Black Gate

Terror Tales Of The West Country (Telos Publishing, October 31, 2022). Cover by Neil Williams

This is volume 14 in the successful ongoing series Terror Tales, a bunch of anthologies collecting horror short stories set every time in a different area of the United Kingdom. Which, all in all, appears to be a really spooky place where dark and supernatural events occur all the time.

For the present  book editor Paul Finch (an excellent horror writer himself) has chosen the West Country as a setting for fifteen tales of terror penned by as many dark fiction authors. Each story is preceded by an historical recalling of disturbing and sometimes violent horrific events which took place in the past in the various parts of the West Country. 

Truth be told the long, vivid introductions by Finch are sometimes even more interesting and engrossing than the subsequent pieces of fiction.

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Screams from the Dark (Tor Nightfire, June 7, 2022)

Monsters are among the most common, classic characters in horror, so it’s not surprising that the latest from famed horror anthologist Ellen Datlow is devoted to them. Datlow’s call for contributions generated a massive response from some of today’s most acclaimed horror writers, and the result is a mega-anthology with twenty-nine original stories.

The average quality is obviously high although, due to the theme, there is a certain, inevitable tendency to repetitiveness. With such a huge anthology it is quite impossible to comment upon each story (see table of contents, below). However, taking advantage of a reviewer’s privileges, I will simply focus on my “Magnificent Seven” among the contributions.

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Robert Aickman: An Attempted Biography (Tartarus Press, February 3, 2022)

Robert Aickman (1914-1981) was an iconic British writer especially known for his strange, uncanny stories, reprinted in several collections.  He also penned a couple of  minor novels, but he’s mostly remembered for his ambiguous but riveting short fiction.

In addition, he was also a very active, influential member of the Inland Waterways Association (IWA) and was instrumental in saving and promoting the restoration of the network of British canals. Those two activities have been the subject of two autobiographical books, The Attempted Rescue and The River Runs Uphill, respectively. 

Aickman was also the editor of several volumes of the cult series of anthologies The Fontana Book of Great Ghost Stories.

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A Vanished Hand and Others (Swan River Press, October 2021). Cover by Brian Coldrick

Clotilde Graves (1863-1932) was an eccentric, prolific and eclectic Irish writer whose historical novels were published under the pen name Richard Dehan. As Clo Graves she also published a number of fantastic stories, most of which are now reprinted and collected in a volume from Swan River Press, edited and introduced by Melissa Edmunson.

The book assembles thirteen tales showing Graves’ contribution to what we call now speculative fiction, ranging from the ghostly to the horrific, from the paranormal to the downright supernatural.

Although occasionally a bit convoluted to the eyes of today’s readers, her writing style is always effective and  extremely captivating.

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The Tallow-Wife and Other Stories (Tartarus Press, February 24, 2021) and All the Murmuring Bones
(Titan Books, March 9, 2021). Covers by Kathleen Jennings, and unknown

Any new book by Angela Slatter is a reason to rejoice for any lover of good dark fantasy.

Slatter is a very talented Australian writer, a born storyteller or, to be precise, a great fabulist, an author of modern, complex fairy tales for grownups. The Tallow-Wife is a collection of stories and novellas the core of which is the long title story, a dark comedy portraying the downfall of a family hiding some unspeakable secrets. But, in turn, that narrative and the rest of the volume are strictly connected to the characters and events described in two previous books, also published by Tartarus Press, Sourdough and Other Stories and The Bitterwood Bibles and Other Recountings.

Thus, although each tale can be read as a stand alone story, the task may be a bit difficult — although always quite enjoyable thanks to Slatter’s exceptional storytelling ability — if you’re not already familiar with the characters and their previous predicaments and adventures. In fact all the stories are interconnected to form a complex mosaic.

Indeed in her Afterword the author admits,

My brain was trying to write The Tallow-Wife as a novel — to connect everything. But the fractured structure, the untidy threads are the whole point. In hindsight perhaps I should have just written a novel… I wanted to finish off some arcs that I’d left in the previous books.

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