Black Gate – Page 948 – Adventures in Fantasy Literature

Vintage Treasures: The Song of Mavin Manyshaped by Sheri S. Tepper

Monday, July 14, 2014 John ONeill Comments 3 comments

I think I’m finally starting to figure out Sheri Tepper’s 9-volume magnum opus The True Game (believe me, it took some work.)

I accidentally started (as usual) in the middle, with Dervish Daughter, which I didn’t even realize was part of a series, much less the eighth frickin’ volume. However, I overcame this as, after many decades of reading fantasy, I have mad reader skillz. Dervish Daughter isn’t really the eighth volume anyway, it’s actually the middle volume of the last trilogy, known as The Books of the True Game: Jinian.

The first trilogy, The Books of the True Game: Mavin Manyshaped, was written second, after the middle trilogy, which was composed of King’s Blood Four, Necromancer Nine, and Wizard’s Eleven, which were collectively gathered in a one-volume edition as The True Game. Which isn’t at all confusing. Still with me?

Forget it, I’m lost again. Let’s start over. The Song of Mavin Manyshaped is the first book in the first trilogy of The True Game. Mavin is a shapeshifter, and this opening trilogy tells the story from her point of view.

It is never easy growing up as a shape-shifter, learning to control the wild Talent for changing into any shape at all — a winged dragon, a pillar of stone, another human being, a creature from a nightmare. But for Mavin Manyshaped — one of only two she-shifters in her tribe, and recklessly headstrong by nature — coming of age is both exhilarating and terrifying. Little does she know she is destined to become the most notorious shape-shifter in all the lands of the True Game.

I bought The Song of Mavin Manyshaped as part of a jaunty collection of seven Sheri S. Tepper paperbacks on eBay for $10.50. They’re not all part of The True Game… I think. Anything is possible.

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Scott Taylor’s A Knight in the Silk Purse Now Available

Monday, July 14, 2014 John ONeill Comments 2 comments

Scott Taylor’s latest anthology, A Knight in the Silk Purse, the sequel to his blockbuster, Tales of the Emerald Serpent, is now available.

If you’re a regular Black Gate reader, you’re familiar with Scott’s popular Art of the Genre column. But Scott is more than just a blogger and writer — he’s also an accomplished editor and publisher, with seven successful Kickstarter publishing projects under his belt. Inspired by classic shared world anthologies like Thieves World, Scott created the Free City of Taux, a sprawling fantasy port of “cursed stones, dark plots, and rich characters who share space inside the infamous Black Gate District,” and invited some of the genre’s most popular writers to tell its stories — including Lynn Flewelling, Juliet McKenna, Martha Wells, Julie Czerneda, Harry Connolly, and many others.

The result was Tales of the Emerald Serpent, one of the most acclaimed anthologies from last year. Lou Anders, editorial director at Pyr Books, said “I’m very impressed… it’s a smart, good looking package with some real gems of fiction inside.”

As we reported last year, Scott launched another successful Kickstarter to fund a sequel and A Knight in the Silk Purse was born — featuring virtually all of the writers from TotES, plus Dave Gross, Elaine Cunningham, Dan Wells, and Howard Tayler. Fans have been anxiously awaiting the arrival of the second volume and now the wait is over.

Here’s the book description.

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Future Treasures: Scarlet Tides by David Hair

Monday, July 14, 2014 John ONeill Comments 6 comments

I keep discovering interesting series with the second volume. I think it’s some kind of curse. When I was born, three fairies attended my christening. The first said, “Oh, crap. I didn’t bring a gift. Um, tell you what, John will be blessed with a love of reading.” And the second said, “That’s a good idea. And just for good measure, he’ll always be surrounded by books.” And the third, whom my parents had clearly offended somehow (seriously, who can figure out fairies?) said, “I curse this brat. He shall always discover great fantasy series with the second volume.” Fairies. Don’t invite them to parties and your life will go a lot easier.

My latest discovery is The Moontide Quartet by David Hair, which began last year with Mage’s Blood. Which I only learned recently, after I started reading the Advance Proof for the second volume, Scarlet Tides. Somewhere, a fairy is laughing.

