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The Girl The Gold Watch And Everything

The Girl The Gold Watch And Everything

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MacDonald Gold Watch1John D. MacDonald is one of my favourite crime writers, and he’s probably best known for his Travis McGee series, starting with The Deep Blue Goodbye (1964) and ending with The Lonely Silver Rain (1985). Others, such as Glen Cook,  have used this device after him, but I’m fairly certain that MacDonald’s the first person who identified individual books in his series by giving each one a title colour.

While John D. is well worth looking into for any of his genre or non-genre novels, I’d like to draw your attention in particular to his only SF contribution, The Girl, the Gold Watch, and Everything.

In this story a mild-mannered young man, Kirby Winter, inherits from his uncle a watch that will stop time for everyone except the person holding it. Of course Uncle Omar used the watch to make himself rich, but he also did a lot of good. He tried to keep as low a profile as possible, but unscrupulous types figured out he had something that gave him a edge in the money world, and now they’re after Kirby to get whatever it is for themselves. That’s the essential problem and conflict of the novel, and with the help of Bonnie Lee Beaumont, a young woman who happens to be a good deal quicker off the mark and savvy about the world than Kirby is, the problem gets solved.

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Cuenca: A Clifftop Medieval Town in Spain

Cuenca: A Clifftop Medieval Town in Spain

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DSC_2083

One of the famous “hanging houses” of Cuenca

An hour’s train ride from Madrid is a small medieval town that’s often overlooked by international visitors. Cuenca has been an important town since the 8th century and has heaps of historic sights as well as natural beauty.

Located in rough hills and on a spur between the deep valleys of the Júcar and Huécar rivers, it’s a naturally defensible position and was fortified by the conquering Moors in 714. There is little remaining from the Islamic era because after it was conquered in 1177 by King Alfonso VIII, the city was extensively remodeled by him and several later monarchs.

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The Public Life of Sherlock Holmes: Meet Tony Hillerman

The Public Life of Sherlock Holmes: Meet Tony Hillerman

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My all-time favorite coffee table book
My all-time favorite coffee table book

Last week, I wrote about John Cleese’s Elementary, My Dear Watson. I’m struggling through my re-watch of his The Strange Case of The End of Civilization as We Know It (I thought it was bad on first viewing: nothing has changed my mind this time around), so that isn’t ready to go yet. So, here’s the first of several posts related to a Mystery Writers of America Grandmaster: the late Tony Hillerman.

“I was writing episodically because this short book stretched about three years from 1967 to 1970 from first paragraph to final revision – with progress frequently interrupted by periods of sanity – probably induced by fatigue and sleepiness. Most of my efforts at fiction were done after dinner when the kids were abed, papers were graded and the telephone wasn’t ringing.

Sometimes, in those dark hours, I would realize that the scene I finished was bad, the story wasn’t moving, the book would never be published, and I couldn’t afford wasting time I could be using to write nonfiction people would buy.

Then I would pull the paper from the typewriter (remember those?), put the manuscript back in the box, and the box on the shelf to sit for days, or some times a week, until job stress eased and the urge to tell the story returned.”

So did Tony Hillerman, decorated World War II combat veteran, former newspaper reporter and then-current university teacher, very slowly, write The Blessing Way. Hillerman is not a Navajo. He’s a Caucasian who grew up in a small Oklahoma village on land belonging to the Potawatomi tribe. He went to the local Indian school for first through eighth grade and from an early age had no prejudices against Indians. They were just kids, like him. It shaped the character that let him write about the Navajos in a realistic and sympathetic manner. They aren’t simply stereotypes in a mystery book.

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Sci-ficionados: Our Insatiable Hunger for Stories, and What it Means for the Human Race

Sci-ficionados: Our Insatiable Hunger for Stories, and What it Means for the Human Race

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third eyeFans of science fiction and fantasy tend to have an innate curiosity, one that is not sated simply by day-to-day life and the world as it is. They cannot content themselves with the rote script written for them.

There are people all around who are content simply to go to school, get a job, have a family, raise kids to follow the same formula, retire. And some of these people are well informed — they read the news to see what’s going on. They have hobbies. They like to be entertained — they watch sitcoms to have a laugh at the status quo. They may even watch some of those movies with zombies and giant robots and superheroes to let a little bit of their imagination off the leash: what if this predictable old world were shaken up by something like that?

But the real sci-ficionados, they aren’t content with an occasional, half-winking excursion into the game of what-if before settling back down onto the landing pad of Reality. Because they recognize, deep down, that this is not the only possible world, and that this so-called reality is also utterly strange. They want to know about nano-tech and parasites and the Inquisition and how and why homo sapiens developed a larger prefrontal cortex and what the hell are dreams anyway? And a hundred, a thousand, a million other things. Why is this society the way it is, and is it foreordained that we must follow this script?

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Things Your Writing Teacher Never Told You: “Head-Hopper” – A Correction and a New Example

Things Your Writing Teacher Never Told You: “Head-Hopper” – A Correction and a New Example

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coral povThis is part 9 in the Choosing Your Narrative Point of View Series

After I turned in my blog last week, I met my husband at a blues club. I do a lot of writing, and thinking about writing, while listening to live music.

For years I have been using my story “What’s With All the Damned Zombies, Anyway?” to explain to my students the Head-Hopper point of view. Years. Just as I did in last week’s blog. And it dawned on me, in the middle of one of Pistol Pete’s guitar solos, that I was wrong.

That isn’t a true example of Head-Hopper. That’s an example of Mixed POVs: it has Serial POV segments which are strung together using Folksy Narrator (next blog) interludes.

