Black Static #53 Now on Sale
British horror magazine Black Static #53, cover-dated July-August, is now available. Over at Dread Central, Gareth Jones has penned a rave review of the entire issue. Here’s a snippet:
One of the best stories to appear in Black Static in recent months (and that’s saying something!), Priya Sharma’s “Inheritance or The Ruby Tear” kicks off Black Static’s 53rd issue in formidable style. Part gothic romance, part Bone Tomahawk-esque rescue/revenge story, “Inheritance” follows the sorrows of Lord William Mansell, a wealthy aristocrat whose wife and daughter appear lost to the sea when their wagon falls from the cliff edge and is dashed upon the rocks… a thoroughly absorbing novelette that deftly blends elegant tension, mystery, frenetic violence and stark horror…
Harmony Neal’s “Dare” sees a group of teenage girls sitting around playing Truth or Dare whilst drinking vodka mixers. As expected for a genre work, things quickly get dark – the girls’ own unique demons sending them down a path of unified expression that sees “keeping up appearances” extend to collective disfigurement.
“The Rim of the World” by Kristi DeMeester paints an increasing sense of foreboding as it progresses, telling the story of couple Laurel and Jacob as they return to the ramshackle home of Laurel’s deceased grandmother. Laurel’s reminiscing reminds Jacob of the horrific run-up to his own sister’s death, tied in with a mysterious sand pile located not far from where the couple now lay. Atmosphere is the name of the game in this entry, DeMeester painting the sense of unseen, esoteric horrors lurking in the shadows, just waiting for the right moment to make themselves known…
Read the complete review here.
As I’ve said before, sometimes the movies I see at Fantasia on a given day have a common theme. And sometimes they don’t, however much it might look like they ought to. On Wednesday, July 20, I’d go downtown to the Hall Theatre to watch an oddity: a restored Japanese propaganda cartoon from World War II, Momotaro, Sacred Sailors (Momotaro, Umi No Shinpei). Then I planned to head across the street to the De Sève and watch an independent American horror film, The Alchemist Cookbook. I hoped to make it back to the Hall after that in time to watch the second in a series of Japanese science-fiction action movies, Library Wars: The Last Mission (Toshokan Sanso: The Last Mission). It looked like a packed day, and I wondered how the movies would play off of each other.
Sometimes the movies I get to see on a given day at Fantasia have an obvious common theme. Sometimes not. Sometimes there’s a commonality binding two otherwise different movies, but it’s tenuous. So it was that on Tuesday, July 19, I watched a Korean historical drama called The Throne (originally Sado), and followed it with a Polish musical-fantasy-tragicomedy called The Lure (originally Córki dancingu). They’re both films based on older stories, in the first case recorded history from the eighteenth century, and in the second Hans Christian Andersen’s fairy tale “The Little Mermaid.” As you might imagine from those two very different source materials, these are very different movies in very different genres. But it also seemed to me that the process of retelling the stories was very different as well.
