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Sgt. Janus, Spirit-Breaker Carries on the Tradition

Sgt. Janus, Spirit-Breaker Carries on the Tradition

januscvr2163317_10150781784276920_117661766919_9778115_19571002_nThere is a longstanding tradition of occult detectives. Sheridan Le Fanu is generally considered the originator of the sub-genre with his chronicles of Dr. Martin Hesselius. Together with William Hodgson Hope’s Carnacki, Seabury Quinn’s Jules de Grandin, and Manly Wade Wellman’s John Thunstone, Dr. Hesselius’ cases are generally regarded as the finest examples of a continuing occult detective hero in the supernatural realm of mystery fiction.

Willie Meikle, Jim Butcher, and Simon R. Green are among the outstanding contemporary practitioners of the form. Now one may add Jim Beard and his creation of Sgt. Roman Janus to the list of occult detectives whose exploits are worthy of a larger audience. Beard is among the select group whose work is exclusively aimed at the niche market for New Pulp. Sgt. Janus, both as an original creation and as a literary work itself, raises the bar for Beard’s fellow authors to match the same exacting standard achieved here.

Janus, in Roman mythology, is the god of the gateway to the past and the future. So it is with Sgt. Janus, a character who provides the essential link between the astral plane and our own reality. The eight stories in this collection depict the character through the eyes of his clients. The device works brilliantly in giving the reader differing perspectives on the detective and his methods.

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Vintage Treasures: Science and Sorcery edited by Garret Ford

Vintage Treasures: Science and Sorcery edited by Garret Ford

science-and-sorceryA few days ago I mentioned Martin H. Greenberg’s impressive collection of paperback SF and Fantasy, and the three boxes of that collection I carted back from the Windy City Pulp and Paperback Show. Two are now incorporated in my library. I set aside roughly a dozen of the more interesting titles to talk about here, and the first one is Science and Sorcery, an anthology of pulp SF stories from 1978.

It was published by Zebra, a pretty low-budget outfit. So low-budget, in fact, that it doesn’t even have a table of contents.

Who publishes an anthology without a table of contents? That’s pretty edgy. A publisher desperate to save paper, apparently. The whole thing feels slapped together, from the introduction on the back of the title page to the oddly formatted first story, Cordwainer Smith’s “Scanners Live in Vain” (page 3).

Fortunately, science fiction fans are a diligent and industrious lot, and I found a complete TOC online (at the book’s Wikipedia page, believe it or not). Here it is:

  • “Scanners Live in Vain”, by Cordwainer Smith
  • “The Little Man on the Subway,” by Isaac Asimov & James MacCreigh
  • “What Goes Up,” by Alfred Coppel
  • “Kleon of the Golden Sun,” by Ed Earl Repp
  • “How High on the Ladder?” by Leo Paige
  • “Footprints,” by Robert E. Gilbert
  • “The Naming of Names,” by Ray Bradbury
  • “The Eyes,” by Henry Hasse
  • “The Scarlet Lunes,” by Stanton A. Coblentz
  • “Demobilization,” by George R. Cowie
  • “Voices from the Cliff,” by John Martin Leahy
  • “The Lost Chord,” by Sam Moskowitz
  • “The Watchers,” by R. H. Deutsch
  • “The Peaceful Martian,” by J. T. Oliver
  • “Escape to Yesterday,” by Arthur J. Burks

A pretty eclectic mix, to be honest. Can’t remember the last time I saw an anthology with fiction by Sam Moskowitz. Or James MacCreigh, Ed Earl Repp, Leo Paige, Robert E. Gilbert, George R. Cowie, John Martin Leahy, R. H. Deutsch, or J. T. Oliver, for that matter. I don’t want to say this anthology primarily consists of nobodies, but it looks like this anthology primarily consists of nobodies.

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Q&A With Tolkien and the Great War Author John Garth on Michael Martinez’ Middle-earth website

Q&A With Tolkien and the Great War Author John Garth on Michael Martinez’ Middle-earth website

tolkien-and-the-great-warAs a subscriber to the Mythsoc listserv, I was very grateful to find a link from Michael Martinez — proprietor of the fine Middle-earth.xenite.org website — to a recent interview conducted with J.R.R. Tolkien scholar, John Garth, author of Tolkien and the Great War: The Threshold of Middle-earth (Houghton Mifflin Company, 2003). It’s a fascinating read and worth checking out; you can find it here.

