Black Gate – Page 763 – Adventures in Fantasy Literature

Vintage Treasures: The Timescape Clark Ashton Smith

Monday, August 24, 2015 John ONeill Comments 17 comments

Clark Ashton Smith is one of the greatest pulp writers of all time, and certainly one of the greatest early fantasy writers. Over a century after his first collection appeared (The Star-Treader and Other Poems, in 1912) virtually all of his work is still in print. That’s an extraordinary statement.

Of course, when I say “in print,” I mean it’s available in an assortment of limited edition hardcovers and trade paperbacks from Night Shade Books, Prime Books, Penguin Classics, and others. Meaning the majority of volumes are priced chiefly for the collector. There hasn’t been a mass market edition of Clark Ashton Smith in over three decades, since Pocket Books’ Timescape imprint released a handsome three-volume paperback collection of his most popular stories between 1981 and 1983.

The City of the Singing Flame (1981)
The Last Incantation (1982)
The Monster of the Prophecy (1983)

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The Public Life of Sherlock Holmes: What to Write About?

Monday, August 24, 2015 Bob Byrne Comments 0 Comment

The itsy-bitsy spider, went up the water spout... — The itsy-bitsy spider, went up the water spout…

For the past 76 Monday mornings, The Public Life of Sherlock Holmes has appeared here at Black Gate. I’ve written a couple other posts, but this column is why they keep me around. Well, that and I work for free.

Most of my posts involve (a little or a lot of) re-reading. Which means that more often than I would like, what I want to post on a particular Monday isn’t ready to go. For example, I’ve read ten books and watched one tv pilot for a post on Erle Stanley Gardner’s ‘Cool and Lam’ private eye books (fantastic stuff). And I still need to read more.

And I’ve listened to at least six dozen radio shows for posts on Yours Truly, Johnny Dollar, The Fat Man and Box 13: with more listening to go. So, for this week’s post, I thought I’d talk about some of the subjects that I have started digging into, but which I’m not ready to tackle yet:

Sherlock Holmes A to Z – A post that’s going to include at least one recommended author, movie or book title for every letter of the alphabet (this is a fun one).

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Future Treasures: The Desert and the Blade by S.M. Stirling

Monday, August 24, 2015 John ONeill Comments 0 Comment

I didn’t really appreciate the ambition and complexity of S.M. Stirling’s massive saga of The Change, until Edward Carmien did a 15-part examination of the series here at Black Gate (check out the first installment here). This year sees two new releases in this epic fantasy series: The Change: Tales of Downfall and Rebirth, a big anthology set in Stirling’s universe, with stories by Victor Milán, Walter Jon Williams, Harry Turtledove, Jane Lindskold, Emily Mah Tippetts, and many others (see Ed’s review here), and The Desert and the Blade, the sixteenth novel in the series. Continuing the quest that began in The Golden Princess, two future rulers of a world without technology risk their lives seeking a fabled blade…

Reiko, Empress of Japan, has allied herself with Princess Órlaith, heir to the High Kingdom of Montival, to find the Kusanagi-no-Tsurugi, the Grass-Cutting Sword, a legendary treasure of an ancient dynasty that confers valor and victory to its bearer. Órlaith understands all too well the power it signifies. Her own inherited blade, the Sword of the Lady, was both a burden and a danger to her father, Rudi Mackenzie, as it failed to save the king from being assassinated.

But the fabled sword lies deep with the Valley of Death, and the search will be far from easy. And war is building, in Montival and far beyond.

As Órlaith and Reiko encounter danger and wonder, Órlaith’s mother, Queen Matildha, believes her daughter’s alliance and quest has endangered the entire realm. There are factions both within and without Montival whose loyalty died with the king, and whispers of treachery and war grow ever louder.

And the Malevolence that underlies the enemy will bend all its forces to destroy them.

The Desert and the Blade will be published by Roc on September 1, 2015. It is 612 pages, priced at $27.95 in hardcover and $13.99 for the digital edition. The cover is by Larry Rostant.

Things Your Writing Teacher Never Told You: Pro Tip From Karen E. Taylor

Sunday, August 23, 2015 Tina Jens Comments 1 comment

About every other week, I’ll be hosting the wit and wisdom of professionals across the Spec Fic field. I’ve compiled a list of some of the most frequently asked questions posed by new authors, and provided that list to some of the pros. (Feel free to suggest a question you’d like answered, using the comments section below.) The pros are invited to pick one and respond to it. This week, the prolific, award-nominated author Karen E. Taylor talks about how she delays the outlining process until she’s well into the piece.

