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Author: Mario Guslandi

Riding the Horror Rollercoaster: Children of the Fang and Other Genealogies by John Langan

Riding the Horror Rollercoaster: Children of the Fang and Other Genealogies by John Langan

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Cover by Matthew Jaffe

Children of the Fang and Other Genealogies
By John Langan
Word Horde (390 pages, $19.99 in trade paperback and $9.99 in digital formats, August 18, 2020)
Cover by Matthew Jaffe

Word Horde, Ross E. Lockhart’s small press, has produced some of the most interesting horror books of the past few years.

This is the fourth short story collection by horror writer John Langan (following Mr. Gaunt and Other Uneasy Encounters, The Wide, Carnivorous Sky and Other Monstrous Geographies, and Sefira and Other Betrayals). He’s also authored two successful novels, House of Windows and The Fisherman.

If you’re already familiar with Langan’s work, you know what to expect from his latest: a medley  of themes, locations, narrative styles, atmospheres, sometimes overwhelming and totally compelling, sometimes downright weird and not always quite satisfactory. Whatever he writes, however, Langan is never banal. You may love the story he’s telling or you may hate it, but it will never leave you indifferent. 

Thus, predictably, some of the featured tales left me spellbound and others just ill-humored. I will point the stories in the former group, and leave the latter to your judgement.

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Out of the Past: The Scarecrow and Other Stories by G Ranger Wormser

Out of the Past: The Scarecrow and Other Stories by G Ranger Wormser

The Scarecrow and Other Stories
G Ranger Wormser
Edited by William P. Simmons
Shadow House Publishing (161 pages, October 26, 2020)

Originally published in 1918, this collection of short stories is the first installment of a Macabre Mistresses series aiming to unearth forgotten dark fiction, much to the joy of genre fans.

As William P. Simmons points out in his insightful Introduction, Wormser’s work has nothing to do with the horror genre in its more blatant expressions, but relies upon subtlety, introspection and psychological uneasiness.

The volume assembles twelve stories, some of which are particularly worth note.

The title story is a subtly disturbing piece in which a scarecrow made from the uniform of an old soldier comes to life to signal to his grandson what he has to do with his life.

A somehow similar concept is developed in “China-Ching,” in which a quiet dog kept restrained becomes the symbol of an unhappy marriage.

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Women Do It Better? The Women of Weird Tales, from Valancourt Books

Women Do It Better? The Women of Weird Tales, from Valancourt Books

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The Women of Weird Tales
By Everil Worrell, Eli Colter, Mary Elizabeth Counselman and Greye La Spina
Introduction by Melanie Anderson
Valancourt Books (280 pages, $24.99 hardcover/$16.99 paperback/$9.99 digital, November 3, 2020)

It is well known by now that women had a pivotal role in the development of those literary genres called Gothic Fiction, Horror, Dark Fantasy, etc. If we look at the iconic Weird Tales, the golden era of which spanned the ‘20s to the ‘50s, female authors were constantly included, and they penned some of the magazine’s most popular stories. Not to mention that some of the most influential editors and cover artists of the era were women as well.

Valancourt Books has aptly published a new anthology showcasing stories from Weird Tales by female writers, Women of Weird Tales.

Greye La Spina is present with five stories. The most accomplished, to me, is “The Antimacassar,” an effective, well told tale portraying a case of vampirism, gradually disclosed throughout the yarn. Other good tales are the bizarre “The Remorse of Professor Panebianco,” in which a mad scientist designs a device to imprison the soul of dying people; “The Dead-Wagon,” a dark gothic tale about a family curse dating back to the times of the Black Death; and “ The Deadly Theory,” a disturbing piece showing how the power to bring back people from the dead leads to tragedy.

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A Delicious Mixed Bag of Dark Fiction: Apostles of the Weird, edited by ST Joshi

A Delicious Mixed Bag of Dark Fiction: Apostles of the Weird, edited by ST Joshi

Apostles of the Weird-smallApostles of the Weird
PS Publishing (337 pages, £25/$33 in hardcover, March 1, 2020)
Cover by John Coulthart

Weird fiction is an umbrella term that applies to a number of literary genres such as horror, fantasy, science fiction and so on. Editor ST Joshi has assembled a new anthology of weird fiction keeping in mind the various shades which constitute the “weird,” and leaving the contributors free to develop plots and outcomes as they please.

The result is a collection of tales of uneven quality and eclectic content, apt to satisfy the different tastes of dark fiction lovers. I expect that different readers (and reviewers) requested to pick favorite stories would express extremely different opinions.

