Canco Charlie

Canco Charlie

 

Canco Charlie

I used to live in the pleasant village of Fairport, NY, a short walk from the Erie Canal, by which inland Fairport got its name. A reminder of those industrial days could be found about a mile east along the canal in a long four-story factory owned by the American Can Company. Canco, as locals called it, had been formed in 1901 as one of the 300+ trusts that gobbled up every industry in America into impregnable monopolies. The tin-plate trust was never as famous as Rockefeller’s Standard Oil or Carnegie’s United States Steel yet played just as critical a part in the average household. Canned foods were another hot new technology, because a new method of sealing the cans without solder had just been perfected by the well-named Sanitary Can Company, which ran their experiments in Fairport. After a steep learning curve, leading to many bulging botulistic cans quietly being dumped in the canal, Sanitary perfected the means of crimping can tops on to the body, made of corrosion resistant tinplate steel, the familiar tin can of today. American Can swallowed Sanitary Can in 1908.

World War II changed everything, including food. Millions of young families fled cities for the open spaces of the suburbs and their increasingly gigantic supermarkets, filled with endless aisles of canned foods. Those promised ease from the hours of cooking known by their mothers. Poppy Cannon, author of the Can-Opener Cookbook, apotheosized the tool as “the open sesame to freedom . . . from tedium, space, work, and your own inexperience.”

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Birthday Reviews: Jon DeCles’s “The Power of Kings”

Birthday Reviews: Jon DeCles’s “The Power of Kings”

Cover by Gary Ruddell
Cover by Gary Ruddell

Jon DeCles was born as Donald Studebaker on December 5, 1941.

In addition to writing, DeCles is also a Mark Twain interpreter, performing as Twain and giving lectures about the man’s life and career. He collaborated with Paul Edwin Zimmer on the novel Blood of the Colyn Muir. Studebaker married author Diana L. Paxson.

“The Power of Kings” was written for the eleventh Thieves’ World anthology, Uneasy Alliances, edited by Robert Lynn Asprin and Lynn Abbey and published in 1988. He would write a follow-up story for the next, and final, volume of the original series as well.

A troupe of actors led by Feltheryn has arrived in Sanctuary, where High Priest Molin Torchholder is building them a new theatre and has commissioned them to perform a play. Once a major actor in the capital of Ranke, Feltheryn and his crew are hoping to reestablish themselves in Sanctuary, unaware that Torchholder has specifically chosen a play that couldn’t help be political in nature and set to offend Prince Kadakithis and his lover, the Beysa. The story is clearly part of the woven tapestry of Thieves World and would not work well standing on its own.

The story deals with Feltheryn’s need to get the theatre in order, rehearse himself and his troupe, and keep tabs on his troupe, from his partner/lover Gisselrand, who is as focused as he is, to Rounsnouf, the comedian given a key dramatic role who is spending all his time at the infamous Vulgar Unicorn tavern. Into this schedule are thrown random groups of street toughs who want to avenge themselves on Feltheryn for not being able to rob him, as well as meetings, chance or otherwise, with various denizens of Sanctuary.

For someone who thrived in the capital, Feltheryn seems to have a poor sense for when he is being used a as pawn. Not only is Torchholder using him and the troupe for his own purposes, but many others who he or Rounsnouf come into contact with see the theatrical troupe as a means of advancing their own agenda. Even without the troupe being aware that anything is happening, they are moved in a political agenda which could (and should) be disastrous until Feltheryn’s quick thinking allows him to cast the situation in a more positive light.

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A Dungeons & Dragons Holiday Gift Guide

A Dungeons & Dragons Holiday Gift Guide

MadMageDungeons & Dragons is having something of a renaissance. After a somewhat awkward period era known as “fourth edition,” the most popular roleplaying game in the world has attained a greater reach than anytime in its history.

If you’re looking for some good setting materials or adventures for Dungeons & Dragons 5th edition, this last year has shown the release of a handful of fantastic resources. Last spring was Mordenkainen’s Tome of Foes, a great resources of various races, including the Devil/Demon war between Hell and the Abyss. But two books released this fall focused a little closer to our fantasy home, with the classic city of Waterdeep.

