Black Gate – Page 633 – Adventures in Fantasy Literature

Roman Lusitania Opens at the Museo Arqueológico Nacional, Madrid

Wednesday, July 6, 2016 Sean McLachlan Comments 0 Comment

20160702_104130

Statue of a Lusitani warrior, 1st century AD.
Note the torc and arm bands, indicating high rank

It’s the start of the summer exhibition season here in Madrid, and the National Archaeological Museum is offering a free exhibition called Lusitania Romana, about the Roman province that took up much of what is now western Spain and Portugal.

The province got its name from the native Lusitani, who were either a Celtiberian people or an older ethnic group culturally influenced by the Celts, depending on which historian you read. The Romans fought these people from from 155 to 139 BC, eventually defeating them. The Lusitani continued a guerrilla war for another century.

When the province was created in 27 BC, the capital was set as Emerita Augusta, now the modern city of Mérida in Spain, which still retains some fascinating Roman ruins including a well-preserved theater, plus an excellent museum. With pacification came acculturation, and soon the region had several sizeable cities with all the usual Roman public works, and the countryside had numerous villas with some fine mosaics that have survived to this day.

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Future Treasures: Drowned Worlds: Tales from the Anthropocene and Beyond, edited by Jonathan Strahan

Wednesday, July 6, 2016 John ONeill Comments 2 comments

Jonathan Strahan has edited some extremely impressive anthologies. In fact, we assessed his recent Meeting Infinity as the most successful anthology of 2016 (using our own highly subjective yardstick, of course.) His latest, Drowned Worlds, contains all-original fiction by some of the biggest names in SF, including Kim Stanley Robinson, Ken Liu, Paul McAuley, Kathleen Ann Goonan, Rachel Swirsky, Charlie Jane Anders, Lavie Tidhar, Jeffrey Ford, and James Morrow, and it promises to be just as interesting. On his Coode Street blog, Jonathan summarizes it thusly:

I think it’s sharp, pointed, timely and sometimes satirical. I think it’s about who we are when faced with disaster, and not about disaster. I think it makes for good reading.

Here’s the publisher’s take:

Last call for the Gone World…

We live in a time of change. The Anthropocene Age – the time when human-induced climate change radically reshapes the world – is upon us. Sea water is flooding the streets of Florida, island nations are rapidly disappearing beneath the waves, the polar icecaps are a fraction of what they once were, and distant, exotic places like Australia are slowly baking in the sun.

Drowned Worlds asks fifteen of the top science fiction and fantasy writers working today to look to the future, to ask how will we survive? Do we face a period of dramatic transition and then a new technology-influenced golden age, or a long, slow decline? Swim the drowned streets of Boston, see Venice disappear beneath the waves, meet a woman who’s turned herself into a reef, traverse the floating garbage cities of the Pacific, search for the elf stones of Antarctica, or spend time in the new, dark Dust Bowl of the American mid-west. See the future for what it is: challenging, exciting, filled with adventure, and more than a little disturbing.

Whether here on Earth or elsewhere in our universe, Drowned Worlds give us a glimpse of a new future, one filled with romance and adventure, all while the oceans rise…

Here’s the complete Table of Contents.

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Series Fantasy: Apparatus Infernum by A. A. Aguirre

Tuesday, July 5, 2016 John ONeill Comments 2 comments

I get a lot of review copies in the mail, and I buy a great many books online (Amazon tells me I’ve placed 15 orders in the past 30 days, which seems like kind of a lot. And it’s probably best if we don’t discuss eBay.) But I still enjoy my Saturday trips to the bookstore, where I can leisurely browse Barnes & Noble’s SF & Fantasy section. Even for someone who puts effort into staying on top of SF publishing every single day, there are always surprises.

It was a pleasant surprise a few weeks ago when I stumbled on A. A. Aguirre’s intriguing two-volume steampunk/noir/crime series Apparatus Infernum, which consists of Bronze Gods and Silver Mirrors. A.A. Aguirre is the pseudonym for Ann & Andres Aguirre, a husband-wife writing team. Ann Aguire, as we’ve noted previously is an extraordinarily prolific fantasy and SF writer, producing some 22 novels in five years, including the Sirantha Jax science fiction adventures, the Corine Solomon urban fantasies, the YA post-apocalyptic dystopian Razorland trilogy, the dark SF series The Dred Chronicles, and many more.