Although one could argue that good fiction is good fiction, regardless of subgenres and personal inclinations, the truth is that personal taste always matters. Having said that, allow me to single out the stories that I found more interesting and accomplished.

“Sebillia” by John Shirley is a dark drama of sin and misery with a strong paranormal undercurrent, while “Axolotl House” by Cody Goodfellow is a quite horrific tale set in a Mexican “retirement home” where ancient, malevolent gods still survive.

WH Pugmire contributes “The Zanies of Sorrow,” an excellent atmospheric piece with a distinct supernatural texture and a surprising twist in the tale, and Stephen Woodworth pens “ Cave Canem,” an effective tale of sheer horror.

“This Hollow Thing” by Lynda E Rucker is an outstanding, spellbinding, atypical ghost story with a superb characterization of a group of former classmates reunited for a peculiar Christmas party.

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Weird Fiction at its Best From a Modern Scheherazade: We All Hear Stories in the Dark by Robert Shearman

Weird Fiction at its Best From a Modern Scheherazade: We All Hear Stories in the Dark by Robert Shearman

We All Hear Stories in the Dark

We All Hear Stories in the Dark
by Robert Shearman
PS Publishing (Three volume set, 586/628/585 pages, £90.00, April 2020)

How can a reviewer comment meaningfully on a three-volume collection featuring 101 stories? (That’s right, you read correctly). Simply impossible.

Yet this huge, unusual  opus is worth a mention, and a recommendation. First, because the writer is one of the very best fantasists around, the author of excellent, critically acclaimed collections such as Remember Why You Fear Me and They Do the Same Things Different There. And second, because among these many tales you’ll find an exceptional variety of dark and strange genres, from horror to surrealism, black humor to fantasy to (even if only apparently) mainstream literature. Some of the stories collected here have previously appeared in anthologies and magazines, some are brand new.

To get lost in this literary ocean is very easy, so if you don’t feel like reading each piece in the order presented, you can follow the author’s indications and suggestions, and jump from one volume to the other according to a personal roadmap. Whatever you decide, Shearman, this modern Scheherazade, will entertain you and entice you with his uncanny gifts as a storyteller.

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A Four-Way Road to Darkness: The Pale Illuminations, edited by Robert Morgan

A Four-Way Road to Darkness: The Pale Illuminations, edited by Robert Morgan

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Dust Jacket Art by Paul Lowe

The Pale Illuminations
Edited by Robert Morgan
Sarob Press (145 pages, £35/$60 for a limited edition hardcover, September 2019)
Cover by Paul Lowe

Following up its long lasting tradition of providing elegantly produced volumes collecting old and new dark and supernatural stories, the excellent small imprint Sarob Press ( formerly based in the UK, then relocated in France) has just published a new anthology entitled The Pale Illuminations.

The book assembles four new stories ( one actually a novella) by four well respected authors of dark fiction, exploring the supernatural side of different geographical environments, where eerie mysteries are still lurking.

Peter Bell, a renowned author of refined modern ghostly tales, contributes “Labyrinth,” a complex, atmospheric novella set in the wilderness of the Peak District, where ancient worship, Roman old secrets and modern romance blend in a very disturbing, fascinating tableau.

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Ghostly Corners in a Fictional London: Where Shadows Gather by Michael Chislett

Ghostly Corners in a Fictional London: Where Shadows Gather by Michael Chislett

WHERE SHADOWS GATHER ~ MICHAEL CHISLETT-smallWhere Shadows Gather
Michael Chislett
Sarob Press (224 pages, £33.95/$60.00 [including shipping], July 2019)
Cover by Paul Lowe

Following his previous, acclaimed Sarob Press collection In the City of Ghosts Michael Chislett provides another bunch of ghostly tales, mostly set in the fictional London borough of Milford and the suburb of Mabbs End. Five stories are brand new, whereas eight have previously appeared in genre magazines (especially the excellent Supernatural Tales).

Chislett has a knack for creating creepy urban atmospheres, depicting sinister encounters and eerie experiences. Although, in my opinion, not up to the level of his previous collection, the present volume confirms his ability to create elegantly written, disquieting stories.

Among my favorite pieces are: “In the Garden,” an unusual story of botanical horror, where an ordinary garden of a London suburban house becomes the venue for ancient pagan forces, “Downriver,” an atmospheric tale where a walk along the Thames turns into a veritable nightmare and “The Raggy Girl”, a modern, disturbing ghost story revolving around a frightening apparition among the ruins of an old apartment building now being demolished.

A couple of stories are actually taking place overseas, such as the gloomy “The Coast Guard” set on the Baltic shore, hosting strange foxes and other horrific creatures.

