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New Treasures: Star Destroyers, edited by Christopher Ruocchio and‎ Tony Daniel

New Treasures: Star Destroyers, edited by Christopher Ruocchio and‎ Tony Daniel

Star Destroyers-smallWell, this is something of a guilty pleasure: an anthology with the subtitle Bigs Ships. Blowing Things Up. It’s the kind of thing you didn’t even know was missing from your life until you see it.

IN SPACE, SIZE MATTERS!

Boomers. Ships of the Line. Star Destroyers. The bigger the ship, the better the bang. From the dawn of history onward, commanding the most powerful ship around has been a dream of admirals, sultans, emperors, kings, generalissimos, and sea captains everywhere. For what the intimidation factor alone doesn’t achieve, a massive barrage from super-weapons probably will.

Thus it was, and ever shall be, even into the distant future. From the oceans of Earth, to beneath the ice of Europa, to the distant reaches of galactic empires, it is the great warships and their crews that sometimes keep civilization safe for the rest of us—but sometimes become an extinction-level event in and of themselves.

In “Superweapon” by David Drake, a fight for possession of an ancient alien warship will determine the fate of two vast interstellar powers. Then in “Hate in the Darkness” by Michael Z. Williamson, a team of libertarian Freeholders must think outside the box to do battle with the might of the United Nations and its powerful navy. And in “A Helping Hand,” Jody Lynn Nye posits an interstellar submarine on a rescue mission behind enemy lines — with the fate of an entire species hanging in the balance.

Big, bold, and edge-of-your-seat space opera and military science fiction from David Drake, Sharon Lee & Steve Miller, Michael Z. Williamson, Steve White, Robert Buettner, Susan R. Matthews, Dave Bara, and many more!

If you like modern space opera — and really, who doesn’t? — this book is Bean’s gift to you. It contains stories from 15 top-notch writers, most of whom have ongoing space opera series from a wide range of publishers, including Dave Bara (DAW), Christopher Ruocchio (DAW), Robert Buettner (Orbit), Mark L. Van Name (Baen), and many others. Here’s your chance to try a rich smorgasboard of writers under one cover, and maybe find yourself a few new favorites.

Here’s the complete Table of Contents.

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2018 Locus Awards Finalists Announced

2018 Locus Awards Finalists Announced

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The Locus Science Fiction Foundation has announced the nominations for the 2018 Locus Awards. I still don’t understand why this isn’t a national holiday.

The Locus Awards, voted on by readers in an open online poll, have been presented every year since 1971. That’s… uh… (counts on fingers) 47 years, which makes a virtual genre institution. The final ballot lists an impressive ten finalists in each category, including Science Fiction Novel, Fantasy Novel, Horror Novel, Young Adult Book, First Novel, Novella, Novelette, Short Story, Anthology, Collection, Magazine, Publisher, Editor, Artist, Non-Fiction, and Art Book. The winners will be announced at the Locus Awards Weekend in Seattle from June 22-24, 2018.

It’s an impressive list of nominees this year. Have a look.

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A Demon Rising: Ardneh’s World by Fred Saberhagen

A Demon Rising: Ardneh’s World by Fred Saberhagen

oie_3043513UJFHNzOyAnd so we come to the end of the Empire of the East, Fred Saberhagen’s sword & science trilogy. Originally titled Changeling Earth (1973), Ardneh’s World (1988), provides the answers to mysteries raised in the previous two books, The Broken Lands and The Black Mountains, as well as an explosive conclusion. When it’s done, great powers have been broken and the world has been changed again.

The last book ended with the destruction of one of the Empire’s great commanders, Som the Dead, and of one of the great demons at its command, Zapranoth. The armies of the Free Folk of the West, now under the command of Prince Duncan of Islandia, are marching on the Empire. In the East, the utterly bad Emperor John Omninor is himself leading his legions onto the field of battle for a final confrontation.

Moving behind and through the characters is the mysterious and powerful Ardneh. No one knows who or what Ardneh is. He speaks to the commanders and wizards of the West telepathically. To the emperor and his minions, he remains an elusive enemy who must be dealt with by any means necessary if the West is to be defeated, its army crushed, and its people enslaved.

Following an unsuccessful attempt to trick Ardneh into revealing himself, Omninor dispatches a force under his his High Constable, Abner, to find his enemy. Magical divination and electronic tracking has told the emperor that Ardneh resides in a mountain far to the north of civilization.