It’s hard to classify Karen’s body of work (though when forced to, most will say she’s a horror and paranormal author). She writes about vampires, intergalactic saleswomen, telepathic dinosaurs, humanoid robots, ghosts, drafty castles, and assorted magic workers. She has at least eight published novels, and two short story collections: Mexican Moon and Other Stories, new out this week (available in trade paperback and Kindle ebook), and Fangs and Angel Wings (a 2003 hardcover from Betancourt & Co.), which received one of the best author blurbs I’ve ever seen:

“Karen writes like an angel – an angel in black lingerie with a straight razor tucked into her garter belt.” – William Sanders

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New Treasures: Age of X by Richelle Mead

Sunday, August 23, 2015 John ONeill Comments 2 comments

No matter how closely I keep tabs on this industry, nothing beats a visit to a well-stocked bookstore to really get up-to-date on the latest. In my last trip, I picked up the first volume in a new science fantasy series by Richelle Mead, author of the bestselling Vampire Academy books: Gameboard of the Gods. The sequel, The Immortal Crown, has just been released in paperback and the series — featuring supersoldiers, supernatural mysteries, mysterious murders, and ancient gods — looks like a lot of fun.

The truth is, when you banish the gods from the world, they eventually come back — with a vengeance.

In the near future, Justin March lives in exile from the Republic of United North America. After failing in his job as an investigator of religious groups and supernatural claims, Justin is surprised when he is sent back with a peculiar assignment — to solve a string of ritualistic murders steeped in seemingly unexplainable phenomena. Justin’s return comes with an even bigger shock: His new partner and bodyguard, Mae Koskinen, is a prætorian, one of the Republic’s technologically enhanced supersoldiers. Mae’s inexplicable beauty and aristocratic upbringing attract Justin’s curiosity and desire, but her true nature holds more danger than anyone realizes. As their investigation unfolds, Justin and Mae find themselves in the crosshairs of mysterious enemies. Powers greater than they can imagine have started to assemble in the shadows, preparing to reclaim a world that has renounced religion and where humans are merely gamepieces on their board.

Gameboard of the Gods: Age of X was published in hardcover by Dutton on June 4, 2013, and in mass market paperback by Signet on June 3, 2014. The sequel, The Immortal Crown, was published in hardcover on May 29, 2014, and in paperback on June 2, 2015.

Dear Conservatives: Don’t Let the Door Hit You On the Way Out

Sunday, August 23, 2015 Jay Maynard Comments 115 comments

The results of the 2015 Hugo balloting are in. The results are a clear statement to conservatives: you’re not welcome in true SF fandom as long as you bitterly cling to your ideals.

When I read io9’s liveblog of the results this morning, I was dismayed, but not the tiniest bit surprised, to see NO AWARD after NO AWARD, all to the accompaniment of raucous cheering and Charlie Jane Anders’s gloating. This is exactly what I predicted after reading the clamor here at Black Gate and elsewhere on the net, and the surging tide of people saying “Vote NO AWARD on everything! Let’s show the Puppies they can’t get away with it!”

In the editor categories, as well as some of the others, there were plenty of nominees who have won Hugo awards in the past, and are considered at the top of their field. All went down beneath the NO AWARD tidal wave.

After the readers’ packets were distributed, there were comments to the effect “Eh, all these works are crap, anyway.” John O’Neill’s post this morning here at Black Gate reiterated this view after the results were announced: “Dear Puppies: Your Taste Sucks.”

There’s also comment from editors and the like around the net about how they read the works and found them worthy not of being tossed lightly aside, but rather hurled with great force.

So which is it? Is it a vote against slate tactics, or is it a vote against the specific works nominated?

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Clarkesworld 107 Now on Sale

Sunday, August 23, 2015 John ONeill Comments 0 Comment

Mark Cole’s article in the latest issue of Clarkesworld is on a topic near and dear to us old-time SF fans: the influence (for good and ill) of the legendary John W. Campbell.

In September of 1959, Jason Howley walked into the Golden Casino in Reno, Nevada, carrying a small, black, plastic box. Within a matter of minutes, he’d won over three hundred thousand dollars. When the device was opened up by investigators, they found nothing in it but a plastic lens, two silver contacts, white paint, and a series of diagrams drawn in black ink.