The two highlights of the book are  “Mara,” an excellent, dark tale of vampirism featuring a beautiful but deadly vixen and an equally dangerous gentleman, and the outstanding “Endor,”a powerful, intoxicating mix of witchcraft, eroticism and possession.

A warning to the potential reader: if you’re interested in this book hurry up and order a copy. As usual, Sarob Press volumes have a limited print run and become quickly unobtainable.

Here’s the complete Table of Contents.

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The Many Shades of Horror: Best New Horror #29 edited by Stephen Jones

The Many Shades of Horror: Best New Horror #29 edited by Stephen Jones

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For twenty-nine years editor Stephen Jones has been selecting the best horror stories of the year. Usually the anthology appears around October; the latest volume, Best New Horror #29, is actually a bit late, being published in February 2019 but showcasing the best of 2017.

As customary the book also includes a comprehensive overview of the books and movies that appeared during the year, and the changes in the horror publishing world (including pertinent obituaries).

The current volume assembles twenty-one stories penned by some of the most acclaimed horror writers in the genre, addressing a variety of themes. One always wonders if the tales are really the best, and comparisons are often made with the choices of other anthologists compiling the year’s best horror stories.

I have long concluded that those are useless questions. With a few exceptions of outstanding quality, on which anyone can agree, at the end of the day  personal taste is what really counts. Therefore, following that same way of thinking, I’ll mention here the stories that I found the best in this particular anthology.

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A Ride into the Darkness: The Long Way Home by Richard Chizmar

A Ride into the Darkness: The Long Way Home by Richard Chizmar

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Richard Chizmar (publisher, editor, author) is one of those writers that I define as “dependable,” meaning that you can count on him to deliver tales that are entertaining, thought provoking and extremely well written. And these features are particularly important for an author devoted to short stories, where time and space are short, and suspension of disbelief must be elicited from the very first sentence.

Chizmar’s latest collection The Long Way Home assembles twenty stories in which the reader meets the many faces of the darkness which surrounds our lives and lurks in the deep of our souls. Sometimes the topic is overtly horrific (a wild serial killer, for instance), sometimes more subtle and occasionally deceiving.

Good examples of the former are “Mischief,” a witty piece where a serial killer’s confession to a journalist leads to an unexpected development; “The Man Behind the Mask,” a tense story with a terrifying twist, about a mysterious Bogeyman abducting, raping and killing girls; and “Roses and Raindrops,” a tale of graphic horror, deeply unsettling and not for the squeamish.

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Ancient Horrors, Abandoned Mines, and Unfathomable Secrets: A Ghost & Scholars Book of Folk Horror, edited by Rosemary Pardoe

Ancient Horrors, Abandoned Mines, and Unfathomable Secrets: A Ghost & Scholars Book of Folk Horror, edited by Rosemary Pardoe

A Ghosts & Scholars Book of Folk HorrorArguably the major living expert on the body of work of Rev. Montague Rhodes James, the cult British author of classical “ghost” stories, Rosemary Pardoe has been the editor of the journals Ghosts & Scholars, The Ghosts & Scholars MR James Newsletter, and the three volumes of the anthology series The Ghost & Scholars Book of Shadow (Sarob Press).

Here’s yet another short story anthology by Pardoe, entitled A Ghosts & Scholars Book of Folk Horror.

Traditional folklore is the basis not only for a good portion of Jamesian stories, but of classic British horror in general, so the new anthology is consistent with Pardoe’s previous work in this area. It assembles seventeen tales, ten of which are reprinted from the journals mentioned above, and seven which are original to this anthology.

Let me tell you right away that, not surprisingly, the best contributions are to be found among the reprints, first of all the outstanding “Meeting Mr. Ketchum” by Michael Chislett. This superb, creepy tale, perfectly in keeping with the anthology’s theme, depicts how ancient horrors come back to terrify a couple of accidental tourists exploring a desolate landscape.

Other excellent offerings include “Where are the Bones..?” by Jacqueline Simpson, a delightful story featuring MR James himself, in which old legends cast a dark shadow on an innocent boy, and” The Walls” by Terry Lamsley, a very unusual tale of supernatural horror, describing the eerie trip taken by two men to find a friend lost in a deserted area near abandoned lead mines that hide unfathomable secrets. Lamsley’s recent disappearance from the British horror scene is still sorely lamented.

The book features also some very conventional yet effective ghost stories such as CE Ward’s “The Spinney” and Kay Fletcher’s “The Peewold Amphisbaena,” both quite enjoyable and well worth reading. The same applies to “Loreley” by Carol Tyrrell, an offbeat tale portraying a case of unconventional vampirism.

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