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Author: Bob Byrne

Discovering Robert E Howard: Paul Bishop on The Fists of R.E.H.

Discovering Robert E Howard: Paul Bishop on The Fists of R.E.H.

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Fists of Iron Robert E Howard-smallNaturally, the works of Robert E. Howard are popular post fodder here at Black Gate. While Conan is far and away his best known character, REH created many other memorable heroes, including Solomon Kane, El Borak and Kull. Earlier this year, I wrote about Howard’s largely forgotten private eye, Steve Harrison.

At the time, I thought that a post on Howard’s boxing stories would be good reading. Also realizing I was completely unqualified to write it, I contacted the current czar of boxing fiction, Paul Bishop of Fight Card Books.

Fight Card is a pulp style series of boxing tales. They’ve included two Holmes boxing novellas in the series, so you know I’m on board! See what Paul has to say about Howard’s boxing works.

The minute I stepped ashore from the Sea Girl, merchantman, I had a hunch that there would be trouble. This hunch was caused by seeing some of the crew of the Dauntless. The men on the Dauntless have disliked the Sea Girl’s crew ever since our skipper took their captain to a cleaning on the wharfs of Zanzibar – them being narrow-minded that way. They claimed that the old man had a knuckle-duster on his right, which is ridiculous and a dirty lie. He had it on his left.
~ Robert E. Howard, “The Pit of the Serpent”

Although best known as the creator of Conan the Barbarian, Solomon Kane, and other sword and sorcery characters, Robert E. Howard had a lifelong interest in boxing, attending fights and avidly following the careers of his favorite fighters. Even though as a child he was bookish and intellectual, in his teen years he took up bodybuilding and eventually entered the ring as an amateur boxer.

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The Public Life of Sherlock Holmes: Why Solar Pons?

The Public Life of Sherlock Holmes: Why Solar Pons?

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The full painting by Les Edwards. It was seriously cropped for the cover of Basil Copper's 'Solar Pons: The Final Cases.'
The full painting by Les Edwards. It was seriously cropped for the cover of Basil Copper’s ‘Solar Pons: The Final Cases.’

I am a major fan of Solar Pons, The Sherlock Holmes of Praed Street. I wrote about him for Black Gate here and here. Fu Manchu expert William Patrick Maynard wrote about Pons and an unnamed but clearly Manchu here.

We know that Sir Arthur Conan Doyle gave us 56 short stories and 4 novels (novellas, really) featuring Sherlock Holmes. And there have been many television shows and movies with the world’s first private consulting detective. And the number of books and short stories written about Holmes by other authors is virtually uncountable in our modern age.

So, with an endless supply of options to get our Holmes fix (albeit, ranging from atrocious to excellent), why in the world would we need to read about a Holmes imitator dreamed up nearly ninety years ago?

‘Why Solar Pons?’ was the first essay in the first issue of my free, online newsletter, The Solar Pons Gazette. I believe that the Pontine Canon is a treasure trove for Holmes fans (of which I am most definitely one). So, read on and maybe you’ll get an itch to read a Pons story or two (sadly, the books are out of print and you’ll have to find some used copies, like I did).

I harbor a somewhat silly hope that this essay will someday be used as an introduction to a Pons collection.  So…

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Dave Gross on Pitching and Pinching

Dave Gross on Pitching and Pinching

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Pathfinder Tales Lord of Runes-smallYou know, of course, we love us some Pathfinder (the role playing game, not the Viking-American Indian movie) here at Black Gate. And I don’t just say that because Managing Editor Howard Andrew Jones has written two novels (with a third coming in October) for their excellent fiction line, Pathfinder Tales.

There have been 30 novels in the series so far. The first (Prince of Wolves), the most recent (The Lord of Runes) and three in between (Master of Devils, Queen of Thorns, King of Chaos) have come from the prolific pen of Dave Gross.

With his tales of half-elven Pathfinder Varian Jeggare and his devil-blooded bodyguard Radovan, Gross has successfully blended the fantasy and mystery genres. Dave has taken some time out of his busy schedule to share some thoughts. Of course, I love the ‘Holmes and Watson’ references.

You can find more info on the Pathfinder Tales line here, including free web fiction. And here’s a link to some Black Gate coverage of the line, including The Lord of Runes. Check out the fine fantasy writing that’s taking place in Pathfinder’s world of Golarion. Take it away, Dave…

As a writer, I hate throwing what Hollywood calls elevator pitches — you know, those snappy “X meets Y” descriptions of a screenplay. We do the same thing in publishing, often still referencing movies rather than books. “It’s Star Wars meets Sixteen Candles,” or “Ocean’s Eleven meets Ghostbusters,” or “Casablanca with orcs as the Nazis.”