The Apparatus Infernum series looks like a pleasing combination of fantasy and noir drama… and it has the added attraction of not being ten books long. Here’s the description for the first book.

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Try Out Blind Spot, a New Magazine of French Science Fiction

Tuesday, July 5, 2016 John ONeill Comments 0 Comment

When I was at the Nebula Awards weekend in May, I met a charming young man named Julien Wacquez, the co-editor of the French SF magazine Angle Mort, which publishes English SF in translation for French readers. I learned that he and his co-editor, René-Marc Dolhen, were launching a brand new English magazine to bring the best of French SF to English audiences, Blind Spot. He was kind enough to send me a copy of the first issue last week, and it looks terrific. Here’s René-Marc and Julien, from their introduction.

Angle Mort was founded in France in 2010 to translate innovative science fiction stories written by authors such as Aliette de Bodard, Jeffrey Ford, Kij Johnson, Kelly Link, Ian McDonald, Vandana Singh, and to publish French original narratives written by Stéphane Beauverger, David Calvo, Thomas Day, Jean-Claude Dunyach, Léo Henry, and Laurent Kloetzer among others. Our work has been recognized several times by the Grand Prix de l’Imaginaire and nominated as “best translated work of the year” or “best short story of the year…”

Going forward, we wish to widen our audiences to pursue our two main goals:

1 – Bolster the ties between French and American science fiction, by launching a new magazine, Blind Spot, that translates French stories into English. We think that French science fiction is rich from finding new ways to describe human experiences and contradictions, the weight of structures upon our lives, and the role of collective entities on our destiny.

2 – Bridge art, science, and literature, by supporting people who try to remold original perceptions of the self or the surrounding world, regardless of whether their works are fictional stories, academic papers, or visual arts, as long as they relate to science fiction.

Both French and English online magazines owned by the group are conceived as an endeavor to find new languages, new ways of telling true stories. They will be published at a frequency of two issues per year each. The narratives will be available for free on their dedicated website and exclusive additional content (interviews with contributors) can be accessed by ordering the complete online issue for $3. The proceeds will help us pay our contributors and translators.

Read the first story, Jean-Claude Dunyach’s “Landscape with Intruders,” free online here. And buy the first issue in PDF, epub and mobi formats for just $3 here. Broaden your horizons, and support a new SF magazine!

The Conclusion to a Grand Adventure: Hobgoblin Night by Teresa Edgerton

Tuesday, July 5, 2016 Fletcher Vredenburgh Comments 0 Comment

Hobgoblin Night (2015) is an e-book rerelease (and revision, and repackaging, along with three previously published short stories) of The Gnome’s Engine (1991), Teresa Edgerton’s charming follow-up to Goblin Moon (1991). In it, the adventures of brave Sera Vorder and dashing Francis Skelbrooke, and the evil machinations of the faerie-human hybrid, the Duchess of Zar-Wildungen, continue.

In my Black Gate review of Goblin Moon, I wrote,

Goblin Moon is a model of what light entertainment can be. It’s not going to change your world, but it will definitely bring a smile to the face of anyone with a taste for some swashbuckling and Gothic mystery. This tale, smelling just a little of lavender and gunpowder, is a fun respite from all the bloody, cynical “realism” permeating much of modern fantasy — come to think of it, much of modern life.

Those words hold true for Hobgoblin Night, as well. There’s a little less swashbuckling and a little more Gothic mystery in this volume, but it’s just as much outright fun as its predecessor. If you have any desire to visit a world suspiciously like Europe during the Enlightenment, but with Gnomes, Fairies, Trolls, magic, and alchemy, these two books are for you.

At the end of Goblin Moon Sera, her cousin Elsie, and Jed Braun were headed off over the Alantick Ocean to the hoped-for safety of the New World. Though they had thwarted the Duchess’ evil plan to wreak dire harm on Elsie as revenge for a slight perpetrated by Elsie’s mother, they hadn’t stifled her desire for satisfaction. By stealing an ancient, mysterious parchment from the Duchess before fleeing, they had, in fact, only enraged her more.