Waterdeep: Dragon Heist is an urban-based adventure for characters of level 1-5, centered around a massive treasure embezzled from the government of Waterdeep and rumored to be hidden within the city. The GM picks the main villain at the outset from four options, a choice that determines the season of the adventure, which alters how the subsequent chapters will unfold.

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Pirates, Dungeons, and Undead Soldiers: The Copper Cat novels by Jen Williams

Pirates, Dungeons, and Undead Soldiers: The Copper Cat novels by Jen Williams

The Copper Promise-small The Iron Ghost-small

Art by Gene Mollica

I’m a fan of all kinds of fantasy. Urban, romance, Arthurian, YA, weird, magic realism, anthropomorphic, horror, sword & planet… plus all the ones I can’t think of right now. But my first love was adventure fantasy and sword & sorcery, and that’s still the sub-genre that gets the bulk of my attention. Tell me a tale of heroes and magic, and you’ve got my interest. Throw in a dungeon, and I’ll show up for opening night.

So when I found Jen Williams’ 2016 fantasy The Copper Promise — a tale of swords, monsters, and dungeons — at Barnes & Noble last weekend, I wasn’t so much intrigued as I was thinking, “How the heck did I miss this for two years??” Turns out I didn’t miss it entirely; Adrian Tchaikovsky recommended it in his Tor.com list of Five Books Featuring Adventuring Parties, which I read back in 2016, saying:

Jen is one of the best new voices in UK fantasy, and it’s a testament to her writing skill that Wydrin, the “Copper Cat” and a proper fantasy rogue through and through, does not actually eclipse her companions Frith and Sebastian as they fight, trick and run their way through a world that has gone from run-of-the-mill dangerous to actively-being-set-on-fire-by-a-dragon dangerous thanks, chiefly, to their own poor life choices. “Let sleeping gods lie,” goes the tagline. No need to tell you how that one works out.

The book was released by Angry Robot; a little digging online found one sequel from the same publisher, The Iron Ghost (2017), and a third volume published only in the UK, The Silver Tide (2016). All three were nominated for the British Fantasy Award. The first for Best Newcomer, and the second and third for Best Fantasy Novel. The reviews have been strong as well, especially for the first one. Starburst Magazine said “The Copper Promise is near-perfect fantasy-adventure fun and a breath of fresh air,” and Den Patrick said, “There are pirates and magic, demons and disciples, undead soldiers and noble knights… a lot of fun.” Here’s the Angry Robot book blurbs for the first two.

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Birthday Reviews: Kurt R.A. Giambastiani’s “Intaglio”

Birthday Reviews: Kurt R.A. Giambastiani’s “Intaglio”

Cover by Gary Davis
Cover by Gary Davis

Kurt R.A. Giambastiani was born on December 4, 1958.

Giambiastini’s debut novel The Year of the Cloud was a finalist for the 2002 Endeavour Award. In addition to writing fiction, Giambastiani has performed as a violist in regional orchestras and works as a software developer.

“Intaglio” was published by Algis Budrys in the October 1995 issue of Tomorrow Speculative Fiction, issue #17. The story has never been reprinted.

Giambastiani’s story is set several years after a rebellion was put down on the planet Thessalon. The people of Thessalon and the city of Pellion, where the rebellion was centered, have mostly been ignored by the Central Military Forces, apart from a series of economic sanctions. The Commander of the forces that crushed the revolt, Gavin Price-George, however, takes a series of intaglios, three dimensional photographs which allow the viewer to see depth and perspective, following the revolt and has published them in the years since. To celebrate an anniversary, he returns to Pellion with a showing of his intaglios.

Price-George comes with a full military contingent and announces that he is not only throwing a party for the people of Pellion, but that trade restrictions will also be relaxed. Giambastiani’s story focuses on the differences between the way Price-George is greeted by the younger generation, which doesn’t have a memory of the war and the deaths, and the older generation, for whom the wounds are still fresh and the memories of their killed friends and families shade their dealings with Price-George. The art display drives that home as the younger generation is seeing old images, but the older generation is seeing pictures of their younger selves, often at moments of great anguish.

