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Month: January 2012

Saladin Ahmed’s Throne of the Crescent Moon

Saladin Ahmed’s Throne of the Crescent Moon

bgthroneThrone of the Crescent Moon
Saladin Ahmed
DAW Hardcover (288 pp, $24.95, February 7th 2012)

So, I got Saladin Ahmed’s Throne of the Crescent Moon in the mail yesterday.

By dinnertime, after the longest bath in history (getting out would’ve meant stopping reading) and an afternoon of dissolute lounging (moving from my mattress would’ve meant stopping reading), I finished the thing. O the exclamations of delight! O the Facebook status updates!

It is quite possible, although I make no sworn confession, that I took up Throne in my own two hands, with its slick dust jacket – art by Jason Chan featuring dervish (complete with a two-pronged blade “in order to cleave right from wrong”), ghul hunter (with his blazing white kaftan that will not stain), Badawi warrior girl (awesome, green-eyed, growling, rude, and frickin’ Angel-touched too – which you have to like in a girl) and buncha vile bone ghuls with terrifyingly unsanitary teeth – and with this glossily just-read book spun ‘round and ‘round my kitchen, making noises that perhaps ought not to be approximated in print.

I have been waiting and waiting and waiting for this novel.

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Goth Chick News: I’m Feeling a Little Anxious, If You Know What I Mean

Goth Chick News: I’m Feeling a Little Anxious, If You Know What I Mean

image0022And the amazing movie news just keeps coming.

Okay, so maybe Hollywood is seeing the lowest ticket sales in their collective history and perhaps that has caused a lack of story-line creativity.

However, if we’re going to need to sit through some things more than once, at least money-guys know what keeps us coming back.

This is a fine example.

Today I am as thrilled as I ever get to report that after more than a 20-year hiatus, one of my favorite characters (and Goth Chick dream date) Beetlejuice is finally returning to the big screen.

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A Look at The Tears of Ishtar

A Look at The Tears of Ishtar

the-tears-of-ishtarThe Tears of Ishtar
Michael Ehart
Ancient Tomes Press (284 pp, $16.95, March 2010)
Reviewed by Bill Ward

Fans of Michael Ehart’s 2007 release The Servant of the Manthycore (Double-Edged Publishing) will find a lot of familiar ground in The Tears of Ishtar – in fact the later book contains all of the stories collected in the former, some of which have been enlarged or altered, alongside new material. While I will admit to feeling a slight twinge of disappointment upon discovering that I had already read most of the stories in this book (and, when one factors in those stories appearing in other anthologies such as Rogue Blades Entertainment’s Rage of the Behemoth, I think I may have read nearly all of these tales at one time or another), that feeling quickly dissipated. These are, after all, good stories in the tradition of classic sword & sorcery, and this new collection-cum-fix-up-novel showcases Ehart’s Ninshi stories in a more complete and ultimately satisfying way than the previous book.

The Tears of Ishtar spans something like 3,000 years in the life of the cursed, nearly immortal warrior woman Ninshi, the Servant of the Manthycore. Beholden to this legendary, man-eating beast, Ninshi spends long centuries luring men into murderous ambush to satisfy the Manthycore’s appetite – and in exchange is rewarded with brief glimpses of her imprisoned lover, a man ensnared by the Manthycore’s magic and used as leverage against her. But these grim transactions do not comprise the main action of The Tears of Ishtar, as Ninshi finds herself confronting all manner of gods and spirits as she wanders the lands of the ancient Near East. Set against the backdrop of the rise and fall of empires, Ehart’s stories, which move relentlessly forward and often skip centuries of intervening time, capture the sweep and almost unimaginable chronological depth of a time and culture too-often merely abstracted as ‘Ancient Mesopotamia.’ It is that familiarity with the nuances of history, the inclusion of solid details of material culture and belief, and frequent biblical and historical allusions, which elevate the setting of The Tears of Ishtar in a memorable and compelling way.

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Michelle Muto talks Corpses, Deceased Protagonists, and Old Fashioned Piracy

Michelle Muto talks Corpses, Deceased Protagonists, and Old Fashioned Piracy

pb092291-copyMichelle Muto has never properly observed Talk Like a Pirate Day, but can tell you how a human body decomposes. She managed to get that information out of city workers without having them turn her in to the police or psych ward. After a time with a large literary agency that decided, ultimately, that her work was too much like another client’s and thus they could not represent her, she took the plunge and became an indie writer, and I am so glad she did.