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Self-published Book Review: Forgotten Soldiers by Joshua P. Simon

Monday, July 4, 2016 Donald Crankshaw Comments 0 Comment

If you have a book you’d like me to review, please see this post for instructions to submit. I’ve received very few submissions recently, and I’d like to get more.

Forgotten Soldiers is the story of Tyrus, a sergeant in the Turine army. Turine has been at war with the Geneshan Empire for over a decade, and the war is almost over, the Empire on the defensive. Tyrus’s tactical skill and magic resistance make him a highly valued asset, and he is sent, along with his well-trained unit and powerful mage sister, on the critical mission of recovering a magical artifact, an ancient superweapon in the hands of the Geneshans. He succeeds, and the Geneshans immediately surrender. It turns out the Geneshans are even more afraid of the artifact than the Turines are, and the only condition of their surrender is that the Turines not use the artifact. Tyrus and what remains of his unit are discharged.

Their reception is not quite as warm as they anticipated. Many people have heard rumors of what the army has been up to, and it’s not pretty. People regard the soldiers with suspicion, refuse to do business with them, and there is even an attack by a mob at the first town they visit. When Tyrus and his friends are forced to defend themselves, the situation becomes worse and they have to leave town in a hurry, every soldier hoping that they’ll at least be welcomed back in their hometowns.

For Tyrus and his friends, that’s not to be. Tyrus returns to find himself presumed dead, and his family in dire straits. The town has changed, consisting mostly of newcomers hostile to him, and even his old friends are either suspicious of him themselves or too afraid of the current climate to help. It’s up to him to rescue his son and daughter, Zadok and Myra, from indentured servitude and try to find a place for his family.

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New Treasures: Almost Infamous by Matt Carter

Monday, July 4, 2016 John ONeill Comments 0 Comment

Talos Press is in imprint of Skyhorse Publishing, the same outfit that purchased Night Shade Books and has done a stellar job re-invigorating the imprint. They’ve published some fine titles over the past few years, including Patricia Ward’s Skinner Luce, Martin Rose’s My Loaded Gun, My Lonely Heart, Karina Sumner-Smith’s Radiant, M. H. Boroson’s The Girl with Ghost Eyes, and many others.

Talos does a lot of books that other publishers wouldn’t risk, and that alone makes them interesting. A fine recent example is Matt Carter’s first solo novel Almost Infamous, about teenage superhuman Aidan Salt, who chooses to become the first supervillian the world has seen in decades. San Francisco Book Review calls it “a funny, dark, and thoroughly enjoyable story about friendship, heroism, and the lengths to which we’ll go to disrupt the status quo,” and Booklist labels it “irresistible reading.”

My only complaint is the cover. I understand why they went the comic book route, but it looks like it was designed by someone who hasn’t looked at a comic book in 20 years. With all the dynamic and innovative work being doing in comics these days, there’s little excuse for a comic book-style cover to be as bland and minimalist as this one. I suspect a lot of readers will overlook it because of the cover, and that’s a shame.

Almost Infamous was published by Talos Press on April 19, 2016. It is 312 pages, priced at $15.99 in trade paperback and $9.99 for the digital version. The cover art is by Adam Wallenta.

The Public Life of Sherlock Holmes: Don’t Panic!

Monday, July 4, 2016 Bob Byrne Comments 9 comments

To those who ascribe to Dirk Gently’s belief in the fundamental interconnectedness of everything (the working premise that made him the holistic detective that he was), you might be able to tie together today’s rambling post. If you do, feel free to explain it to me. My Sherlockian approach failed miserably in the attempt. I got to the point where, once I had eliminated the impossible, whatever remained, however improbable, must be the truth. Except what remained was still impossible.

(I wrote about the Gently books here and the television miniseries here. Go ahead and read them. You know you want to.)

And since I’m talking about a mega-successful series, that has sold/rated well in almost every medium short of Mime, you don’t get a Spoiler Alert. If you’re not familiar with Adams’ works, I don’t know why you’re reading this post anyways. Go read/watch/play/listen to some incarnation of this stuff.