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A Spectacularly Gruesome Nasty: The Fungus by Harry Adam Knight

A Spectacularly Gruesome Nasty: The Fungus by Harry Adam Knight

The Fungus Harry Adam Knight-small The Fungus Harry Adam Knight-back-small

I first discovered Valancourt Books at their wondrous booth in the Dealer’s Room of the 2014 World Fantasy Convention in Washington DC (I wrote about that revelatory find here.) So as soon as I entered the Dealer’s Room at this year’s WFC in Baltimore I searched them out, and was delighted to find them with a well-stocked booth again this year. I stocked up on several of their recent releases, including a new collection from Steve Rasnic Tem, Michael McDowell’s creepy novel Cold Moon Over Babylon, a pair of novels by Mervyn Wall, and the latest volumes of The Valancourt Book of Horror Stories. But I think my most interesting acquisition was The Fungus, a reprint of a gonzo 1985 horror novel by “Harry Adam Knight” (the pseudonym of British writers John Brosnan and Leroy Kettle). Ramsey Campbell called it “A spectacularly gruesome nasty, written with inventiveness, grisly wit, and considerably more intelligence than almost any of its competitors,” and Publishers Weekly raved about it, saying:

What would happen if, through a genetic experiment gone awry, fungi–mushrooms, toadstools, molds and yeasts — were to go out of control and grow with unprecedented vigor and speed and tenacity, and in places formerly inimicable (sic) to them? Knight has pulled out the stops to produce an imaginative and fast-paced sci-fi horror tale set in the British Isles. The protagonist is Barry Wilson, a semi-successful author of spy novels and a former mycologist. Barry’s wife Jane, from whom he is separated, is the scientist whose experiment has lead (sic) to the disaster, and the British government has called upon Barry to help find Jane and her lab notes. Crossing London in an armored tank, Barry and two other volunteers observe all sorts of grotesqueries: people and animals covered with multicolored fungi, some still alive, some now quite insane; farms and buildings and forests draped in spongy shrouds; mushrooms tall as skyscrapers…. A first-rate and vivid thriller.

That’s some great press, but I think what really sold me was the marvelous cover by M.S. Corley. The Fungus was published by Valancourt Books on October 2, 2018. It is 191 pages, priced at $15.99 in trade paperback and $6.99 for the digital version. See all of our coverage of the excellent Valancourt Books here, and check out their website here.

A (Black) Gat in the Hand: Back Deck Pulp #4

A (Black) Gat in the Hand: Back Deck Pulp #4

Gat_HBOmnibusEDITED“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Hopefully, by now, you know that I’ve done a slew of Facebook posts under the label, Back Deck Pulp, kind of cross-promoting this column. Especially since last week’s column was BDP #3! Below are some more of my Back Deck Pulp posts, collected by subject matter. I tried to share some interesting info. You be the judge! Here are links to BDP #1, and BDP #2.

 

In 1946, Simon & Schuster put out The Hard-Boiled Omnibus, an anthology of Black Mask stories, put together by the legendary Joseph ‘Cap’ Shaw. It is the Beeton’s Christmas Annual (the first appearance of Sherlock Holmes) of hardboiled. All such anthologies can point back to that initial volume.

HARD BOILED OMNIBUS

The Back Deck Pulp library now includes an original, 1946, hardback copy of The Hard Boiled Omnibus! You better believe there will be a A (Black) Gat in the Hand post on this bad boy! (I didn’t get around to writing that post. Maybe a 2019 special column…)

And I bought it from the current Black Mask rights holder and editor, Matt Moring. Most cool

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Birthday Reviews: John Dalmas’s “In the Bosom of His Family”

Birthday Reviews: John Dalmas’s “In the Bosom of His Family”

Cover by C.A. Beal
Cover by C.A. Beal

John Dalmas was born John Jones on December 3, 1926 and died on June 15, 2017.

Dalmas first book The Yngling was serialized in Analog in 1969 and published in book form in 1971. Dalmas began publishing regularly in the 1980s, producing the Fanglith books and The Regiment series, as well as many short stories. In addition to his career as an author Dalmas worked for the US Forest Service.

Dalmas originally published “In the Bosom of His Family” in the October 1989 issue of Pulphouse: The Hardback Magazine, Volume 5: Horror, edited by Kristine Kathryn Rusch. The story has never been reprinted.

