Read Part One here.

STRANGE! WEIRD! EERIE! The Odd, Unusual, and Uncanny Biography of Lionel Fanthorpe

STRANGE! WEIRD! EERIE! The Odd, Unusual, and Uncanny Biography of Lionel Fanthorpe

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The Return Lionel Fanthorpe-small The Return Lionel Fanthorpe-back-small

Some writers agonize over every line. Some are prolific like Andre Norton. Others are hyperprolific like Isaac Asimov.

But Lionel Fanthorpe stands alone. He isn’t the most prolific author out there, having written “only” about 200 books, but he had the distinction of having written 168 books in less than a decade. Many he wrote in a week. Some he wrote over a three-day weekend.

This fervid output was the result of his association with Badger Books, a cheap-as-they-come UK publisher that emphasized quantity over quality. The publisher would commission the cover art first (or steal it from some old American paperback), send it to the author, and have them write a 45,000 word novel, usually with a deadline of one week.

Fanthorpe wrote 168 books for Badger between 1961 and 1967, dictating his tales into a reel-to-reel recorder and sending the tapes into the publisher’s typist. Often he’d stay up late into the night, covering his head with a blanket so he could concentrate. The results were overwritten, padded, and compellingly bad.

The only biography of Lionel Fanthorpe, Down the Badger Hole by Debbie Cross, has long been out of print but has now been revised, expanded, and released as a free ebook on the TAFF website.

And what a book it is! Cross gives us generous helpings of Fanthorpe’s prose, including masterful examples of padding through repetition.

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Birthday Reviews: Paul Preuss’s “Rhea’s Time”

Birthday Reviews: Paul Preuss’s “Rhea’s Time”

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Cover by Wayne D. Barlowe

Paul Preuss was born on March 7, 1942. Mostly a novelist, he has published the Venus Prime series and stand-alone novels Human Error, The Gates of Heaven, and Core. His short fiction output is more scarce, consisting of three short stories and a published excerpt from his novel Starfire. His novel Secret Passages was a nominee for the 1998 John W. Campbell Memorial Award.

“Rhea’s Time” originally appeared in The Ultimate Dinosaur, edited by Robert Silverberg and Byron Priess, which was heavily illustrated by Wayne D. Barlowe and included a mixture of science fiction and factual articles about dinosaurs. The story has not been reprinted outside The Ultimate Dinosaur, but the anthology has seen two editions following its first publication.

Although originally published in a collection about dinosaurs, there are no saurians in “Rhea’s Time.” Preuss relates, with almost clinical precision, the story of a woman who has been in a coma for nearly a year, since shortly after a skiing accident. He tells the story from the point of view of Doctor Rowan, who has inherited her case after her original doctor gave up on her.

Despite his patient being completely unresponsive, Roan discovers that she actually is moving, albeit extremely slowly. Rowan begins employing unorthodox methods to establish contact with the woman, who he calls “Rhea.” Talking about her career as a biostratigrapher with her husband, Rowan is eventually able to come up with a rather intriguing explanation for what she’s going through.

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Doubling Down, or Just How Bad Are Ace Doubles, Anyway?

Doubling Down, or Just How Bad Are Ace Doubles, Anyway?

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The World of Null-A-small Universe Maker-small

Ace Double D-31: The World of Null-A (cover by Stanley Meltzoff)
paired with Universe Maker (cover by Paul Orban)

Just so you know where I stand, let’s get this out of the way right off the bat — I love Ace Doubles (and if you don’t know what an Ace Double is, are you ever in the wrong place. You should immediately go to Slate or HelloGiggles or Shia LaBeouf.com or somewhere, anywhere else or risk irreversible contamination. You’ve been warned.) I’ve loved them ever since the first time I laid eyes on one, in the thrift store that was around the corner from my middle school. The day I pulled the dual volume of A.E. Van Vogt’s The World of Null-A and Universe Maker (D-31) off the dusty shelf, I fell and fell hard; my lunch money never had a chance. I have a lot of reasons for loving these books, some of which have nothing to do with the quality of the writing found between their gaudy covers, and a good thing too, but we’ll get to that. First, though, the looooove.

