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What I’m Watching – April 2022

What I’m Watching – April 2022

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Outer Range

A couple weeks ago, I did a post on the marvelous, no longer with us, Terry Pratchett. That included a British miniseries for The Color of Magic, which freely adapted parts from the first three novels. Starring Sean Astin and Tim Curry, I liked it.

Then last week, I did an in-depth look at three USA Network shows which I liked, from the glory years. Monk, Psych, and Burn Notice. So, while I’m in this kind of mood, figured I’d talk about some of the stuff I’m streaming/watching lately as well. I don’t actually watch ANY network television any more. I think Moms was the last show I tuned in to. I did like The Unicorn, with the amazingly talented Wilton Goggins (Justified), but just sort of drifted away from that. I do want to get back on board with Nathan Fillion’s The Rookie.

Oh well – between Prime, current streaming shows, and my DVD collection (it’s always Bogie time!), don’t feel like I’m missing anything.

This is an Amazon Original, dropping episodes weekly. It stars Josh Brolin. I’m a fan of both him and his dad – they do rugged SO well. Being a Robert E. Howard fan, I’m familiar with the Weird Western sub-genre. And this one is also a crime show – sort of. Six of eight episodes have dropped.

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When USA was Kicking the Major Networks’ Collective Butts!

When USA was Kicking the Major Networks’ Collective Butts!

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In the early 2000’s, for about a decade and-a-half, USA Network was cranking out quality shows. For some programming, they were a viable competitor to the big four. In those pre-streaming days, I faithfully watched each week. And in the past year, I’ve discovered a couple I didn’t watch the first time around. I decided it’s time to talk about a few of them. So here’s the first of a two-parter, looking at some of those great USA Network shows.

MONK (2002 – 2009)

How have I never written a stand-alone about Monk for Black Gate? That needs to be rectified in 2022! This is the show that put USA on the original programming map. Tony Shaloub’s defective detective just grew in popularity each season. The series finale, when aired, had the highest rating of any hour-long drama series on basic cable.

Shaloub is Adrian Monk – formerly a brilliant detective for the San Francisco Police Department. He was a bit obsessive-compulsive, but it was manageable. Barely. But then his wife, Trudy, is killed by a car bomb, and his OCD goes extreme. He ends up discharged by the police department. He can’t solve the murder, and it eats at him. He can’t do what he’s best at, to fix the biggest issue in his life.

His former partner, Captain Leland Stottlemeyer, is now chief of police, and he occasionally hires Monk to consult on tough cases. Lieutenant Randy Disher is his right hand. Stottlemeyer is competent, and Disher is brave; but they’re not brilliant. That’s where Monk comes in.

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Exploring Modern Pulp: Royal Road and the Web Novel

Exploring Modern Pulp: Royal Road and the Web Novel

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Image courtesy Royal Road

“Web novels?” you say. “What are those?”

They’re exactly what you think they are; novels written and published on the internet, free to read. They’re more common than you think. What may surprise you about this community of writers and readers is not only the writers themselves, but the abundance of readers who support them financially.

I think many folks here have probably heard of places like Wattpad, the web publishing platform where writers post their novels — though over in that corner most of the content is YA and romance. I can’t say much about Wattpad because I’m not a reader or writer over there, though I know agents crawl around looking for new authors to publish in traditional media.

I’m here to talk about a different platform, and more specifically, the modern pulp writers who publish there. It’s called Royal Road, where writers publish fantasy novels.

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Invasion! The War of the Worlds by H.G. Wells

Invasion! The War of the Worlds by H.G. Wells

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Across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.

One hundred and twenty-five years after its first publication, H.G. Wells’s The War of the Worlds (serialized 1897, published 1898) remains a brutally effective tale of alien invasion and a critique of imperialism. I can’t remember how young I was when I read it for the first time, but I totally missed the anti-imperialism angle, even though it’s spelled out quite explicitly. Instead, like most readers I’ll bet, what got me were the Martians landing meteor-like in Surrey, the heat ray, and, above all else, the Martian war machines; the great metal tripods. In fact, when I first saw George Pal’s 1953 movie version, I was outraged (and I still am) that he cheaped out and turned Wells’ tripods into legless, floating discs.

Along with Jules Verne, H.G. Wells is responsible for turning science fiction into a popular genre. While Verne seemed more concerned with cool technology, Wells’s literary imagination turned to the big ideas of his age: evolution, class, imperialism, among others. His early run of novels — The Time Machine, The Island of Doctor Moreau, The Invisible Man, and The War of the Worlds — are some of the most iconic and influential novels, let alone science fiction novels, of all time. They’ve been filmed numerous times and inspired hundreds of other books. Each one of them is absolutely worth your time (and, hey, they’re all free on Project Gutenberg).

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New Treasures: Frolic on the Amaranthyn by Chase A. Folmar

New Treasures: Frolic on the Amaranthyn by Chase A. Folmar

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Frolic on the Amaranthyn (Sable Star Press,4/6/2022). Cover art by Goran Gligović

Frolic on the Amaranthyn will be published by Sable Star Press on April 6th, 2022. It is 130 pages, priced at$7.99 paperback and $2.99 in digital formats (available soon from Amazon, Barnes & Noble, and others).  Cover art by Goran Gligović. This post announces the release and previews excerpts.

