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The Ground Rules Have Been Put in Place: Flame and Crimson: A History of Sword-and-Sorcery, by Brian Murphy

The Ground Rules Have Been Put in Place: Flame and Crimson: A History of Sword-and-Sorcery, by Brian Murphy

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Cover by Tom Barber

Flame and Crimson: A History of Sword-and-Sorcery
By Brian Murphy
Pulp Hero Press (282 pages, $19.95 in trade paperback/$7.99 digital, January 16, 2020)

At long last, we have a history of the sword-and-sorcery genre, and a very welcome and erudite study it is. Brian Murphy is to be commended for his honest appreciation of our frequently dismissed and often mocked genre. He intelligently surveys the expanse of the sword-and-sorcery field warts and all, low points and high, putting the genre into its proper literary perspective.

To present a linear history of the sword-and-sorcery genre is in fact to dissect an Yggdrasil of many branches, which is precisely what Murphy has done here. His challenge in undertaking Flame and Crimson was great—confronting a century of work and reducing discussion of it to the reasonable length of about 250 pages. He has risen to the challenge.

(Full disclosure: I am mentioned a few times in Flame and Crimson and am cited in a pull-quote in the header to chapter 1. I am also published by Pulp Hero Press, the imprint that has brought out Flame and Crimson.)

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New Treasures: Sword of Fire by Katharine Kerr

New Treasures: Sword of Fire by Katharine Kerr

Sword of Fire-smallKatharine Kerr’s science fiction novels include Polar City Blues, Palace (with Mark Kreighbaum), and Snare. But she’s much more well known for sixteen epic fantasy novels set in the world of Deverry, starting with Daggerspell (1986), Darkspell (1987), and The Bristling Wood (1989).

Kerr’s roots are firmly in fantasy gaming, which immediately increases her cred in my book. She was introduced to fantasy gaming in in 1979, and she quickly began writing articles for gaming magazines. She was a contributing editor to Dragon magazine, and authored adventure modules for TSR and Chaosium’s Pendragon role-playing game. Her first novel was published in 1986, and she’s never looked back. It’s fiction that brings the fame and the fast cars, so I guess I can’t blame her.

The last few years she’s been occupied with her Nola O’Grady urban fantasy series for DAW (which the author describes as a “female James Bond with magic rather than violence”). It’s been over a decade since we’ve seen a new novel in Deverry, though, and it’s good to see her return. Ralph Harris gave Sword of Fire a warm review at BookPage; here’s a sample.

Sword of Fire centers around a sociopolitical struggle against the unjust courts of the Kingdom of Deverry. While that certainly could be a backdrop for a bleak, dark struggle, Kerr’s novel is instead a lovely quest with an ever-optimistic, wholeheartedly enthusiastic crew of brilliant women and chivalrous men. Alyssa, our primary heroine, embarks on a trip to recover a book that can help usurp the old traditions of the courts with even older, supposedly more fair traditions….

With a lightly magical, extremely familiar setting and lovable cast of characters, Kerr sets out to take the reader through the Kingdom of Deverry’s evolution to a (hopefully) more just world. She doles out plot points via chatty gossip between noble families and secret messages sent by way of servants… Meandering through the pages of Kerr’s Sword of Fire was escapism of the finest quality. For readers looking for a dark drama of epic proportions, these 380 pages will hold nothing for you. Here, you will only find charming banter, happy endings and optimism in prose form.

Sword of Fire is the opening volume in The Justice War. It was published by DAW on February 18, 2020. It is 384 pages, priced at $27 in hardcover and $13.99 in digital formats. The cover was designed by Katie Anderson. Read an excerpt from Chapter One here.

See all our recent New Treasures here.

Fighting Schools, Ancient Palaces, and a Killing Fog: The Grave Kingdom Trilogy by Jeff Wheeler

Fighting Schools, Ancient Palaces, and a Killing Fog: The Grave Kingdom Trilogy by Jeff Wheeler

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Cover design by Shasti O’Leary Soudant

Jeff Wheeler was been toiling away in the fantasy word mines for nearly two decades, and in 2014 he took the leap and retired from Intel to write full-time. He’s written several popular series, including the Whispers from Mirrowen trilogy, two novels in the Landmoor series, and two trilogies in the Muirwood universe, the second of which was the Covenant of Muirwood, which we covered here back in 2015.

His latest, The Grave Kingdom trilogy, kicked off this month with The Killing Fog. At Mary Robinette Kowal’s blog, Jeff Wheeler contributed a My Favorite Bit entry that piqued my interest — and not just for the Big Trouble in Little China and Kung Fu references (though they definitely didn’t hurt). Here’s what he said.