In the exciting second volume of The Moontide Quartet, a scarlet tide of Rondian legions is flooding into the East, led by the Inquisition’s windships flying the Sacred Heart (the bright banner of the Church’s darkest sons). They are slaughtering and pillaging their way across Antiopia in the name of Emperor Constant. But the emperor’s greatest treasure, the Scytale of Corineus, has slipped through his fingers and his ruthless Inquisitors must scour two continents for the artifact, the source of all magical power.

Against them are arrayed the unlikeliest of heroes. Alaron, a failed mage, the gypsy, Cymbellea, and Ramita, once just a lowly market-girl, who have pledged to end the devastating cycle of war and restore peace to Urte.

East and West have clashed before, but this time, as secret factions and cabals emerge from the shadows, the world is about to discover that love, loyalty, and truth can be forged into weapons as powerful as sword and magic.

Mage’s Blood was published by Jo Fletcher Books last September; Tor. com called it “An outstanding start to a series which promises to recall epic fantasy’s finest.”

Scarlet Tides will be published in the US by Jo Fletcher Books on October 24, 2013. It is 657 pages, priced at $26.99 in hardcover.

The Public Life of Sherlock Holmes: The International Exhibition of SH

Monday, July 14, 2014 Bob Byrne Comments 6 comments

Exhibit_Room — The scene of the crime, where you have to determine a bullet’s trajectory

The International Exhibition of Sherlock Holmes began its run last year in Portland and has set up shop here in Columbus, OH, from February through September of 2014. It will be moving on to St. Louis, Dallas, Santa Ana, and Denver before the final stop in Seattle in October of 2016.

The Exhibition capitalizes on the massive popularity of the world’s first private consulting detective. Created by Sir Arthur Conan Doyle in 1886, Holmes has never been more popular worldwide than he is over one-hundred and twenty years later.

It is a traveling Holmes museum and includes a mystery that you attempt to solve by examining clues and conducting tests. And the various items, which are all enclosed in glass cases, are absolutely worth seeing.

The show is hosted on the second floor at COSI: the Center of Science and Industry. After being instructed that you cannot take food or drink in, take pictures or use your cell phone inside, you are given your Notebook for solving the mystery.

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The Original Bug-Eyed Monster: Astounding Stories, May 1931

Sunday, July 13, 2014 John ONeill Comments 10 comments

Pulps are my weakness. I discovered them when I was just 12 years old, in Jacques Sadoul’s marvelous art book 2000 A.D. Illustrations From the Golden Age of Science Fiction Pulps (which I discussed back in May). That book sparked a lifetime interest in pulp magazines, where American science fiction was born.

Of course, I was too young to have purchased or read any pulp magazines myself in 1976. Pulps died out in the 1950s, killed off by wartime paper shortages and changing economics. So I’ve relied on the collector’s market to supply me with magazines — an expensive proposition, especially if you’re a completist.

Over the years, I’ve gotten more discriminating in my collecting. I dearly love Planet Stories, Weird Tales, Amazing Stories, Thrilling Wonder, Unknown, Air Wonder Stories, and many other pulps. But my favorite is Astounding Stories (later Astounding Science Fiction), the magazine which — under legendary editor John W. Campbell — ushered in the so-called Golden Age of Science Fiction, discovering Robert A. Heinlein, A.E. van Vogt, Isaac Asimov, Theodore Sturgeon, and many, many others. Campbell became editor with the October 1937 issue and he quickly transformed the entire field.

Curiously, the most expensive and in-demand issues of Astounding aren’t from Campbell’s reign, however. They’re from its first three years, 1930-1933, the period known as the Clayton Astounding, when it was owned by Clayton Magazines. That’s their symbol, the little blue pennant, in the top right of the cover at left.

Very little fiction from the Clayton period is remembered today — and if you’ve never heard of the Clayton Astounding, you’re not missing much. The magazine’s early editors, like most of the American public, didn’t really understand science fiction and mostly filled the magazine with thinly disguised westerns in space and early space operas. But the covers… ah. They’re a very different story.

