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Author: John ONeill

Vintage Treasures: Songs of Stars and Shadows by George R.R. Martin

Vintage Treasures: Songs of Stars and Shadows by George R.R. Martin

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George R.R. Martin is the most popular fantasy writer in the English language, and indeed one of the most popular fantasy writers of all time. I know a great many aspiring young twenty-something writers who aspire to be him, or at the very least aspire to his career. Most have read his magnum opus, the Game of Thrones novels, but few seem to be aware that not so very long ago GRRM was also a struggling twenty-something writer. If you’re serious about studying his career, the place to start is his early short story collections, which gather the best work of a gifted young writer who even then was obviously destined for great things.

George’s second collection Songs of Stars and Shadows was published in paperback by Pocket Books in 1977. It contains nine tales, including four in his Thousand Worlds milieu, his Hugo-nominated “And Seven Times Never Kill Man,” his space dogfight story “Night of the Vampyres,” and “This Tower of Ashes,” which he calls in his Introduction “in my estimation the best short story I have ever written.”

George’s lengthy intro, in fact, is one of the best things about the book, especially for modern fans. It’s a delightful peek behind the scenes at the life of a young science fiction writer in the early 70s, enduring writing slumps, half-heartedly accepting thick research packets on lasers from new Analog editor Ben Bova, sleeping on the floor at science fiction conventions (with his boots as a pillow), and sneaking into the Playboy Club with Howard Waldrop. Here’s a colorful snippet that talks about how his first collaboration with Waldrop, “Men of Greywater Station,” came to be.

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New Treasures: The Centenal Cycle by Malka Older

New Treasures: The Centenal Cycle by Malka Older

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Every time the final novel in a trilogy is published, we bake a cake in the Black Gate offices. (And yes, we do eat a lot of cake. What’s your point?)

Malka Older’s debut novel Infomocracy made a huge splash in 2016 — The Huffington Post called it “one of the greatest literary debuts in recent history,” and it was named one of the best books of the year by The Washington PostThe VergeFlavorwireKirkus, and Book Riot. The sequel Null States arrived last year, and was not a disappointment. Liz Bourke at Tor.com labeled it “wondrously strange,” and The Chicago Review of Books called it “A riveting science fiction thriller that brings the future of democracy to vivid, divisive life… a hell of a good story.”

The third and final novel in the series, State Tectonics, is one of the most anticipated books of the year, and it finally arrived in hardcover from Tor earlier this month. Here’s the description.

The future of democracy must evolve or die.

The last time Information held an election, a global network outage, two counts of sabotage by major world governments, and a devastating earthquake almost shook micro-democracy apart. Five years later, it’s time to vote again, and the system that has ensured global peace for 25 years is more vulnerable than ever.

Unknown enemies are attacking Information’s network infrastructure. Spies, former superpowers, and revolutionaries sharpen their knives in the shadows. And Information’s best agents question whether the data monopoly they’ve served all their lives is worth saving, or whether it’s time to burn the world down and start anew.

State Tectonics was published by Tor.com Publishing on September 11, 2018. It is 432 pages, priced at $27.99 in hardcover and $14.99 for the digital editions. The cover is by Will Staehle. Read the first five chapters of Infomocracy here, and see our previous coverage here. See all our coverage of the best new SF and fantasy here.

Future Treasures: The Islevale Series by D. B. Jackson

Future Treasures: The Islevale Series by D. B. Jackson

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D. B. Jackson is the author of four novels in the popular Thieftaker Chronicles, a historical urban fantasy set in pre-Revolutionary Boston, which Kirkus Reviews calls “Splendid… with [a] contemporary gumshoe-noir tone… An unusual series of great promise.” Fletcher reviewed D.B.’s collection Tales of the Thieftaker for us, saying:

I enjoyed myself, ripping through the book at a quick pace. Jackson’s prose is clean; he’s a good storyteller. The stories are tense, the mysteries good, the characters well-drawn. His Boston reeks believably of crowded, dirty streets and you can smell the creosote from the wharves… Tales of the Thieftaker is a brisk read with an engaging lead, a colorful supporting cast, and a nicely detailed setting.

