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You Can’t Go Home Again: The Annotated Sword of Shannara: 35th Anniversary Edition by Terry Brooks

You Can’t Go Home Again: The Annotated Sword of Shannara: 35th Anniversary Edition by Terry Brooks

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oie_1203939lEtutubTOnce upon a time, said the storyteller, a band of brave travelers set off into the wilderness in desperate hope of destroying a mighty dark lord. The only thing that could destroy the villain was a single magic talisman wielded by one specific young man. Along the way they were beset by enemies known and unknown and eventually became separated. Some continued on the original quest while others decided to warn their allies in a mighty walled city of impending attack.

In the end, the young hero, after confronting his own inner demons, defeated the villain. At the same time, the walled city staved off defeat long enough that it could be saved by the propitious arrival of an ally’s army. The world was set right.

“Stop! Stop!” cried some in the audience. “We already know this one!”

“Shut up!” yelled others. “We liked it before and we like it this time too!”

The storyteller said, “I know you’ve heard it before, but I’m telling it my own way and I think you’ll like it.” Much of the audience cheered.

In the back of the room, a man and a woman smiled and smelled success.

In 1977 when I was eleven, I, along with hundreds of thousands of others, was part of the group that yelled “Shut up!” For us it didn’t matter that chunks of Terry Brooks’ The Sword of Shannara read like he’d simply xeroxed The Lord of the Rings, sped it up, and stripped out the hard parts, songs, and poetry. So what if the Skullbearers bore an uncanny resemblance to the Ring Wraiths and the city of Tyrsis to the city of Minas Tirith? Did it matter that gnomes were suspiciously like orcs? That the whole point of the book was to get a single young man into the dark lord’s kingdom and bring him down with a certain magic item? Heck no! We loved the first iteration of those things and wanted them all over again. We were happy to read even a slavish imitation of LotR. I read the book in about three days. At over seven hundred pages it was the longest book I had read to date. One friend stayed in his room and read it in a day.

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The Top 50 Black Gate Posts in September

The Top 50 Black Gate Posts in September

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The Book AwardsJay Maynard’s “A Proposal: An Award for SF Storytelling” was the most popular post on Black Gate last month. It’s been read over 30,000 times since September 10th, and garnered nearly 500 comments. If there’s a topic BG readers really care about, it’s clearly SF awards.

The #2 post on the list was our look at the breakout success of Cixin Liu’s novel The Three-Body Problem, the first Chinese-language novel to win the Hugo Award. #3 was Guy Windsor’s very first contribution to Black Gate, “Tips on Writing a Great Swordfight from a Professional Swordsman.”

Rounding out the Top Five for September were Scott Taylor’s Art of the Genre Kickstarter essay, “Why I Hate Stretch Goals and You Should Too,” and Jay Maynard’s report on game designer Ken Burnside’s experience as a Sad Puppy at the Hugo Award ceremony, “Ken Burnside Tells the Hugo Story from the Inside.”

Our Top Ten posts last month also included articles by M. Harold Page (“Conan is My Spirit Guide”), Neil Clarke on “The Sad Truth About Short Fiction Reviews,” William I. Lengeman III defending Children of Dune, Sarah Avery’s “How One Award-Winning Author Thinks About Awards,” and a detailed look at the classic Durdane Trilogy by Jack Vance.

The complete list of Top Articles for September follows. Below that, I’ve also broken out the most popular blog categories for the month.

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The Public Life of Sherlock Holmes: Frederic Dorr Steele

The Public Life of Sherlock Holmes: Frederic Dorr Steele

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Colliers Black PeterBack in July, in a post on Sidney Paget, I wrote “Along with Frederic Dorr Steele, Paget is certainly one of the two most significant illustrators of the great detective.” Having covered Paget, now we look at Dorr Steele.

In 1893, Doyle, feeling that writing Holmes stories was holding him back from more important works, did the unthinkable: he killed the world’s most popular detective. In 1902, he revived Holmes for one adventure in his most famous story, The Hound of the Baskervilles, with good old Sidney Paget illustrating again. Doyle made it clear this was an earlier case of Holmes’ and that the great detective was, in fact, still dead.

The stories from The Adventures of Sherlock Holmes and The Memoirs of Sherlock Holmes had been illustrated by various artists in America, where they appeared in different magazines and newspapers. There was no sole source for the stories, as there was in England with The Strand. For the most part, the drawings were rather uninspired

Some of Paget’s were also used, but often just a few, not the full set for each story. Thus, a common image of Holmes had not evolved from the drawings. There was no Sidney Paget in the United States. But there was about to be!