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The Public Life of Sherlock Holmes: On Screen Before Norwood

The Public Life of Sherlock Holmes: On Screen Before Norwood

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PreTwentiesGillette1Screen depictions of the great detective have been a staple topic here at The Public Life of Sherlock Holmes. And because you assuredly read this post (actually, you might have: this has turned out to be my most popular PloSH post. I think it’s an error in the counting macro, but I’ll take it!), you know that in 1921 Eille Norwood and Stoll Films began their very popular series of Holmes silent films.

So today, we’ll look at the pre-Twenties career of Holmes in films.

There had been plays featuring Sherlock Holmes in 1893 and 1894. Then, William Gillette made his lasting debut as Holmes in his own play in 1898. Which you know since you read this post (I’m awfully self-assured people read this column, aren’t I?).

The restored Gillette film was screened in San Francisco the first week of June and will be available on DVD this Fall (I don’t plan on paying $34.95 for a copy, myself. I’ll wait until the price comes down.).

Then, in 1900, we saw the first appearance of Holmes in the fledgling media of film.

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The Public Life of Sherlock Holmes: Looking at The Bruce Partington Plans

The Public Life of Sherlock Holmes: Looking at The Bruce Partington Plans

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BruceP_FDSSolar Pons is, of course, the next best thing to Sherlock Holmes (which you know because you read THIS post, right?). I’m a Pons fan and I run www.SolarPons.com, the only website dedicated to The Sherlock Holmes of Praed Street.

Along with my two free, electronic newsletters (The Solar Pons Gazette and Baker Street Essays), the heart of the site is a collection of (non-spoiler) case commentaries for August Derleth’s stories. Some day, it will also host commentaries for the Basil Copper pastiches.

One of the many projects on my ‘To Do’ list (which might as well be Wish list) is to write case commentaries for the sixty Holmes stories written by Sir Arthur Conan Doyle. I’ve done one (woohoo!!!). First, if you haven’t done so, you really, really, really (I mean, really) need to read “The Bruce Partington Plans.” It’s a short story; won’t take long. And the rest of this post will actually mean something to you.

Each case commentary includes a non-spoiler preview of the story, some notable quotes, and a plethora of miscellaneous observations and comments. I’m probably in the minority, but I think there is some good stuff below and you’ll know a bit more about the story after you read it. So, come, the game is afoot!

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The Public Life of Sherlock Holmes: Magnifying Glass, Pipe and Deerstalker

The Public Life of Sherlock Holmes: Magnifying Glass, Pipe and Deerstalker

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Pipe_RathboneThe curved pipe. The magnifying glass. The deerstalker cap. These three objects are intimately associated with the enduring image of Sherlock Holmes. Sir Arthur Conan Doyle was quite astute to use these rather uncommon devices for his singularly uncommon detective.

Well, not quite. In addition to Doyle, we should also credit three other men for creating the picture we see of Sherlock Holmes, over a century later.

Along with Doyle, we must tip our deerstalker (and puff on our pipe in honor of) illustrators Sidney Paget and Frederic Dorr Steele, a well as the great stage performer, William Gillette.

It is the contributions of the latter three upon which Eille Norwood, Arthur Wontner, Basil Rathbone, Jeremy Brett and others based their portrayals. Of course, since Rathbone’s Universal films were set in the 1940’s, his wardrobe was contemporary to the times. But his two films for Twentieth-Century Fox fit the classic image.

Let’s take a look at three “props” that have been commonly associated with Holmes for over a century.

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The Public Life of Sherlock Holmes: TCM’s Summer of Darkness

The Public Life of Sherlock Holmes: TCM’s Summer of Darkness

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TCM_LogoHard boiled and noir are often discussed together. And while a film or story could fit in both categories, they are two distinct genres. Hard boiled is typified by the stories of Dashiell Hammett and Raymond Chandler, and others from Black Mask and Dime Detective magazines.

Noir is usually (but not always) thought of in terms of film: black and white, shadowy movies with dark characters. Much hard boiled is noir, and vice versa. Far more expert folks have discussed the definitions of the two terms for decades.

One example, to me, are the works of Cornell Woolrich, whose “It Had to Be Murder” became the masterful suspense flick, Rear Window. Woolrich’s stories are noir, but not hard boiled.