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Book Pairings: Who Fears Death & Jeweled Fire

Book Pairings: Who Fears Death & Jeweled Fire

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Who Fears Death-smallIn May 2015, I was at the Fantastic Fiction at KGB reading in New York City when Nicole Kornher-Stace and Wesley Chu were featured; they were brilliant. Read their books.

But I’m not here to talk about them.

I’m here to talk about eavesdropping.

(Well, I’m here to talk about some books I read, but I’m gonna preface it by talking about eavesdropping.)

So, at KGB last May, I happened to be sitting at a table with an Agent and an Editor.

The Editor, she says to the Agent, “I really want to read fantasy novels with strong female friendships. WHY DON’T YOU SEND ME SOME?”

And the Agent, she sighs. “I’m trying. I’m trying.”

I found this conversation:

1.) SUPER REASSURING!!! I WRITE THOSE KINDS OF BOOKS! SOMEDAY AGENTS AND EDITORS WILL LOVE ME TOO!

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March Short Story Roundup

March Short Story Roundup

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ssm50March has come and gone and now it’s time for the short story roundup. It was a nice month for short swords & sorcery storytelling. Not a spectacular month, but a nice one.

I’ll start with Curtis Ellet’s Swords and Sorcery Magazine, Issue #50. Now in its fifth year, SSM, like most low-paying publications, is a hit-or-miss proposition for readers. Both of #50’s stories are hits.

“The Altar of the Toad” by Davide Mana is a simple and solid story with just enough characterization, world building, and action to serve as a perfect example of the minimum of what I want from the genre. I don’t need every S&S story to be a staggeringly brilliant literary achievement, only for it to take me away from the blacktop and the sounds of honking horns for a little while.

Aculeo, an ex-legionary, and Amunet, an Egyptian sorceress, make a tremendous mistake when they respond to a plea for help from a blind woman:

“I prayed for delivery,” she said, her head tilted to one side. A strand of stringy hair had come loose from her coif, and brushed her wrinkled cheek as she spoke. “I prayed for warriors, to deliver my daughter from the mouth of the Toad.”

In this genre that sort of request is bound to bring trouble. It does, and with more than a hint of Lovecraft Mythos terrors. Even though there are plenty of intimations that “Altar” is part of a larger narrative, it stands perfectly well on its own, something I prize highly. Mana has self-published several other stories of Aculeo and Amunet and I am very curious how they stack up against this one.

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Small-Scale Epic Childhood: Memories of Playing at the Cabin on the Mogollon Rim

Small-Scale Epic Childhood: Memories of Playing at the Cabin on the Mogollon Rim

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Mogollon-960x371Some of my fondest memories are days spent at my Nan and Grandad’s cabin in Heber, Arizona, up on the Mogollon Rim nestled in the largest ponderosa pine forest on the continent. Surrounded by that fantastic landscape, it was easy to let one’s imagination run as free as the Mogollon Monster…

The Woodpile

The “woodpile” behind my Nan and Grandad’s cabin was mostly dirt, left over from when part of the lot was first cleared to make way for the trailer (the cabin was a large trailer home, actually, with a deck built on). The wood came from the pine trees that had been cut down, their trunks buried under the heaping dirt mound, giving the woodpile its foundation and shape.

It wasn’t so big, really, but to my cousins and me it was our own private mountain fortress. How many times did we flop down on it for cover as Injuns shot arrows at us, and then return fire over its crest with our wood-knot guns? Or, other times, the wood-knots were machine guns and we were out there fighting Nazis.

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The Public Life of Sherlock Holmes: John Cleese as Holmes – Take One

The Public Life of Sherlock Holmes: John Cleese as Holmes – Take One

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Cleese_ElementaryJohn Cleese is best known, of course, as the sardonic Q opposite Pierce Brosnan’s James Bond in Die Another Day. Though not as well remembered, he also played a key role in the British comedy troupe, Monty Python.

I’m kidding!

On January 18, 1973, the final episode of Python’s third season aired. It was Cleese’s last episode with the group, which would continue on for one more season. That very same same day, Cleese’s next project aired – Comedy Playhouse Presents: Elementary, My Dear Watson. It was produced by Barry Took, who had brought the Python members together.

I’m going to tackle the Achilles heel (really, it’s more like the entire torso) of this show, the plot: or rather, the lack of one. It’s barely a story. Try to stick with me, and no, I’m not leaving things out: it really goes like this…

The show opens in a room full of dead lawyers, slumped over their desks, each with a knife in the back.  Some would say that’s a pretty good start, but let’s stay focused. Thus the show’s subtitle, The Strange Case of the Dead Solicitors. A policeman and a secretary exchange what are intended to be witty comments, which immediately brings the lame laugh track to the viewer’s attention. This is not the most robust laugh track you’ll come across.

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Things Your Writing Teacher Never Told You: The Multiple Personalities of Omniscient 3rd Person: Spotlight on “Head-Hopper”

Things Your Writing Teacher Never Told You: The Multiple Personalities of Omniscient 3rd Person: Spotlight on “Head-Hopper”

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lighthouse

This is part 8 in the Choosing Your Narrative Point of View Series

Virginia Woolf’s novel, To the Lighthouse, does a brilliant job with our next POV style:

  1. Head-Hopper

If you’ve not read her novel, I urge you to do so. I also urge you to read it aloud, even if you’re sitting outside at a café, which I did a few summers ago. The book is graced with many long, complex sentences that loop and flow, and sometimes change point of view from one clause to the next. Reading it out loud helps the brain make sense of the phrases and clauses in a way that eyes-only reading can’t manage as well. When done well, as Ms. Woolf did, it is a brilliant writing stratagem. But it works best in stories where there is very little physical plot. The conflict comes mainly from the contrast of how different characters perceive the same moment, and in the shifting emotions of characters.

Which means, generally, it is not a good point of view choice for action-packed genre stories.

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