‘D.B. Jackson’ also happens to be Black Gate contributor David B. Coe, whose “Night of Two Moons” was the most popular story in Black Gate 4, and whose Books and Craft blog posts here have covered topics as diverse as World Building and Nicola Griffith’s 90s classic Slow River.

David’s latest release is Time’s Children, arriving next week from Angry Robot. It’s the opening novel in the Islevale series, and David tells us “This is my best book to date.” Sequel Time’s Demon is scheduled for May. Here’s what we know so far.

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Vintage Treasures: 5 Galaxy Short Novels, edited by H.L. Gold

Vintage Treasures: 5 Galaxy Short Novels, edited by H.L. Gold

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Cover by Edward Valigursky

I love novellas. They’re the perfect length for idling away those long fall evenings. I miss them in the online magazines I read today, virtually all of which have a submission cap somewhere around 10,000 words (the exception is Neil Clarke’s Clarkesworld, which recently began accepting stories up to 16,000 words. Way to go, Neil!)

It was Matthew Wuertz’s Saturday review of the April 1954 issue of Galaxy Science Fiction, including Fred Pohl’s classic “The Midas Plague,” that reminded me just how many great novellas appeared in those old print magazines. Matt’s piece made me want to read the story all over again. In fact, it made me wish there was an easy way to sample Galaxy’s  novellas. Galaxy editor H.L. Gold had an appetite for meaty SF epics, and his authors took ready advantage of that market. Gold showcased dozens of top-notch writers at novella length in the early days of the magazine, and it would be great to have easy access to those hard-to-find tales.

Yeah, that was dumb. As I was sorting paperbacks this morning it finally occurred to me that what I was wishing for already existed. Gold produced nearly a dozen mass market anthologies during his eleven years as Galaxy‘s editor, including six volumes of the Galaxy Reader of Science Fiction. He knew what his readers wanted, and he paid special attention to longer fiction, with Galaxy Science Fiction Omnibus (1955), The World That Couldn’t Be and 8 Other Novelets From Galaxy (1959), Bodyguard and Four Other Short Novels from Galaxy (1960), Mind Partner and 8 Other Novelets from Galaxy (1961), and especially 5 Galaxy Short Novels, which appeared in 1958.

5 Galaxy Short Novels reprints stories by Theodore Sturgeon, Damon Knight, James E. Gunn, J. T. McIntosh, and F. L. Wallace. Even today, it makes a great introduction to the magazine.

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New Treasures: The Mammoth Book of Halloween Stories edited by Stephen Jones

New Treasures: The Mammoth Book of Halloween Stories edited by Stephen Jones

The Mammoth Book of Halloween Stories-smallI love these Mammoth anthologies. Because they’re mammoth! You can curl up with them for an entire weekend. Or use them as a stepladder to get to those dishes in the top cupboard. They have countless uses around the house.

Stephen Jones’ latest, The Mammoth Book of Halloween Stories, arrived earlier this month, and it looks like an essential fall purchase. It’s 528 pages of new and reprint stories from Ramsey Campbell, Steve Rasnic Tem, Joe R. Lansdale, Helen Marshall, Angela Slatter, Neil Gaiman, Storm Constantine, Alison Littlewood, Robert Silverberg, Michael Marshall Smith, Adrian Cole, Christopher Fowler, Scott Bradfield, Robert Shearman, and a dozen more — plus a spooky new poem by Jane Yolen.

Here’s the complete Table of Contents.

“Introduction: When Churchyards Yawn”
“October in the Chair” – Neil Gaiman (Conjunctions: 39, The New Wave Fabulists, 2002)
“Reflections in Black” – Steve Rasnic Tem
“The Halloween Monster” – Alison Littlewood
“The Phénakisticope of Decay” – James Ebersole
“Memories of Día de los Muertos” – Nancy Kilpatrick (Dead of Night #8, Fall/Winter 1993)
“Fragile Masks” – Richard Gavin
“Bone Fire” – Storm Constantine
“Queen of the Hunt” – Adrian Cole
“The October Widow” – Angela Slatter (The Spectral Book of Horror Stories, September 2014)
“Before the Parade Passes By” – Marie O’Regan

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When Philip K. Dick Reports You to the FBI: Thomas M. Disch’s Camp Concentration

