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Year: 2018

The Last Jedi: The Creature of the Lagoon Trashes the Toxic Tropes (Porg is a Verb)

The Last Jedi: The Creature of the Lagoon Trashes the Toxic Tropes (Porg is a Verb)

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256 last Jedi Poster
“Don’t try to porg me!”

(Spoilers after the cut. But seriously, if that matters to you, look at the date! You should have seen the movie by now.)

I liked The Last Jedi.

We liked The Last Jedi: my wife, my 14yr old son, my 10 yr old daughter, and me, I liked it.

It wasn’t prose Military Science Fiction, so we didn’t hold it to the standards of a Tanya Huff or Jack Campbell novel. Nor was it Mundane SF, so those bombs didn’t bother us. Rather, we sat down and enjoyed it the way we also enjoyed Guardians of the Galaxy.

Last Jedi Bleep This
“BLEEP this! BLEEP this also! And this in particular. BLEEP this guy…!”

It was less EC Tubb than the last instalment, and more (according to my son) like an RPG campaign that kept changing GMs and (so I reckoned) flipflopping between Traveller and FATE.  My daughter loved seeing girls having adventures (though, being 10, she rather takes this for granted), liked the light saber fights, and also the porgs. (“Porg” is now a verb in our house, as in, “Don’t try to porg me into giving you more chocolate ice cream.”)

I’ll admit I also enjoyed the very thing that seems to have upset so many knee-jerk critics: it went through the tropes the way the Creature of the Lagoon goes through scenery and people in that hilarious NSFW mashup on YouTube:

“BLEEP this! BLEEP this also! And this in particular. BLEEP this guy…!”

Mysterious But Significant Parentage went up in a puff of wasted fan theories. As did Dark Lord, Wise Mentor, Heroic Sacrifice Saves the Day, Ancient Wisdom, Epic Redemption.  (“BLEEP this guy, BLEEP those books, BLEEP in particular this tree…“)

The movie even trashed some of the things fans mock about Star Wars. The Jedi really aren’t the good guys. Darth Emo really is a boy in a stupid mask.

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New Treasures: The Red Men by Matthew de Abaitua

New Treasures: The Red Men by Matthew de Abaitua

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The Red Men Matthew de Abaitua-small The Red Men Matthew de Abaitua-back-small

The Red Men, Matthew de Abaitua’s debut novel, was originally published in trade paperback in 2009 by British fantasy small press Snowbooks. This is the first US edition. It follows de Abaitua’s two previous novels with Angry Robot, IF THEN and The Destructives.

In his acknowledgements de Abaitua says the theory of time as a solid state that he explores in the book “was put to me in an Italian restaurant in Northampton by Alan Moore.” The Red Men was shortlisted for the Arthur C. Clarke award, and filmmakers Shynola adapted the first chapter into a gripping short called Dr. Easy, which you can watch here. The book was widely praised when it first appeared; Will Self said “De Abaitua operates on the smiling face of the present to reveal the grimacing skull of the future.” And Golden Apples of the West said “With The Red Men, De Abaitua joins the ranks of Philip K Dick, J G Ballard, Rudy Rucker and Lavie Tidhar, writers who see and understand what’s happening to reality before the rest of us do.”

The Red Men was published by Angry Robot on November 7, 2017. It is 368 pages, priced at $7.99 in paperback and $6.99 for the digital version. The cover is by Raid71.

Birthday Reviews: Jerome Bixby’s “The Holes Around Mars”

Birthday Reviews: Jerome Bixby’s “The Holes Around Mars”

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Galaxy January 1954-small Galaxy January 1954-back-small

Cover by Mel Hunter

Jerome Bixby was born on January 11, 1923 and died on April 28, 1998. His story “It’s a Good Life” was adapted into an episode of The Twilight Zone and The Twilight Zone Movie. He wrote scripts for four episodes of Star Trek, including “Mirror, Mirror,” and co-wrote a story with Otto Klement which became the basis for the film Fantastic Voyage. He served as the editor of Planet Stories from mid 1950 through July 1951 and went on to serve as Horace L. Gold’s assistant at Galaxy.

