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Why Evil Overlords Need to be Competent

Why Evil Overlords Need to be Competent

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56. My Legions of Terror will be trained in basic marksmanship. Any who cannot learn to hit a man-sized target at 10 meters will be used for target practice.

 (From The Top 100 Things I’d Do If I Ever Became An Evil Overlord by Peter Anspach)

We geeks love to laugh at the incompetent evil overlords of TV and cinema Fantasy. In the past we tolerated them because — like 1970s gays embracing their own particular reading of Batman — we were pathetically grateful for whatever bones mainstream culture deigns to toss our way. However, we never really put up with this in printed Fantasy.

Obviously, if the Evil Overlord does not exploit his every possible advantage, then we cease to believe in them (if they are so stupid, how come they got to be an Evil Overlord?). Our suspension of disbelief collapses, and we are catapulted out of the story.

However, there’s a deeper reason to reject incompetent Evil Overlords. They result in stories that teach false wisdoms with obnoxious implications.

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New Treasures: The Yard by Alex Grecian

New Treasures: The Yard by Alex Grecian

The Yard Alex Grecian-smallI’m always disciplined when I visit a bookstore. I go in, get what I came for, and leave. I look neither left nor right. Get in, get out, that’s my motto.

You’re right. I’m totally lying. I’m lucky if I even remember why I came to the bookstore by the time I get to the cash register. My arms are usually full, I have a dazed expression, and I’m no longer sure exactly where I am. Thank God the folks behind the counter recognize me by now. It saves a lot of time and embarrassment.

I usually stick to the SF and fantasy sections, but every once in a while something irresistible will cross my path. Something like The Yard, the start of a new gas-lamp mystery series by Alex Glexian, author of the popular Image comic Proof. A first glance The Yard doesn’t seem to include any of the gonzo steampunk action or bizarre characters of Proof — or indeed, anything overtly supernatural — but I find it very appealing nonetheless.

1889, London. Jack the Ripper’s reign of terror is finally over, but a new one is just beginning.

Victorian London — a violent cesspool of squalid depravity. Only twelve detectives — The Murder Squad — are expected to solve the thousands of crimes committed here each month. Formed after the Metropolitan Police’s spectacular failure in capturing Jack the Ripper, the Murder Squad suffers the brunt of public contempt. But no one can anticipate the brutal murder of one of their own…

A Scotland Yard Inspector has been found stuffed in a black steamer trunk at Euston Square Station, his eyes and mouth sewn shut. When Walter Day, the squad’s new hire, is assigned to the case, he finds a strange ally in Dr. Bernard Kingsley, the Yard’s first forensic pathologist. Their grim conclusion: this was not just a random, bizarre murder but in all probability, the first of twelve. Because the squad itself it being targeted and the devious killer shows no signs of stopping before completing his grim duty. But Inspector Day has one more surprise, something even more shocking than the crimes: the killer’s motive.

This is the author’s first novel. Grecian has already penned one sequel in what’s now being called the Scotland Yard’s Murder Squad series: The Black Country, released in hardcover in May of this year. The Yard was published in April 2013 by Berkley. It is 422 pages, priced at $16 in trade paperback and $9.99 for the digital edition.

Mysterious Paintings in the Donjon of an Italian Castle

Mysterious Paintings in the Donjon of an Italian Castle

Note the date next to the dove.
Note the date next to the dove.

When I visited the castle in Gorizia, Italy, the part that intrigued me most was the donjon. This cramped room is a grim little place with no window to the outside. It was used for several centuries and over the years bored prisoners decorated the walls and vaulted ceiling with drawings. Religious motifs, sailing ships, people, and a number of abstract shapes caught my attention.

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Merry Christmas from Black Gate

Merry Christmas from Black Gate

Black Gate Christmas Tree 2013-smallIt always gets quiet around the Black Gate offices at Christmas time. It’s a good time to let go of the daily hustle and bustle of running an online magazine, and reflect on the really important things.

People frequently ask me what Black Gate is all about. There’s so much to the story — fifteen issues of a terrific print magazine, hundreds of original stories, the new writers we’ve discovered, nearly 4,000 blog-posts since 2007 — but none of that really tells the story. No, I always say the same thing when people ask.

Black Gate? We’re a loose collective of writers and artists who care about fantasy. We work together to promote forgotten classics, and celebrate overlooked modern writers. And especially, to promote each other. Black Gate has helped launch the careers of some very talented writers, and that hasn’t changed since we switched to an online venue. Drop by if you’re interested in discovering some of the very best new and classic fantasy. I guarantee you, we’ll point you towards something that will delight you.

I’ve been running Black Gate since 2000, and I’ve never been prouder of the team who write, edit, and produce the magazine. We have some of the finest writers in the industry, and they work tirelessly week after week to keep you informed on a genre with hidden depths and constant surprises.

It’s been an incredible year for us. For a second year in a row, traffic has very nearly doubled. While we’re very proud of what we’ve accomplished, we know that the real engine of our growth has been you. You’ve been enormously supportive — with your comments, letters, and especially by spreading the word, and telling others about us.