When I was young, I used to watch the TV show Kung Fu with David Carradine. I respected the loner monk wandering through America’s Wild West and taking out the bad guys. During high school, one of my favorite films was Big Trouble in Little China, just for the great martial art medley of different styles they demonstrated. What many don’t know about me is that I’ve been a practitioner of many forms of Kung Fu for almost thirty years, starting at Wing Lam Kung Fu school in Silicon Valley after my missionary service.

When I was inspired to write The Killing Fog after a month-long trip to China, I chose to set it in a world with the geography of Alaska and the culture of medieval China. Instead of palaces and royalty, I wanted to focus on the martial artists. The protagonist of the story, Bingmei (a name which means ‘ice rose’ in Chinese), is the granddaughter and daughter of a family who owns a fighting school… Bingmei’s world is a lot harsher than the one we live in. While ancient forms of fighting have been passed down within families, history has not. There is no written language, no knowledge of where the ancient buildings and palaces came from. No understanding of why the Death Wall was built and why no one is allowed to cross it. Most importantly, no one knows who left behind magical relics carved from meiwood and imbued with magical power. People collect these relics to hide them away because if their power is invoked, the presence of magic summons a deadly fog which kills any creature caught within it. And no one knows why.

It’s Bingmei’s destiny to find out.

The KIlling Fog will be followed by The Buried World in June of this year, and The Immortal Words arrives three months later, on September 22. Publishers Weekly calls the opening volume a “winding tale of valor and sacrifice… [an] excellent introduction to the prolific Wheeler’s work.”

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When We Catch It, Let’s Chase It Again: An Interview with Tales of the Mongoose and Meerkat Author Jim Breyfogle

When We Catch It, Let’s Chase It Again: An Interview with Tales of the Mongoose and Meerkat Author Jim Breyfogle

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Cover Art by Anton Oxenuk

Cirsova Publishing has been putting out its flagship magazine focusing on action, adventure, and romance in science fiction and fantasy since 2016. Last year Cirsova began branching out, with the two-author anthology, Duel Visions by Misha Burnett and Louise Sorensen, their fully illustrated 70th Anniversary Edition of Leigh Brackett’s Eric John Stark Planet Stories [which we covered at Black Gate last year], and the 35th Anniversary Edition of Michael Tierney’s Wild Stars.

Cirsova’s newest upcoming release is an anthology of Jim Breyfogle’s Mongoose & Meerkat adventures, lavishly illustrated by up-and-coming artist DarkFilly. Tales of the Mongoose and Meerkat Volume 1: Pursuit Without Asking collects all of the stories published in the pages of Cirsova Magazine through 2019.

Mangos is a bit of a bravo, ready to knock a few heads for some coin. Kat is a mysterious wanderer with more than her share of street-smarts and a head for ancient history. Together, the Mongoose and the Meerkat are a pair of rogues looking to keep their bellies and wine skins filled. Fitting in a comfy mid-point somewhere between Slayers and Fafhrd & The Gray Mouser, this duo is sure to appeal to fans of classic Sword & Sorcery.

We had a chance to talk with Mongoose & Meerkat author Jim Breyfogle about this thrilling new project.

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Future Treasures: The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix

Future Treasures: The Southern Book Club’s Guide to Slaying Vampires by Grady Hendrix

The Southern Book Club's Guide to Slaying Vampires-smallGrady Hendrix knows horror. His Paperbacks from Hell, which Goth Chick said “takes readers on a tour through the horror paperback novels of the 1970s and ’80s… I couldn’t have found a more perfect beach read,” won the Stoker Award, and is one of the most talked-about nonfiction genre books of the last decade. His novels include Horrorstör (2011) and My Best Friend’s Exorcism (2016).

His latest is The Southern Book Club’s Guide to Slaying Vampires, which is already getting a TV adaptation. In a starred review Publishers Weekly calls it a “clever, addictive vampire thriller.. This powerful, eclectic novel both pays homage to the literary vampire canon and stands singularly within it.” It arrives in hardcover in two weeks. Here’s the description.

Patricia Campbell’s life has never felt smaller. Her husband is a workaholic, her teenage kids have their own lives, her senile mother-in-law needs constant care, and she’s always a step behind on her endless to-do list. The only thing keeping her sane is her book club, a close-knit group of Charleston women united by their love of true crime. At these meetings they’re as likely to talk about the Manson family as they are about their own families.

One evening after book club, Patricia is viciously attacked by an elderly neighbor, bringing the neighbor’s handsome nephew, James Harris, into her life. James is well traveled and well read, and he makes Patricia feel things she hasn’t felt in years. But when children on the other side of town go missing, their deaths written off by local police, Patricia has reason to believe James Harris is more of a Bundy than a Brad Pitt. The real problem? James is a monster of a different kind — and Patricia has already invited him in.