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Original Fantasy? In a Video Game? It’s About Time

Sunday, July 13, 2014 Connor Gormley Comments 8 comments

There he was; a sliver of midnight set against the deeper black of the room behind him. The Black Knight. When he moved, he moved with the easy lope of the master, the practised ease of the warrior. There was silence in the moonlit hall, silence save for the cold metallic chink of his armor and the hammering of my own heart.

He was twice my height, broad of shoulder and clad entirely in black armor. A sword, five feet in length, gleamed in his right hand. He didn’t seem to have a face; no flesh peeked from the slits of his face plate, there was nothing quite so fragile, instead a sulphurous yellow gas twisted and swirled, burning through the thick shadow of the hall. My hand tightened around the hilt of my sword, tightened so that my knuckles went white, so that my skin went taut.

Then, before I knew it that great black blade was arcing through the air towards me, splitting the thin rays of moonlight as it raced towards my heart. I only just parried it with my shield, then it was coming back again, this time from left to right, and I threw myself to the floor, rolling back out of reach and sprang back up again, already deflecting perfectly timed blows, expertly aimed thrusts.

Already I was being forced backwards, driven back into the darkness, back into the cold. Every strike sent pain rippling up my arm; every blow brought me closer to death, to defeat; I could already see that sword diving through my flesh, already feel its kiss on my skin. Desperate now, I struck back, and felt his armor give way, felt my sword hew through bone, felt his ghostly flesh shudder and saw black, oily, blood crawl from his chest. No sound escaped the Knight’s lips, but its sulphurous yellow eyes seemed to burn that bit brighter, all before his sword came crashing against my shield once more.

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Old Favorites: Katherine Kurtz’s Deryni

Saturday, July 12, 2014 Derek Kunsken Comments 5 comments

I don’t usually fan or geek out about stuff – my credentials in geekdom are rarely questioned, but I was thinking the other day about my influences and in what direction I might want them to go.

I’ve been reading a lot of space opera and really hard sci-fi lately, mostly Alastair Reynolds with a side of Stephen Baxter, as I get ready to start a new novel. But hard sci-fi and fantasy are just setting. Any plot structure can fit inside them. Baxter is a lot of adventure. Reynolds is very noir.

dragon 78 That got me to thinking about what stories I enjoyed and why. One of the appeals of Game of Thrones is how it’s a giant soap opera. Claremont’s run on Uncanny X-Men was similarly soapy, as was the reimagined Battlestar Galactica.

And that reminded me of how much I loved Katherine Kurtz’s Deryni series as a teen. The Kingdom of Gwynedd, a human world of the Middle Ages with a scattering of persecuted psionic families, has always seemed to me to be one of those surprisingly under-appreciated corners of fantasy.

The only reason I’d ever heard of it was because of issue #78 of Dragon magazine, which was an issue devoted to psionics in AD&D, and one of the articles featured the characters of Kurtz’s Gwynedd in role-playing terms. I looked for her books at my local second-hand store as soon as I could.

Right away, I found two of Kurtz’s core trilogies, the Deryni series (Deryni Rising, Deryni, and High Deryni) and the Camber series (Camber of Culdi, Saint Camber, and Camber the Heretic), and even after only the first one, I was hooked.

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New Treasures: The Shadow Throne by Django Wexler

Saturday, July 12, 2014 John ONeill Comments 0 Comment

Good morning, campers! And welcome to another marvelous Saturday morning. It’s raining here at the Black Gate rooftop headquarters in downtown Chicago, but that’s okay. The city could certainly use the rain — even if it did mean we had to scramble to put umbrellas over all the desks.

We don’t know the meaning of the word ‘weekend’ here at Black Gate. Our tireless quest to bring you the latest news, reviews, gossip, and innuendo means that the office has been packed all morning (and most of the previous night). Ottawa correspondent Derek Kunsken has assembled a stack of Katherine Kurtz paperbacks (and, curiously, an old issue of Dragon magazine) and is putting the finishing touches on his Saturday afternoon column. Matthew David Surridge is here — but then, that guy is always here. And Connor Gormley is over in the corner, making notes on a bunch of video games. I’m sure we’ll see the fruits of their labor in the next few days.