Simultaneously, farm boy hero Rolf and ex-imperial Chup have been tasked with tracking down a mystic stone and bringing it to Ardneh. Because Rolf has a strange, innate affinity for technology, Ardneh has chosen him as his special connection with the West.

At length and not unexpectedly, the two parties meet, an old villain reappears, and violence ensues. Eventually, Rolf and a new companion, Catherine, are split from Chup and the rest of the company.

So much of Ardneh’s World is exposition, but, oh, what exposition it is. When Rolf and Catherine finally meet Ardneh, his pre-catastrophe origins and how magic came into existence are unveiled. Saberhagen’s big idea is pure pulp insanity. Part of what makes Empire of the East original is its ostensibly realistic take on magic, but there’s absolutely none of that here. In order to prevent Earth’s destruction in the face of a nuclear war, untested new technological safeguards were put in place in America. When the war finally came, those precautions proved invaluable. In the wake of the mostly-averted war, the deepest nature of reality was changed. Ardneh, an intelligent, self-aware being is a result of the change.

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Future Treasures: Blood Orbit by K.R. Richardson

Future Treasures: Blood Orbit by K.R. Richardson

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Kat Richardson is the author of the bestselling Greywalker paranormal detective novels. For her first off-world SF noir novel Blood Orbit, the opening book in the Gattis Files, she’s chosen to don a new literary identity, “K.R. Richardson.” Comic writer Warren Ellis (Transmetropolitan, Shipwreck) calls it,

A clever, twisting, and savage science fiction crime story that fuses colonization fiction with genuine deep noir. The end result is original, culturally rich, and as ruthless as a novel about murder, secrets, and lies should be.

And author Diana Pharaoh Francis (Diamond City Magic) says,

Richardson has written a diabolically delicious twisty murder mystery set on a faraway planet against a backdrop of corporate greed, racial tensions, corrupt law enforcement, and secrets that refuse to stay buried. This is Criminal Minds meets Sherlock Holmes in space.

Blood Orbit will be published by Pyr on May 8, 2018. It is 493 pages, priced at $18 in trade paperback and $9.99 for the digital version. The cover is by Maurizio Manzieri. Read the first three chapters over at Pat’s Fantasy Hotlist, and get more details at K.R. Richardson’s website.

Gary K. Wolfe on Cecelia Holland’s Floating Worlds and Other Classics That Deserve Modern Attention

Gary K. Wolfe on Cecelia Holland’s Floating Worlds and Other Classics That Deserve Modern Attention

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1977 Pocket Books paperback. Foil cover by Harry Bennett

On Episode 328 of The Coode Street Podcast, my recent audio addiction, Jonathan Strahan asked his co-host Gary K. Wolfe if there was some book of value, “or simply that you loved when you were a younger reader,” that he wished he could bring modern attention to.

If you know Jonathan and Gary, you appreciate that’s precisely the kind of question that could fill an hour-long episode all on its own. But Gary provided what I thought was a remarkably cogent and focused reply, all the more remarkable for its brevity. After noting that “When you get to be my age, a younger reader covers a span of decades,” and paying homage to Andre Norton’s Cat’s Eye and Star Man Son, Gary called out a long-forgotten SF novel from 1976.

One of the classic one-off science fiction novels, I think from maybe 40 some years ago now, was Cecelia Holland’s Floating Worlds, a historical novelist using her historical imagination to construct a pretty powerful solar system space opera. I’ve not re-read that in a long time. I’d like new people to look at that and see if, hey, was I right? Was this as good as I thought it was?

Although Floating Worlds is a neglected classic here in the US — its last paperback printing was in 1979 from Pocket Books — it has a much richer history in the UK, with eight print versions and an e-book edition between 1976 and 2014.

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A Tale of Two Covers: Akata Warrior by Nnedi Okorafor

A Tale of Two Covers: Akata Warrior by Nnedi Okorafor

Akata Warrior-small Sunny and the Mysteries of Osis-small

Nnedi Okorafor is one of the most exciting novelists at work in the field of fantasy. She’s won the Hugo, Nebula and World Fantasy Awards, and the Wole Soyinka Prize for Literature in Africa. She writes Black Panther comics for Marvel, and her World Fantasy Award-winning novel Who Fears Death is being developed by George R.R. Martin as an HBO series.