Some reviewers have dubbed Tolkien and the Great War the best book on Tolkien that has yet been written. I wouldn’t go that far (for the record that book is Tom Shippey’s The Road to Middle-earth) but it is arguably the best book on Tolkien in the last decade. While Humphrey Carpenter’s biography is still the seminal work on the life and times of Tolkien, it brushes only lightly over his military service. Tolkien’s experiences with the Lancaster Fusiliers are stamped all over The Lord of the Rings, as Garth ably demonstrates in Tolkien and the Great War, and so any complete understanding of the influences of Tolkien’s works must account for his World War I experiences.

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Star Trek is New Again With Fresh Animated Intro

Star Trek is New Again With Fresh Animated Intro

Our buddy John DeNardo at SF Signal tells us about this extremely cool re-imagining of the original Star Trek intro, with William Shatner’s famous voice over… and some very compelling animation.

Keep your eye out for a red shirt who buys it half a second after beaming down, right around the 20 second mark.

The video was produced by The Quintek Group, a digital retouching studio in the Detroit area.

I got seriously nostalgic watching this. It makes me want to blow the dust off my DVD box set of Star Trek Season One and enjoy a few episodes.

Thanks, John. Owe you one.

Goth Chick News: Fed Says No Zombie Apocalypse; But Bullets Available Just In Case

Goth Chick News: Fed Says No Zombie Apocalypse; But Bullets Available Just In Case

image0061When we here at Goth Chick News predicted that “zombies were the new vampire,” we meant it as an entertainment trend, not a doomsday prophesy. But lately all of us here in the underground bunker are a just a tad bit grateful that our offices are in the bowels of Black Gate headquarters where we could conceivably hole up for several weeks, sustained by a stash of Pop Tarts and Patrone.

Because the reanimated dead are in mainstream news a little more often than we’re comfortable with lately.

Beginning with the horrific face-eating arrest in Miami, followed by several other seemingly subhuman acts, there’s been a flesh-munching wave of terror. We’re not the only ones wondering what’s behind it.

A bona fide zombie apocalypse, however, is not what we should be worried about, at least according to the federal government.

Wow… feeling better already.

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The Retro Pulp Art of Tim Anderson

The Retro Pulp Art of Tim Anderson

blade-runner-pulpWe love pulp fiction. And we love classic SF & fantasy movies.

So what’s not to love about Tim Anderson’s re-imaginings of classic SF films as pulp paperbacks?

Anderson is a concept designer for Electronic Arts in Salt Lake City. He’s also worked as a concept designer for Paramount Licensing, Inc., Radical Comics, and various independent filmmakers.

He’s started working on a personal side project that he hoped would motivate him “into thinking more graphically,” a series of highly detailed period paperback covers for some of the most famous SF films of the 20th Century.

Here’s what he says about his Blade Runner piece at right (click for a bigger version):

If you haven’t guessed by now, I’m a huge sci-fi fan, and a huge fan of Ridley Scott. Here’s a pulp cover I have had in the works off and on for a while now. I was inspired by the detective pulp covers of Robert McGinnis. If ever there was a sci-fi movie that lent itself well to a detective pulp cover, it’s Blade Runner.

Anyone who’s a fan of the great Robert McGinnis is okay by us.

Check out Tim Anderson’s versions of Alien, The Matrix and others here.

Art of the Genre: The Usual Suspects

Art of the Genre: The Usual Suspects

You want Larry Elmore, I've got Larry Elmore!
You want Larry Elmore, I've got Larry Elmore!

You all know I’m a total art geek, right? I mean, that should be plainly obvious simply by the titles of the blogs I write. To me, the nature of art is tied into my DNA, and although I don’t practice it myself, I certainly find untold joy in the viewing.

I’ve written before about my early years and the influence fantasy art had on me during those times. Without book covers, I’d simply have never begun reading, and therefore my choice of profession would have changed from writer to ornamental iron retailer. Certainly selling, installing, and designing ornamental iron isn’t a bad profession, and there is money in it if the markets are right, but I can’t help but feel a sadness when I consider the joyless toll such a career would have taken on me.

So, instead of being financially secure and responsible, I’ve somehow found myself in L.A. as a writer, editor, and jack-of-all-traders literary amalgamation. All this, because of art, and more particularly the art of old school TSR’s Advanced Dungeons & Dragons.

If the above is the keystone to my existence, then I fervently hold to it as all that is meaningful in my professional life. That said, I find the 1980s, in particular, an untold inspirational period, no matter how silly our clothing choice may have been during that decade.

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The Burnham Society

The Burnham Society

the-burnham-society-logoThe premise of this podcast series is that tourists came from as far as the Faerie Kingdom and Hell to visit the 1893 Chicago World’s Fair and, once it was over, decided to stay. These sub-cultures continued to co-exist with every other immigrant community in Chicago, integrating just enough to go unnoticed by most people. The Burnham Society was established to intervene in those situations where the sub-cultures don’t peacefully co-exist. The organization is perpetually trying to maintain its lofty goals while dealing with petty day-to-day politics (much like its namesake, architect Daniel Burnham).