Regular readers of Astounding Science Fiction recognized it immediately when they read “David Gordon” (Randall Garrett)’s story, “…Or Your Money Back” : it was a version of the Hieronymus Machine, a “psionic amplifier” promoted by Astounding’s editor, John W. Campbell…

One thing more than anything else ushered psychic powers into the mainstream of SF: the influence of one of the genre’s greatest editors, in the pages of one of the most distinguished SF magazines of the Golden Age.

The influence of John W. Campbell and his work in Astounding.

Read Cole’s article “Fans Are Slans”: A Study in Campbellian Influence for the complete story.

Issue #107 of Clarkesworld has six stories — four new, and two reprints — from Martin L. Shoemaker, J.B. Park, Han Song, Emily Devenport, Peter M. Ball, and Neal Asher

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Dear Puppies: Your Taste Sucks

Sunday, August 23, 2015 John ONeill Comments 53 comments

The winners of the 2015 Hugo Awards were announced Saturday evening at Sasquan, the 73rd World Science Fiction Convention in Spokane, Washington. As we’ve discussed here several times, the Hugo ballot was largely hijacked by the Rabid Puppies slate (and to a much lesser extent, by the Sad Puppies slate), which dictated roughly 70% of the final ballot.

The results are now in, and they mark a stinging repudiation of both the Rabid Puppies and Sad Puppies. Not a single Puppy-nominated work of fiction or non-fiction won, and the majority of Puppy-nominated works placed below “No Award.” In both of the short fiction categories in which the Puppies locked out all other nominees, the Hugo went to “No Award.” The complete list of winners follows.

Best Novel – The Three Body Problem by Cixin Liu, translated by Ken Liu (Tor Books)
Best Novella – No Award
Best Novelette – “The Day the World Turned Upside Down” by Thomas Olde Heuvelt (Lightspeed, April 2014)
Best Short Story – No Award
Best Related Work – No Award
Best Graphic Story – Ms. Marvel Volume 1: No Normal (Marvel Comics)
Best Dramatic Presentation (Long Form) – Guardians of the Galaxy
Best Dramatic Presentation (Short Form) – Orphan Black: “By Means Which Have Never Yet Been Tried”

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Fantasia Diary 2015, Days 10 and 11: On the White Planet and The Blue Hour

Saturday, August 22, 2015 Matthew David Surridge Comments 0 Comment

On the White Planet Thursday, July 23, was the first day of the Fantasia Festival I chose not to see any movies. Wandering down to the screening room was a very real temptation, but I desperately needed to do laundry and other household chores — as well as to write about the films I was seeing. In fact as I made my plans it seemed that I was entering a relatively light stretch of the schedule, before what looked like a killer weekend.

On Friday the 24th I returned to the De Sève Theatre for two films. The first was an animated Korean science-fantasy called On the White Planet. The second was The Blue Hour, a gay romance from Thailand with elements of horror. Both were interesting to watch and ponder, though I can’t say I found either perfectly satisfying.

On the White Planet, or Chang-baek-han eol-gul-deul, was written and directed by Hur Bum-wook, and comes from the same animation school as Park Hye-mi’s Crimson Whale. It’s an extremely bleak but startlingly beautiful movie. It takes place on another planet (or some other time period of this planet) where there is no colour — everything’s white. Except for the sky and the lead character, Choi Min-je. Min-je’s flesh marks him out as an outcast, in what seems a very direct metaphor. Isolated at the start of the movie, he falls in with a gang, and things go from bad to worse. Murder and rape and all sorts of pain follow, and eventually the movie becomes a sort of extended chase as Min-je seeks sanctuary with two fellow escapees from the gang, and then goes on to try to find a way off the white planet.

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Vintage Treasures: Flamesong by M.A.R. Barker

Saturday, August 22, 2015 John ONeill Comments 3 comments

In my last Vintage Treasures article, I talked about M.A.R. Barker’s first novel The Man of Gold, the first of five fantasy novels set in the famed world of Tékumel, one of the most celebrated fantasy settings ever created.

Barker followed The Man of Gold a year later with an even more ambitious sequel, Flamesong. Flamesong was highly acclaimed… but only by those few who read it. It’s a tough find today; unlike the first book, which was reprinted by DAW, had a British edition, and is currently in print in both trade paperback and digital formats, Flamesong vanished shortly after it appeared. It has never been reprinted, and is highly sought today by Tékumel fans.

Click on the image at left to read the back cover text (or any of the images above for bigger versions.)

Flamesong was published by DAW Books in September 1985. It is 412 pages, priced at $3.50. The wraparound cover is by Richard Hescox. It is currently out of print, and there is no digital edition.