I discovered her first by reading five star review after five star review of her book, Don’t Fear the Reaper, and by the time I got around to reading it, knew immediately that I wanted to meet and get to know the author who wrote it. She kindly agreed to let me interview her.

Oh, and she should know how to talk like a pirate because she’s a direct descendant of William Howard. So it’s obvious right? Okay, maybe not. He was Blackbeard’s quartermaster.

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Art of the Genre: Remember folks, The Hobbit is a Children’s Novel!

Art of the Genre: Remember folks, The Hobbit is a Children’s Novel!

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Ok, so I’m reading J.R.R. Tolkien’s The Hobbit, probably for the 4th time in my life. I mean, at this point, who isn’t reading it? With the new Peter Jackson film coming to theaters near you, anyone who loves the book is probably going back for another helping to refresh themselves as to why it made such an impact on their lives in the first place.

I’ve been following the Jackson blogs on the subject, seen the video footage and trailers, and am anxiously anticipating the release, but I can’t help wonder where the true ‘wonder’ went? You see, The Hobbit, for all intents and purpose is a YA novel, and no I’m not talking about stuff like Twilight or the last 5 Harry Potter books, but something more whimsical and genuinely fun.

Tolkien narrates The Hobbit, and that in itself creates a children’s magic in the tale as it distances you from the reality of it all and keeps everyone listening to it safe by an imagined fire and at the knee of a loving parent. He keeps the bulk of the tale light, and combat is reserved for times best suited to drive a point home while not featuring the violence of the scene.

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The Desert of Souls Now Available in Trade Paperback

The Desert of Souls Now Available in Trade Paperback

the-desert-of-souls-tpHoward Andrew Jones’ debut novel The Desert of Souls is finally available in trade paperback, with a brand new cover by Scott Grimmando.

It’s been a busy week for our Managing Editor. Yesterday we told you Thomas Dunne Books had released the cover art for the sequel, The Bones of the Old Ones, and announced a release date of August 21, 2012.

And less than two months ago Howard published The Waters of Eternity, an exciting collection of stories featuring the heroes of his first two novels, the intrepid Dabir and Asim — including two stories that first appeared in Black Gate.

Here’s just a sample of the praise the novel received when it first appeared:

The Desert of Souls is filled with adventure, magic, compelling characters and twists that are twisty. This is seriously cool stuff.”  — Steven Brust

“A grand and wonderful adventure filled with exotic magic and colorful places — like a cross between Sinbad and Indiana Jones.”  —Kevin J. Anderson

“Howard Andrew Jones spins an exciting and suspenseful tale in his historical fantasy debut. A rich, detailed tapestry — part Arthur Conan Doyle, part Robert E. Howard, and part Omar Khayyam, woven in the magical thread of One Thousand And One Nights.”  —  E.E. Knight

The Desert of Souls, 320 pages of action-packed Arabian adventure, is available from St. Martin’s Griffin for just $14.99.

“Farewell to Tyrn” and Notes on Self-Publishing for the First Time

“Farewell to Tyrn” and Notes on Self-Publishing for the First Time

farewell-to-tyrn-cover-500x667I’m taking a one-week break from Mars to do some shameless self-promotion, which I promise will be over quickly so I can regale you with a personal story. The Warlord of Mars next week, I promise.

I entered the realm of e-book publishing this week with my novelette “Farewell to Tyrn.” It is available for 99¢ at Amazon.com for the Kindle, and at Smashwords for all other e-reader formats (including vanilla plain text, which I find cool in a low-tech way).

“Farewell to Tyrn” is the second story released in my science-fantasy setting of Ahn-Tarqa. The first is my Writers of the Future-winning piece “An Acolyte of Black Spires.” Two more Ahn-Tarqa stories, “The Sorrowless Thief” and “Stand at Dubun-Geb,” are slated to appear in upcoming issues of Black Gate, so if you want to get a sense of the world, you can start with “Farewell to Tyrn.”

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The Bones of the Old Ones Arrives in August

The Bones of the Old Ones Arrives in August

bones-of-the-old-onesThomas Dunne Books has released the cover art, and announced the release date, for Howard Andrew Jones’ The Bones of the Old Ones, the sequel to The Desert of Souls, which The Mad Hatter’s calls “one of the most enjoyable Swords & Sorcery novels in quite a few years.”

The Bones of the Old Ones will be released in hardcover on August 21, 2012, with a cover by Stephen Stone. This will be the third book chronicling the exploits of Dabir and Asim, Arabian adventurers par excellence, following The Desert of Souls and the short story collection The Waters of Eternity, released in Kindle, Nook and iBook format on November 22.