When he first envisioned the story that became “The Holes Around Mars,” he was planning on what is now known as flash fiction ending with a joke. He discussed it with Gold, who convinced him to stretch it out and in the writing, he extended it again until it took its present form. It was first published in Galaxy in the January, 1954 issue, edited by Horace L. Gold. The story has been reprinted numerous times and translated into French, German, and Italian.

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John DeNardo on the Definitive List of 2017’s Best Science Fiction and Fantasy

John DeNardo on the Definitive List of 2017’s Best Science Fiction and Fantasy

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The-Stone-Sky-N.K.-Jemisin-smaller The-House-of-Binding-Thorns-smaller A Conjuring of Light-small

As he does every year, John DeNardo breaks down the Best of the Year lists to find the most widely acclaimed science fiction, fantasy, and horror books of the last 12 months. Why does he do it?

I love looking at book-related “Best of the Year” lists because it’s fun to see what made the cut and how lists differ from one another. Even better: lists stoke my desire to read and point me towards books I may have otherwise skipped over. However, an abundance of “Best of” lists begs the question: which books truly deserve that label? Which books are the absolute best?

Intent to find some concrete answer to those admittedly subjective questions, I began an intense session of OCD-fueled list aggregation and spreadsheet manipulation to find which science fiction and fantasy books garnered the most mentions. The result is a very unscientific ­— but nonetheless worthwhile — “Best of the Best” list of the science fiction and fantasy books that debuted in 2017.

For those (like me) who want to read the books that everyone is talking about, and get a jump on the 2018 awards season, John’s meta-list is invaluable. Let’s see what’s on it.

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Vintage Treasures: The World Fantasy Awards, Volume One and Two

Vintage Treasures: The World Fantasy Awards, Volume One and Two

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First World Fantasy Awards-small The World Fantasy Awards Volume Two-small

The World Fantasy Convention is my favorite convention by a pretty fair margin, and the highlight of the con every year is the presentation of the World Fantasy Awards. They were first given out at the very first World Fantasy Convention in Providence, Rhode Island in 1975, and they’ve been awarded every year since. The list of recipients is like a Who’s Who of the major authors in the genre, and the award has come to be the most significant honor in American fantasy, alongside the Nebula and Hugo Awards (both more generally given to works of science fiction).

The Nebula Award winners are collected annually in the Nebula Awards Showcase, which has been continuously published for 51 years (we covered the latest volume, edited by Julie E. Czerneda, here), and the Hugo Winners were famously collected in some of the most popular SF anthologies of all time, Isaac Asimov’s The Hugo Winners, which ran to multiple volumes (we looked at that series here). But even most SF collectors are unaware that there are two volumes collecting World Fantasy Award winners, originally published in hardcover by Doubleday in 1977 and 1980.

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Birthday Reviews: George Alec Effinger’s “Albert Schweitzer & the Treasures of Atlantis”

Birthday Reviews: George Alec Effinger’s “Albert Schweitzer & the Treasures of Atlantis”

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Alternate Warriors-small Alternate Warriors-back-small

Cover by Barclay Shaw

Most days in 2018, I’ll be selecting an author whose birthday is celebrated on that date and reviewing a speculative fiction story written by that author.

George Alec Effinger was born on January 10, 1947 and died on April 27, 2002. He was married three times, the second time to artist Beverly Effinger and the third time to science fiction author Barbara Hambly. He was a John W. Campbell, Jr. finalist in the award’s inaugural year and the Southern Fandom Confederation presented him with the Phoenix Award in 1974. His story “Schrödinger’s Kitten” received the Hugo, Nebula, and Sturgeon Award in 1989. Effinger wrote the popular Budayeen series, comprised of several short stories and the novels When Gravity Fails, A Fire in the Sun, and The Exile Kiss. He also wrote pastiches of several types of pulp adventure stories featuring his character Maureen Birnbaum, Barbarian Swordsperson.