Chase A. Folmar has been demonstrating his command of Weird Fiction, Sword & Sorcery (S&S), and the English language in various short fiction entries (primarily via Whetstone: Amateur Magazine of Sword & Sorcery & Witchhouse: Amateur Magazine of Cosmic Horror online magazines). This novella, Frolic on the Amaranthyn, seems to be his print debut. If you are not familiar with his previous work, you may misconstrue the contents from the title as being a fantasy romance (which it is not; and, you can check out his stories in Whetstone #1 #2 #4 or Witchhouse #1).
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More From Pathfinder’s Lost Omens Setting

More From Pathfinder’s Lost Omens Setting

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Since Pathfinder Second Edition is a complete revamp of the Pathfinder rules system, they have balanced supplement releases that focus on the rules with those that provide Second Edition expansions of their Lost Omens setting on the planet of Golarion. That setting has been explored in depth by Paizo for over a decade, in supplements for D&D 3.5 that predated the release of Pathfinder First Edition, so they have a large foundation to build upon with new setting material for Second Edition.

While some of those – like Lost Omens: Gods and Magic and the Lost Omens: World Guide – have had a lot of mechanics that can be incorporated into game play, their main focus is narrative, providing setting information that Gamemasters can use in planning out a story set in the world of Golarion. Their two most recent supplements in the Lost Omens line have focused a bit more on the narrative.

In Absalom: City of Lost Omens (Paizo, Amazon), the emphasis is on a single city. The “city at the center of the world,” Absalom is the largest, most cosmopolitan city in the entire Lost Omens setting. A variety of adventures and scenarios have been set there, including the entire Agents of Edgewatch (Paizo, Amazon) adventure path, so there’s no shortage of previous material for them to draw on in this 400-page tome about the city. …

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Nero Wolfe’s Brownstone: Stay at Home – Days 40 & 41

Nero Wolfe’s Brownstone: Stay at Home – Days 40 & 41

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So, in 2020, as the Pandemic settled in like an unwanted relative who just came for a week and is still tying up the bathroom, I did a series of posts for the FB Page of the Nero Wolfe fan club, The Wolfe Pack. I speculated on what Stay at Home would be like for Archie, living in the Brownstone with Nero Wolfe, Fritz Brenner, and Theodore Horstmann. I have already re-posted days one through thirty-nine. Here are days forty (April 30) and forty-one (May 1). It helps if you read the series in order, so I’ve included links to the earlier entries.

Day Forty– 2020 Stay at Home

Saul called today. The governor announced that he was releasing some prisoners due to excessive coronavirus exposure in the prisons. And as Lon had predicted, Arthur Goldstein was one of them. Wolfe had brought Saul in late in the case to try and get him for killing the guard. Saul, who rarely comes up short, and hates doing so even more than I do – if that’s possible – hadn’t been able to get what we wanted.

“Instead of him getting the chair, he’s going home.”

“Yeah. That’s an itch I’d like to scratch.”

“Maybe we’ll get lucky and he’ll do something stupid, now that he’s out,” Saul mused.

“That would be an early birthday present.”

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B is for Bradbury

B is for Bradbury

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R is for Rocket (Bantam, 1965, cover by Paul Lehr), The Golden Apples of the Sun
(Bantam, 1970, cover by Dean Ellis), Long After Midnight (Bantam, 1978, cover by Ian Miller)

June 5, 2022 marks the 10th anniversary of the death of Ray Bradbury, one of the greatest speculative fiction writers of all time. It’s fair to say that no author has positively affected my path into reading, and subsequently writing, to the extent that he did. Through this four-part series, I hope to convey some of the joy and wonder that Bradbury instilled in me and so many others, by revisiting a selection of his short stories that have continued to resonate with me throughout the years. Disclaimer: I don’t profess that my selection are his greatest tales, no matter what your definition of the term, but they hold a special place in my pantheon of stories, and I hope they will be worthy of your time.

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Slapdash Slapstick: Ron Goulart, January 13, 1933 – January 14, 2022

Slapdash Slapstick: Ron Goulart, January 13, 1933 – January 14, 2022

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Ron Goulart in 2009

Contrary to popular opinion, comic science fiction didn’t start and end with Douglas Adams and The Hitchhiker’s Guide to the Galaxy. The humorous mode has a long and honorable history, exemplified by writers like Stanislaw Lem, Harry Harrison, R.A. Lafferty, Frederic Brown, Robert Sheckley… and Ron Goulart.

Ron Goulart, who died on January 14th, a day after his eighty-ninth birthday, was an insanely prolific science fiction and mystery writer, especially in the 70’s and 80’s, when he wrote over one hundred novels, many of them pseudonymous entries in various “copyrighted character” series such as The Avenger, Flash Gordon, Vampirella, and The Phantom. These productions are about what you would expect — professional, work-for-hire potboilers written at high speed for the sole purpose of keeping the refrigerator stocked and the gas and electricity on. Hack work, in other words.

He was also William Shatner’s ghostwriter on the actor’s TekWar books; what would you give to have been a fly on the wall during their story conferences? “What do you think of this idea, Ron?” “It’s dead, Bill.”

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Galactic Magic for Starfinder

Galactic Magic for Starfinder

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Since its inception, Paizo’s Starfinder RPG has been a science fantasy game. The deep melding of magic, science, and technology is built into the setting from the foundation, and classes like Technomancer and Witchwarper really exploit a mystical connection with scientific and technological knowledge. One of the major deities, Triune, is deeply tied artificial intelligence and computer technology. Many of the rulebooks released for the series have included magical devices and new spells.

Despite all of the emphasis on magic, though, Starfinder has not previously had a supplement fully devoted to magic. They’ve had a variety of technology-focused supplements like Armory, Starship Operations Manual, and Tech Revolution.  (Tech Revolution, it is worth reminding people, introduces mechs into the game. Seriously, look into it.)

The drought of magical supplements finally ends with the recent release of Starfinder: Galactic Magic (Paizo, Amazon), which sets the stage to add mystical flavor to the game.

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