So thank you once again, from the bottom of our hearts. On behalf of the vast and unruly collective that is Black Gate, I would like to wish you all Merry Christmas and Happy Holidays. Continue being excellent — it’s what you’re good at.

The Problem with Wonder Woman

The Problem with Wonder Woman

Gal Gadot as Wonder Woman-smallWonder Woman is my wife’s favorite superhero, and for good reason. The character is powerful, dynamic, and she isn’t afraid to throw down with evil villains. While I didn’t read the comic, I’m old enough to remember the television series with Linda Carter. I also knew the character from The Super Friends Saturday morning cartoon back in the day.

Every few years, rumors emerge from Hollywood about a Wonder Woman movie or show in the works. We hear about the possible casting choices, and then it goes away for a while. Meanwhile, movies about male superheroes are being churned out as fast as possible.

Recently it was leaked that actress/model Gal Gadot (left) might be cast as the legendary Amazon princess in the next Superman movie, and the internet went ape-poop.

At first I didn’t understand why. Then I read the various comments floating around, most of which had to do with Ms. Gadot being too skinny for the role. Which, of course, started debates about how much muscle mass she could pack on with the right trainer, comparisons to Hugh Jackson, et cetera and so forth.

At first, I thought to myself that it doesn’t matter who they cast; just making the @%#^$* movie. After all the travails this comic juggernaut franchise has encountered on its trek through Hollywood, I just want to see the ball rolling. Heck, it couldn’t be any worse than Daredevil or Green Lantern, right?

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Harpy’s Flight by Megan Lindholm (aka Robin Hobb)

Harpy’s Flight by Megan Lindholm (aka Robin Hobb)

oie_2355541zLiqR1TsBefore becoming the better known Robin Hobb, Mary Astrid Lindholm Ogden wrote under the pen name Megan Lindholm. Today, what little she writes under the Lindholm name tends to be contemporary fantasy. Initially, though, some of it came very close to heroic fantasy. Ogden’s first published story was a swords & sorcery tale under the Lindholm byline, in Jessica Amanda Salmonson’s important 1979 anthology Amazons!.

That first story, “Bones for Dulath,” introduced a pair of traveling adventurers: the stolid wagon driving Ki and her more lighthearted companion Vandien. In a review of Amazons! I wrote last year I said:

It’s not an especially exciting story but Ki’s voice and the easy camaraderie between the two feels real and comfortable. Ki and Vandien find themselves face to face with a strange, dangerous mountain creature and a town of people who’ve come to see it as a god. I’ve read a few of Lindholm’s novels under the Robin Hobb name and enjoyed them but they’re more mainline fantasy than this good slice of S&S.

In her first published novel, Harpy’s Flight (1983), Lindholm returned to Ki and Vandien to tell how they met and became companions. It’s not the work of heroic fantasy I was expecting based on “Bones for Dulath,” but instead something closer to the mainline fantasy of her Hobbs books. Still, it is good solid work, particularly for a first book. Lindholm/Hobb has a tremendous talent for creating truly strange, alien worlds and peopling them with multi-dimensional human characters, not simply hangers for a bundle of traits and quirks. That talent is beautifully displayed throughout Harpy’s Flight.

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The Top 20 Black Gate Fiction Posts in November

The Top 20 Black Gate Fiction Posts in November

The Black Fire Concerto-smallFor the second month in a row, our exclusive excerpt from Mike Allen’s dark fantasy novel The Black Fire Concerto tops our fiction charts. Those interested in more from the book can listen to our own C.S.E. Cooney read from Chapter One, in a lengthy podcast at HauntedStars.com.

Last month’s third place holder, Dave Gross’ Pathfinder Tales: King of Chaos, moved on up into second place this month. You folks certainly enjoy novel excerpts.

In third place was Mark Rigney’s “The Find,” part of his perennially popular Tales of Gemen series; fourth was E.E. Knight’s “The Terror in the Vale,” his second tale of The Blue Pilgrim, following “That of the Pit.”

Rounding out the Top Five was Vaughn Heppner’s brand new Lod story, “Draugr Stonemaker,” the sequel to “The Oracle of Gog” (Black Gate 15), “The Pit Slave,” and “The Serpent of Thep.”

Also making the list were exciting stories by Joe Bonadonna, John C. Hocking, Martha Wells, Alex Kreis, David C. Smith, Nina Kiriki Hoffman, Howard Andrew Jones, Aaron Bradford Starr, Jamie McEwan, Michael Shea,  Peadar Ó Guilín, Janet Morris and Chris Morris, and David Evan Harris.