The posts (which normally run between seven and eight minutes) are smart, funny and surprisingly touching. We learn why you should never clap for Tinkerbelle, how demons get their restaurant licenses, all the reasons you shouldn’t seek immortality and various other tidbits of secret history and magical advice. Rowan Bristol, the narrator and reluctant book-seller, presents himself as a surly and impatient guide through supernatural Chicago; but there is an undercurrent of optimism in every post. My favorite so far may be episode four (You Are Not the Chosen One), which begins as a snarky deconstruction of the Harry Potter series, but becomes something subtly beautiful and, in many ways more empowering than JK Rowling’s amazing series (brief aside: Does anyone else get the impression that Rowling originally intended Hermione Granger to be the main hero of the books?) The most recent post (Molly and the Dragon by Steven Fluet) is a wonderful short story about how anyone can find magic.

You can find all of the podcasts on the Burnham Society home page or iTunes. You can also learn more about the Burnham Society on its Facebook page. Hopefully, some of you will be inspired to follow Daniel Burnham’s advice and make no small plans.

Drinking Atlantis, No Chaser: Conan the Barbarian (2011) Blow-by-Blow & Play-by-Play

Drinking Atlantis, No Chaser: Conan the Barbarian (2011) Blow-by-Blow & Play-by-Play

conan-poster-1I have a week-long break between summer movie reviews, the gap between Prometheus and Brave, so I have chosen to return to Ghosts of Summer Pasts. Not long past. Just last year. Ladies and gentlemen, Hyborians and Hyrkanians, the 2011 Conan the Barbarian! [Insert tepid Monty Python and the Holy Grail “yeah!” here.]

Many movie websites do play-by-play reviews, essentially a one-post blog-thru of a film, providing comments along with time stamps. I’ve wanted to try my hand at this for years, and this short summer break opened up the opportunity to exercise this review format on an awful film that sword-and-sorcery fans don’t want to talk about. But if I can find a way to wrench some entertainment from the Blu-ray of this movie (yes, I bought it — but used at a bargain price), then let it be so.

It was August of ’11 that saw the release and immediate flop of the Marcus Nispel-directed Conan the Barbarian. Critics savaged the movie, but most fans of Robert E. Howard saw the dire writing in the ancient language of Acheron on the wall long before the release. I gave up hope for the movie when I heard that Nispel was attached to it. Nothing I had seen of the man’s previous work indicated he had any notion of theme or subtlety — or even how to stitch together a comprehensible action scene. The guy came across as a refugee from an awful ’80s metal band who decided to get into directing so he could show “awesome!” stuff on screen. In other words, he was picked for the job because of a superficial resemblance to sword-and-sorcery, not because the man has any affinity for filmmaking or Robert E. Howard.

The casting of Jason Momoa met skepticism when first announced, but among all else that went awry with Conan the Barbarian, Momoa was one thing that went right. More about that on the play-by-play.

I enjoyed the movie more this second time viewing it, but that isn’t because I found any new appreciation for it. Conan ’11 works simply better on home video, where its limited scope and poor VFX feel more appropriate. Also, watching at home meant I could take breaks to go get a drink or read Shakespeare or call my sister in Munich. I could live my life around the film, and the film benefits from my ability to ignore it whenever I want to. The only downside to home video is that the 3D in the theater, terrible as it was, did hide some of visual flaws and clunky special effects.

Okay, queue up your disc or streaming or whatever, and let’s drink Atlantis….

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The Best of Modern Arabian Fantasy, Part V: Saladin Ahmed and Throne of the Crescent Moon

The Best of Modern Arabian Fantasy, Part V: Saladin Ahmed and Throne of the Crescent Moon

imagesSaladin Ahmed‘s been very, very busy as his career takes off after the success of Throne of the Crescent Moon, the first novel in an exciting new Arabian fantasy series that received starred reviews from Kirkus, Publishers Weekly, and Library Journal, so I was lucky that he was able to take the time for an interview.

I always try to fake up some confidence in an interview and not think of how famous or talented my subject is, so imagine my horror when I got the answers back and found I’d mistyped the title for his book in the questions. I’d planned them carefully and had his book open as I wrote them, but used an abbreviation of the title from my notes.

I can only speculate about the fingernails on a chalkboard feeling Saladin had while answering questions from some random woman who sounded like she barely knew what she was talking about, but he was gracious. At least I didn’t misspell his name.

Read on for some tantalising hints about his next two books.

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