Here’s the groovy cover blurb for Bones:

A thrilling, inventive follow-up to The Desert of Souls by Howard Andrew Jones, a “rare master of the storyteller’s art” (Greenmanreview.com)

As a snowfall blankets 8th century Mosul, a Persian noblewoman arrives at the home of the scholar Dabir and his friend the swordsman Captain Asim. Najya has escaped from a dangerous cabal that has ensorcelled her to track down ancient magical tools of tremendous power, the bones of the old ones.

To stop the cabal and save Najya, Dabir and Asim venture into the worst winter in human memory, hunted by a shape-changing assassin. The stalwart Asim is drawn irresistibly toward the beautiful Persian even as Dabir realizes she may be far more dangerous a threat than anyone who pursues them, for her enchantment worsens with the winter. As their opposition grows, Dabir and Asim have no choice but to ally with their deadliest enemy, the treacherous Greek necromancer, Lydia. But even if they can trust one another long enough to escape their foes, it may be too late for Najya, whose soul is bound up with a vengeful spirit intent on sheathing the world in ice for a thousand years…

Tomorrow is the release of The Desert of Souls in trade paperback — a perfect chance to job on board if you haven’t already. Don’t miss out on one of the most exciting fantasy debuts in years.

The World Beats a Path to John Fultz’s Door

The World Beats a Path to John Fultz’s Door

seven-princesJohn R. Fultz’s first novel, Seven Princes, has been on sale less than two weeks and already it’s shaking the walls of the literary establishment, getting rave reviews from all corners.

Last week genre website io9 called it “Amazing… It’s epic with a capital EPIC… You sort of wish Frazetta was still alive, just so he could illustrate some scenes from this book.

This week Library Journal checks in with a starred review of their own:

When Elhathym, the necromancer, murders the royal house of Yaskatha and seizes power, Prince D’zan, the sole survivor of the massacre, vows to avenge his family and liberate his homeland. Traveling thoughout the world, D’zan seeks aid from the Kingdoms of Udurum, land of Giants and men; the Uurz Empire, known for its lush, exotic Royal Gardens; Mumbaza, ruled by its Boy-King; and the Kingdom of Shar Dni, a country already under attack from pirates. Thus, seven princes become caught up in a great conflict. Fultz’s first novel launches an epic series set in a world in which a race of Giants nears extinction and an aging king delivers himself to the Mer-Queen’s justice for a crime committed in his youth… A richly detailed background history filled with the legends of many cultures lends depth to a stand-out fantasy series from an author with an exceptional talent for characterization and world building.

In the same piece you’ll also notice a starred review for our buddy Saladin Ahmed’s new novel Throne of the Crescent Moon, which they call a “long-awaited debut by a finalist for the Nebula and Campbell awards [that] brings The Arabian Nights to sensuous life.”

It’s a good week to be a fantasy fan. Check out both new reviews here.

Steampunk Spotlight: Cherie Priest’s Boneshaker

Steampunk Spotlight: Cherie Priest’s Boneshaker

boneshaker3One of the most popular steampunk books of the last few years, Boneshaker (Amazon, B&N) melded some of the most popular genre elements of steampunk and the zombie apocalypse wave of fiction. In this review from Black Gate #15, I commented that the book was a little action-heavy, full of zombie chases that didn’t always translate well on the printed page. I compared it to a George Romero film … and it turns out that someone took that to heart, because it’s being made into a film. I don’t normally go to zombie movies, but I’ll definitely make an exception for this one, which may well be the most visually-stunning zombie film ever.

Boneshaker

Cherie Priest
Tor (416 pp, $15.99, 2009)
Reviewed by Andrew Zimmerman Jones

Steampunk is traditionally set in a Victorian urban environment, with a veneer of gentility that covers a darker underbelly. And steampunk almost always includes airships (or at least flying bicycles)… often with air pirates in tow.

The weird west mythos, on the other hand, represents the frontier. While technology is usually central to steampunk, the weird west is often defined by some sort of monster (frequently zombies), but these elements can cross genres. The 1999 Will Smith film Wild Wild West featured a flying bicycle and a giant robotic spider, firmly placing it in the camp of steampunk by most accounts, but containing many weird west elements.

Boneshaker takes many of these staples, puts them in a blender, and sets to mix. It is set in a modified 1880’s Seattle, which has been walled off because a gas drifting out of the ground turns people into zombies.

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