Dirk Gently’s Holistic Detective Agency is my favorite Douglas Adams book (many folks would like me to explain how that could be!). But I first came to Adams’ just like everybody else: through The Hitchhiker’s Guide to the Galaxy. Note I use the unhyphenated spelling.

I wouldn’t tackle that controversy without downing at least two Pan Galactic Gargleblasters first. And since I would lose consciousness two swallows into the first one, we can put that issue to bed right now. And I don’t mean on one of the follopping mattresses from the swamps of Sqornshellous Zeta, either. There.

Now we can move along. Though if you want to delve deeper into the issue on your own, see Don’t Panic: The Official Hitchhiker’s Guide to the Galaxy Companion by Neil Gaiman – pages 50-51.

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Sample the Finest Short Stories of a Science Fiction Great: The Best of Robert Silverberg: Stories of Six Decades

Monday, July 4, 2016 John ONeill Comments 3 comments

The Best of Robert Silverberg Stories of Six Decades-small

The Best of Robert Silverberg Stories of Six Decades-back-small

William Schafer’s Subterranean Press is one of the most prolific and accomplished small presses in the industry. It has produced countless books by Dan Simmons, Stephen King, George R.R. Martin, James Blaylock, Robert McCammon, Paolo Bacigalupi, Neal Barrett, Jr., Steven Erikson, Neil Gaiman, Jack Vance, and many others.

I don’t typically report on them here, however. While we’re always happy to promote small press publishers at Black Gate, we like to make sure you can obtain the great books we’re telling you about. And Subterranean specializes in limited edition hardcovers that frequently sell out quickly.

That’s not always the case, however — and I’m very pleased to report on those rare instances when Subterranean makes its excellent books available in paperback. One such case is the splendid The Best of Robert Silverberg: Stories of Six Decades, a generous collection of Robert Silverberg’s best stories spanning over 50 years. It includes much of his most important and acclaimed short work, including “Nightwings” (the 1969 Hugo Award winner for Best Novella), “Passengers” (Nebula Award, 1970), “Good News from the Vatican” (Nebula, 1971), “Born with the Dead” (Best Novella Nebula, 1975) “Schwartz Between the Galaxies,” “Sailing to Byzantium” (Nebula Award, Best Novella, 1986), and “Enter a Soldier. Later: Enter Another” (Hugo winner, 1990).

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Thrilling Wonder Stories, April 1951: A Retro-Review

Sunday, July 3, 2016 Rich Horton Comments 2 comments

I felt like looking at a classic pulp from the great late stages of the true SF pulps.

A moment of definition is in order here: I consider a true pulp magazine to have been printed on pulp paper, in approximately the traditional pulp size (7″ by 10″), during the heyday of the SF pulps (say, 1926-1955). This is meant to exclude digests (like Astounding after about 1943; and most SF magazines after 1955), and of course slicks. The great pulps (in my opinion) of the early 1950s were the Standard Magazines companion pair, Thrilling Wonder Stories and Startling Stories, and Planet Stories (published by Love Romances).

So this is Thrilling Wonder Stories for April of 1951. Thrilling began publication in 1936, though it was essentially a direct descendant of Wonder Stories, which was founded by Hugo Gernsback after he lost control of Amazing, first as two magazines, Air Wonder Stories and Science Wonder Stories, that soon merged into one. The editor is uncredited but at this time was surely Sam Merwin, Jr., who took over the magazine in 1945, and who left at the end of 1951, Sam Mines taking over. Sam Merwin, little enough celebrated at the time, was actually a quite effective editor, raising the quality of Thrilling Wonder Stories and Startling Stories to at least shooting distance of Astounding – perhaps the quality at the top wasn’t as good, but the vibe was a bit more entertaining, less didactic.

Indeed, I discussed this premise – that Thrilling Wonder and Startling were nearly the equal of Astounding – with a few other folks who know the magazines of that time as well or better than I do, and we came to the conclusion (some holding this view more strongly than others) that in about 1948-1950 that was a very defensible statement, but that by 1951 they were falling behind. And the reason seemed obvious once suggested: the appearance in late 1950 of Galaxy (not to mention the appearance slightly earlier of F&SF) provided a new market that quickly attracted most of the best stories that Campbell didn’t or couldn’t buy.

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