Little by little, James will insinuate himself into Patricia’s life and try to take everything she took for granted — including the book club — but she won’t surrender without a fight in this blood-soaked tale of neighborly kindness gone wrong.

The Southern Book Club’s Guide to Slaying Vampires will be published by Quirk Books on April 7, 2020. It is 408 pages, priced at $22.99 in hardcover and $13.99 in digital formats.

Check out Matthew David Surridge’s Black Gate interview with Hendrix here, and see all our coverage of the best in upcoming fantasy and horror here.

Vintage Treasures: The Wonderful World of Robert Sheckley

Vintage Treasures: The Wonderful World of Robert Sheckley

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The Wonderful World of Robert Sheckley (Bantam Books, 1979). Cover by the great Paul Lehr

Back in the 90s, when I was reading a lot of Gardner Dozois’ science fiction anthologies, I got used to his complaints about the short memory of science fiction fans. What he meant was that after a popular and important SF writer died or retired, it wasn’t long — 2-5 years, sometimes less — before their entire catalog was out of print, and shortly after that they were virtually forgotten.

He made a compelling case at the time. But to be honest, these days the science fiction heroes of my formative years don’t seem very forgotten. Roger Zelazny, Poul Anderson, Clifford D. Simak, Isaac Asimov, Robert Silverberg, James Tiptree, Jr, John Brunner… maybe it’s just because I hang out at places like Black Gate, but their work seems to be discussed, celebrated, and enjoyed nearly as much as ever. Some — like Philip K. Dick, Lovecraft, Tolkien, and Robert E. Howard — are even enjoying a renaissance on a scale none of us could have imagined while they were alive.

There are exceptions, of course. Wonderful writers whose works are forgotten, or very nearly so. Robert Sheckley is a good example. In 2001 Sheckley was named Author Emeritus by the Science Fiction and Fantasy Writers of America; he produced nearly two dozen novels in a career spanning five decades, including Dimension of Miracles (1968), The Status Civilization (1960), and The 10th Victim (1965). His most enduring work was his short fiction, collected in Citizen in Space (1955), Pilgrimage to Earth (1957), Shards of Space (1962), and over a dozen more — including the NESFA Press tribute volume The Masque of Mañana, and five volumes of The Collected Short Fiction of Robert Sheckley from Pulphouse (1991). Sheckley died in 2005, and his work — the most popular of which was kept in print continuously for decades — is nearly completely forgotten today.

Well, if we’re going to pay attention to someone, it might as well be someone forgotten. So today’s Vintage Treasure is a wonderful little collection from 1979, very nearly the peak of Sheckley’s popularity, The Wonderful World of Robert Sheckley.

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New Treasures: Re-Coil by J. T. Nicholas

New Treasures: Re-Coil by J. T. Nicholas

Re-Coil J T Nicholas-smallWhen I published my first novel The Robots of Gotham (written under the name Todd McAulty), John Scalzi was enormously kind to me, helping me promote it by featuring me on his blog Whatever, one of the most popular SF sites in the country. I used the opportunity to conduct a mock interview with an ill-fated Sovereign Intelligence machine character, and it was a lot of fun.

Scalzi’s blog is a great way to discover new writers, in fact, and I’ve become a regular reader. It’s how I discovered J.T. Nicholas’ new novel Re-Coil, out this month from Titan. Here’s a snippet from his own guest post at Scalzi’s Whatever, published earlier this month:

The story – the plot – is a whodunnit at its heart, a mystery where the protagonists are trying to hunt down their would-be killers and stop the first truly existential threat to humanity since mankind uncovered the secrets of immortality. It’s part mystery, part space action romp, and part cyberpunk conspiracy tale. But writing those bits was the easy part. For me, the hard part of Re-Coil was creating the world, fleshing out the societies, and answering the questions my agent and editor posed. Big questions on race and sex and gender and identity and power that I hadn’t really intended to write about, but once I set up the basic premise, I couldn’t possibly avoid.

You can read Nicholas’ full article here. Here’s the publisher’s description for Re-Coil.

Carter Langston is murdered whilst salvaging a derelict vessel — a major inconvenience as he’s downloaded into a brand-new body on the space station where he backed up, several weeks’ journey away. But events quickly slip out of control when an assassin breaks into the medbay and tries to finish the job.

Death no longer holds sway over a humanity that has spread across the solar system: consciousness can be placed in a new body, or coil, straight after death, giving people the potential for immortality. Yet Carter’s backups — supposedly secure — have been damaged, his crew are missing, and everything points back to the derelict that should have been a simple salvage mission.