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Things Your Writing Teacher Never Told You: Choosing Your Narrative Point of View, Part 2: Who is Your Point of View Character?

Things Your Writing Teacher Never Told You: Choosing Your Narrative Point of View, Part 2: Who is Your Point of View Character?

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point-of-view

This is Part 2 in the Choosing Your Narrative POV Series.

Who is Your Point of View Character?

It Might Not Be Your Protagonist. The most common POV choice, particularly for short stories, is for the protagonist to be the POV character. Stories of this type can be written in 1st Person, or Tight Limited 3rd. (More on these terms later in this article.) In very rare cases, they can also be told disguised in 2nd Person.

Your protagonist is the one facing the problem and must be the one who takes the final action that solves the problem and saves the day.

It often makes sense for the protag to be the POV. But there are times when an author chooses to use a sidekick or an observer as the POV character, even when choosing to write the story in 1st Person.

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Discovering Robert E. Howard: Morgan Holmes on Armies of the Hyborian Age: The Cimmerians

Discovering Robert E. Howard: Morgan Holmes on Armies of the Hyborian Age: The Cimmerians

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Morgan_AxBecause of REH’s broad diversity in writing, there are a multitude of areas to explore. And as you know from our ‘Discovering Robert Howard’ series, there are a lot of folks who write excellent stuff on so many different areas. Another example is today’s poster, Morgan Holmes. If you’re interested in what I think of as ‘military stuff and Conan,’ he’s writing what you want to read. Like this post!

The Cimmerians are one of the great barbarian peoples of the Hyborian Age. They are also off stage in the Conan stories, though they figure prominently in “The Hyborian Age” essay. Putting together an idea how the Cimmerians fought and perhaps how they looked is a bit of detective work and some supposition.

Robert E. Howard’s Cimmerians are descendents of refugees from Atlantis. From the Kull stories, the Atlanteans are a vigorous, warlike people. In a death grip with the Picts after the Cataclysm, they sink to apedom and then work their way back to barbarism from a sub-savage bestial existence. Tall, dark-haired, with blue or gray eyes, you can see the same type in Ireland today.

Cimmeria itself is described in the first version of “Phoenix on the Sword:” “It is all of hills, heavily wooded, and the trees are strangely dusky, so that even by day all the land looks dark and menacing.”

There is mention of cold winds and snow. Cimmeria is a hard land that breeds a hard people. Natural selection has produced a tough people inured to hardship. Names of Cimmerians given are all Gaelic. The Irish and Highland Scots are the pure blooded descendents of the Cimmerians thousands of years later according to “The Hyborian Age.”

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Hey! Let’s Not Get TOO Cozy

Hey! Let’s Not Get TOO Cozy

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Tooth and Claw Jo Walton-smallLast time I wrote about cozy mysteries and whether we might have the equivalent subgenre in Fantasy or SF, and I got a couple of suggestions among the comments that intrigued me more than a little. Now obviously, our version of such a thing wouldn’t have the same conventions and elements as the cozy mystery – there likely wouldn’t be a murder, for one thing – and fellow BG blogger Sarah Avery reminded me of a cozy convention I’d forgotten, that the protagonist is never in any real danger. That doesn’t hold true for any subgenre of either Fantasy or SF, where every character is playing for keeps. As readers, we might feel sure that the main character(s) won’t die, but we often find that living has cost them a great deal.

So, are there Fantasy and SF equivalents to the cozy mystery?

One suggestion we batted around a little was the idea of the “intimate” Fantasy novel. This would be one in which the personal stakes might be very high, but in which the global stakes are minor, or don’t exist at all. This is less unusual for our genres then it used to be.

Just by chance the novel that reached the top of my to-be-read pile most recently was Jo Walton’s Tooth and Claw. I don’t know why it’s taken me so long to get to this one, but I’m now recommending it to anyone who holds still long enough – including you. Right from the start, as you can see from the cover art I’ve included, the novel has been compared to Jane Austen’s Pride and Prejudice, and in that manner, it’s certainly “intimate” in the sense that we’re talking about.

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Peter Tremayne’s Dracula Lives Trilogy Revisited

Peter Tremayne’s Dracula Lives Trilogy Revisited

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NOTE: The following article was first published on February 14, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 250 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

Dracyla UnbrnNurceaIt has long been my contention that pulp fiction not discovered by age thirteen was beyond my ability to appreciate later in life. A certain amount of nostalgia seemed essential to enjoying such escapism once age and responsibility have got the better of you. There are, of course, exceptions to this rule in the rare instances where genuine literary talent is in evidence as is the case with the Holy Trinity of hardboiled detective fiction: Dashiell Hammett, Raymond Chandler, and Ross Macdonald. Given that I recently covered Bram Stoker’s Dracula, I decided to revisit Peter Tremayne’s three Dracula novels and one short story that I enjoyed so much as a teenager to see how they held up three decades on.

