Black Gate – Page 985 – Adventures in Fantasy Literature

New Treasures: Weird Fiction Review 3

Saturday, December 28, 2013 John ONeill Comments 9 comments

Two years ago I reported on the first issue of S. T. Joshi’s new magazine devoted to the study of weird and supernatural fiction, Weird Fiction Review (not to be confused with Ann and Jeff VanderMeer’s new online journal, also called Weird Fiction Review. Go figure.)

I recently stumbled across a pic of the third issue of Joshi’s WFR (at left), and it made me laugh out loud. I had to order a copy, and it arrived this week.

There’s lots to enjoy with the massive, 232-page issue. The front and back covers (see both here) are tributes to Mad magazine and the timeless artwork of Don Martin. Inside there are seven original stories from Michael Cisco, Joseph S. Pulver, Sr, and others.

There’s also a host of intriguing articles. Darrell Schweitzer looks at Lovecraft’s influence on one of the most important pulp SF stories ever written, “Who Goes There?”, in “John W. Campbell’s Lovecraftian Tale,” and Bradley H. Sinor presents a previously-unpublished interview from 1994, in “Excellence Demanded, Whiners Piss Off: The Last Interview of Karl Edward Wagner” (which picks up several of the themes in Wagner’s letter to editor Robert A. Collins published in Fantasy 55.)

There’s also a 16-page gallery of art by Jason Zerrillo, the latest installment of John Pelan’s column Forgotten Masters of the Weird Tale, a survey of the year in horror and gothic novels from Daniel Olson, a look at the classic 1966 kaiju film War of the Gargantuas (which author Stuart Galbraith IV calls “kind of a monster movie Nirvana, a film that delivers on the promise of its ingenious title in an orgy of gargantua vs gargantua action” — pic here), and lots more.

Weird Fiction Review 3 was edited by S.T. Joshi and published by Centipede Press on March 19, 2013. The issue contains fiction, poetry, and reviews on high quality paper with lots of color. It is 232 pages, priced at $25 for the sewn trade paperback. It’s a high quality package throughout. It’s limited to 500 copies, and is currently on sale for $20 from the publisher. Get more detail and order copies at Centipede Press.

Spotlight on Fantasy Webcomics: Lora Innes’s Dreamer Comic Captures 1776

Friday, December 27, 2013 alanajoli Comments 0 Comment

Lora Innes's Alan and Beatrice -- starcrossed lovers? — Lora Innes’s Alan and Beatrice — starcrossed lovers?

It starts with a kiss.

That’s the first thing that modern teen Beatrice really remembers about the strange dreams that start plaguing her life. But the theater student with very little knowledge of history starts getting a crash course in the history of the American Revolution when she finds herself thrust into the middle of the Revolutionary War herself. In her dreams, she is still Beatrice Whaley, but she’s the daughter of a Tory from Boston, in love with an apple farmer patriot who’s given up rank and position in the army all for the chance of rescuing her from the Redcoats.

Portal fantasy — the subgenre where modern people (usually children) travel to a fantasy world — is supposedly not en vogue right now. Dream fantasy seems to me to be a subset of that. But Lora Innes’s comic The Dreamer is one of those stories that makes me wonder why more people don’t love this format. It is in many ways a perfect gateway into history. As a kid, I remember reading The Devil’s Arithmetic by Jane Yolen, in which a modern teen is transported into the middle of the Holocaust, and feeling that it was the book about the Holocaust (and there were many) that best made me understand what it was like to be in the middle of those horrific events. The Freedom Maze by Delia Sherman, which won the Mythopoeic Fantasy Award in Best Children’s Literature in 2012, transports a girl from 1960 to 1860, and — even as an adult — gave me greater insight into both time periods. Having a Hannah or a Sophie, that modern voice I can identify with, introduce me to history makes it more real. And even though I’ve read a great deal about the American Revolution, watching Bea learn about it, both as she sleeps and — as her friends are threatened by the perils of the war — through the research she begins during her waking hours, brings that period to life in a fresh new way.

The romance angle, of course, doesn’t hurt.

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The Series Series: The Shadow’s Heir by K.J. Taylor

Friday, December 27, 2013 Sarah Avery Comments 3 comments

This book is not the first volume in a new series, no matter what its cover says. It’s marketed as the first volume in a new trilogy, The Risen Sun, that happens to be in the same setting as The Fallen Moon, but with every page I read, I felt the lack of resonances that the author clearly intended and expected for readers who had already read her first three books.

The Shadow’s Heir was good enough that I may someday backtrack to Taylor’s debut, The Dark Griffin. Of course, since this is really the fourth volume in the series, it has enough spoilers about the first three volumes that I’ll need to wait years for my memory of this book to fade. The review quotes about those earlier volumes promise “twisty plots,” and they won’t be twisty for me until I forget nearly everything I just read.