When Philip K. Dick Reports You to the FBI: Thomas M. Disch’s Camp Concentration

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Thomas M. Disch is a tragic figure. An enormously talented writer who won the enduring respect of his peers — with nine Nebula nominations and two Hugo nominations to his credit, plus a John W. Campbell Award and Rhysling Award, among many other accolades — his work was long ignored by the public. Success eluded him for virtually his entire career, and he gave up writing almost entirely near the end of his life. After the death of his partner in 2005 he lost his house, fought eviction from his apartment, and eventually killed himself in 2008. In the Science Fiction Encyclopedia John Clute wrote of Disch:

Because of his intellectual audacity, the chillingly distanced mannerism of his narrative art, the austerity of the pleasures he affords, and the fine cruelty of his wit, Disch was perhaps the most respected, least trusted, most envied and least read of all modern sf writers of the first rank.

Certainly his most commercially successful work was the novella “The Brave Little Toaster,” which appeared first in the August 1980 issue of The Magazine of Fantasy and Science Fiction and was nominated for both a Hugo and Nebula. Famed animation director John Lasseter (Toy Story, A Bug’s Life) recalls how he was fired from Disney ten minutes after making a pitch for a film version; Hyperion Pictures eventually produced animated versions of The Brave Little Toaster (1987) and Disch’s sequel, The Brave Little Toaster Goes to Mars (1998).

Perhaps his most successful adult novel was Camp Concentration, which has seen nearly a dozen editions in English since it first appeared in 1968. Alongside On Wings of Song (1979) it’s one of his most acclaimed novels, anyway, and I figure it makes a solid starting point to start reading Disch. It’s interesting for another reason as well — the novel figures prominently in one of the most infamous incidents involving Philip K. Dick, who was so alarmed by Camp Concentration that he wrote a letter to the FBI about it.

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Uncanny as a Ventriloquist’s Doll: Nothing is Everything by Simon Strantzas

Uncanny as a Ventriloquist’s Doll: Nothing is Everything by Simon Strantzas

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Art by Aron Wiesenfeld

In 2014 I wasn’t familiar with the work of Simon Strantzas, but I bought his collection Burnt Black Suns mostly on the reputation of its lead story “On Ice,” a grim novella of arctic horror. By 2018, however, Simon is the one with the reputation, and it’s growing steadily with every story.

His new collection Nothing is Everything, on sale in hardcover and trade paperback from Michael Kelly’s Undertow Press next month, has already drawn a lot of attention. Kij Johnson says “Simon Strantzas is Shirley Jackson-grade eerie,” and Camilla Grudova, author of The Doll’s Alphabet, says:

Simon Strantzas captures the creepiness of small town Ontario; there is something of Seth, of Alice Munro in his work, wonderfully tangled with the likes of Aickman and Jackson. Uncanny as a ventriloquist’s doll, but with a real, beating heart.

Undertow is simultaneously releasing hardcover and trade paperback editions with different covers. Both are very fine, but the hardcover, with art by Aron Wiesenfeld (above), is particularly arresting. The trade paperback (below) features art by Tran Nguyen. Both were designed by Vince Haig.

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The Priceless Treasures of the Barbarian Prince

The Priceless Treasures of the Barbarian Prince

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A complete set of Dwarfstar games. Probably worth more than my house.

I enjoyed Sean McLachlan’s Black Gate post last month, Wargaming with my Twelve-Year-Old. Sean and his son played Outpost Gamma, a 1981 science fiction board game of man-to-man combat on a distant colony world. You don’t see a lot of coverage of early-80s science fiction microgames these days, so I appreciated being able to share the fun.

Outpost Gamma was published by Heritage Models in 1981, under their celebrated Dwarfstar imprint. Dwarfstar, like Metagaming, Steve Jackson, and Task Force Games, produced a rich catalog of microgames aimed at younger players. Well, budget-conscious players anyway. Metagaming, who pioneered the concept of the microgame with their first release, Steve Jackson’s runaway hit Ogre, charged $2.95 for a two-color game in a small baggie. Dwarfstar did away with the baggie and upgraded to a slim box, added full color, and charged a lordly $3.95.