If you haven’t sampled the adventure fantasy stories offered through our new Black Gate Online Fiction line, you’re missing out. For the past year we’ve presented an original short story or novella from the best writers in the industry every week, all completely free. Here are the Top Twenty most-read stories in November:

  1. An excerpt from The Black Fire Concerto, by Mike Allen
  2. An excerpt from Pathfinder Tales: King of Chaos, by Dave Gross
  3. The Find,,” Part II of The Tales of Gemen, by Mark Rigney
  4. The Terror in the Vale,” by E.E. Knight
  5. Draugr Stonemaker,” by Vaughn Heppner
  6. The Moonstones of Sor Lunarum,” by Joe Bonadonna
  7. An excerpt from Pathfinder Tales: Queen of Thorns, by Dave Gross
  8. Vestments of Pestilence,” by John C. Hocking
  9. The Death of the Necromancer, a complete novel by Martha Wells
  10. The Renunciation of the Crimes of Gharad the Undying,” by Alex Kreis

     

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Skyfall: In Which a Pulp Hero Meets the 21st Century

Skyfall: In Which a Pulp Hero Meets the 21st Century

Skyfall_wallpaper1 Let me offend as many readers as possible right at the start by stating that Daniel Craig is the best James Bond the screen has yet known. The man is equal parts chiseled granite and lithe predator; he has charm, but he withholds it whenever possible, forcing us to catch it on the sly, as if we’re at a peepshow. Nobody in movies today looks better in a suit.

Yes, Sean Connery was great, but the role of Bond requires a greater world-weariness than Connery, at least in his nineteen-sixties roles, could bring. Roger Moore brought out 007’s upper-crust prep school tastes, but he was never believably dangerous; he actually needed Q’s endless gimmicks to survive, as Craig surely does not. The various Bond inhabitors since have filled the shoes without fleshing out the man. Only Craig does justice to the flinty, ruthless public servant that Ian Fleming originally envisioned, without reducing the character to a dusty fifties history text: Cold War Tactics 101, With Style. Daniel Craig makes 007 both contemporary and relevant.

Skyfall (2013) opens with a shot of an approaching figure, out-of-focus, stalking down a dim corridor. When the figure gets close enough, the image locks on at last: it’s Bond, of course, weapon in hand, but the initial blurriness is central to the film. Skyfall presents James Bond between epochs, uncertain of his exact identity and purpose. Is he still a tool of the Cold War establishment, of traditional spy vs. spy operations, or does the world now require him to be something new? To be (as he is in the extraordinary credits sequence) reborn?

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The Weird of Oz Wraps Up Christmas Shopping

The Weird of Oz Wraps Up Christmas Shopping

12d9_dungeons_and_dragons_clue_boxSince geek culture has pretty much overtaken popular culture these days, any visit to the local shopping mall comes inundated with looming dragons, flashing robots and space vehicles, menacing creatures from myth and legend, superheroes of every stripe, and a certain familiar blue police callbox. Now that I have kids of my own, Christmas shopping is really interesting…

Okay, I’ll confess: my gift purchases sometimes tend to be of the “Oh man when I was that age I would’ve loved this!” variety. My wife chides me about how my daughter’s tastes are starting to slant away from superheroes and monsters and toward Barbie and Polly Pocket.

I have a son, too, but he’s still just two, so some of the coolest toys just aren’t age appropriate for him yet. My daughter, on the other hand…

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New Treasures: Tales From Rugosa Coven by Sarah Avery

New Treasures: Tales From Rugosa Coven by Sarah Avery

tales-from-rugosa-coven-Avery-smallUnless you’ve ever been a submissions reader, I don’t think you can truly appreciate what it was like to discover Sarah Avery in the slush pile.

The story in question was “The War of the Wheat Berry Year,” a slender and deceptively simple fantasy in which The Traitor of Imlen finds she must face her old instructor on the battlefield at last. After a long day reading amateur tales about unicorns, knights slaying dragons, and teenage girls with vampire boyfriends, it was a revelation — packed with a rich and fascinating back story, subtle characterizations and, like all the best fantasy, the tantalizing sense that you were being given the briefest window into a wider tale.

I bought “The War of the Wheat Berry Year” for Black Gate 15, where it won acclaim from Keith West at Adventures Fantastic and other sites. And believe me, I kept a weather eye out for future work from Sarah.

So I was delighted when my copy of Tales From Rugosa Coven arrived last week. Rugosa Coven shows off Sarah’s talents with a collection of three linked novellas of contemporary fantasy focusing on a coven of modern witches living on the Jersey Shore. If you’re eager to find the next big name in fantasy, do yourself a favor and order a copy today.

Catch a glimpse of a New Jersey even weirder than the one you think you know, as a covenful of very modern Wiccans wrestle challenges both supernatural and mundane — and, occasionally, each other.

The personal injury attorney who chose kitchen-witchery over his family’s five-generation lineage of old school ceremonial magic would like to miss his dead parents, only now that they’re dead they won’t leave him alone. The professional fortuneteller stands out at forty paces, with her profusion of silver amulets glittering over her Goth wardrobe, but nobody has guessed her secret sorrow, especially not the covenmates who see her as their wacky comic relief. And the resident skeptic, a reluctant Pagan if ever there was one, will have to eat her words if her coven sister’s new boyfriend really does turn out to be from Atlantis.

The Jersey Shore’s half-hidden community of Witches, Druids, and latter-day Vikings must circle together against all challenges. It’s a good thing they’re as resilient as the wild rugosa roses that hold together the dunes.

Tales From Rugosa Coven was published by Dark Quest on December 21, 2013. It is 341 pages, priced at $15.95 in trade paperback.