If the book were bad, I’d just shrug and move on. As it is, I’m annoyed on the author’s behalf at the marketing folks at Ace. (This is, of course, an injudicious thing to admit, because I would give my eyeteeth to sell my trunk manuscript to Ace. Not that they’d want my eyeteeth. Imagine the slushpile horror story!) I would love to understand the marketing decision better, because it seems to me that telling people The Shadow’s Heir is a good entry point to Taylor’s fictional world might sell copies in the short run, but would surely turn readers off in the long run.

This book holds the payoff for several plotlines I could have been deeply invested in, had I read them from the beginning. Instead, I was keenly aware at every payoff point of how hollow the big scenes felt to me in comparison to structurally similar scenes in other series.

How on earth am I going to talk in any detail about the virtues and peculiarities of The Shadow’s Heir while avoiding spoilers about three previous volumes I haven’t read? Well, here goes.

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When One Window Closes . . .

Friday, December 27, 2013 Violette Malan Comments 12 comments

A friend of mine has stated – many times – that he won’t date anyone who doesn’t love The Princess Bride, or Rioja wine. It’s the former that’s important to me at the moment, even though I love a good Rioja myself. Actually, my friend thinks that Princess Bride is the best movie of all time, and I think he’s absolutely right. Except that he’s also absolutely wrong.

We’ve all had the experience of sharing some beloved book, or film, or piece of music with someone, and being disappointed by their tepid reaction. You know. They’re like, polite. What’s more, we’ve all disappointed others in the same way. Like it or not, when this occurs, we do feel differently about each other. And neither side is wrong, but neither side is right, either.

Welcome to my Window Theory of Emotional Response. Otherwise known as the Princess Bride Paradox, the Star Wars Syndrome, the Heinlein Hypothesis, or – dare I say it? – the Frodo Phenomenon. In a nutshell, here it is: for you to have a deep emotional response to something cultural, your exposure to it has to have come at the right time for you.

My theory builds from the phrase many of us have used in other contexts, “that window’s closed.” AKA “that ship has sailed.” Both phrases imply that there was a period of time when something was possible, that the window was “open,” and then, it wasn’t. The opportunity is lost. For a piece of culture to move you, to change the way you think about yourself and the world around you, you have to encounter it at precisely the right age, or the right level of emotional maturity or development or – call it what you will.

Or you haven’t, and that window’s closed for you.

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Blogging Dan Barry’s Flash Gordon, Part Eight

Friday, December 27, 2013 William Patrick Maynard Comments 3 comments

“Peril Park” by Dan Barry was serialized by King Features Syndicate from August 31 to November 13, 1954. I’ve begun to develop a fondness for Barry’s rather unique take on the character. He is a far cry from Alex Raymond, but his version is not without charm and these early 1950s strips did much to influence the Flash Gordon television series of the fifties.

“Peril Park” opens with a tranquil scene of Flash and Dale enjoying a summer day boating on the lake when Flash discovers a message in a bottle. The twist is that the message was written 600 years in the future by a woman called Elda who claims to be held captive on an island in the very lake where Flash and Dale are relaxing.

Dale is eager to let the matter lie, but Flash cannot and, with Dr. Zarkov’s help, he whisks forward six centuries via the time-space projector in Zarkov’s lab. The time travel scenes are rendered in a highly inventive fashion that suggests an influence on the trippy astral projection art pioneered by Steve Ditko on Marvel’s Doctor Strange a decade later.

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Goth Chick News: When Visiting Hemlock Grove, Better “Late” Than Never

Thursday, December 26, 2013 Sue Granquist Comments 5 comments

Did someone give you a Netflix subscription for the holidays? Then I have two words for you and your shiny new queue.

Hemlock Grove.

Never heard of it? Neither have a lot of people. If you are anything like me, then you have never even seen Hemlock Grove pop up in your Netflix recommendations. Heck, chances are, you may have never heard about Hemlock Grove before reading this post.

But that’s OK; because Netflix didn’t make the show for us.

Unlike its other two pet projects which Netflix has spent a lot of effort promoting, Arrested Development and House of Cards, they purposely made very little fuss about Hemlock Grove when it launched back in April. It’s aimed at an audience of teenage horror fans and Netflix had the numbers to know that this audience is engaged enough on the streaming service to make a title like Hemlock Grove succeed.

So, why do the rest of us care?

Hemlock Grove is an American horror/thriller series from executive producer Eli Roth (Grindhouse and Hostel) and developed by Brian McGreevy and Lee Shipman. It is based on McGreevy’s 2012 novel Hemlock Grove.

The show examines the strange happenings in a fictional town in Pennsylvania where a teenage girl is brutally murdered, sparking a hunt for her killer.

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Why Evil Overlords Need to be Competent

Thursday, December 26, 2013 Comments 14 comments

56. My Legions of Terror will be trained in basic marksmanship. Any who cannot learn to hit a man-sized target at 10 meters will be used for target practice.