To begin with, I love them for those aforementioned gaudy covers, and why not? For twenty years, from 1953 to 1973, from D-31 to 93900 (mastering the Doubles numbering system is an arcane science in itself, especially the legendarily convoluted final five-digit series), artists like Ed Emshwiller, Kelly Freas, George Barr, Jack Gaughan, Gray Morrow, Ed Valigursky and many others poured forth a stream of wonderful images that amount to a romp in a candy shop of pulp science fiction props: mutants, ray guns, futuristic metropolises, bug eyed monsters, alien armadas, hostile planets, a-bomb shattered landscapes, femmes in danger, dangerous femmes, space stations, super-submarines, time machines, jut-jawed heroes in bubble-helmeted spacesuits, robots, domed cities… and, of course, spaceships, spaceships, spaceships! What, I ask you, is there not to love about that?

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New Treasures: The Song of All by Tina LeCount Myers

New Treasures: The Song of All by Tina LeCount Myers

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The Song of All-smallI can’t keep up with all the new SF and fantasy released every month, no matter how I try. Fortunately I’m not alone — I’m part of the Black Gate community, and there’s no more knowledgable or connected brotherhood (and sisterhood!) in the field.

Last month David B. Coe, author of “Night of Two Moons” in Black Gate 4, tipped me off to an exceptional debut fantasy novel, The Song of All by Tina LeCount Myers. Dave called it “A compulsively readable tale, steeped in mythology, suffused with magic, and beautifully realized. Highly recommended.” That’s good enough for me.

A former warrior caught between gods and priests must fight for the survival of his family in this dark epic fantasy debut, set in a harsh arctic world inspired by Scandinavian indigenous cultures.

On the forbidding fringes of the tundra, where years are marked by seasons of snow, humans war with immortals in the name of their shared gods. Irjan, a human warrior, is ruthless and lethal, a legend among the Brethren of Hunters. But even legends grow tired and disillusioned.

Scarred and weary of bloodshed, Irjan turns his back on his oath and his calling to hide away and live a peaceful life as a farmer, husband, and father. But his past is not so easily left behind. When an ambitious village priest conspires with the vengeful comrades Irjan has forsaken, the fragile peace in the Northlands of Davvieana is at stake.

His bloody past revealed, Irjan’s present unravels as he faces an ultimatum: return to hunt the immortals or lose his child. But with his son’s life hanging in the balance, as Irjan follows the tracks through the dark and desolate snow-covered forests, it is not death he searches for, but life.

The Song of All was published by Night Shade Books on February 20, 2018. It is 452 pages, priced at $25.99 in hardcover, and $14.99 for the trade paperback and digital editions. The cover artist is uncredited. It is the first volume of the series Legacy of the Heavens. Read an excerpt here.

See all of our recent New Treasures here.

Mythic Landscape: The Weirdstone of Brisingamen by Alan Garner

Mythic Landscape: The Weirdstone of Brisingamen by Alan Garner

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Weirdstone_of_BrisingamenHalfway through my recent reread of Alan Garner’s 1960 debut novel, The Weirdstone of Brisingamen, it became clear to me that the true protagonist was the land, not the ostensible ones, sister and brother Susan and Colin.

Alderley Edge, in Cheshire, England, is the name of both a village and a great sandstone cliff “six hundred feet high and three mile long.” For Garner there’s a connection between land and myth, artistically at least, that is deep. His depiction of a land of rolling plains littered with farms and woods, riddled with thousands of years’-worth of mines makes it easy to see the svart-alfar, the “maggot-breed of Ymir,” boiling out of the earth. There’s something deeper than that, though; something that reaches beyond mere physical for Garner. It’s as if the land itself bred those stories and they are intertwined with it intimately and inextricably. Just walking the woods and rises around Alderley Edge, they can be felt pushing themselves up from the earth and traveling along on the backs of breezes.

Before the story proper begins, Garner recounts a true legend of Alderley Edge — that of a farmer from the village of Mobberly and the strange white-bearded man he meets on the way to market. The farmer hopes to sell his white mare at market in Macclesfield and when he agrees to sell it to the bearded man instead, he is shown a secret cave protected by an iron gate and filled with treasures. Inside sleep 140 knights, each, save one, with a perfect white mare by his side. The wizard, for that is what he is, tells the farmer why the knights are there:

“Here they lie in enchanted sleep,” said the wizard, “until a day will come — and come it will — when England shall be in direst peril, and England’s mothers weep. Then out from the hill these must ride and, in a battle thrice lost, thrice won, upon the plain, drive the enemy into the sea.”

In payment, the wizard tells the farmer to take whatever gold and gems he can fit into his pockets. He does, with unexpected and dire consequences for the future.

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