Her latest novel, Akata Warrior, was published by Viking Books for Young Readers last October (above left, cover by Greg Ruth). It was republished in the UK in March by Cassava Republic Press under the title Sunny and the Mysteries of Osisi (above right, design by Anna Morrison). Both books (er, the single book) are (is?) the sequel to 2011’s Akata Witch.

Although the books are being sold to separate markets with different titles and different covers, I was struck at just how similar the cover images are. In fact, both use Greg Ruth’s core image of a woman with a black scarf (albeit flipped), and both make use of overt spider imagery, along with an overlay of curvy white Nsibidi symbols on her skin. Both also use the same quote by Neil Gaiman. Note the differences, however — the British cover has markedly different hair, and a completely different color tone. She’s looking in different directions as well.

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Tarzan Swing-By: Tarzan and the Lost Empire (1928–29)

Tarzan Swing-By: Tarzan and the Lost Empire (1928–29)

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Readers have asked me, but the answer is still no: I can’t tackle the entire Tarzan series the way I did Edgar Rice Burroughs’s other book series, Mars, Venus, and Pellucidar. There are twenty-four Tarzan books, not counting the juveniles, and I’d burn out long before the end if I tried to read them in sequence over a compressed time period.

But since I’m always glad to pick up a Tarzan volume here and there among my other Burroughs readings, I’ll negotiate. I’ll do an occasional Tarzan book “swing-by” to give spotlight time to ERB’s biggest contribution to popular culture. No particular order, just whatever Tarzan adventure grabs me at the moment.

So I’ll start with … let’s see … Book #12, Tarzan and the Lost Empire. Wherein the Lord of the Jungle finds yet another civilization lost in time in the heart of Africa: a remnant of the Roman Empire still living the ancient ways. Tarzan also gets a little monkey sidekick.

Tarzan and the Lost Empire falls into a period of the Tarzan novels that I think of as the “Filmation Era” because of how much the 1970s Filmation animated series Tarzan, Lord of the Jungle reflects it. After the tenth book, Tarzan and the Ant Men, Tarzan was distanced from the Greystoke legacy and his former supporting cast, and now has the companionship of both Nkima the monkey and Jad-bal-ja the golden lion. Jane vanished except for a single reappearance in Tarzan’s Quest (1936). The plots became standalone and repeated certain formulas, such as Tarzan discovering lost civilizations or facing a Tarzan imposter.

The writing quality of these books was still high in the late ‘20s and early ‘30s, and Burroughs hadn’t lost his skill at executing pulse-racing action set-pieces. But the plotting was often perfunctory as ERB became a bit fatigued with having to go back to the Tarzan well again and again. The story ideas and the prose popped, but the plots often meandered with overstuffed casts and too much incident that doesn’t go anywhere. Tarzan and the Lost Empire falls prey to these faults. But it also contains one of the most interesting hidden civilizations of the series and a setting that energized Burroughs.

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Future Treasures: The Poppy War by R. F Kuang

Future Treasures: The Poppy War by R. F Kuang

The Poppy War-smallThe Barnes & Noble Sci-Fi & Fantasy Blog is calling R.F. Kuang’s The Poppy War “the Buzziest Fantasy Debut of 2018.”

Last year, Harper Voyager introduced us to two exciting new voices in fantasy, Nicky Drayden (The Prey of Gods) and S.A. Chakraborty (City of Brass), so when David Pomerico, the imprint’s editorial director, R.F. Kuang, whose debut The Poppy War Harper Voyager will publish in May, “an incredible new talent in the speculative fiction industry,” we’ve got reason to trust his judgement (and track record). Certainly the book sounds like just the thing — a richly detailed epic born out of 20th century Chinese history, with an adult sensibility and a narrative hook that gives it the addictive appeal of the best young adult literature.

The official summary for this first-in-a-trilogy novel makes a compelling case… Pomerico, who acquired the book after a heated auction on what turned out to be the author’s 20th birthday, promises it blends military fantasy and a coming-of-age story, combining the author’s “cultural authenticity with personal creativity at a time when both qualities are very much demanded by readers.”

Hey, I’m as big a fan of writing prodigies as the next guy. But is a fat 544-page fantasy written by a teenager really what I’m looking for? Especially one that’s the start of a trilogy?