With enemies in hot pursuit, Carter tracks down his last crewmate — re-coiled after death into a body she cannot stand — to delve deeper into a mystery that threatens humanity and identity as they have come to know it.

Re-Coil was published by Titan Books on March 3, 2020. It is 359 pages, priced at $14.95 in trade paperback and $7.99 in digital format. The cover was designed by Vince Haig. Read an excerpt at Tor.com, and see all our recent New Treasures here.

Future Treasures: Eden by Tim Lebbon

Future Treasures: Eden by Tim Lebbon

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The ivy-cover copy of Tim Lebbon’s Eden,
mailed to me by a creative publicist at Titan Books

Getting review copies never gets old. I get far too many to write about these days, and they pile up on my library floor. When it comes time to crank out a Future Treasures post about an upcoming title, I take the time to select what looks most interesting, or the one I think you lot would most like to hear about.

Unless I’m in a hurry, in which case I grab whatever catches my eye. Then you’re at the mercy of whatever publicist or cover designer is most clever this week, and able to cut through all the clutter and grab my attention.

Today there are more than three dozen review copies and advance proofs piled up in front of my big green chair, but I’m not writing about any of them. Today you’re hearing about Tim Lebbon’s new eco-thriller Eden. Not because Kirkus Reviews calls it “Jurassic Park meets catastrophic climate change in this creepy, cinema-ready story,” or because Publishers Weekly says it’s “wondrous and deeply unsettling.” No, I’m telling you about Eden because a very clever publicist took the time to wrap a copy in plastic ivy before mailing it to me, and it’s that little bit of extra effort that gets attention. (Plus, what the hell are you going to do with an ivy-wrapped book? You can’t just stick it in the pile; the ivy will get crushed.)

It reminds me of the time the Tor publicity team sent me K Arsenault Rivera’s The Tiger’s Daughter with a seed packet that doubled as a bookmark (complete with planting instructions). You better believe I wrote about that one.

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A Masterclass in Dystopian Science Fiction: The Worlds Trilogy by Joe Haldeman

A Masterclass in Dystopian Science Fiction: The Worlds Trilogy by Joe Haldeman

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Joe Haldeman’s Worlds trilogy, paperback editions from Avon/ AvoNova. Covers by Vincent Di Fate

Are you working from home? Quarantined? Hanging out with a doomsday cult and wondering if the end times have actually arrived? You’re not alone. (Especially if you’re in a doomsday cult — those guys are surprisingly chummy.) But here at Black Gate, our work continues. Classic SF and fantasy isn’t going to promote itself to an increasingly chaotic world. That’s our job.

Today I’m looking at a forgotten trilogy from an author who is very definitely not forgotten. Joe Haldeman became an SFWA Grand Master in 2010, the highest honor one can attain in our field. In 2012 he was inducted as a member of the Science Fiction Hall of Fame, and he’s won virtually every major science fiction award. His most famous novels include The Forever War (1974), The Hemingway Hoax (1991) and Forever Peace (1997).

In 1981 he wrote the opening novel in a trilogy about life in an orbital habitat, Worlds. It was followed by Worlds Apart (1983) and Worlds Enough and Time nearly a decade later (1992). All three were shortlisted for the Locus Award. The Portalist calls the trilogy “an epic sci-fi saga… a masterclass in dystopian science fiction,” and last July they published an excerpt from the first novel to help promote the release of digital versions of all three books from Open Road Media. Here’s an excerpt from Xavier Piedra’s helpful recap of the whole series.

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Stories the Dogs Tell: Clifford D. Simak’s City

Stories the Dogs Tell: Clifford D. Simak’s City

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City by Clifford D. Simak. First Edition: Gnome Books, 1952.
Cover by Frank Kelly Freas (click to enlarge)

City
by Clifford D. Simak
Gnome Press (224 pages, $2.75 in hardcover, May 1952)

Clifford D. Simak was a Midwestern US newspaperman who wrote science fiction on the side, and published stories beginning in the 1930s in magazines like Wonder Stories until finding a home in John W. Campbell’s Astounding in the 1940s (and later Galaxy in the 1950s). City was his earliest significant work, published in 1952 but composed of stories published mostly in Astounding from 1944 onward. An enduring work, it won one of the very earliest awards for SF or fantasy, the International Fantasy Award, in 1953 (two years after Stewart’s Earth Abides, which I reviewed here in January, won the same award). It’s Simak’s most popular book along with his Way Station, published a decade later.

Gist

The book tells the future of humanity as it abandons cities for country estates and then moves off Earth to settle other planets, and in parallel the rise of an artificially created Dog civilization. By the end, humans have largely propagated outward to other planets, and Earth is left to the intelligent dog civilization, to whom these stories are myths.

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