Although “In the Bosom of His Family” is an horror story, the true horror of the tale doesn’t become apparent until near the end. It focuses on Charley Greer, part of a family of ranchers who have been settled in the valley for generations. Everything is done the “Greer Way,” including procreation. The eldest sons are expected to marry and have children while the younger sons are expected to remain single and stay on to help the family ranch. Charley is the second son and is helping out, but he is also dying of cancer and realizes his time is near.

Dalmas focuses on the familial ties and the sense of filial obligation, but Charley also sees his sister-in-law pregnant with a child who will follow in Charley’s role. Charley also reflects on his own uncle Charley, a younger brother who he never met, but whose life he is emulating and who he heard stories about from his grandfather and did his best to evoke his grandfather’s memories of him.

Seeing the life around him and the life expected for his potential nephew, Charley decides that rather than die on the ranch, as is the Greer way, he would head to the hospital, even if it meant an arduous trek overland since he didn’t want to have to ask for a ride. As Charley makes his way, it becomes evident that the Greer way is more than just tradition and Charley wasn’t just channeling his uncle, but rather there is an element of reincarnation at play and Charley’s life as a second son was a continuation of his uncle’s life, just as Charley’s nephew will be a reincarnation of him. Charley’s hope is that by dying far away from the ranch, he might be able to spare his nephew that fate.

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Galaxy Science Fiction, May 1954: A Retro-Review

Galaxy Science Fiction, May 1954: A Retro-Review

Galaxy May 1954-small Galaxy May 1954-back-small

The cover of the May, 1954 issue of Galaxy Science Fiction is by Ed Emshwiller, specifically for Theodore Sturgeon’s story “Granny Won’t Knit.” I’ve only noticed a few covers in these early issues that are illustrations of the fiction within. More often, Editor H.L. Gold seemed to prefer unrelated covers for his magazine.

“Granny Won’t Knit” by Theodore Sturgeon — Roan works for his father, who runs a transportation company. Their society has strict rules around proper dress — hiding the bodies and hands of men and women. Families are organized into strict patriarchal units. Though he’s an adult, Roan hasn’t earned the right to begin his own family and remains under the guidance of his overbearing father.

Seemingly by accident, Roan transports himself into the presence of a young woman who has bare arms and hands. She teases him a bit as he flounders to leave. But in the days to follow, he can’t get her out of his mind and is determined to find her again.

Roan also draws closer to his grandmother, who remembers a culture no one speaks of. And she’s not convinced that the current technology for transportation is the best, considering its limitations to the planet Earth. Her strange views are unsettling, yet Roan sees reason in her thoughts and allows that he may be limited in knowledge.

I think this story stands the test of time. There’s not much that glaringly sticks out to make it a 1950s science-fiction story — at least nothing that comes to mind. It works well.

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Future Treasures: A Cathedral of Myth and Bone by Kat Howard

Future Treasures: A Cathedral of Myth and Bone by Kat Howard

A Cathedral of Myth and Bone-small A Cathedral of Myth and Bone-back-small

Kat Howard has been widely acclaimed for her novels, starting with Roses and Rot (2016), a Locus Award nominee for Best First Novel and a Publishers Weekly Best Fantasy Novel of Summer 2016, and An Unkindness of Magicians (2017), the tale of a secret cabal of wizards in New York City. Both were published by Saga Press.

She began publishing short fiction eight years ago, with “Beauty and Disappearance” in the Summer 2010 issue of Weird Tales. Since then she has become a regular in places like Lightspeed, Beneath Ceaseless Skies, Clarkesworld, Uncanny, Nightmare, and other fine magazines, producing over 40 tales. Two decades ago that would have meant she’d have at least a successful collection or two by now, but the industry has changed at lot since the days when publishers would take a chance on a collection from an emerging author.

But apparently nobody told Saga editor Joe Monti. Howard’s new collection A Cathedral of Myth and Bone arrives next month from Saga. It contains fourteen previously published stories, plus two original to this collection, the short story “Saint’s Tide” and the 116-page Arthurian novella “Once, Future.” I’m glad to see it, and I hope it does well. And if, like me, you enjoy short story collections, then I hope you’ll support this one.

A Cathedral of Myth and Bone will be published by Saga Press on January 8, 2019. It is 358 pages, priced at $25.99 in hardcover and $7.99 for the digital edition. The cover is by Amy Haslehurst. See all of our recent coverage of the best in upcoming fantasy here.