Well, maybe I’m just a grumpy old man. Certainly there’s been no shortage of praise from people less grumpy than I. Kameron Hurley calls it, “A blistering, powerful epic of war and revenge that will captivate you to the bitter end.” And Publishers Weekly praises it as “An ambitious fantasy reimagining of Asian history populated by martial artists, philosopher-generals, and gods… a strong and dramatic launch to Kuang’s career.”

You can decide for yourself when the book arrives in hardcover from Harper Voyager next week. Here’s the description.

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A Spooky Trip Back to the Golden Age of Weird: The Complete Tales of Jules de Grandin, by Seabury Quinn

A Spooky Trip Back to the Golden Age of Weird: The Complete Tales of Jules de Grandin, by Seabury Quinn

The Horror on the Links The Complete Tales of Jules de Grandin Volume One-small The Devil's Rosary The Complete Tales of Jules de Grandin Volume Two-small The Dark Angel The Complete Tales of Jules de Grandin Volume Three-small

Seabury Quinn’s occult detective Jules de Grandin first appeared in Weird Tales in 1925 and, in over 90 stories published over the next 26 years, he squared off against ghosts, werewolves, satanists, serial killers, and more sinister things. His adventures were among the most popular ever published in that venerable old pulp, surpassing even the legendary exploits of Robert E. Howard’s Conan and H.P. Lovecraft’s Cthulhu Mythos.

Publishers’s Weekly had this to say about the first installment of The Complete Tales of Jules de Grandin, The Horror on the Links, released by Night Shade Books in April 2017:

The first volume… is a fun, spooky trip back to the golden age of weird. Each story is narrated by de Grandin’s bemused and long-suffering friend Dr. Samuel Trowbridge, and most include de Grandin’s concluding explanation of the how and why of the events. Each story has its merits, but standouts include the shudder-worthy “The Isle of Missing Ships,” in which de Grandin and Trowbridge’s ship is overtaken by pirates; they end up stranded on an island where a strange man dwells in a lavish underwater cave and “long pork” is on the menu. “The Great God Pan” sees de Grandin and Trowbridge among a bevy of beauties in thrall to a strange guru. In other stories, the duo face werewolves, disembodied hands, and an evil scientist who keeps horrifying “pets” in his cellar. Seabury had a keen imagination and gift for atmosphere, and, even though modern readers may flinch a bit at some of the dated viewpoints and tropes, they’re likely to still have a grand time.

In the Jules de Grandin entry of The Nightmare Men, his long-running Black Gate series on occult detectives, Josh Reynolds offered his own thoughtful assessment of this great pulp hero. Here it is.

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New Treasures: The Long Sunset by Jack McDevitt

New Treasures: The Long Sunset by Jack McDevitt

The Long Sunset Jack McDevitt-smallJack McDevitt’s Academy series began with The Engines of God in 1994. The series has garnered four Nebula nominations (for Chindi, Omega, Odyssey, and Cauldron) and one Campbell Memorial Award win (for Omega). It has become one of the most popular and acclaimed science fiction series on the market (see the complete list of books in the series in my previous post here).

In the eighth and latest installment, The Long Sunset, Priscilla “Hutch” Hutchins discovers an interstellar message from a highly advanced race that could be her last chance for a mission before the program is shut down for good. Jeff Somers at The Barnes & Noble Sci-Fi & Fantasy Blog calls it “Classic space adventure in the best sense of the term… McDevitt’s optimism and enthusiasm for the profound mysteries of the universe shines through, lending the increasingly fascinating investigation an air of excitement as the crew sifts through dead planets…”

It arrived in hardcover from Saga Press last week. Here’s the description.

Hutch has been the Academy’s best pilot for decades. She’s had numerous first contact encounters and even became a minor celebrity. But world politics have shifted from exploration to a growing fear that the program will run into an extraterrestrial race more advanced than humanity and war.

Despite taking part in the recent scientific breakthrough that rejuvenates the human body and expands one’s lifespan, Hutch finds herself as a famous interstellar pilot with little to do, until a message from an alien race arrives.

The message is a piece of music from an unexplored area. Despite the fact that this alien race could pose a great danger and that this message could have taken several thousand years to travel, the program prepares the last interstellar ship for the journey. As the paranoia grows, Hutch and her crew make an early escape — but what they find at the other end of the galaxy is completely unexpected.

The Long Sunset was published by Saga Press on April 17, 2018. It is 451 pages, priced at $27.99 in hardcover and $7.99 for the digital edition. The cover is by John Harris.