Many of Humphrey Bogart’s films were hard boiled, including The Maltese Falcon (also noir), The Roaring Twenties and Bullets or Ballots. One of his later films, In a Lonely Place (based on the novel by Dorothy Hughes) is a noir classic but isn’t hard boiled.

So, just know that many films (usually crime related) from the thirties through the fifties and into the sixties, were hard boiled, noir, or both.

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The Public Life of Sherlock Holmes: Wrapping up Jeremy Brett’s Adventures

The Public Life of Sherlock Holmes: Wrapping up Jeremy Brett’s Adventures

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Brett3_RucastleClick here for parts one and two of this look at Jeremy Brett’s The Adventures of Sherlock Holmes.

The second installment of Granada’s The Adventures of Sherlock Holmes kicked off on August 25, 1985 with The Copper Beeches. Tapped for the role of one of the Canon’s most dastardly villains, Jephro Rucastle, was veteran actor Joss Ackland. Back in 1965 he had starred opposite Douglas Wilmer’s Holmes in The Disappearance of Lady Frances Carfax, playing her former suitor, Philip Green.

Other tangential Holmes-related efforts had included John Cleese’s disastrous parody, The Strange Case of the End of Civilization as We Know It and an episode of the BBC series, The Rivals of Sherlock Holmes, based on the anthologies edited by Hugh Greene.

And in 1989 he would play the King of Sweden in Christopher Lee’s Sherlock Holmes & The Incident at Victoria Falls. Ackland’s Rucastle is one of the most memorable evildoers in the entire Granada series; menacing in a creepy but understated way.

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The Public Life of Sherlock Holmes: Jeremy Brett’s Adventures Begin

The Public Life of Sherlock Holmes: Jeremy Brett’s Adventures Begin

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Brettstrand1Last week I posted part one of our look at Granada’s The Adventures of Sherlock Holmes, starring Jeremy Brett.

The Adventures were divided into two parts; seven episodes in the first; six in the latter. A Scandal in Bohemia aired on April 24, 1984. Can it be thirty-one years since Jeremy Brett first graced television sets as the great detective? Scandal was actually the third story to be filmed.

Producer Michael Cox wanted Brett and his Watson, David Burke, to become comfortable with their roles before filming one of the most famous tales in the Canon, so he didn’t start taping with this one.

Watson enters their Baker Street lodgings, having been gone on a trip. He sees the empty syringe case and fears his flat mate has turned to cocaine. Shortly after our first vision of Holmes, Brett gives the “My mind rebels at stagnation” speech. It is completely understated but still paints a portrait of Holmes’ need for work (compare it to the over-the-top reading of Matthew Frewer).

The script is remarkably faithful to the story and is filled with original dialogue from Doyle. The influence of Sidney Paget is blatantly obvious. The King of Bohemia’s unmasking is a replica of the original drawing, and Brett’s ‘drunken groom’ disguise is nearly identical to Paget’s drawing. We even get the famous “Good Night Mr. Holmes” scene.

David Burke is as far from Nigel Bruce as one can imagine. He is thoughtful, intelligent, amusing without being a buffoon and utterly dependable. There is a valid film reason for Bruce’s un-Canonical portrayal as comic relief, but Burke reinvents Watson as his original self: the way Doyle wrote him.

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The Public Life of Sherlock Holmes: Adventures With Jeremy Brett

The Public Life of Sherlock Holmes: Adventures With Jeremy Brett

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Brett46For several decades, Basil Rathbone, star of fourteen Holmes films in the thirties and forties, was generally the most recognizable and popular screen Holmes. And of course today, Benedict Cumberbatch and Robert Downey Jr are internationally recognized for their turns as the master detective.

But in between Rathbone and Cumberbatch, one actor (with apologies to Peter Cushing) stood above all other portrayers of Sherlock Holmes. And that was Jeremy Brett.

This is number one of a three part series looking at the first part (The Adventures) of the Granada television series, which ran in full from 1984 to 1994. To many fans, Brett is simply THE Holmes. So…

In 1980, Michael Cox was a producer at Granada, one of the Independent Television (ITV) contractors in England. At the same time in America, Charlton Heston was starring as Sherlock Holmes in the stage play, The Crucifer of Blood. His Watson was a handsome Englishman named Jeremy Brett.

The following year, Cox proposed an authentic Sherlock Holmes series; one that was as true to the original tales as could commercially be done in the television format. His idea was received positively, but Cox was told that an essential element of the deal would be a pre-sale agreement with American television. This would secure “up-front” money, which would be invested into the series. WGBH in Boston, host of the popular PBS series, Mystery!, was an ideal candidate for the partnership.

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