His short story “Albert Schweitzer and the Treasures of Atlantis” was written for Mike Resnick’s alternate history anthology Alternate Warriors, in which each story takes an unlikely historical figure and turns them into a fighter. The story has never been reprinted.

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Future Treasures: 95 Sci-Fi & Fantasy Books to Read in 2018

Future Treasures: 95 Sci-Fi & Fantasy Books to Read in 2018

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Myke Cole THE ARMORED SAINT-small The Robots of Gotham-small Outpost W. Michael Gear-small

Hand in hand with the new year comes brand new schedules from the major genre publishers like Tor, DAW, Ace, Angry Robot, Solaris, Houghton Mifflin Harcourt, and many others. The Barnes & Noble Sci-Fi and Fantasy Blog has compiled a magnificent list of 95 Books Sci-Fi & Fantasy Editors Can’t Wait for You to Read in 2018, and I was surprised and delighted to see Black Gate authors well represented, including Myke Coke, Todd McAulty, and Patrice Sarath.

There’s also plenty of other enticing titles, including books by W. Michael Gear, Tim Powers, Yoon Ha Lee, Seanan McGuire, Jim Butcher, S.K.Dunstall, Peter McLean, David Weber, Kristen Britain, Sylvain Neuvel, Carrie Vaughn, Dale Bailey, Molly Tanzer, Rich Larson, Kameron Hurley, Nancy Springer, Peter Watts, Ian McDonald, Dan Abnett, and many others. Here’s a few of the hightlights.

The Armored Saint, by Myke Cole (Tor.com, 208 pages, $17.99 in hardcover, February 20)

This is a fabulous tale of bravery versus doubt, of magic versus religion and of humanity versus its demons (both real and metaphorical). A truly action-packed fantasy, with a heroine you can’t help but adore, and Myke Cole’s long-overdue foray into hardcover fiction. Book one in a series of three, and one not to be missed! — Lee Harris

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The High House by James Stoddard

The High House by James Stoddard

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51nkGCbEv1LI need to find some new superlatives for the books I read. Too often I fall back on “terrific” or “awesome” or just plain “great.” Those are all stalwart words, but after I’ve described two or three books with them, it just seems lazy to describe the next two or three with the same exact words. I do it to make clear I liked a particular book and that I think it’s worth Black Gate readers’ attention, but it’s really lazy of me to just keep using the same superlatives again and again. That said, James Stoddard’s The High House (1998) is exceptional, superb, and top-notch.

The High House of Evenmere is

a truly beautiful pile of building, all masonry, oak, and deep golden brick, a unique blend of styles — Elizabethan and Jacobean fused with Baroque — an irregular jumble balancing the heavy spired tower and main living quarters on the western side with the long span flowing to the graceful L of the servants’ block to the east. Innumerable windows, parapets, and protrusions clustered like happy children, showing in their diversity the mark of countless renovations. Upon the balustrades and turrets stood carved lions, knights, gnomes, and pinecones; iron crows faced outward at the four corners. The Elizabethan entrance, the centerpiece of the manor, was framed by gargantuan gate piers and pavilions, combining Baroque outlines with Jacobean ornamentation.

The building “is the mechanism that propels the universe, (. . .) If the Towers’ clocks are not wound their portion of Creation will fall to Entropy.”

Lord Ashton Anderson is responsible for protecting the High House. The foremost enemy of the house is the Society of Anarchists, led in the field by the Bobby, a man dressed in the uniform of a police constable and with a face from which the features sometimes vanish, leaving him looking like a “faceless doll.”