As a business, the Dwarfstar line wasn’t a success. Unlike Metagaming and Task Force, who released dozens of titles over the years, they produced only eight games between 1981-82. But from a creative perspective, they were a magnificent hit. Their titles included Arnold Hendrick’s classic Demonlord, simulating the desperate struggle against the Demon Empire, Lewis Pulsipher’s Dragon Rage, a game of giant monsters attacking a walled medieval city, Dennis Sustare’s Star Smuggler, a marvelous solitaire programmed adventure following the adventures of a star trader on the frontier, and the peak achievement of Western Civilization, Arnold Hendrick’s Barbarian Prince, a solitaire game of heroic action in a forgotten age of sorcery.

Superbly well-designed as they were, Dwarfstar games had one great weakness: they weren’t built to last. Paper-thin boxes and flimsy components helped keep the cost down, but did nothing for their longevity. More than 35 years later these eight games have a nearly mythical reputation among collectors, but there aren’t a lot of copies to be had. And you know what that means: the scarce copies still in good condition are very, very expensive.

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Future Treasures: Strange Ink by Gary Kemble

Future Treasures: Strange Ink by Gary Kemble

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No surprise that as we slip into Fall, publisher schedules start to fill up with more horror volumes. What is surprising is the number of intriguing debuts I’m seeing, like Gary Kemble’s Strange Ink, arriving in trade paperback from Titan next month. Publishers Weekly thought very highly of the book; here’s a snippet from their review.

In Kemble’s taut, suspenseful debut set in Brisbane, Australia, local and international concerns combine with the supernatural. Small-time journalist Harry Hendrick wakes up after a stag party with a hangover and a new tattoo he has no memory of getting. When he starts having intense nightmares, he quickly realizes his new tattoo is far from ordinary. More inexplicable tattoos begin appearing, bringing more nightmares, which Harry suspects may actually be someone else’s disturbing memories. Those memories have strong political implications, and Harry must solve the mystery they present before a depraved villain becomes prime minister. The novel’s gritty realism viscerally and effectively conveys the discomfort of new ink, the oppressive heat of the Queensland summer, and the horrors of war and murder… This is a strong debut by a promising new voice.

Strange Ink will be published by Titan Books on October 9, 2018. It is 391 pages, priced at $14.95 in trade paperback and $7.99 for the digital edition. The cover art is by Studio London.

See all our recent coverage of the best in upcoming fantasy here.

Explore the Outer Rim with Space Pioneers, edited by Hank Davis and Christopher Ruocchio

Explore the Outer Rim with Space Pioneers, edited by Hank Davis and Christopher Ruocchio

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Back in June I wrote a brief piece about Hank Davis’s upcoming Baen anthology Space Pioneers, a collection of new and classic SF tales of space exploration. Hank recently sent me an update on the book, and it keeps looking better and better. In June Baen listed it as 304 pages, but the PDF copy Hank sent me is a whopping 512 pages, packed with fiction by Clifford D. Simak, Poul Anderson, Fredric Brown, Larry Niven, Murray Leinster, Edmond Hamilton, Manly Wade Wellman, Robert A. Heinlein, Theodore Sturgeon, Jerry Pournelle, Tony Daniel, and many more.

For a mass market paperback priced at $7.99, this is a real treasure trove. Here’s Hank:

I’m presently proofing the pages for Space Pioneers, coming from Baen around Turkey Day. Figuring you would like to see those pages, I’m passing them on to you, with the warning that this is the virtually unproofed version, so please keep that in mind.

Some of the typos I’ve seen so far, such as “Frederik Brown,” “Lester del Ray,” and other reasons-to-slit-editorial-wrists will be fixed, but I’m sure I’ll miss something until it is in cold, dry, unforgiving print for all the world to see…

And also attached is the nearly final version of the paperback’s wraparound cover. Aside from the back cover and spine now being visible, it differs from the one I sent you a few months back in having Robert A. Heinlein’s name on the front, replacing Jerry Pournelle, who will now be on the back cover. If it isn’t too late (and I won’t know that until the survivors return from DragonCon), I’m going to add Clifford D. Simak to the names on the back cover.

Hank’s co-editor for the project is Christopher Ruocchio, whose first anthology for Baen was Star Destroyers, (co-edited with Tony Daniel), and whose debut novel Empire of Silence has been getting lots of acclaim.

Here’s a peek at the updated table of contents for Space Pioneers.

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