As for me, I’m just here to pick up some of the mail before driving back home to St. Charles. I have a Dungeons and Dragons game with my kids scheduled after lunch — the same campaign I wrote about last summer. They’re deep in the heart of Gary Gygax’s G1: Steading of the Hill Giant Chief and it looks like the final battle against the mighty giant Chief Nosnra could finally occur today. Don’t wanna be late for that.

But there’s a handful of eye-catching new releases in the mail and I’m tempted to take a few home. The most interesting to me is Django Wexler’s The Shadow Throne, the sequel to The Thousand Names.

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Vintage Treasures: Martians, Go Home by Fredric Brown

Friday, July 11, 2014 John ONeill Comments 3 comments

The last time I talked about Fredric Brown, I called The Best of Fredric Brown one of the best short story collections I’ve read in years. Brown is best remembered today for his short stories — including “Arena,” “Puppet Show,” and “The Geezenstacks” — but his novels are also fondly remembered.

Martians, Go Home is probably his most famous. A shorter version originally appeared in the September 1954 issue of Astounding; it was expanded a year later for publication in hardcover by E. P. Dutton. Set in the distant future of 1964, it begins as SF writer Luke Deveraux opens the door of his desert cabin in a drunken stupor to find a little green Martian, a one-creature invasion who proceeds to make Deveraux’s life hell. Richard A. Lupoff called it “one of the most charming bits of SF-whimsy ever written.” Here’s the description from the back of the 1976 Ballantine paperback.

THEY WERE GREEN, THEY WERE LITTLE, THEY WERE BALD AS BILLIARD BALLS AND THEY WERE EVERYWHERE!

Luke Devereaux was a science fiction writer, holed up in a desert shack waiting for inspiration. He was the first to see a Martian… but he wasn’t the last!

It was estimated that one billion of them had arrived — one to every three human beings on Earth — obnoxious green creatures who could be seen and heard, but not harmed, and who probed private sex lives as shamelessly as they probed government secrets.

No one knew why they had come. No one knew how to make them go away — except perhaps, Luke Devereaux. Unfortunately he was going slightly bananas, so it wouldn’t be easy. But for a science fiction writer nothing was impossible…

The cover painting by Frank Kelly Freas became one of his signature works, used as the cover of Astounding, two paperback editions, a calendar, and Freas’s art book (see the various versions here.)

Martians, Go Home was published by Ballantine Books in September 1976. It is 163 pages, originally priced at $1.50. It is currently out of print, but available in digital format from Hachette and audio book from Skyboat Media.

Welcome To The Commonwealth: John Myers Myers’ Silverlock

Friday, July 11, 2014 Violette Malan Comments 9 comments

Last week, I was talking about L. Sprague de Camp and Fletcher Pratt’s Compleat Enchanter and it occurred to me that one of the great pleasures of that work is encountering familiar myths, persons, and fictional events in a new guise and from a new perspective. It’s also a bit intimidating, from the point of view of a writer, to realize just how thoroughly de Camp and Pratt had to know their source materials.

It doesn’t take very long to go from these thoughts to the great masterwork of this type, John Myers Myers’s Silverlock. On the surface, the book tells the story of A. Clarence Shandon – re-christened Silverlock due to a white streak in his hair — on his journey of self-discovery after being shipwrecked on the shores of the Commonwealth.

It doesn’t take long, in fact he’s still in the water, for the well-read person to begin to find a certain quality of familiarity in the narrative, to figure out that Shandon has made landfall in the Commonwealth of Letters. From the very first, every person he meets, every place he goes, everything that happens to him, alludes to some piece of literature. Every single person, place, or thing. What adds to the pleasure is that Shandon himself has no idea of what’s happened to him. His degree is in business administration.

Now this might strike you as a bit overwhelming, or even a bit tedious, but it isn’t. Shandon himself, without being aware of it, provides the key to enjoying the book:

At times the mind works on two levels at once, and it was so with mine on this occasion. Half of it was giving itself gleefully to the moment, while the other half was revolving a new idea. What had impressed me was that this friar was well-informed and had a lot of fun out of that fact alone… I glimpsed the concept that to know a thing for itself could be a source of joy. Take the song we were bellowing. It was easy to appreciate, but I would have had more chuckles out of if I had known, as the others did, about the personages involved.

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