Peter Tremayne is best known today for his long-running Sister Fidelma mysteries. His medieval detective series is sort of a lightweight version of an Umberto Eco doorstop. Although Tremayne’s real world credentials are quite impressive as both an academic and scholar, his fiction is strictly populist in its appeal. Turn back the clock 40 years and one would find Peter Tremayne as a dedicated pulp pastiche writer trying his hand at extending the lifespan of H. Rider Haggard’s She, deliriously combining Shelley’s Frankenstein with Conan Doyle’s Hound of the Baskervilles, and delving deep into Stoker’s Dracula for a trilogy of loosely connected titles published by Bailey Brothers in the UK.

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How I Learned to Stop Worrying and Love Dungeons & Dragons 5th Edition

How I Learned to Stop Worrying and Love Dungeons & Dragons 5th Edition

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Dungeons and Dragons Player's Handbook Fifth EditionThe newest edition of Dungeons & Dragons, 5th edition, recently passed its one-year anniversary. Though I reviewed the books when they first came out, my gaming group didn’t want to give up their current systems to switch over. They’ve been playing edition 3.5 for years, are comfortable with the rule structure, and like leveling up into prestige classes.

One thing that is notable about this edition of Dungeons & Dragons is that players have not been swarmed by supplemental books or a variety of rule options. After a year, it’s rather refreshing that Dungeons & Dragons continues to have retained an emphasis on their core three books:

But this does mean that hardcore gamers like me, who are used to geeking out over systems where you’re really allowed to customize many aspects of your character, may feel like Dungeons & Dragons doesn’t cater to us. This is a bit unfair, and may be a sign that we’ve just gotten too spoiled with abundant choices in other games system.

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Blogging Sax Rohmer… In the Beginning, Part Six

Blogging Sax Rohmer… In the Beginning, Part Six

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Dover RomanceTarcher RomanceWhen Arthur Henry Ward adopted the nom de plume of Sax Rohmer, he found a match for the bohemian occultist persona he was working to cultivate. The very name sounded exotic and foreign. It was less of a name than it was a statement of intent. As part of his new identity, Rohmer claimed to be a Rosicrucian as well as a member of The Hermetic Order of the Golden Dawn. It appears that both claims were false, although the Ward family doctor, R. Watson Councell was active in occult circles.

It was Dr. Councell who provided much of the information for Rohmer’s 1914 study of the occult, The Romance of Sorcery. It is possible Dr. Councell actually wrote sections of the work considering his own later publication, Apologia Alchymiae (1923) which featured a preface by Rohmer. In the 1970s, Rohmer scholar Dr. Robert E. Briney came across four privately printed titles published by The Theosophical Publishing Society of London credited to one Arthur H. Ward: The Song of the Flaming Heart (1908), The Seven Rays of Development (1910), The Threefold Way (1912), and Masonic Symbolism and the Mystic Way (1913).

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Black Gate Online Fiction: In the Wake Of Sister Blue

Black Gate Online Fiction: In the Wake Of Sister Blue

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In The Wake of Sister Blue Mark Rigney-smallHaving contributed blog posts here at Black Gate since 2006 (where does the time go?), it’s time for a change. Time at last to give up on non-fiction, essays, and opinionated screeds. Time to dive headlong into an experiment I’ve long been itching to try, a serialized novel.

According to Black Gate‘s traffic stats, which of course I study daily from the basement of BG‘s vast Indiana compound, my Tales Of Gemen (“The Trade,” “The Find,” and “The Keystone“) remain perennially popular. That’s flattering – reassuring, even – and I’m grateful for your readership. Indeed, I feel sufficiently encouraged that I’m ready to offer a brand-new fantasy world in hopes that at least some of you will follow me down what promises to be a truly long and winding road.

Think of this as an experiment in tight-rope walking. I haven’t written to the end. I’m not offering you something that’s already complete. Instead, I’ll be doling out the breadcrumbs of story just as fast as I can tear them from the fictive loaf, and when we reach the end, we’ll get there simultaneously.

So the journey begins, in what I expect will be bi-weekly installments. Remember, this is dangerous territory; there’s no safety net. There’s only the story, the one unfolding in my head, the one I promise to set down as best I know how, for you.

That adventure, In the Wake Of Sister Blue, begins today.

Tell your friends. Off we go.

Read the first chapter of In the Wake Of Sister Blue here.

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