Black Gate

There’s a great mix of new and established writers in the latest F&SF, including masters such as Robert Reed, Gardner Dozois, Esther M. Friesner, and Matthew Hughes, and newcomers like Lilliam Rivera, Minsoo Kang, and James Beaumon. Tangent Online‘s Bob Blough has particular praise for Esther Friesner and Robert Reed in his online review.

Esther M. Friesner starts it off with a fairy tale based on Puss n’ Boots called “The Cat Bell.” This concerns a famous actor at the end of the nineteenth century and his love of cats. It is told from the viewpoint of his pinched, mean cook who is in love with her master. She hates cats and hates having to feed them every night—all 19 of them. Each cat has a bell around its neck. But the cat bell is what the cook uses to gather the cats for a meal. Inevitably Puss n’ Boots shows up and works his inevitable charm on the household. The cook receives her heart’s desire in a way that gives her just desserts as well. Fun and a well-rounded main character make this most enjoyable…

Robert Reed writes a lot of short stories. Most of them of very high quality, but in “Passelande” he has outdone himself. This is a sneaky story concerning Lucas Pepper. Lucas lives in a time just years ahead of ours in which the world is falling apart outside the town of Passelande. The plot is complicated and concerns identity as people have backups who, if given a body, are almost as real as the progenitors themselves.

I read it twice. I thought it was excellent on the first read but the second solidified it as absolutely first rate. It has all the echoes of great Gene Wolfe stories but remains completely Reed’s.

The cover is by Kristin Kest. Here’s the complete Table of Contents.

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One of the (many) reasons I enjoy Tor.com is the enormously diverse range of fiction, compliments of Tor’s large cast of contributing editors. The sixteen stories posted there in the last three months were selected by Patrick Nielsen Hayden, Justin Landon, Diana Pho, Liz Gorinsky, Melissa Frain, Susan Chang, and other fine editors. They include YA fantasy, horror, hard SF, urban fantasy, dystopian SF, space opera, dark fantasy, post-apocalyptic SF, and historical fantasy. What’s not to love?

A new story is posted at Tor.com every week. Not sure which ones you’d enjoy most? That’s what Tangent Online is for. Here’s Seraph on Rebecca Campbell’s “The High Lonesome Frontier,” illustrated by Linda Yan (above left).

As I drifted along these memories of the man who wrote the song, and the woman who sang it, and the mother who loved it, and the granddaughter who wasn’t even sure it was real yet loved it anyways… I realized the true beauty of this story, and the legitimacy of its claim to being science fiction. This story is of a 4th, or perhaps 5th-dimensional viewpoint, following the thread of this one song in a direct course from one life to the next, experiencing it all as a single moment in time, yet never in a linear fashion, as if the story itself is the river of which the song forever echoes, where does that water run. Magnificent.

Read Seraph’s review here. And here’s Jason McGregor on Lettie Prell’s hard SF tale “The Three Lives of Sonata James,” illustrated by Kevin Hong (above middle).

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Adrian Simmons is one of the editors of the highly-regarded Heroic Fantasy Quarterly magazine. But he’s also a fine writer in his own right, as Charles Payseur reminds us this week, in his review of the Summer 2016 issue of Lackington’s magazine, containing Adrian’s short story “How I Came to Be Raised by Balniwan the Fool.”

Just ahead of the release of their next issue, Lackinton’s has dropped the paywall on their Possessions issue and it’s a great collection of rather dark stories… there are a lot of ways that these tales circle around what it is to have possessions, and what it is to be possessed. Most of the pieces are solidly fantasy, the magic alive and well and further complicating the theme but also giving it a wild fire that casts some wicked shadows…

This story takes an interesting angle on the idea of possessions, focusing on a child living in a world defined by violence. Under the rule of their father, Alebeg, the children as possessions, less than people. He scares them and he awes them and he lives a bit like a cult leader on a hill, though with a rather Norse feel to it. So as I read [the] main possession of the story is that of the main character, who is treated more like property than a person… It’s certainly a visceral story that comes with the taste of blood and the bitterness of being someone powerless in the face of force and power. A fine way to kick off the issue!

Read Charles’ complete review here.

Every issue of Lackington’s has a theme, which gives the magazine an interesting focus. The theme this issue is “Possessions.”

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