(From The Top 100 Things I’d Do If I Ever Became An Evil Overlord by Peter Anspach)

We geeks love to laugh at the incompetent evil overlords of TV and cinema Fantasy. In the past we tolerated them because — like 1970s gays embracing their own particular reading of Batman — we were pathetically grateful for whatever bones mainstream culture deigns to toss our way. However, we never really put up with this in printed Fantasy.

Obviously, if the Evil Overlord does not exploit his every possible advantage, then we cease to believe in them (if they are so stupid, how come they got to be an Evil Overlord?). Our suspension of disbelief collapses, and we are catapulted out of the story.

However, there’s a deeper reason to reject incompetent Evil Overlords. They result in stories that teach false wisdoms with obnoxious implications.

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New Treasures: The Yard by Alex Grecian

Thursday, December 26, 2013 John ONeill Comments 1 comment

I’m always disciplined when I visit a bookstore. I go in, get what I came for, and leave. I look neither left nor right. Get in, get out, that’s my motto.

You’re right. I’m totally lying. I’m lucky if I even remember why I came to the bookstore by the time I get to the cash register. My arms are usually full, I have a dazed expression, and I’m no longer sure exactly where I am. Thank God the folks behind the counter recognize me by now. It saves a lot of time and embarrassment.

I usually stick to the SF and fantasy sections, but every once in a while something irresistible will cross my path. Something like The Yard, the start of a new gas-lamp mystery series by Alex Glexian, author of the popular Image comic Proof. A first glance The Yard doesn’t seem to include any of the gonzo steampunk action or bizarre characters of Proof — or indeed, anything overtly supernatural — but I find it very appealing nonetheless.

1889, London. Jack the Ripper’s reign of terror is finally over, but a new one is just beginning.

Victorian London — a violent cesspool of squalid depravity. Only twelve detectives — The Murder Squad — are expected to solve the thousands of crimes committed here each month. Formed after the Metropolitan Police’s spectacular failure in capturing Jack the Ripper, the Murder Squad suffers the brunt of public contempt. But no one can anticipate the brutal murder of one of their own…

A Scotland Yard Inspector has been found stuffed in a black steamer trunk at Euston Square Station, his eyes and mouth sewn shut. When Walter Day, the squad’s new hire, is assigned to the case, he finds a strange ally in Dr. Bernard Kingsley, the Yard’s first forensic pathologist. Their grim conclusion: this was not just a random, bizarre murder but in all probability, the first of twelve. Because the squad itself it being targeted and the devious killer shows no signs of stopping before completing his grim duty. But Inspector Day has one more surprise, something even more shocking than the crimes: the killer’s motive.

This is the author’s first novel. Grecian has already penned one sequel in what’s now being called the Scotland Yard’s Murder Squad series: The Black Country, released in hardcover in May of this year. The Yard was published in April 2013 by Berkley. It is 422 pages, priced at $16 in trade paperback and $9.99 for the digital edition.

Mysterious Paintings in the Donjon of an Italian Castle

Wednesday, December 25, 2013 Sean McLachlan Comments 2 comments

When I visited the castle in Gorizia, Italy, the part that intrigued me most was the donjon. This cramped room is a grim little place with no window to the outside. It was used for several centuries and over the years bored prisoners decorated the walls and vaulted ceiling with drawings. Religious motifs, sailing ships, people, and a number of abstract shapes caught my attention.

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Merry Christmas from Black Gate

Wednesday, December 25, 2013 John ONeill Comments 8 comments

It always gets quiet around the Black Gate offices at Christmas time. It’s a good time to let go of the daily hustle and bustle of running an online magazine, and reflect on the really important things.

People frequently ask me what Black Gate is all about. There’s so much to the story — fifteen issues of a terrific print magazine, hundreds of original stories, the new writers we’ve discovered, nearly 4,000 blog-posts since 2007 — but none of that really tells the story. No, I always say the same thing when people ask.

Black Gate? We’re a loose collective of writers and artists who care about fantasy. We work together to promote forgotten classics, and celebrate overlooked modern writers. And especially, to promote each other. Black Gate has helped launch the careers of some very talented writers, and that hasn’t changed since we switched to an online venue. Drop by if you’re interested in discovering some of the very best new and classic fantasy. I guarantee you, we’ll point you towards something that will delight you.

I’ve been running Black Gate since 2000, and I’ve never been prouder of the team who write, edit, and produce the magazine. We have some of the finest writers in the industry, and they work tirelessly week after week to keep you informed on a genre with hidden depths and constant surprises.

It’s been an incredible year for us. For a second year in a row, traffic has very nearly doubled. While we’re very proud of what we’ve accomplished, we know that the real engine of our growth has been you. You’ve been enormously supportive — with your comments, letters, and especially by spreading the word, and telling others about us.

So thank you once again, from the bottom of our hearts. On behalf of the vast and unruly collective that is Black Gate, I would like to wish you all Merry Christmas and Happy Holidays. Continue being excellent — it’s what you’re good at.