The story, though, is not Lord Anderson’s, but his son Carter’s. When Carter is nearly killed and the Bobby steals the Master Keys, Lord Anderson sends his son away for safety. Carter doesn’t return for fourteen years, during which time his father vanished while on expedition in the land of the Tigers of Naleewuath.

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Birthday Reviews: Algis Budrys’s “Silent Brother”

Birthday Reviews: Algis Budrys’s “Silent Brother”

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Astounding Science Fiction February 1956-small Astounding Science Fiction February 1956-back-small

Cover by Frank Kelly Freas

Algis Budrys was born on January 9, 1931. He died on June 9, 2008. In addition to his career as a writer, Budrys edited and published the magazine Tomorrow, first in print and later on-line. He was also active in promoting the Writers of the Future contest and wrote a long-running and very influential book review column in Galaxy Magazine entitled Benchmarks, many of which were collected into book form in 1986. He was a Guest of Honor at LoneStarCon 2, the 1997 Worldcon in San Antonio. Budrys was inducted into the First Fandom Hall of Fame in 2007 and received the Pilgrim Award for lifetime contribution to SF and fantasy scholarship from the Science Fiction Research Association the same year. In 2009, he received one of the inaugural Solstice Awards from the SFWA.

“Silent Brother” was first published under the pseudonym Paul Janvier in the February 1956 issue of Astounding Science Fiction, edited by John W. Campbell, Jr. and was reprinted five months later in the British edition of the magazine. When Judith Merril included it in SF: The Year’s Greatest Science-Fiction and Fantasy Second Annual Volume the next year, it was attributed to Budrys. Budrys included it in his collections Budrys’ Inferno, The Furious Future, and Entertainment. Isaac Asimov and Martin H. Greenberg included it in The Great SF Stories #18. The story has been translated into German and French.

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January 2018 Locus Now on Sale

January 2018 Locus Now on Sale

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Locus January 2018-smallThere’s a great quote in JY Yang’s interview in the January 2018 Locus that I want to share with you. Here it is.

I don’t know how to write poetry. I was on the Writing Excuses cruise recently, and one of the instructors was Jeffrey Ford, and he gave a lecture that was about the last five percent — how you can get your prose to pop. You can write perfectly decent prose, but he was talking about ways you can get your mind to come up with interesting prose…. He gave some examples — one of them was a joke off the internet about how if you’re standing behind someone at the ATM at night, to show them you’re not a threat, you can give them a gentle kiss on the neck. He asked what part of that makes the text sparkle? It’s the word ‘gentle,’ because [it] exaggerates the entire sentiment of the joke. He suggests doing wordplay on a daily basis, and coming up with new terms. That’s something I do. I don’t say I bathe the dog, I say I wash her. I say we prune her instead of cutting her hair and things like that. I try to say or do things in interesting ways, and that comes up in my fiction. I like fiction that has interesting but effective imagery. I don’t like things that are overdone, tortured metaphors or similes, purple prose. A lot of the writers whose prose I admire, like William Gibson and David Mitchell, they express things in interesting ways, but it’s very simple. One interesting adjective in the sentence makes it sparkle. That’s what I try to achieve in my writing.

I think that’s neat. And, speaking as an editor who read through countless thousand submissions in the decade plus we were buying fiction for Black Gate, I think it also contains an essential truth. Before you put that tortured sentence to paper to prove the poetic power of your prose, remember that the core of really effective writing is simplicity. Yang is the author of The Tensorate Series from Tor.com; we covered the first two volumes here. The third, The Red Threads of Fortune, is due in July.

There’s lots of other great stuff in the January Locus, including a feature interview with John Crowley, a column by Cory Doctorow, Best of 2017 lists from Amazon, Audible, Goodreads, and Publishers Weekly, and reviews of short fiction and books by Rich Horton, Gardner Dozois, Gary K. Wolfe, Russell Letson, John Langan, Stefan Dziemianowicz, Paula Guran, Liz Bourke, and lots more.

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